Download or read book The Haunting of Hip Hop written by Bertice Berry and published by Crown. This book was released on 2002-09-17 with total page 242 pages. Available in PDF, EPUB and Kindle. Book excerpt: A ghost story with a beat . . . Bertice Berry follows her finely pitched Blackboard bestselling debut novel, Redemption Song, with a mesmerizing cautionary tale about urban hip hop culture. In ancient West Africa, the drum was more than a musical instrument, it was a vehicle of communication–it conveyed information, told stories, and passed on the wisdom of generations. The magic of the drum remains alive today, and with her magnificent second novel, Berry brings those powerful beats to the streets of Harlem. Harry “Freedom” Hudson is the hottest hip hop producer in New York City, earning unbelievable fees for his tunes and the innovative sound that puts his artists on the top of the charts. Harry is used to getting what he wants, so when he’s irresistibly drawn to a house in Harlem, he assumes he’ll be moving in as soon as the papers can be drawn up. The house, after all, has been abandoned for years. Or has it? Rumors are rife in the neighborhood that the house is haunted; that mysterious music, shouts, and sobbing can be heard late at night. Ava, Harry’s strong-willed, no-nonsense agent, dismisses it all as “old folks” tales–until she opens the door and finds an eerie, silent group of black people, young and old, gathered around a man holding an ancient African drum. They are waiting for Harry and bear a warning that touches his very soul: “We gave the drum back to your generation in the form of rap, but it’s being used to send the wrong message.” The Haunting of Hip Hop is a reminder of the importance of honoring the past as a means of moving safely and firmly into the future. It is sure to raise eyebrows and stir up controversy about the impact, good and bad, of rap culture.
Download or read book The Haunting of Hip Hop written by Bertice Berry and published by Crown. This book was released on 2002-08-13 with total page 242 pages. Available in PDF, EPUB and Kindle. Book excerpt: A ghost story with a beat . . . Bertice Berry follows her finely pitched Blackboard bestselling debut novel, Redemption Song, with a mesmerizing cautionary tale about urban hip hop culture. In ancient West Africa, the drum was more than a musical instrument, it was a vehicle of communication–it conveyed information, told stories, and passed on the wisdom of generations. The magic of the drum remains alive today, and with her magnificent second novel, Berry brings those powerful beats to the streets of Harlem. Harry “Freedom” Hudson is the hottest hip hop producer in New York City, earning unbelievable fees for his tunes and the innovative sound that puts his artists on the top of the charts. Harry is used to getting what he wants, so when he’s irresistibly drawn to a house in Harlem, he assumes he’ll be moving in as soon as the papers can be drawn up. The house, after all, has been abandoned for years. Or has it? Rumors are rife in the neighborhood that the house is haunted; that mysterious music, shouts, and sobbing can be heard late at night. Ava, Harry’s strong-willed, no-nonsense agent, dismisses it all as “old folks” tales–until she opens the door and finds an eerie, silent group of black people, young and old, gathered around a man holding an ancient African drum. They are waiting for Harry and bear a warning that touches his very soul: “We gave the drum back to your generation in the form of rap, but it’s being used to send the wrong message.” The Haunting of Hip Hop is a reminder of the importance of honoring the past as a means of moving safely and firmly into the future. It is sure to raise eyebrows and stir up controversy about the impact, good and bad, of rap culture.
Download or read book Encyclopedia of Hip Hop Literature written by Tarshia L. Stanley and published by Bloomsbury Publishing USA. This book was released on 2008-12-30 with total page 312 pages. Available in PDF, EPUB and Kindle. Book excerpt: Hip Hop literature, also known as urban fiction or street lit, is a type of writing evocative of the harsh realities of life in the inner city. Beginning with seminal works by such writers as Donald Goines and Iceberg Slim and culminating in contemporary fiction, autobiography, and poetry, Hip Hop literature is exerting the same kind of influence as Hip Hop music, fashion, and culture. Through more than 180 alphabetically arranged entries, this encyclopedia surveys the world of Hip Hop literature and places it in its social and cultural contexts. Entries cite works for further reading, and a bibliography concludes the volume. Coverage includes authors, genres, and works, as well as on the musical artists, fashion designers, directors, and other figures who make up the context of Hip Hop literature. Entries cite works for further reading, and the encyclopedia concludes with a selected, general bibliography. Students in literature classes will value this guide to an increasingly popular body of literature, while students in social studies classes will welcome its illumination of American cultural diversity.
Download or read book Black Gods of the Asphalt written by Onaje X. O. Woodbine and published by Columbia University Press. This book was released on 2016-05-24 with total page 254 pages. Available in PDF, EPUB and Kindle. Book excerpt: J-Rod moves like a small tank on the court, his face mean, staring down his opponents. "I play just like my father," he says. "Before my father died, he was a problem on the court. I'm a problem." Playing basketball for him fuses past and present, conjuring his father's memory into a force that opponents can feel in each bone-snapping drive to the basket. On the street, every ballplayer has a story. Onaje X. O. Woodbine, a former streetball player who became an all-star Ivy Leaguer, brings the sights and sounds, hopes and dreams of street basketball to life. He shows that big games have a trickster figure and a master of black talk whose commentary interprets the game for audiences. The beats of hip-hop and reggae make up the soundtrack, and the ballplayers are half-men, half-heroes, defying the ghetto's limitations with their flights to the basket. Basketball is popular among young black American men but not because, as many claim, they are "pushed by poverty" or "pulled" by white institutions to play it. Black men choose to participate in basketball because of the transcendent experience of the game. Through interviews with and observations of urban basketball players, Onaje X. O. Woodbine composes a rare portrait of a passionate, committed, and resilient group of athletes who use the court to mine what urban life cannot corrupt. If people turn to religion to reimagine their place in the world, then black streetball players are indeed the hierophants of the asphalt.
Download or read book Hip Hop and Social Change in Africa written by Msia Kibona Clark and published by Lexington Books. This book was released on 2014-10-30 with total page 320 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book examines social change in Africa through the lens of hip hop music and culture. Artists engage their African communities in a variety of ways that confront established social structures, using coded language and symbols to inform, question, and challenge. Through lyrical expression, dance, and graffiti, hip hop is used to challenge social inequality and to push for social change. The study looks across Africa and explores how hip hop is being used in different places, spaces, and moments to foster change. In this edited work, authors from a wide range of fields, including history, sociology, African and African American studies, and political science explore the transformative impact that hip hop has had on African youth, who have in turn emerged to push for social change on the continent. The powerful moment in which those that want change decide to consciously and collectively take a stand is rooted in an awareness that has much to do with time. Therefore, the book centers on African hip hop around the context of “it’s time” for change, Ni Wakati.
Download or read book Chuck D Presents This Day in Rap and Hip Hop History written by Chuck D and published by Black Dog & Leventhal. This book was released on 2017-10-10 with total page 705 pages. Available in PDF, EPUB and Kindle. Book excerpt: A one-of-a kind survey of rap and hip hop history from 1973 to today by Chuck D, arguably the most influential rapper in the world. In the more than 40 years since the days of DJ Kool Herc and "Rapper's Delight," hip hop and rap have become a billion-dollar worldwide phenomenon. Yet there is no definitive history of the genre-until now. Based on Chuck's long-running show on Rapstation.com, this massive compendium details the most iconic moments and influential songs in the genre's recorded history, from Kurtis Blow's "Christmas Rappin'" to The Miseducation of Lauryn Hill to Kendrick Lamar's ground-breaking verse on "Control." Also included are key events in hip hop history, from Grandmaster Flash's first scratch through Tupac's holographic appearance at Coachella. Throughout, Chuck offers his insider's perspective on the chart toppers and show stoppers as he lived it. Illustrating the pages are more than 100 portraits from the talented artists specializing in hip hop.
Download or read book Old School Rap and Hip hop written by Chris Woodstra and published by Hal Leonard Corporation. This book was released on 2008 with total page 178 pages. Available in PDF, EPUB and Kindle. Book excerpt: Contains brief reviews of over five hundred old school rap and hip-hop albums, as well as albums from the 1960s and 70s that provided inspiration for the development of rap; arranged alphabetically, some with cover art.
Download or read book Notorious C O P written by Derrick Parker and published by St. Martin's Press. This book was released on 2007-04-01 with total page 344 pages. Available in PDF, EPUB and Kindle. Book excerpt: Throughout his career, Derrick Parker worked on some of the biggest criminal cases in rap history, from the shooting at Club New York, where Derrick personally escorted Jennifer Lopez to police headquarters, to the first shooting of Tupac Shakur. Always straddling the fence between "po-po" and NYPD outsider, Derrick threatened police tradition to try to get the cases solved. He was the first detective to interview an informant offering a detailed account of Biggie Smalls's murder. He protected one of the only surviving eyewitnesses to the Jam Master Jay murder and knows the identity of the killers as well as the motivation behind the shooting. Notorious C.O.P. reveals hip-hop crimes that never made the paper—like the robbing of Foxy Brown and the first Hot 97 shooting—and answers some lingering questions about murders that have remained unsolved. The book that both the NYPD and the hip-hop community don't want you to read, Notorious C.O.P. is the first insider look at the real links between crime and hip-hop and the inefficiencies that have left some of the most widely publicized murders in entertainment history unsolved.
Download or read book Hip Hop Heresies written by Shanté Paradigm Smalls and published by NYU Press. This book was released on 2022-06-28 with total page 121 pages. Available in PDF, EPUB and Kindle. Book excerpt: Winner of the 2022-2023 New York City Book Awards! SPECIAL MENTION, 2023 IASPM Book Prize, given by the International Association for the Study of Popular Music SHORTLISTED, 2023 Ralph J. Gleason Book Award, given by the Rock N Roll Hall of Fame/Clive Davis Institute Unearths the queer aesthetic origins of NYC hip hop Hip Hop Heresies centers New York City as a space where vibrant queer, Black, and hip hop worlds collide and bond in dance clubs, schools, roller rinks, basketball courts, subways, and movie houses. Using this cultural nexus as the stage, Shanté Paradigm Smalls attends to the ways that hip hop cultural production in New York City from the 1970s through the early twenty-first century produced film, visual art, and music that offer queer articulations of race, gender, and sexuality. To illustrate New York City as a place of experimental aesthetic collaboration, Smalls brings four cultural moments to the forefront: the life and work of the gay Chinese American visual and graffiti artist Martin Wong, who brokered the relationship between New York City graffiti artists and gallery and museum spaces; the Brooklyn-based rapper-singer-writer-producer Jean Grae, one of the most prolific and underrated emcees of the last two decades; the iconic 1980s film The Last Dragon, which exemplifies the experimental and queer Black masculinity possible in early formal hip hop culture; and finally queer- and trans-identified hip hop artists and groups like BQE, Deepdickollective, and Hanifah Walidah, and the documentary Pick Up the Mic. Hip Hop Heresies transforms the landscape of hip hop scholarship, Black studies, and queer studies by bringing together these fields through the hermeneutic of aesthetics. Providing a guidepost for future scholarship on queer, trans, and feminist hip hop studies, Hip Hop Heresies takes seriously the work that New York City hip hop cultural production has done and will do, and advocates a form of hip hop that eschews authenticity in favor of performativity, bricolage, and pastiche.
Download or read book Is Hip Hop Dead written by Mickey Hess and published by Bloomsbury Publishing USA. This book was released on 2007-08-30 with total page 207 pages. Available in PDF, EPUB and Kindle. Book excerpt: Hip hop is remarkably self-critical as a genre. In lyrics, rappers continue to debate the definition of hip hop and question where the line between underground artist and mainstream crossover is drawn, who owns the culture and who runs the industry, and most importantly, how to remain true to the culture's roots while also seeking fame and fortune. The tension between the desires to preserve hip hop's original culture and to create commercially successful music promotes a lyrical war of words between mainstream and underground artists that keeps hip hop very much alive today. In response to criticisms that hip hop has suffered or died in its transition to the mainstream, this book seeks to highlight and examine the ongoing dialogue among rap artists whose work describes their own careers. Proclamations of hip hop's death have flooded the airwaves. The issue may have reached its boiling point in Nas's 2006 album Hip Hop is Dead. Nas's album is driven by nostalgia for a mythically pure moment in hip hop's history, when the music was motivated by artistic passion, instead of base commercialism. In the course of this same album, however, Nas himself brags about making money for his particular record label. These and similar contradictions are emblematic of the complex forces underlying the dialogue that keeps hip hop a vital element of our culture. Is Hip Hop Dead? seeks to illuminate the origins of hip hop nostalgia and examine how artists maintain control of their music and culture in the face of corporate record companies, government censorship, and the standardization of the rap image. Many hip hop artists, both mainstream and underground, use their lyrics to engage in a complex dialogue about rhyme skills versus record sales, and commercialism versus culture. This ongoing dialogue invigorates hip hop and provides a common ground upon which we can reconsider many of the developments in the industry over the past 20 years. Building from black traditions that value knowledge gained from personal experience, rappers emphasize the importance of street knowledge and its role in forging a career in the music business. Lyrics adopt models of the self-made man narrative, yet reject the trajectories of white Americans like Benjamin Franklin who espoused values of prudence, diligence, and delayed gratification. Hip hop's narratives instead promote a more immediately viable gratification through crime and extend this criminal mentality to their work in the music business. Through the lens of hip hop, and the threats to hip hop culture, author Mickey Hess is able to confront a range of important issues, including race, class, criminality, authenticity, the media, and personal identity.
Download or read book Dust Grooves written by Eilon Paz and published by Ten Speed Press. This book was released on 2015-09-15 with total page 577 pages. Available in PDF, EPUB and Kindle. Book excerpt: A photographic look into the world of vinyl record collectors—including Questlove—in the most intimate of environments—their record rooms. Compelling photographic essays from photographer Eilon Paz are paired with in-depth and insightful interviews to illustrate what motivates these collectors to keep digging for more records. The reader gets an up close and personal look at a variety of well-known vinyl champions, including Gilles Peterson and King Britt, as well as a glimpse into the collections of known and unknown DJs, producers, record dealers, and everyday enthusiasts. Driven by his love for vinyl records, Paz takes us on a five-year journey unearthing the very soul of the vinyl community.
Download or read book All Music Guide written by Vladimir Bogdanov and published by Hal Leonard Corporation. This book was released on 2001 with total page 1508 pages. Available in PDF, EPUB and Kindle. Book excerpt: Arranged in sixteen musical categories, provides entries for twenty thousand releases from four thousand artists, and includes a history of each musical genre.
Download or read book Religion in Hip Hop written by Monica R. Miller and published by Bloomsbury Publishing. This book was released on 2015-04-23 with total page 294 pages. Available in PDF, EPUB and Kindle. Book excerpt: Now a global and transnational phenomenon, hip hop culture continues to affect and be affected by the institutional, cultural, religious, social, economic and political landscape of American society and beyond. Over the past two decades, numerous disciplines have taken up hip hop culture for its intellectual weight and contributions to the cultural life and self-understanding of the United States. More recently, the academic study of religion has given hip hop culture closer and more critical attention, yet this conversation is often limited to discussions of hip hop and traditional understandings of religion and a methodological hyper-focus on lyrical and textual analyses. Religion in Hip Hop: Mapping the Terrain provides an important step in advancing and mapping this new field of Religion and Hip Hop Studies. The volume features 14 original contributions representative of this new terrain within three sections representing major thematic issues over the past two decades. The Preface is written by one of the most prolific and founding scholars of this area of study, Michael Eric Dyson, and the inclusion of and collaboration with Bernard 'Bun B' Freeman fosters a perspective internal to Hip Hop and encourages conversation between artists and academics.
Download or read book The Hip Hop Obama Reader written by Travis L. Gosa and published by Oxford University Press. This book was released on 2015 with total page 337 pages. Available in PDF, EPUB and Kindle. Book excerpt: Offers an analysis of hip hop and politics in the Obama era and beyond, with new perspectives on hip hop's role in political mobilization, grassroots organizing, campaign branding, and voter turnout.
Download or read book Hiphop Literacies written by Elaine Richardson and published by Routledge. This book was released on 2006-11-22 with total page 161 pages. Available in PDF, EPUB and Kindle. Book excerpt: This cutting-edge account explores rap and Hiphop discourse within a trajectory of Black discourses. Looking at music videos, websites and billboards, it highlights how Black youth read the world they inhabit.
Download or read book Communicating Hip Hop written by Nick J. Sciullo and published by Bloomsbury Publishing USA. This book was released on 2018-11-26 with total page 156 pages. Available in PDF, EPUB and Kindle. Book excerpt: This insightful analysis of the broad impact of hip-hop on popular culture examines the circulation of hip-hop through media, academia, business, law, and consumer culture to explain how hip-hop influences thought and action through our societal institutions. How has hip-hop influenced our culture beyond the most obvious ways (music and fashion)? Examples of the substantial power of hip-hop culture include influence on consumer buying habits—for example, Dr. Dre's Beats headphones; politics, seen in Barack Obama's election as the first "hip-hop president" and increased black political participation; and social movements such as various stop-the-violence movements and mobilization against police brutality and racism. In Communicating Hip-Hop: How Hip-Hop Culture Shapes Popular Culture, author Nick Sciullo considers hip-hop's role in shaping a number of different aspects of modern culture ranging from law to communication and from business to English studies. Each chapter takes the reader on a behind-the-scenes tour of hip-hop's importance in various areas of culture with references to leading literature and music. Intended for scholars and students of hip-hop, race, music, and communication as well as a general audience, this appealing, accessible book will enable readers to understand why hip-hop is so important and see why hip-hop has such far-reaching influence.
Download or read book Hip Hop s Amnesia written by Reiland Rabaka and published by Lexington Books. This book was released on 2012-05-18 with total page 386 pages. Available in PDF, EPUB and Kindle. Book excerpt: What did rap music and hip hop culture inherit from the spirituals, classic blues, ragtime, classic jazz, and bebop? What did rap music and hip hop culture inherit from the Black Women’s Club Movement, New Negro Movement, Harlem Renaissance, Hipster Movement, and Black Muslim Movement? How did black popular music and black popular culture between 1900 and the 1950s influence white youth culture, especially the Lost Generation and the Beat Generation, in ways that mirror rap music and hip hop culture’s influence on contemporary white youth music, culture, and politics? In Hip Hop’s Amnesia award-winning author, spoken-word artist, and multi-instrumentalist Reiland Rabaka answers these questions by rescuing and reclaiming the often-overlooked early twentieth century origins and evolution of rap music and hip hop culture. Hip Hop’s Amnesia is a study about aesthetics and politics, music and social movements, as well as the ways in which African Americans’ unique history and culture has consistently led them to create musics that have served as the soundtracks for their socio-political aspirations and frustrations, their socio-political organizations and nationally-networked movements. The musics of the major African American social and political movements of the 1950s, 1960s, and 1970s were based and ultimately built on earlier forms of “African American movement music.” Therefore, in order to really and truly understand rap music and hip hop culture we must critically examine both classical African American musics and the classical African American movements that these musics served as soundtracks for. This book is primarily preoccupied with the ways in which post-enslavement black popular music and black popular culture frequently served as a soundtrack for and reflected the grassroots politics of post-enslavement African American social and political movements. Where many Hip Hop Studies scholars have made clever allusions to the ways that rap music and hip hop culture are connected to and seem to innovatively evolve earlier forms of black popular music and black popular culture, Hip Hop’s Amnesia moves beyond anecdotes and witty allusions and earnestly endeavors a full-fledged critical examination and archive-informed re-evaluation of “hip hop’s inheritance” from the major African American musics and movements of the first half of the twentieth century: classic blues, ragtime, classic jazz, swing, bebop, the Black Women’s Club Movement, the New Negro Movement, the Harlem Renaissance, the Bebop Movement, the Hipster Movement, and the Black Muslim Movement.
