Download or read book The Figure Painters of Holland written by Lord Ronald Sutherland Gower and published by . This book was released on 1880 with total page 172 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Dutch Paintings of the Seventeenth Century written by National Gallery of Art (U.S.) and published by Oxford University Press, USA. This book was released on 1995 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: Heda's Banquet Piece, Frans Hals' Willem Coymans, and Rembrandt's Lucretia. Paintings by these and other masters attracted the American collectors P. A. B. Widener, his son Joseph, and Andrew W. Mellon, whose bequests form the heart of the National Gallery's distinguished and remarkably cohesive collection of ninety-one Dutch paintings.
Download or read book The Figure Painters of Holland written by Gower and published by . This book was released on 1880 with total page 158 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Masters of Light written by Joaneath Ann Spicer and published by Yale University Press. This book was released on 1997 with total page 480 pages. Available in PDF, EPUB and Kindle. Book excerpt: Provides a comprehensive treatment of the achievements of the school of the Dutch Golden Age. The volume is the catalogue for an exhibition at the Fine Arts Museum of San Francisco; the Walters Art Gallery, Baltimore; and the National Gallery, London, (May-July 1998).
Download or read book Holland s Golden Age in America written by Esmée Quodbach and published by Penn State University Press. This book was released on 2014 with total page 272 pages. Available in PDF, EPUB and Kindle. Book excerpt: Essays by American and Dutch scholars and museum curators explore the collecting and reception of seventeenth-century Dutch painting in America, from the colonial era through the Gilded Age to today.
Download or read book Picturing Men and Women in the Dutch Golden Age written by Muizelaar Klaske and published by Yale University Press. This book was released on 2003-01-01 with total page 268 pages. Available in PDF, EPUB and Kindle. Book excerpt: Taking as their premiss the subjective experience of art, the authors look at how paintings by Rembrandt, Vermeer & other masters were displayed & comprehended in the 17th century.
Download or read book Confronting the Golden Age written by Junko Aono and published by Amsterdam University Press. This book was released on 2015-03-21 with total page 235 pages. Available in PDF, EPUB and Kindle. Book excerpt: Is it possible to talk about Dutch art after 1680 outside the prevailing critical framework of the "age of decline"? Although an increasing number of studies are being published on the art and society of this period, genre painting of this era continues to be dismissed as an uninspired repetition of the art of the second and third quarters of the seventeenth century, known as the Dutch Golden Age. In this stunningly illustrated study, Aono reconsiders the long-dismissed genre painting from 1680-1750. Grounded in close analysis of a range of paintings and primary sources, this study illuminates the main features of genre painting, highlighting the ways in which these elements related to the painters' close connections to, on the one hand, collectors, and on the other, to classicism, one of the dominant artistic styles of that time. Three case studies, richly supplemented by a catalogue of 29 selected painters and their work, offer the first clear picture of the genre painting of the period while providing new insights into painters' activities, collectors' tastes and the contemporary art market.
Download or read book Dutch Utopia written by Annette Stott and published by . This book was released on 2009 with total page 272 pages. Available in PDF, EPUB and Kindle. Book excerpt: Showcasing more than seventy paintings from public and private collections throughout the United States and Europe, Dutch Utopia: American Artists in Holland, 1880-1914 explores the work of forty-three American artists drawn to Holland during the late nineteenth and early twentieth centuries. Escaping from the rapid urbanization of their time, these artists established colonies in six communities in the Netherlands—Dordrecht, Egmond, Katwijk, Laren, Rijsoord, and Volendam—with all but Dordrecht being small, preindustrial villages. Inspired by their pastoral surroundings as well as the great traditions of seventeenth-century Dutch art and the contemporary Hague school, these American artists created visions of Dutch society underpinned by a nostalgic yearning for a premodern way of life. Some even alluded to America’s own colonial Dutch heritage, exploring shared histories and cultural connections between the two countries. Organized by the Telfair Museum of Art in Savannah, Georgia, Dutch Utopia examines the appeal of Holland for American artists during this period, through six pivotal themes: the influence of seventeenth-century Dutch painting; the impact of the contemporary Hague School; antimodernism and the American Progressive Movement; points of convergence in national identities; the proliferation of artist colonies in Holland; and the popular construction of “Dutchness” beyond the stereotypes of wooden shoes and windmills. Dutch Utopia includes works by artists who remain celebrated today, such as Robert Henri, William Merritt Chase, and John Singer Sargent, and by painters admired in their own time but less well-known now. These include accomplished women such as Elizabeth Nourse and Anna Stanley, as well as George Hitchcock, Gari Melchers, and Walter MacEwen, who built international reputations with Salon pictures of Dutch landscapes and costumed figures. These artists were among hundreds of Americans who traveled to the Netherlands between 1880 and 1914 to paint and to study. Some lived in Holland for decades, while others stayed only a week or two, but most passed quickly through the major cities to small rural communities, where they created picturesque idylls on canvas.
Download or read book Masters of 17th century Dutch Landscape Painting written by Peter C. Sutton and published by University of Pennsylvania Press. This book was released on 1987 with total page 588 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book An Entrance for the Eyes written by Martha Hollander and published by Univ of California Press. This book was released on 2002-03-20 with total page 293 pages. Available in PDF, EPUB and Kindle. Book excerpt: "How refreshing, how absolutely refreshing, to find a book on Dutch painting that asks readers to begin by simply looking. Hollander is faithful to the possibility--so common in painting, so unusual in scholarship--that the paintings are elusive, evasive, unsystematically ambiguous. Doors ajar, windows onto the street, paintings within paintings, half-drawn curtains, blank mirrors, a man's coat hung on a nail: those are the engines of interpretation, and Hollander tells their history lucidly and entirely persuasively."—James Elkins, author of The Object Stares Back "Hollander offers fresh and compelling readings of key works by Karel van Mander, Gerard Dou, Nicolaes Maes, and Pieter de Hooch. Very few recent books on Dutch art are as rich as this; and few are written in such lucid, unpretentious prose. What shines forth from every page is a genuine love of the pictures. Here is art history well tempered to the objects it interprets."—Joseph L. Koerner, author of The Moment of Self-Portraiture in German Renaissance Art "In recent years, scholars have explored how space signifies in seventeenth-century Dutch art and culture; Hollander's fascinating study is the most comprehensive to date. It examines space--as conceived in the writings of Dutch art theorists, constructed in contemporary architecture, and disposed and made meaningful in the work of Gerard Dou, Nicolaes Maes, Pieter de Hooch, and Karel van Mander. An Entrance for the Eyes lays a firm foundation for research on this intriguing and hitherto understudied aspect of Dutch art."—Wayne E. Franits, author of Paragons of Virtue: Women and Domesticity in Seventeenth-Century Dutch Art
Download or read book The Visible World written by Thijs Weststeijn and published by Amsterdam University Press. This book was released on 2008 with total page 477 pages. Available in PDF, EPUB and Kindle. Book excerpt: How did painters and their public speak about art in Rembrandt's age? This book about the writings of the painter-poet Samuel van Hoogstraten, one of Rembrandt's pupils, examines a wide variety of themes from painting practice and theory from the Dutch Golden Age. It addresses the contested issue of 'Dutch realism' and its hidden symbolism, as well as Rembrandt's concern with representing emotions in order to involve the spectator. Diverse aspects of imitation and illusion come to the fore, such as the theory behind sketchy or 'rough' brushwork and the active role played by the viewer's imagination. Taking as its starting point discussions in Rembrandt's studio, this unique study provides an ambitious overview of Dutch artists' ideas on painting.
Download or read book The Group Portraiture of Holland written by Alois Riegl and published by Getty Publications. This book was released on 2000-03-16 with total page 428 pages. Available in PDF, EPUB and Kindle. Book excerpt: In The Group Portraiture of Holland, art historian Alois Riegl (1858-1905) argues that the artists of sixteenth- and seventeenth-century Holland radically altered the beholders relationship to works of art. Group portraits by artists such as Rembrandt and Frans Halls reflect an egalitarian viewpoint not found in the more hierarchically structured Italian works of the same period. First published in 1902 and here in English for the first time, the book opened up areas of inquiry that continue to engage scholars today.
Download or read book Light and Shade in Dutch and Flemish Art written by Ulrike Kern and published by Brepols Publishers. This book was released on 2014 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book presents the first systematic analysis of artistic techniques and terminology related to the rendering of light and shade in Dutch and Flemish art from the early-seventeenth to the mid-eighteenth century. It traces a shift in aesthetic perception, which is visible in the handling of chiaroscuro in Dutch and Flemish art in the course of 150 years, and challenges the view, widespread since Julius von Schlosser's influential survey of European art and literarure, that Netherlandish art was mainly uninventive. In their discussions Netherlandish writers of art theory drew on a) earlier and foreign art literature, b) their insights, mainly as painters, into workshop practice, c) observation of nature (including natural sciences) and d) aesthetic judgement. This volume investigates the different extents to which Netherlandisch writers on art depended on these four aspects as they devised their concepts of chiaroscuro and how this relates to contemporary pictorial practice. Statements on chiaroscuro in the writings of Karel van Mander, Philips Angel, Willem Goeree, Samuel van Hoogstraten, Gerard de Lairesse, Arnold Houbraken and Jacob Campo Weyerman have been compared with paintings of the period to test the writers' statements against the artists'methods. The comparison shows that writers of art theory described partly the same or similar methods to achieve effects of chiaroscuro that artists used in their works, which is understandable, given that most of them were active as artists themselves. Yet there are also divergences, especially when it comes to the question whether artists should value rendering natural effects over pictorial coherence. Dutch writers of art regarded natural impression as a crucial aim of art, but they often struggled with reconciling nature and aesthetic requirements in their arguments. In the art of the Netherlands, however, we can observe frequently that aesthetic and pictorial composition came before nature.
Download or read book Class Distinctions written by Ronni Baer and published by Museum of Fine Arts Boston. This book was released on 2015 with total page 343 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Dutch Republic in the seventeenth century was home to one of the greatest flowerings of painting in the history of Western art. Freed from the constraints of royal and church patronage, artists created a rich outpouring of naturalistic portraits, genre scenes and landscapes that circulated through a newly open market to patrons and customers at every level of Dutch society. Their closely observed details of everyday life offer a wealth of information about the possessions, activities and circumstances that distinguished members of social classes, from the nobility to the urban poor. The dazzling array of paintings gathered here - from artists such as Frans Hals, Jan Steen and Gerrit Dou, as well as Rembrandt and Vermeer - illuminated by essays by leading specialists, invite us to explore a vibrant early modern society and its reflection in a golden age of brilliant painting.
Download or read book Heroines Harpies and Housewives written by Martha Moffitt Peacock and published by BRILL. This book was released on 2020-11-16 with total page 530 pages. Available in PDF, EPUB and Kindle. Book excerpt: A novel and female empowering interpretive approach to these artistic archetypes in her analysis of Imaging Women of Consequence in the Dutch Golden Age.
Download or read book Women Artists and Patrons in the Netherlands 1500 1700 written by Elizabeth Sutton and published by Amsterdam University Press. This book was released on 2019-08-30 with total page 189 pages. Available in PDF, EPUB and Kindle. Book excerpt: This essay collection features innovative scholarship on women artists and patrons in the Netherlands 1500-1700. Covering painting, printmaking, and patronage, authors highlight the contributions of women art makers in the Netherlands, showing that women were prominent as creators in their own time and deserve to be recognized as such today.
Download or read book Black in Rembrandt s Time written by Elmer Kolfin and published by W Books. This book was released on 2020-05-11 with total page 136 pages. Available in PDF, EPUB and Kindle. Book excerpt: * The rise of the Fab Four - The Beatles in their fledgling years of fame * Incredible photos, many unseen, from the cameras of Terry O'Neill, Norman Parkinson, Michael Ward and Derek Bayes * With text by renowned Pop historian Tony Barrell * The perfect gift for any fan who keeps Beatlemania alive today The Beatles ascended like no band before, hurtling to the dizzy heights of international stardom in the early 1960s. Their counter-cultural vibes and unmistakable talent are still the subject of much discussion today - as is the rabid devotion of their fans. But how did one pop group become, as Lennon infamously quipped, "more popular than Jesus"? The work of four photographers provides an enlightening insight into the band's rise to fame. Ward captured the Fab Four when Beatlemania was still confined to their own home city - the band braved the icy Liverpool streets for a promotional shoot during the Big Freeze of '62-63. O'Neill crossed paths with The Beatles amid the buzz of the Swinging Sixties, resonating with the band in 1963 as a photographer of their generation. Parkinson delivered a deceptively relaxed shoot later that year, when the band were recording their second album; while Bayes captured never-before-published candid shots of The Beatles filming Help! in 1965. Accompanying these pictures, Tony Barrell's text delves into the Beatlemania phenomenon - the good, the bad, the ugly and the odd. From the creation of their early hit records to the hails of confectionery that peppered stages after John claimed George had eaten his jelly babies, Beatlemania: Four Photographers on the Fab Four reveals how one band became a lasting sensation.
