Download or read book The English Harpsichord Magazine written by and published by . This book was released on 1982 with total page 30 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The English Harpsichord Magazine written by and published by . This book was released on 1981 with total page 106 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Harpsichord Owner s Guide written by Edward L. Kottick and published by UNC Press Books. This book was released on 2013-01-01 with total page 193 pages. Available in PDF, EPUB and Kindle. Book excerpt: Kottick presents technical information in an accessible, but entertaining, way: the forms and styles of harpsichords, advice on purchasing decisions, maintenance techniques (such as voicing, regulating, and changing strings, tongues, plectra, springs, and dampers), aids in troubleshooting common problems, and detailed instructions on tuning and temperament. As builder of some thirty keyboard instruments, Kottick is well qualified to speak on the subject.
Download or read book The Harpsichord Magazine written by and published by . This book was released on 1973 with total page 38 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Harpsichord and Clavichord written by Igor Kipnis and published by Routledge. This book was released on 2013-04-15 with total page 571 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Harpsichord and Clavichord, An Encyclopedia includes articles on this family of instruments, including famous players, composers, instruments builders, the construction of the instruments, and related terminology. It is the first complete reference on this important family of keyboard instruments. The contributors include major scholars of music and musical instrument history from around the world. It completes the three-volume Encyclopedia of Keyboard Instruments.
Download or read book The Cambridge Companion to the Harpsichord written by Mark Kroll and published by Cambridge University Press. This book was released on 2019-01-03 with total page 407 pages. Available in PDF, EPUB and Kindle. Book excerpt: Covers every aspect of the harpsichord and its music, including composers, genres, national styles, tuning, and the art of harpsichord building.
Download or read book A History of the Harpsichord written by Edward L. Kottick and published by Indiana University Press. This book was released on 2003 with total page 606 pages. Available in PDF, EPUB and Kindle. Book excerpt: A History of the Harpsichord brings together for the first time more than 200 photographs, illustrations, and drawings of harpsichords in public museums and private collections throughout Europe the United States. Edward L. Kottick draws on his extensive technical knowledge and experience as a harpsichord builder to detail the changing design, structure, and acoustics of the instrument over seven centuries.Based on painstaking research, the book considers the place of the instrument in society and vividly describes the market forces that brought about changes in its form, decoration, and cultural importance. An accompanying CDincludes performances on several of the historical instruments described and illustrated in the volume, including a 1580 spinett virginal by Martin van der Biest and instruments built by Ruckers and Pleyel. The volume devotes attention to American harpsichord design as well as to present and future uses of the instrument.Also of interestThe History of the PianoforteA Documentary in SoundEva Badura-Skoda0-253-33582-5 HB £37.95
Download or read book Harpsichord Fortepiano COMPLETE INDEX 1973 2023 written by Francis Knights and published by . This book was released on 2023-11-27 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: This chronological Index covers every issue of the English Harpsichord Magazine and Harpsichord & fortepiano, vols. i-xxviii, and includes all of the content apart from reports, reviews and advertisements. For a Subject Index (including Interviews and Obituaries) and for an Author Index of articles, see below. The history of the magazine can be found at Francis Knights, '50 years of Harpsichord & Fortepiano', xxviii/1 (Autumn 2023), pp.4-7.
Download or read book The Keyboard Instruments of Michael Thomas written by and published by . This book was released on 1976 with total page 16 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Harpsichord and Fortepiano Magazine written by and published by . This book was released on 1989 with total page 30 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The British Union Catalogue of Music Periodicals written by John Wagstaff and published by Routledge. This book was released on 2019-07-23 with total page 1061 pages. Available in PDF, EPUB and Kindle. Book excerpt: First published in 1998, the aim of this catalogue is to help students, researchers and librarians determine the UK locations of over 2,000 music periodical titles held in public, academic and national libraries. Over 220 libraries in the UK have been surveyed, from St. Austell to Aberdeen, Aberystwyth to Brighton. Each catalogue entry provides detailed information on library holdings, and full bibliographic details of periodical titles, including ISSNs. The main catalogue is preceded by an address list, and by a preface outlining the history of music periodicals in Britain, together with statistical tables.
Download or read book Isolde Ahlgrimm Vienna and the Early Music Revival written by Peter Watchorn and published by Routledge. This book was released on 2017-07-05 with total page 407 pages. Available in PDF, EPUB and Kindle. Book excerpt: Isolde Ahlgrimm (1914-1995) was an important pioneer in the revival of Baroque and Classical keyboard instruments in her native city, Vienna, and later, throughout Europe and the United States. She trained as a pianist at the Musikakademie in Vienna under the instruction of Viktor Ebenstein, Emil von Sauer and Franz Schmidt. In 1934 she met the musical instrument collector, Dr Erich Fiala, whom she married in 1938. His activities opened up the world of early instruments to her. Using a 1790 fortepiano by Michael Rosenberger, Isolde Ahlgrimm began her career as a specialist on early keyboard instruments with the first in her notable series of Concerte f?r Kenner und Liebhaber, given in Vienna's Palais Palffy in February 1937. Ahlgrimm's career as a harpsichordist also began in 1937, when a new instrument was commissioned from the Ammer brothers in Eisenberg, Germany. In 1943 Ahlgrimm performed her first all-harpsichord programme, which consisted of the Goldberg Variations by J.S. Bach. From 1949 to 1956, she devoted herself to performing and recording nearly all of Bach's harpsichord music for the newly-founded Dutch label, Philips, presenting her new approach to the harpsichord to a wider audience. Ahlgrimm's performances of Baroque music represented a radical departure from the distinctly twentieth-century interpretations by the much more famous Wanda Landowska and her followers. Most obviously, Ahlgrimm's harpsichord performances eliminated frequent registration changes (her instrument had hand stops rather than pedals to change registers), and largely eschewed the massive ritardandi and other anachronistic performance practices that were hallmarks of Landowska's essentially Romantic style. Ahlgrimm researched and emphasized rhetorical traditions on which the music was based. This became more pronounced throughout the course of her later performing, writing and teaching career, and it was the beginning of an approach to the performance of eighteenth-century musi
Download or read book A Performer s Guide to Renaissance Music written by Jeffery Kite-Powell and published by Indiana University Press. This book was released on 2007-08-02 with total page 498 pages. Available in PDF, EPUB and Kindle. Book excerpt: Revised and expanded since it first appeared in 1991, the guide features two new chapters on ornamentation and rehearsal techniques, as well as updated reference materials, internet resources, and other new material made available only in the last decade. The guide is comprised of focused chapters on performance practice issues such as vocal and choral music; various types of ensembles; profiles of specific instruments; instrumentation; performance practice issues; theory; dance; regional profiles of Renaissance music; and guidelines for directors. The format addresses the widest possible audience for early music, including amateur and professional performers, musicologists, theorists, and educators.
Download or read book A Performer s Guide to Seventeenth Century Music written by Stewart Carter and published by Indiana University Press. This book was released on 2012-03-21 with total page 558 pages. Available in PDF, EPUB and Kindle. Book excerpt: Revised and expanded, A Performer's Guide to Seventeenth Century Music is a comprehensive reference guide for students and professional musicians. The book contains useful material on vocal and choral music and style; instrumentation; performance practice; ornamentation, tuning, temperament; meter and tempo; basso continuo; dance; theatrical production; and much more. The volume includes new chapters on the violin, the violoncello and violone, and the trombone—as well as updated and expanded reference materials, internet resources, and other newly available material. This highly accessible handbook will prove a welcome reference for any musician or singer interested in historically informed performance.
Download or read book Perspectives on Early Keyboard Music and Revival in the Twentieth Century written by Rachelle Taylor and published by Routledge. This book was released on 2017-12-15 with total page 337 pages. Available in PDF, EPUB and Kindle. Book excerpt: The twentieth-century revival of early music unfolded in two successive movements rooted respectively in nineteenth-century antiquarianism and in rediscovery of the value of original instruments. The present volume is a collection of insights reflecting the principal concerns of the second of those revivals, focusing on early keyboards, and beginning in the 1950s. The volume and its authors acknowledge Canadian harpsichordist Kenneth Gilbert (b. 1931) as one of this revival’s leaders. The content reflects international research on early keyboard music, sources, instruments, theory, editing, and discography. Considerations that echo throughout the book are the problematics of source attributions, progressive institutionalization of early music, historical instruments as agents of artistic change and education, antecedents and networks of the revival seen as a social phenomenon, the impact of historical performance and the quest for understanding style and genre. The chapters cover historical performance practice, source studies, edition, theory and form, and instrument curating and building. Among their authors are prominent figures in performance, music history, editing, instrument building and restoration, and theory, some of whom engaged with the early keyboard revival as it was happening.
Download or read book The Recorder written by Richard W. Griscom and published by Routledge. This book was released on 2003-12-16 with total page 1001 pages. Available in PDF, EPUB and Kindle. Book excerpt: A Choice "Best Academic" book in its first edition, The Recorder remains an essential resource for anyone who wants to know about this instrument. This new edition is thoroughly redone, takes account of the publishing activity of the years since its first publication, and still follows the original organization.
Download or read book Composers Intentions written by Andrew Parrott and published by Boydell & Brewer. This book was released on 2015 with total page 423 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book comprises selected essays concerning musical performance practice by conductor Andrew Parrott, an acknowledged expert in the field. Spanning some thirty-five years of Parrott's career as both performer and researcher, the volume brings together seminal writings on Monteverdi, Purcell and J. S. Bach, as well as an expanded version of a major new article from 2015. With a focus on vocal and choral music, the book covers a broad timespan (from the fourteenth to eighteenth centuries) and multifarious approaches (from extensive scholarly articles to radio broadcasts). Authoritative, provocative and readable, Parrott's writing is packed with detailed information of value to scholars, performers, students and curious listeners alike. At the same time, the book sheds light on key topics of historically informed performance from the past four decades. ANDREW PARROTT, conductor, is perhaps best known for his many pioneering recordings of pre-classical repertory from Machaut to Handel, principally for EMI with the London-based Taverner Consort, Choir and Players, which he founded in 1973. Recent CDs include his reconstruction of Bach's 'lost' Trauer-Music for Prince Leopold of Anhalt-Cöthen (released in 2011) and a 'thoroughly researched and re-imagined' account of Monteverdi's L'Orfeo (2013). He is also co-editor of The New Oxford Book of Carols (1992) and author of The Essential Bach Choir (The Boydell Press, 2000).
