Download or read book Theatre Is More Beautiful Than War written by Marvin Carlson and published by University of Iowa Press. This book was released on 2009-09 with total page 242 pages. Available in PDF, EPUB and Kindle. Book excerpt: In almost every area of production, German theatre of the past forty years has achieved a level of distinction unique in the international community. This flourishing theatrical culture has encouraged a large number of outstanding actors, directors, and designers as well as video and film artists. The dominant figure throughout these years, however, has remained the director. In this stimulating and informative book, noted theatre historian Marvin Carlson presents an in-depth study of the artistic careers, working methods, and most important productions of ten of the leading directors of this great period of German staging. Beginning with the leaders of the new generation that emerged in the turbulent late 1960s—Peter Stein, Peter Zadek, and Claus Peymann, all still major figures today—Carlson continues with the generation that appeared in the 1980s, particularly after reunification—Frank Castorf, Anna Viebrock, Andrea Breth, and Christoph Marthaler—and concludes with the leading directors to emerge after the turn of the century, Stefan Pucher, Thomas Ostermeier, and Michael Thalheimer. He also provides information not readily available elsewhere in English on many of the leading actors and dramatists as well as the designers whose work, much of it for productions of these directors, has made this last half century a golden age of German scenic design. During the late twentieth century, no country produced so many major theatre directors or placed them so high in national cultural esteem as Germany. Drawing on his years of regular visits to the Theatertreffen in Berlin and other German productions, Carlson will captivate students of theatre and modern German history and culture with his provocative, well-illustrated study of the most productive and innovative theatre tradition in Europe.
Download or read book Theatre Under the Nazis written by John London and published by Manchester University Press. This book was released on 2000 with total page 372 pages. Available in PDF, EPUB and Kindle. Book excerpt: Were those who worked in the theatres of the Third Reich willing participants in the Nazi propaganda machine or artists independent of official ideology? To what extent did composers such as Richard Strauss and Carl Orff follow Nazi dogma? How did famous directors such as Gustaf Grüdgens and Jürgen Fehling react to the new regime? Why were Shakespeare and George Bernard Shaw among the most performed dramatists of the time? And why did the Nazis sanction Jewish theatre? This is the first book in English about theater in the entire Nazi period. The book is based on contemporary press reports, research in German archives, and interviews with surviving playwrights, actors, and musicians.
Download or read book Bolt Action Ostfront written by Warlord Games and published by Bloomsbury Publishing. This book was released on 2015-02-20 with total page 325 pages. Available in PDF, EPUB and Kindle. Book excerpt: Take charge of Operation Barbarossa and drive towards Moscow or command the steadfast defenders of the Soviet Union. From the early battles for Leningrad and Sevastopol to the tank clash of Kursk and the bitter urban warfare of Stalingrad, this new Theatre Book for Bolt Action provides wargamers with new scenarios and special rules that give them everything they need to focus their gaming on the Eastern Front.
Download or read book The Novels and Selected Plays of Thomas Holcroft Vol 5 written by Wil Verhoeven and published by Taylor & Francis. This book was released on 2024-10-28 with total page 393 pages. Available in PDF, EPUB and Kindle. Book excerpt: Thomas Holcroft (1745–1809) was a key figure in the radical movement of the 1790s. This work is intended for scholars wanting to understand Britain and its literature in the 1790s.
Download or read book Theatre in Europe Under German Occupation written by Anselm Heinrich and published by Routledge. This book was released on 2017-08-07 with total page 300 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Second World War went beyond previous military conflicts. It was not only about specific geographical gains or economic goals, but also about the brutal and lasting reshaping of Europe as a whole. Theatre in Europe Under German Occupation explores the part that theatre played in the Nazi war effort. Using a case-study approach, it illustrates the crucial and heavily subsidised role of theatre as a cultural extension of the military machine, key to Nazi Germany’s total war doctrine. Covering theatres in Oslo, Riga, Lille, Lodz, Krakau, Warsaw, Prague, The Hague and Kiev, Anselm Heinrich looks at the history and context of their operation; the wider political, cultural and propagandistic implications in view of their function in wartime; and their legacies. Theatre in Europe Under German Occupation focuses for the first time on Nazi Germany’s attempts to control and shape the cultural sector in occupied territories, shedding new light on the importance of theatre for the regime’s military and political goals.
Download or read book Theatre Arts Monthly written by and published by . This book was released on 1927 with total page 1022 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book German Expressionist Theatre written by David F. Kuhns and published by Cambridge University Press. This book was released on 1997-08-28 with total page 325 pages. Available in PDF, EPUB and Kindle. Book excerpt: German Expressionist Theatre: The Actor and the Stage considers the powerfully stylized, anti-realistic styles of acting on the German Expressionist stage from 1916 to 1921. It relates this striking departure from the dominant European acting tradition of realism to the specific cultural crises that enveloped the German nation during the course of its involvement in World War I. This book describes three distinct Expressionist acting styles, all of which in their own ways attempted to show how symbolic stage performance could be a powerful rhetorical resource for a culture struggling to come to terms with the crises of historical change. The examination of Expressionist script and actor memoirs allows for an unprecedented focus on description and analysis of acting itself.
Download or read book Theatre Arts Magazine written by and published by . This book was released on 1927 with total page 1002 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Rainer Werner Fassbinder and the German Theatre written by David Barnett and published by Cambridge University Press. This book was released on 2005-11-24 with total page 324 pages. Available in PDF, EPUB and Kindle. Book excerpt: Publisher description
Download or read book Die R uber written by Friedrich Schiller and published by . This book was released on 1922 with total page 268 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Shakespeare on the German Stage Volume 2 The Twentieth Century written by Wilhelm Hortmann and published by Cambridge University Press. This book was released on 1998-05-28 with total page 532 pages. Available in PDF, EPUB and Kindle. Book excerpt: Shakespeare has been a central figure in German literature and theatre. This book tells the story of Shakespeare in the German-speaking theatre against the background of German culture and politics in the twentieth century. It follows the earlier volume by Simon Williams on the reception of Shakespeare during the previous 300 years (Shakespeare on the German Stage, 1586-1914). Hortmann concentrates on the two most important and fruitful periods: the years of the Weimar Republic (1919-1933) and the turbulent decades of the sixties and seventies, when the German theatre was revitalised by a stormy marriage of avant-garde art and revolutionary politics. A section by Maik Hamburger covers developments in the theatres of the German Democratic Republic. Hortmann focuses on the most representative and colourful directors and actors, describing and illustrating individual productions as examples of particular trends or movements.
Download or read book The First German Theatre Routledge Revivals written by Michael Patterson and published by Routledge. This book was released on 2016-04-06 with total page 224 pages. Available in PDF, EPUB and Kindle. Book excerpt: First published in 1990. The book surveys of the development of German theatre from a market sideshow into an important element of cultural life and political expression. It examines Schiller as ‘theatre poet’ at Mannheim, Goethe’s work as director of the court theatre at Weimar, and then traces the rapid commercial decline that made it difficult for Kleist and impossible for Büchner to see their plays staged in their own lifetime. Four representative texts are analysed: Schiller’s The Robbers, Goethe’s Iphigenia on Tauris, Kleist’s The Prince of Homburg, and Büchner’s Woyzeck. This title will be of interest to students of theatre and German literature.
Download or read book The Miscellaneous and Posthumous Works written by Henry Thomas Buckle and published by . This book was released on 1885 with total page 440 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book London Opera Observed 1711 1844 Volume V written by Michael Burden and published by Taylor & Francis. This book was released on 2024-08-01 with total page 455 pages. Available in PDF, EPUB and Kindle. Book excerpt: The thrust of these five volumes is contained in their title, London Opera Observ’d. It takes its cue from the numerous texts and volumes which — during the seventeenth, eighteenth and nineteenth centuries — used the concept of ‘spying’ or ‘observing’ by a narrator, or rambler, as a means of establishing a discourse on aspects of London life. The material in this five-volume reset edition examines opera not simply as a genre of performance, but as a wider topic of comment and debate. The stories that surrounded the Italian opera singers illuminate contemporary British attitudes towards performance, sexuality and national identity. The collection includes only complete, published material organised chronologically so as to accurately retain the contexts in which the original readers encountered them — placing an emphasis on rare texts that have not been reproduced in modern editions. The aim of this collection is not to provide a history of opera in England but to facilitate the writing of them or to assist those wishing to study topics within the field. Headnotes and footnotes establish the publication information and provide an introduction to the piece, its author, and the events surrounding it or which caused its publication. The notes concentrate on attempting to identify those figures mentioned within the texts. The approach is one of presentation, not interpretation, ensuring that the collection occupies a position that is neutral rather than polemical.
Download or read book John Philip Kemble Promptbooks written by John Philip Kemble and published by Associated University Presse. This book was released on with total page 5000 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Bolt Action Battleground Europe written by Warlord Games and published by Bloomsbury Publishing. This book was released on 2014-11-20 with total page 312 pages. Available in PDF, EPUB and Kindle. Book excerpt: Take the fight to the enemy with this new theatre book for Bolt Action. From the D-Day landings to the final battle for Berlin, this volume gives players everything they need to focus their gaming on these final campaigns in the European Theatre of Operations. Scenarios and special rules offer something for all Bolt Action players, regardless of the armies they collect.
Download or read book German and Dutch Theatre 1600 1848 written by George W. Brandt and published by Cambridge University Press. This book was released on 1993-05-27 with total page 592 pages. Available in PDF, EPUB and Kindle. Book excerpt: This is the third volume to be published in the series Theatre in Europe. This book makes available for the first time an overview of a significant segment of European theatre history and, with few exceptions, none of the documents presented have been published in English before. Gathered from a rich variety of sources, including imperial and municipal edicts, contracts, architectural descriptions, playbills, stage directions and actors' memoirs among others, the book sheds light on one of the most fascinating areas of cultural life in the German- and Dutch-speaking countries. Explanatory passages put these documents into their historical context, and numerous illustrations bring the material even more vividly to life. Also included is the source location for each document and a substantial bibliography.
