Download or read book The German War Artists written by John Paul Weber and published by Cerberus Books. This book was released on 1979-01-01 with total page 151 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Judenmord written by Kathrin Hoffmann-Curtius and published by . This book was released on 2018 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: Judenmord is the first collection of works of art specifically by German artists from the end of the war to the end of the 1960s that comment on the Holocaust.
Download or read book Artists of World War II written by Barbara McCloskey and published by Greenwood. This book was released on 2005-05-30 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: The first global survey of art in WWII, this volume presents artists whose work both supported and criticized their nations' war efforts.
Download or read book Influence of war on German expressionists Comparing Ernst Ludwig Kirchner and Georg Baselitz written by Joséphine Hengstwerth and published by GRIN Verlag. This book was released on 2019-10-30 with total page 10 pages. Available in PDF, EPUB and Kindle. Book excerpt: Essay from the year 2019 in the subject Art - Visual artists, grade: 72%, Birmingham City University, course: Fine Art, language: English, abstract: “German art seldom has been easy. It is often reminded with its nation’s history, sometimes expressing its glory, but just as often decrying its tumult and suffering.” (Homburg, 2003). In times of war a nation or the whole world is brought into chaos and uncertainty. Throughout the past hundred years our world has suffered many conflicts and tensions - including the first and second world war (1914–1918; 1939-1945) and the cold war (1947–1991). In times of war artists feel a great need to respond in their own way. Throughout history there have been many different ways of making art during war. For instance, Liberty Leading the People by Eugene Delacroix from 1830 is one example of a war painting from the French Revolution. With the female personification of liberty walking over dead bodies and holding up the French flag as the main focus, the painting is heroic and triumphant. Other artists use art as a form of propaganda, protest or as a way of expressing their individual feelings in response to war, suffering and destruction. Two German artists, considered expressionist from two different generations experiencing similar forms of devastation, are Ernst Ludwig Kirchner (6 May 1880 – 15 June 1938) and Georg Baselitz (born 23 January 1938). Their role as expressionist artists and the influence of war is the focus of the following discussion.
Download or read book Inventur written by Lynette Roth and published by . This book was released on 2018 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: "This catalogue accompanies the exhibition Inventur--Art in Germany, 1943-55, on view at the Harvard Art Museums, Cambridge, Massachusetts, from February 9 through June 3, 2018"--Colophon.
Download or read book Nothing but the Clouds Unchanged written by Gordon Hughes and published by Getty Publications. This book was released on 2014-11-25 with total page 212 pages. Available in PDF, EPUB and Kindle. Book excerpt: Much of how World War I is understood today is rooted in the artistic depictions of the brutal violence and considerable destruction that marked the conflict. Nothing but the Clouds Unchanged examines how the physical and psychological devastation of the war altered the course of twentieth-century artistic Modernism. Following the lives and works of fourteen artists before, during, and after the war, this book demonstrates how the conflict and the resulting trauma actively shaped artistic production. Featured artists include Georges Braque, Carlo Carrà, Otto Dix, Max Ernst, George Grosz, Ernst Ludwig Kirchner, Oskar Kokoschka, Käthe Kollwitz, Fernand Léger, Wyndham Lewis, André Masson, László Moholy-Nagy, Paul Nash, and Oskar Schlemmer. Materials from the Getty Research Institute’s special collections—including letters, popular journals, posters, sketches, propaganda, books, and photographs—situate the works of the artists within the historical context, both personal and cultural, in which they were created. The volume accompanies a related exhibition on view at the Getty Research Institute Gallery from November 25, 2014, to April 19, 2015.
Download or read book Hitler s Last Hostages written by Mary M. Lane and published by PublicAffairs. This book was released on 2019-09-10 with total page 336 pages. Available in PDF, EPUB and Kindle. Book excerpt: Adolf Hitler's obsession with art not only fueled his vision of a purified Nazi state--it was the core of his fascist ideology. Its aftermath lives on to this day. Nazism ascended by brute force and by cultural tyranny. Weimar Germany was a society in turmoil, and Hitler's rise was achieved not only by harnessing the military but also by restricting artistic expression. Hitler, an artist himself, promised the dejected citizens of postwar Germany a purified Reich, purged of "degenerate" influences. When Hitler came to power in 1933, he removed so-called "degenerate" art from German society and promoted artists whom he considered the embodiment of the "Aryan ideal." Artists who had produced challenging and provocative work fled the country. Curators and art dealers organized their stock. Thousands of great artworks disappeared--and only a fraction of them were rediscovered after World War II. In 2013, the German government confiscated roughly 1,300 works by Henri Matisse, George Grosz, Claude Monet, and other masters from the apartment of Cornelius Gurlitt, the reclusive son of one of Hitler's primary art dealers. For two years, the government kept the discovery a secret. In Hitler's Last Hostages, Mary M. Lane reveals the fate of those works and tells the definitive story of art in the Third Reich and Germany's ongoing struggle to right the wrongs of the past.
Download or read book Nostalgia for the Future Modernism and Heterogeneity in the Visual Arts of Nazi Germany written by Gregory Maertz and published by BoD – Books on Demand. This book was released on 2019-04-30 with total page 248 pages. Available in PDF, EPUB and Kindle. Book excerpt: In the first chapter on the German military’s unlikely function as an incubator of modernist art and in the second chapter on Adolf Hitler’s advocacy for “eugenic” figurative representation embodying nostalgia for lost Aryan racial perfection and the aspiration for the future perfection of the German Volk, Maertz conclusively proves that the Nazi attack on modernism was inconsistent. In further chapters, on the appropriation of Christian iconography in constructing symbols of a Nazi racial utopia and on Baldur von Schirach’s heretical patronage of modernist art as the supreme Nazi Party authority in Vienna, Maertz reveals that sponsorship of modernist artists continued until the collapse of the regime. Also based on previously unexamined evidence, including 10,000 works of art and documents confiscated by the U.S. Army, Maertz’s final chapter reconstructs the anarchic denazification and rehabilitation of German artists during the Allied occupation, which had unforeseen consequences for the postwar art world.
Download or read book Exiles and Emigres written by Stephanie Barron and published by . This book was released on 1997-02 with total page 440 pages. Available in PDF, EPUB and Kindle. Book excerpt: Traces the lives & work of 23 well known artists exiled from Germany, including Heartfield, Schwitters, Kokoschka & Beckmann.
Download or read book Artists of Deception written by Rick Beyer and published by . This book was released on 2011-09-18 with total page 48 pages. Available in PDF, EPUB and Kindle. Book excerpt: "The Ghost Army" is full of art and photographs telling the story of the 23rd Headquarters Special Troops, an extraordinary US Army unit that used inflatable tanks and sound effects records to stage a traveling road show of deception on the battlefields of Europe during WWII. Many who served in this to-secret unit were artists destined for illustrious post-war art careers, including a budding fashion designer named Bill Blass. In their spare time they painted and sketched their way across war-torn Europe. The book is a catalog for a museum exhibit about the unit, and a companion to the forthcoming documentary film.
Download or read book World War I and the Visual Arts written by Jennifer Farrell and published by Metropolitan Museum of Art. This book was released on 2017-11-02 with total page 51 pages. Available in PDF, EPUB and Kindle. Book excerpt: Published on the occasion of the centenary of World War I, this Bulletin, which accompanies the related exhibition “World War I and the Visual Arts,” on view at The Met until January 7, 2018, explores the myriad and often contradictory ways in which artists responded to the world’s first modern war. Drawn primarily from The Met’s collection of works on paper and supplemented with loans from private collections, both presentations move chronologically from the initial mobilization in early August 1914 to the tumultuous decade that followed the armistice of November 1918. Ranging from expressions of bellicose enthusiasm to sentiments of regret, grief, and anger, the selected works—from prints, photographs, and drawings to propaganda posters, postcards, and commemorative medals—powerfully evoke the conflicting emotions of this complex period. p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 14.0px Verdana}
Download or read book World War 1 and the Weimar Artists written by Matthias Eberle and published by . This book was released on 1985 with total page 134 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book War Artists in Afghanistan written by Jules George and published by Acc Art Books. This book was released on 2016 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: * Each artist's work is accompanied by their own, first-hand account of war in Afghanistan* Captures the vast scale and stunning, fertile beauty of the Afghan landscape'I felt physically sick from the pit of my stomach and to be honest was now feeling vulnerable and completely outside my depth of knowledge. The world had seemingly gone mad and I was having visions of the base now being ransacked; I was confused and unsure what to do. My solution was to do the only thing that I could do. I climbed the nearest sangar and started to draw.' - Jules GeorgeJules George, war artist, traveled to Helmand, Afghanistan, in 2010, in the wake of its bloodiest year for British troops. War Artists in Afghanistan: Beyond the Wire reproduces the remarkable sketches, watercolors and oil paintings born of his experiences with the 2nd Yorkshires (Green Howards). His work captures the vast scale and stunning, fertile beauty of the Afghan landscape, and in its midst, the British soldier, out on patrol, boarding a Chinook or caught in a firefight.The book also features the work of four other war artists in Afghanistan: Douglas Farthing, a former Sergeant Major in the British paratroopers; and Michael Fay, soldier-turned-combat artist for the United States Marine Corps; Arabella Dorman, internationally recognized portrait painter and war artist; and Matthew Cook, trained illustrator, former Times war artist and Territorial Army soldier. Each artist's work is accompanied by their own, first-hand account of war in Afghanistan.
Download or read book Artists in Nazi Occupied France written by Werner Lange and published by Mosaic Press. This book was released on 2018-11-01 with total page 184 pages. Available in PDF, EPUB and Kindle. Book excerpt: From 1940 to 1944, Werner Lange served as a Lieutenant of the Propagandastaffel, the German propaganda service in Paris, overseeing visual artists still living in France. His was a privileged position and he enjoyed the cultural life of Paris, even during the occupation years. From the Champs Elysées Head Quarters, the Nazi administration oversaw the artistic and intellectual life of occupied France. This fascinating memoir includes Lange's encounters with renowned artists like Pablo Picasso, Kees Van Dongen, Aristide Maillol, Gertrude Stein, and Jean Cocteau. After sitting untouched for decades, this volume was discovered by Victor Loupan and released in France in 2015. Now this fascinating firsthand account of wartime Paris is published in English for the first time. No other memoir of this period provides such intimate and detailed accounts of the day to day lives of artists during the Occupation.
Download or read book The German War written by Nicholas Stargardt and published by Basic Books. This book was released on 2015-10-13 with total page 761 pages. Available in PDF, EPUB and Kindle. Book excerpt: A groundbreaking history of what drove the Germans to fight -- and keep fighting -- for a lost cause in World War II In The German War, acclaimed historian Nicholas Stargardt draws on an extraordinary range of firsthand testimony -- personal diaries, court records, and military correspondence -- to explore how the German people experienced the Second World War. When war broke out in September 1939, it was deeply unpopular in Germany. Yet without the active participation and commitment of the German people, it could not have continued for almost six years. What, then, was the war the Germans thought they were fighting? How did the changing course of the conflict -- the victories of the Blitzkrieg, the first defeats in the east, the bombing of German cities -- alter their views and expectations? And when did Germans first realize they were fighting a genocidal war? Told from the perspective of those who lived through it -- soldiers, schoolteachers, and housewives; Nazis, Christians, and Jews -- this masterful historical narrative sheds fresh and disturbing light on the beliefs and fears of a people who embarked on and fought to the end a brutal war of conquest and genocide.
Download or read book Identity and Image written by Jutta Vinzent and published by VDG Weimar - Verlag und Datenbank für Geisteswissenschaften. This book was released on 2006-06-22 with total page 403 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book explores the image and identity of émigré painters, sculptors and graphic artists from Nazi Germany in Britain between 1933 and 1945. It focuses on a neglected field of Exile Studies, that of exiled artists in Britain. Methodologies used in this study have been developed by Exile Studies and History of Art, but also by Postcolonialism, scholars of which usually apply their ideas to the Afro-Asian emigration of the second part of the twentieth century. Thus this study represents methodologically a new way of looking at the emigration from Nazi Germany. Identity and Image is divided into five chapters: After an introductory Chapter One (historiography of the topic, methodology of the study, structure of the book), Chapter Two establishes socio-political patterns of emigration and provides an historical framework for Chapters Three and Four, which concentrate on the image and identity of the refugee artist, the former based on written sources and the latter on visual material. In detail, Chapter Three analyses the British image of the refugee artists and their works on the one hand and the émigrés' self-representations on the other, the latter exemplified by refugee organisations (the Free German League of Culture/Freier Deutscher Kulturbund, the Austrian Centre, the Anglo-Sudeten Club and the Czech Institute) and institutions founded by émigré artists (Jack Bilbo's Modern Art Gallery and Arthur Segal's Painting School). Chapter Four examines the works produced in internment and those exhibited and produced for the refugee organisations discussed in Chapter Three. Chapter Five discusses the results of this study in the light of three postcolonial concepts: diaspora communities, the notion of home and the gendered identity of the refugee. The appendix lists all painters, sculptors and graphic artists from Nazi Germany in Britain with biographical details. Apart from visual and written sources discussed for the first time, there are two major results of the study: First, although the artists were united as refugees, this unity did not lead to a unity in art - "refugee art" is a construction put forward by the British press and the refugee organisations, particularly the Free German League of Culture. Second, contrary to claims that modern art was international and formed a universal unity that "transgressed" nationality, neither the West/Europe nor modernism form unities; instead, in the 1930s and 1940s, cultures in Europe constructed conceptions of other European cultures on the basis of nation-state identities.
Download or read book World War 1 and the Weimar Artists written by Matthias Eberle and published by . This book was released on 1985 with total page 134 pages. Available in PDF, EPUB and Kindle. Book excerpt:
