Download or read book The Favorite Opera in Three Acts Entitled The Crown Diamonds Adapted to the English Stage by Mr Tully the Words by E Fitzball Etc Based on Les Diamans de la Couronne by A E Scribe and J H Vernoy de Saint Georges written by Edward Fitzball and published by . This book was released on 1857 with total page 50 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book British Museum Catalogue of printed Books written by and published by . This book was released on 1896 with total page 656 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The new comic opera in three acts of the Crown Diamonds etc Based on Les Diamans de la couronne by A E Scribe and J H Vernoy de Saint Georges written by and published by . This book was released on 1844 with total page 74 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Catalogue of the Allen A Brown Collection of Music in the Public Library of the City of Boston written by Allen A. Brown Collection (Boston Public Library) and published by . This book was released on 1915 with total page 354 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Nineteenth Century Short title Catalogue phase 1 1816 1870 written by and published by . This book was released on 1984 with total page 588 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Daniel Fran ois Esprit Auber written by Robert Ignatius Letellier and published by Cambridge Scholars Publishing. This book was released on 2010-10-12 with total page 420 pages. Available in PDF, EPUB and Kindle. Book excerpt: Daniel-François-Esprit Auber (1782-1871), the composer of La Muette de Portici (1828) and Fra Diavolo (1830), was once regarded as one of the great figures of music, a staple of the operatic repertoire in France, and indeed around the world. It is now almost impossible to understand the extent of his once universal fame, his influence on contemporary composers. His operas were in the theatre repertories of the world until the 1920s, and innumerable arrangements of them were published and sold everywhere. The ubiquity of his overtures—Masaniello, Fra Diavolo, The Bronze Horse, The Black Domino, The Crown Diamonds—once as popular as those of Rossini and Suppé, and the influence of his melodies and dance rhythms on piano and instrumental music, and on Romantic comic opera, was overwhelming. In his operas Auber avoided any excess in dramatic expression; all emotion and expressiveness, any vivid depiction of local milieu, were realized within his discreetly nuanced tones, always stamped with a Parisian elegance. His operas were loved in his native France until the years before the First World War, with Fra Diavolo and Le Domino noir last performed at the Opéra-Comique in 1909. Auber’s career was a record of this success and appreciation. His appointment to the Institute (1829) was followed by other prestigious posts: as Director of Concerts at Court (1839), director of the Paris Conservatoire (1842), Musical Director of the Imperial Chapel (1852), and Grand Officer of the Légion d’Honneur (1861). During his lifetime, six biographies appeared contemporaneously, with another six appearing posthumously in the period up to 1914. In the late nineteenth and early twentieth centuries, however, reactions to Wagner, Impressionism and the Neo-Classicism of the Ballet Russe resulted in a growing lack of interest in the ancient traditions of opéra-comique, with its charming plots, melodic directness and rhythmic élan. Boieldieu, Hérold, Adam and Auber were relegated to the dustbin of history. Only in Germany did the genre continue to flourish; Auber’s most enduring work is still performed there. His death in pitiful conditions during the Siege of Paris (1871), in the city he always loved, marked the end of an era. Auber now occupies a shadowy niche in the general consciousness as the name of the metro station nearest the Palais Garnier, and remains unknown and neglected (apart of course from Fra Diavolo), although his impact on the nineteenth-century operatic theatre was just as great as Rossini’s. The time has surely come for Auber’s life and work, especially in association with his life-long collaborator Eugène Scribe (1791-1861)—master dramatist and supreme librettist, a determining force in the history of opera—to be reassessed. Perhaps then the world will begin to hear more of Auber’s elegant gracious, life-affirming music, written to Scribe’s words. The aim of the present study is to offer an overview of the life and work of Auber by close examination of his forty operas, with consideration of origins, casting, plot, analysis of dramaturgy and musical style, and reception history. This is presented in the context of Auber's relationship to the dominant genres of early nineteenth century French culture, opéra comique and grand opéra. The three evolving periods of Auber's unique involvement with opéra comique are of principal concern. This analysis of the operas is made in the context of Auber's crucial working relationship with Scribe, who provided 38 of his libretti. Their cooperation is unique and of great importance on several literary, musical and cultural levels. The nature of their interaction and personal friendship is assessed by a translation of the extant correspondence between them, some 80 letters that have not appeared in English before. The presentation of each opera is illustrated by musical examples from all the scores, prints from the complete works of Scribe and other theatrical memorabilia. The study also contains bibliographies of Auber’s works and their contemporary arrangements, studies of Auber’s and Scribe’s life and work, their artistic and historical milieux, and a discography.
Download or read book Catalogue of the Printed Books in the Library of the British Museum written by British Library and published by . This book was released on 1946 with total page 964 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Drama and Opera The opera written by Alfred Bates and published by . This book was released on 1909 with total page 762 pages. Available in PDF, EPUB and Kindle. Book excerpt: Includes selections, epitomes, outlines of dramas, and some entire plays.
Download or read book Drama and Opera written by Alfred Bates and published by . This book was released on 1909 with total page 760 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The British Museum Catalogue of Printed Books 1881 1900 written by British Museum. Department of Printed Books and published by . This book was released on 1946 with total page 956 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Century Dictionary and Cyclopedia The Century cyclopedia of names ed by Benjamin E Smith written by William Dwight Whitney and published by . This book was released on 1903 with total page 1106 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Century Dictionary The Century cyclopedia of names ed by Benjamin E Smith vol I written by William Dwight Whitney and published by . This book was released on 1895 with total page 790 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The First Printed Translations into English of the Great Foreign Classics written by William James Harris and published by DigiCat. This book was released on 2022-06-03 with total page 190 pages. Available in PDF, EPUB and Kindle. Book excerpt: "The First Printed Translations" by William James Harris is a bibliography that has been compiled with the view of supplementing existing textbooks on English literary history and assisting students in preparing for examinations in Bibliography and Literature. It will also be of service to those who are working for the professional examinations of the Library Association. The great foreign classics have exercised a direct and decided influence upon English literature and the object of this bibliography is to give in concise form the authors and titles, translations, and dates of the first English translations of the chief foreign authors, and incidentally to enable students to note the effect of such translations on the works of many of our great imaginative writers. Excerpt: "ACHILLES TATIUS. Fourth Century. Greek writer. CLEITOPHON AND LEUCIPPE. Tr. by Rev. R. Smith, 1855. One of the decadent Greek novelists. An erotic novel of a conventional type. ÆLFRIC. c. 1006. THE CATHOLIC HOMILIES. Ed. with tr. B. Thorpe, Ælfric Soc., 1844-46. LIVES OF SAINTS. Ed. Text and Tr. W. W. Skeat, E.E.T.S., 1881. Eminent Saxon prelate, one of the most learned of his time. His works, upwards of eighty in number, have been republished by the Ælfric Soc. (London, 1844-46)."
Download or read book Men of the Time written by and published by . This book was released on 1857 with total page 934 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Musical Standard written by and published by . This book was released on 1875 with total page 416 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book A Comparative History of Literatures in the Iberian Peninsula written by César Domínguez and published by John Benjamins Publishing Company. This book was released on 2016-10-20 with total page 781 pages. Available in PDF, EPUB and Kindle. Book excerpt: Volume 2 of A Comparative History of Literatures in the Iberian Peninsula brings to an end this collective work that aims at surveying the network of interliterary relations in the Iberian Peninsula. No attempt at such a comparative history of literatures in the Iberian Peninsula has been made until now. In this volume, the focus is placed on images (Section 1), genres (Section 2), forms of mediation (Section 3), and cultural studies and literary repertoires (Section 4). To these four sections an epilogue is added, in which specialists in literatures in the Iberian Peninsula, as well as in the (sub)disciplines of comparative history and comparative literary history, search for links between Volumes 1 and 2 from the point of view of general contributions to the field of Iberian comparative studies, and assess the entire project that now reaches completion with contributions from almost one hundred scholars.
