Download or read book The Illustrated Bartsch suppl Raphael Sadeler I 3 v written by Adam von Bartsch and published by . This book was released on 2007 with total page 264 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book The Illustrated Bartsch written by Walter L. Strauss and published by Abaris Books. This book was released on 1980 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book The Grove Encyclopedia of Northern Renaissance Art written by Gordon Campbell and published by OUP USA. This book was released on 2009-11-26 with total page 768 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Grove Encyclopedia of Northern Renaissance Art (GENR) deals with all aspects of Northern Renaissance art ranging from artists, architecture, and patrons, to the cities and centres of production vital to the flourishing of art in this period. Drawing upon the unsurpassed scholarship in The Dictionary of Art and adding dozens of new entries, GENR is a comprehensive reference resource on this important area.

Download or read book Da Caravaggio ai Caravaggeschi written by Alessandro Zuccari and published by CAM. This book was released on 2009 with total page 618 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book European Drawings written by J. Paul Getty Museum and published by . This book was released on 1988 with total page 380 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Making Copies in European Art 1400 1600 written by and published by BRILL. This book was released on 2018-11-26 with total page 541 pages. Available in PDF, EPUB and Kindle. Book excerpt: Making Copies in European Art 1400-1600 comprises sixteen essays that explore the form and function, manner and meaning of copies after Renaissance works of art. The authors construe copying as a method of exchange based in the theory and practice of imitation, and they investigate the artistic techniques that enabled and facilitated the production of copies. They also ask what patrons and collectors wanted from a copy, which characteristics of an artwork were considered copyable, and where and how copies were stored, studied, displayed, and circulated. Making Copies in European Art, in addition to studying many unfamiliar pictures, incorporates previously unpublished documentary materials.

Download or read book The Sexuality of Christ in Renaissance Art and in Modern Oblivion written by Leo Steinberg and published by University of Chicago Press. This book was released on 2014-12-10 with total page 426 pages. Available in PDF, EPUB and Kindle. Book excerpt: Originally published in 1983, Leo Steinberg's classic work has changed the viewing habits of a generation. After centuries of repression and censorship, the sexual component in thousands of revered icons of Christ is restored to visibility. Steinberg's evidence resides in the imagery of the overtly sexed Christ, in Infancy and again after death. Steinberg argues that the artists regarded the deliberate exposure of Christ's genitalia as an affirmation of kinship with the human condition. Christ's lifelong virginity, understood as potency under check, and the first offer of blood in the circumcision, both required acknowledgment of the genital organ. More than exercises in realism, these unabashed images underscore the crucial theological import of the Incarnation. This revised and greatly expanded edition not only adduces new visual evidence, but deepens the theological argument and engages the controversy aroused by the book's first publication.

Download or read book German Paintings of the Fifteenth Through Seventeenth Centuries written by John Oliver Hand and published by Cambridge University Press. This book was released on 1993 with total page 215 pages. Available in PDF, EPUB and Kindle. Book excerpt: A catalogue of fifteenth and sixteenth century German paintings in the National Gallery of Art, Washington DC.

Download or read book Durer s Journeys written by Susan Foister and published by National Gallery London. This book was released on 2021-03-23 with total page 304 pages. Available in PDF, EPUB and Kindle. Book excerpt: Albrecht Durer's (1471-1528) travels across Europe in the early Renaissance led to a fascinating interchange of ideas with his fellow artists, both northern and southern. This book explores Durer's extensive influence on his contemporaries and his sources of inspiration, bringing together paintings, drawings, sculptures, glass, and prints by artists he may have encountered along the way. It also examines the complex development of Durer's own status as an artist entrepreneur and innovator in artistic theory.0 Durer's journal records his pursuit of commissions and details his visits to Italy, Antwerp, Cologne, Brussels, Ghent, and Bruges. During this time he produced a trove of landscapes, portraits, and animal drawings, and studies for larger projects, such as the painting of Saint Jerome that would become his most copied work. Durer's travels informed some of his most exciting and engaging works, and their visual legacy extended far beyond his lifetime and throughout the continent.00Exhibition: The National Gallery, London, UK(06.03.?13.06.2021) / Suermondt-Ludwig Museum, Aachen, Germany (18.07.-24.10.2021).

Download or read book Hendrick Goltzius 1558 1617 written by Hendrik Goltzius and published by . This book was released on 2003 with total page 360 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Art for the Nation written by National Gallery of Art (U.S.) and published by . This book was released on 2000 with total page 328 pages. Available in PDF, EPUB and Kindle. Book excerpt: Exhibition includes approximately 2% of the acquisitions made during the 1990s.

Download or read book D rer and Beyond written by Stijn Alsteens and published by Metropolitan Museum of Art. This book was released on 2012 with total page 274 pages. Available in PDF, EPUB and Kindle. Book excerpt: "This exhibition is the first to offer an extensive overview of the Museum's holdings of early Central European drawings, many of which were acquired in the last two decades. An emphasis on works by later sixteenth- and seventeenth-century artists is balanced by a selection of German drawings from the fifteenth and earlier sixteenth century, of which some of the most exceptional ones--including works by Albrecht Deurer--entered the Museum with The Robert Lehman Collection in 1975."--Publisher's website.

Download or read book European Drawings 1 written by George R. Goldner and published by Getty Publications. This book was released on 1988-04-01 with total page 370 pages. Available in PDF, EPUB and Kindle. Book excerpt: Within a short time the Department of Drawings has acquired impressive holdings of European works on paper. This volume, the first in a series intended to keep scholars apprised of acquisitions, contains 149 entries on Italian, French, Flemish, Dutch, and other works ranging in date from the Renaissance through the nineteenth century. Artists represented include Rembrandt, Cezanne, Blake, Goya, Dürer, Savery, Rubens, Millet, Veronese, Caravaggio, Raphael, and numerous others. All drawings are illustrated at full-page size.

Download or read book Rembrandt and the Female Nude written by Eric Jan Sluijter and published by Amsterdam University Press. This book was released on 2006 with total page 452 pages. Available in PDF, EPUB and Kindle. Book excerpt: Rembrandt’s extraordinary paintings of female nudes—Andromeda, Susanna, Diana and her Nymphs, Danaë, Bathsheba—as well as his etchings of nude women, have fascinated many generations of art lovers and art historians. But they also elicited vehement criticism when first shown, described as against-the-grain, anticlassical—even ugly and unpleasant. However, Rembrandt chose conventional subjects, kept close to time-honored pictorial schemes, and was well aware of the high prestige accorded to the depiction of the naked female body. Why, then, do these works deviate so radically from the depictions of nude women by other artists? To answer this question Eric Jan Sluijter, in Rembrandt and the Female Nude, examines Rembrandt’s paintings and etchings against the background of established pictorial traditions in the Netherlands and Italy. Exploring Rembrandt’s intense dialogue with the works of predecessors and peers, Sluijter demonstrates that, more than any other artist, Rembrandt set out to incite the greatest possible empathy in the viewer, an approach that had far-reaching consequences for the moral and erotic implications of the subjects Rembrandt chose to depict. In this richly illustrated study, Sluijter presents an innovative approach to Rembrandt’s views on the art of painting, his attitude towards antiquity and Italian art of the Renaissance, his sustained rivalry with the works of other artists, his handling of the moral and erotic issues inherent in subjects with female nudes, and the nature of his artistic choices.

Download or read book The Journal of the Ex Libris Society written by Ex Libris Society and published by . This book was released on 1899 with total page 402 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Cyclopedia of Painters and Paintings written by John Denison Champlin and published by . This book was released on 1887 with total page 448 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book The Art of Commedia written by M. A. Katritzky and published by Rodopi. This book was released on 2006 with total page 626 pages. Available in PDF, EPUB and Kindle. Book excerpt: Italian comedians attracted audiences to performances at every level, from the magnificent Italian, German and French court festival appearances of Orlando di Lasso or Isabella Andreini, to the humble street trestle lazzi of anonymous quacks. The characters they inspired continue to exercise a profound cultural influence, and an understanding of the commedia dell'arte and its visual record is fundamental for scholars of post-1550 European drama, literature, art and music. The 340 plates presented here are considered in the light of the rise and spread of commedia stock types, and especially Harlequin, Zanni and the actresses. Intensively researched in public and private collections in Oxford, Munich, Florence, Venice, Paris and elsewhere, they complement the familiar images of Jacques Callot and the Stockholm Recueil Fossard within a framework of hundreds of significant pictures still virtually unknown in this context. These range from anonymous popular prints to pictures by artists such as Ambrogio Brambilla, Sebastian Vrancx, Jan Bruegel, Louis de Caulery, Marten de Vos, and members of the Valckenborch and Francken clans. This volume, essential for commedia dell'arte specialists, represents an invaluable reference resource for scholars, students, theatre practitioners and artists concerned with commedia-related aspects of visual, dramatic and festival culture, in and beyond Italy.