Download or read book Heroic Image in Five Shakespearean Tragedies written by Matthew N. Proser and published by Princeton University Press. This book was released on 2015-12-08 with total page 263 pages. Available in PDF, EPUB and Kindle. Book excerpt: Centers upon the protagonists of Julius Caesar, Macbeth, Othello, Coriolanus, and Antony and Cleopatra. Originally published in 1965. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Download or read book Shakespeare and the Classical Tradition written by Lewis Walker and published by Routledge. This book was released on 2019-05-24 with total page 920 pages. Available in PDF, EPUB and Kindle. Book excerpt: This bibliography will give comprehensive coverage to published commentary in English on Shakespeare and the Classical Tradition during the period from 1961-1985. Doctoral dissertations will also be included. Each entry will provide a clear and detailed summary of an item's contents. For pomes and plays based directly on classical sources like Antony and Cleopatra and The Rape of Lucrece, virtually all significant scholarly work during the period covered will be annotated. For other works such as Hamlet, any scholarship that deals with classical connotations will be annotated. Any other bibliographies used in the compiling of this volume will be described with emphasis on their value to a student of Shakespeare and the Classics.
Download or read book Shakespeare written by David M. Bergeron and published by . This book was released on 1995 with total page 256 pages. Available in PDF, EPUB and Kindle. Book excerpt: Confronted with the formidable and at times daunting mass of materials on Shakespeare, where does the beginning student - or even a seasoned one - turn for guidance? Answering that question remains the central aim of this guide.
Download or read book Antony and Cleopatra written by Marga Munkelt and published by Bloomsbury Publishing. This book was released on 2024-04-04 with total page 425 pages. Available in PDF, EPUB and Kindle. Book excerpt: This new volume in the Shakespeare: The Critical Tradition series increases our knowledge of how Antony and Cleopatra has been received and understood by critics, editors and general readers. The volume provides, in separate sections, both critical opinions about the play across the centuries and an evaluation of their positions within and their impact on the reception of the play. The chronological arrangement of the text-excerpts engages the readers in a direct and unbiased dialogue, and the introduction offers a critical evaluation from a current stance, including modern theories and methods. This volume makes a major contribution to our understanding of the play and of the traditions of Shakespearean criticism surrounding it as they have developed from century to century.
Download or read book Shakespeares imagery written by Maria Rauschenberger and published by John Benjamins Publishing. This book was released on 1981-01-01 with total page 764 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book A Selective Bibliography of Shakespeare written by James G. McManaway and published by Associated University Presses. This book was released on 1978-07 with total page 340 pages. Available in PDF, EPUB and Kindle. Book excerpt: This bibliography provides easy access to the most important Shakespeare studies in the past four decades. Brief annotations, a detailed table of contents, cross-references, and a complete index make this bibliography especially useful.
Download or read book The Heroic Idiom of Shakespearean Tragedy written by James C. Bulman and published by University of Delaware Press. This book was released on 1985 with total page 276 pages. Available in PDF, EPUB and Kindle. Book excerpt: Shakespeare's idiom is an aggregate of archaic modes of speech and codes of conduct. This book attempts to make that idiom more accessible and, in the process, to illuminate the significance of heroic concepts to a study of Shakespeare's tragedies and histories.
Download or read book Shakespeare s Mature Tragedies written by Bernard McElroy and published by Princeton University Press. This book was released on 2014-07-14 with total page 266 pages. Available in PDF, EPUB and Kindle. Book excerpt: Despite their diversity in tone and subject matter, Shakespeare's four mature tragedies--Hamlet, Othello, King Lear, and Macbeth--all have an essential experience in common. Bernard McElroy defines this experience as the collapse of the subjective world of the tragic hero. Originally published in 1973. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Download or read book Character and the Individual Personality in English Renaissance Drama written by John E. Curran and published by Rutgers University Press. This book was released on 2014-08-20 with total page 323 pages. Available in PDF, EPUB and Kindle. Book excerpt: Character and the Individual Personality in English Renaissance Drama: Tragedy, History, Tragicomedy studies instantiations of the individualistic character in drama, Shakespearean and non-Shakespearean, and some of the Renaissance ideas allowing for and informing them. Setting aside such fraught questions as the history of Renaissance subjectivity and individualism on the one hand and Shakespearean exceptionalism on the other, we can find that in some plays, by a range of different authors and collaborators, a conception has been evidenced of who a particular person is, and has been used to drive the action. This evidence can take into account a number of internal and external factors that might differentiate a person, and can do so drawing on the intellectual context in a number of ways. Ideas with potential to emphasize the special over the general in envisioning the person might come from training in dialectic (thesis vs hypothesis) or in rhetoric (ethopoeia), from psychological frameworks (casuistry, humor theory, and their interpenetration), or from historiography (exemplarity). But though they depicted what we would call personality only intermittently, and with assumptions different from our own about personhood, dramatists sometimes made a priority of representing the workings of a specific mind: the patterns of thought and feeling that set a person off as that person and define that person singularly rather than categorically. Some individualistic characters can be shown to emerge where we do not expect, such as with Fletcherian personae like Amintor, Arbaces, and Montaigne of The Honest Man’s Fortune; some are drawn by playwrights often uninterested in character, such as Chapman’s Bussy D’Ambois, Jonson’s Cicero, and Ford’s Perkin Warbeck; and some appear in being constructed differently from others by the same author, as when Webster’s Bosola is set in contrast to Flamineo, and Marlowe’s Faustus is set against Barabas. But Shakespearean characters are also examined for the particular manner in which each troubles the categorical and exhibits a personality: Othello, Good Duke Humphrey, and Marc Antony. Published by University of Delaware Press. Distributed worldwide by Rutgers University Press.
Download or read book Shakespeare s Big Men written by Richard van Oort and published by University of Toronto Press. This book was released on 2016-06-16 with total page 272 pages. Available in PDF, EPUB and Kindle. Book excerpt: Shakespeare’s Big Men examines five Shakespearean tragedies – Julius Caesar, Hamlet, Othello, Macbeth, and Coriolanus – through the lens of generative anthropology and the insights of its founder, Eric Gans. Generative anthropology’s theory of the origins of human society explains the social function of tragedy: to defer our resentment against the “big men” who dominate society by letting us first identify with the tragic protagonist and his resentment, then allowing us to repudiate the protagonist’s resentful rage and achieve theatrical catharsis. Drawing on this hypothesis, Richard van Oort offers inspired readings of Shakespeare’s plays and their representations of desire, resentment, guilt, and evil. His analysis revives the universal spirit in Shakespearean criticism, illustrating how the plays can serve as a way to understand the ethical dilemma of resentment and discover within ourselves the nature of the human experience.
Download or read book Shakespeare on Masculinity written by Robin Headlam Wells and published by Cambridge University Press. This book was released on 2000-12-21 with total page 263 pages. Available in PDF, EPUB and Kindle. Book excerpt: Reviews Shakespeare's view of masculinity through The Tempest, Hamlet, Othello, Macbeth and others.
Download or read book Shakespeare s Invention of Othello written by Martin Elliott and published by Springer. This book was released on 1988-06-18 with total page 302 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Antony and Cleopatra written by Yashdip S. Bains and published by Routledge. This book was released on 2013-07-04 with total page 551 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume is a comprehensive overview of scholarship on this play. It includes chapters on criticism, sources and background, textual studies, bibliographies, editions, and translations. Also covered are the stage history and major productions of the play, and films, music, television, and adaptations and synopses.
Download or read book Coriolanus written by Lee Bliss and published by Cambridge University Press. This book was released on 2010-01-21 with total page 377 pages. Available in PDF, EPUB and Kindle. Book excerpt: The New Cambridge Shakespeare appeals to students worldwide for its up-to-date scholarship and emphasis on performance. The series features line-by-line commentaries and textual notes on the plays and poems. Introductions are regularly refreshed with accounts of new critical, stage and screen interpretations. This second edition of Coriolanus, edited by Lee Bliss, provides a thorough reconsideration of what was probably Shakespeare's last tragedy. In the introduction, Bliss situates the play within its contemporary social and political contexts and pays particular attention to Shakespeare's manipulation of his primary source in Plutarch's Lives. The edition is alert to the play's theatrical potential, while the stage history also attends to the politics of performance from the 1680s onwards, including European productions following the Second World War. A new introductory section by Bridget Escolme accounts for recent theatrical productions as well as scholarly criticism of the last decade, with particular emphasis on gender and politics.
Download or read book Dynamics Of Role Playing In Jacobean Tragedy written by Joan L Hall and published by Springer. This book was released on 1991-10-23 with total page 248 pages. Available in PDF, EPUB and Kindle. Book excerpt: Jacobean actors fascinated audiences with their convincingly mimetic performances; often they appeared to assume the identities of the fictional characters they impersonated. A similar dynamic emerges in several tragedies of the period, where dramatic characters are frequently changed--for better or worse--by the roles they adopt within the play illusion. This study discusses how certain plays of Jonson and Middleton reveal the destructive consequences of assuming new personae; how three of Shakespeare's tragedies explore the ambivalent results of characters' experimentation with roles; and how Webster and Ford treat role-playing (including ceremonial behavior) creatively, as a vehicle for expressing and consolidating the dramatic self.
Download or read book The Masks of Anthony and Cleopatra written by Marvin Rosenberg and published by University of Delaware Press. This book was released on 2006 with total page 628 pages. Available in PDF, EPUB and Kindle. Book excerpt: "In his analysis, Marvin Rosenberg sets out to steer a path between the "extremes" of Rome and Egypt and all they stand for: and to explore the relentless "to and back" confrontation of their different sets of values which leads ultimately to destruction."
Download or read book The Tragedy of Antony and Cleopatra written by William F. Zak and published by Lexington Books. This book was released on 2015-03-25 with total page 173 pages. Available in PDF, EPUB and Kindle. Book excerpt: This revaluation of Shakespeare’s most seductive tragedy, Antony and Cleopatra, allies itself with neither George Bernard Shaw and Philo’s Roman judgment of the lovers as “strumpet and fool”—premised on the idle sensuality and feckless self-regard ever evident in the regal pair—nor with the many at the opposite critical pole who have found themselves swept up, to some extent at least, in the “grand illusion” of the lovers themselves as peerless figures transcending the very deaths to which Caesar’s heartless predation drives them. Nor does it seek some middle way, settling into a comfortable agnosticism that claims the poet’s view of the pair remains too ambiguous to resolve. Instead, by mining a wealth of metaphoric cross-references and ironical, mirroring figurations provided by the tragedy’s subsidiary characterizations, this new analysis argues that Shakespeare’s assessment of the lovers is in fact unambiguous: Antony and Cleopatra unknowingly settle for functioning merely as two more of the play’s eunuchs fanning the flames of their self-destructive passions for one another when they could have realized the new heaven and new earth Antony promised his queen had their “intercourse” with one another been more vigorously complete. Not alone their deaths, but their entire experience is this play is but a search for “easy ways to die” rather than the quest is should have been to live more richly yet and generate new life beyond their respective notorieties as separate individuals to be celebrated.
