Download or read book An overture for the piano forte in commemoration of his Britannic majesty s solemn procession to the cathedral of St Paul s to return the almighty thanks for the splendid victories obtained by his navy over the fleets of France Spain and Holland written by Daniel Steibelt and published by . This book was released on 1797 with total page 28 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Favorite Overture for the piano forte written by Gioacchino Rossini and published by . This book was released on 1825 with total page 10 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Catalogue of Printed Music Published Between 1487 and 1800 Now in the British Museum A K v 2 L Z and First supplement written by British Museum. Department of Printed Books and published by . This book was released on 1912 with total page 788 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Catalogue of Printed Music Published Between 1487 and 1800 Now in the British Museum written by British Museum. Department of Printed Books and published by . This book was released on 1912 with total page 764 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book A Checklist of American Imprints 1820 1829 written by M. Frances Cooper and published by Scarecrow Press. This book was released on 1972 with total page 570 pages. Available in PDF, EPUB and Kindle. Book excerpt: This printers, publishers and booksellers index is modeled after Bristol's Index of Printers, Publishers and Booksellers Indicated by Charles Evans in his American Bibliography. Each entry contains a name and place, with item numbers listed underneath by date. Personal names are listed in the most complete form that could be determined. Corporate names are listed in the form used by the Library of Congress. Newspapers and magazines are entered by their full titles as recorded in Brigham's American Newspapers, 1821-1936 and Union List of Serials. Also included is a geographical index by city and a list of omissions with explanations.
Download or read book A Dictionary of Musicians written by John S. Sainsbury and published by . This book was released on 1827 with total page 520 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Music Entries at Stationers Hall 1710 1818 written by Michael Kassler and published by Routledge. This book was released on 2016-04-29 with total page 764 pages. Available in PDF, EPUB and Kindle. Book excerpt: The British Copyright Act of 1709 protected proprietors of books and music printed after 10 April 1710 who gave copies to the Company of Stationers in London. Upon receipt of a copy, usually within days of its first publication, the Stationers' Hall warehouse keeper entered details into a register. They included the date of registration, the name of the work's proprietor (its author or, if copyright had been transferred, its publisher), and the work's full title, which normally named the composer and the writer of any text and often named the work's performers and dedicatee. Although some publishers put the words 'Entered at Stationers' Hall' on title-pages without actually depositing copies, the information in the registers about the many works that were registered has significant bibliographic value. Because the music entries have not previously been printed and access to them has been difficult, they generally have been ignored by cataloguers and scholars, with the consequence that numerous musical works of this period have been misdated in libraries and reference books. This book makes available, for the first time, the full text of the music entries at Stationers' Hall from 1710 to 1810 and abbreviated details of works entered from 1811 to 1818. Its value is enhanced by the inclusion of locations of copies of most works, together with indexes of composers, authors, performers and dedicatees, and an explanatory introduction by the compiler.
Download or read book The Quarterly Musical Magazine and Review written by and published by . This book was released on 1826 with total page 546 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Harmonicon written by William Ayrton and published by . This book was released on 1824 with total page 258 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Illustrated London News written by and published by . This book was released on 1864 with total page 712 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Musical Times and Singing class Circular written by and published by . This book was released on 1873 with total page 822 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Early German Music in Philadelphia written by Robert Rutherford Drummond and published by . This book was released on 1910 with total page 112 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Monthly Musical Record written by and published by . This book was released on 1909 with total page 598 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Catalogue of Printed Music in the British Library to 1980 written by British Library. Department of Printed Books and published by . This book was released on 1981 with total page 396 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Giacomo Meyerbeer written by Marco Clemente Pellegrini and published by Cambridge Scholars Publishing. This book was released on 2008-10-01 with total page 610 pages. Available in PDF, EPUB and Kindle. Book excerpt: This Guide has resulted from years of research on the papers and music of Giacomo Meyerbeer, and aims to provide a bibliographical aid and point of reference for further research. The first part presents the private papers connected to the composer and his principal librettist, Eugène Scribe—both archival and printed, with working papers and correspondence, as found in Berlin, Paris and some of the famous libraries of the world. The body of Part 2 draws together all the known resources on Meyerbeer's life and historical reputation—from full scale biographies and entries in reference books, through critical discussions to website resources to records of symposia. The third part provides material about his background with its unique mixture of Jewish and Prussian elements, the powerful role of the city of Berlin in his life and work. The fourth part lists bibliographic material for Meyerbeer's music, looking at his operas, grouped as German, Italian and French, with each individual entry providing a record of the scores available, both modern and historical, the various arrangements made from the operas during the heyday of their popularity, reviews of modern performances, discography, and bibliography of studies and publications pertinent to the wider cultural and historical contexts of the works. The next two sections constitute an extended record of material pertinent to the contemporaries of Meyerbeer. In the fifth section are select bibliographies of composers, authors, artists, performers, politicians, those who played some part in the composer's life, or anyone of significance in his wider contemporary circumstances. This is continued in the sixth part where the cultural and aesthetic elements of the composer's milieu, or life in the theatre during seventy years of the nineteenth century, are listed. The seventh part adds a bibliography of social and historical background, where the incidental issues of Judaism in nineteenth-century Europe, and the wider political, historical and geographical circumstances of Meyerbeer's life, his relentless travelling, and closely recorded experiences in Germany, France, Italy, Belgium, England, and Austria. The eighth section provides a thematic key to this extensive material. Part 9 provides an extended tripartite series of lists of the published scores, arrangements and some special studies of Meyerbeer over the period 1820 to 2005—in alphabetical, chronological and thematic ordering. The last two sections furnish the modern equivalent of this record of Meyerbeer and his compositions, showing in Part 11 the list of performances of his operas since the Second World War, and in Part 12, listing the recordings of the operas, both commercial and private, for the same period. The thirteenth and last section is iconographical, pictures that represent an interesting survey of the popular response to Meyerbeer in the 19th century.
Download or read book Daniel Fran ois Esprit Auber written by Robert Ignatius Letellier and published by Cambridge Scholars Publishing. This book was released on 2010-10-12 with total page 420 pages. Available in PDF, EPUB and Kindle. Book excerpt: Daniel-François-Esprit Auber (1782-1871), the composer of La Muette de Portici (1828) and Fra Diavolo (1830), was once regarded as one of the great figures of music, a staple of the operatic repertoire in France, and indeed around the world. It is now almost impossible to understand the extent of his once universal fame, his influence on contemporary composers. His operas were in the theatre repertories of the world until the 1920s, and innumerable arrangements of them were published and sold everywhere. The ubiquity of his overtures—Masaniello, Fra Diavolo, The Bronze Horse, The Black Domino, The Crown Diamonds—once as popular as those of Rossini and Suppé, and the influence of his melodies and dance rhythms on piano and instrumental music, and on Romantic comic opera, was overwhelming. In his operas Auber avoided any excess in dramatic expression; all emotion and expressiveness, any vivid depiction of local milieu, were realized within his discreetly nuanced tones, always stamped with a Parisian elegance. His operas were loved in his native France until the years before the First World War, with Fra Diavolo and Le Domino noir last performed at the Opéra-Comique in 1909. Auber’s career was a record of this success and appreciation. His appointment to the Institute (1829) was followed by other prestigious posts: as Director of Concerts at Court (1839), director of the Paris Conservatoire (1842), Musical Director of the Imperial Chapel (1852), and Grand Officer of the Légion d’Honneur (1861). During his lifetime, six biographies appeared contemporaneously, with another six appearing posthumously in the period up to 1914. In the late nineteenth and early twentieth centuries, however, reactions to Wagner, Impressionism and the Neo-Classicism of the Ballet Russe resulted in a growing lack of interest in the ancient traditions of opéra-comique, with its charming plots, melodic directness and rhythmic élan. Boieldieu, Hérold, Adam and Auber were relegated to the dustbin of history. Only in Germany did the genre continue to flourish; Auber’s most enduring work is still performed there. His death in pitiful conditions during the Siege of Paris (1871), in the city he always loved, marked the end of an era. Auber now occupies a shadowy niche in the general consciousness as the name of the metro station nearest the Palais Garnier, and remains unknown and neglected (apart of course from Fra Diavolo), although his impact on the nineteenth-century operatic theatre was just as great as Rossini’s. The time has surely come for Auber’s life and work, especially in association with his life-long collaborator Eugène Scribe (1791-1861)—master dramatist and supreme librettist, a determining force in the history of opera—to be reassessed. Perhaps then the world will begin to hear more of Auber’s elegant gracious, life-affirming music, written to Scribe’s words. The aim of the present study is to offer an overview of the life and work of Auber by close examination of his forty operas, with consideration of origins, casting, plot, analysis of dramaturgy and musical style, and reception history. This is presented in the context of Auber's relationship to the dominant genres of early nineteenth century French culture, opéra comique and grand opéra. The three evolving periods of Auber's unique involvement with opéra comique are of principal concern. This analysis of the operas is made in the context of Auber's crucial working relationship with Scribe, who provided 38 of his libretti. Their cooperation is unique and of great importance on several literary, musical and cultural levels. The nature of their interaction and personal friendship is assessed by a translation of the extant correspondence between them, some 80 letters that have not appeared in English before. The presentation of each opera is illustrated by musical examples from all the scores, prints from the complete works of Scribe and other theatrical memorabilia. The study also contains bibliographies of Auber’s works and their contemporary arrangements, studies of Auber’s and Scribe’s life and work, their artistic and historical milieux, and a discography.
