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Book Hand book to the Popular Poetical and Dramatic Literature of Grait Britain from the Invention of Printing to the Restoration By W Carew Hazlitt

Download or read book Hand book to the Popular Poetical and Dramatic Literature of Grait Britain from the Invention of Printing to the Restoration By W Carew Hazlitt written by William Carew Hazlitt and published by . This book was released on 1867 with total page 724 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Book The Complaynt of Rosamond

Download or read book The Complaynt of Rosamond written by Samuel Daniel and published by . This book was released on 1887 with total page 130 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Book A Bibliographical Catalogue of Italian Books Printed in England 1603 1642

Download or read book A Bibliographical Catalogue of Italian Books Printed in England 1603 1642 written by Soko Tomita and published by Routledge. This book was released on 2016-12-05 with total page 603 pages. Available in PDF, EPUB and Kindle. Book excerpt: A sequel to Tomita’s A Bibliographical Catalogue of Italian Books Printed in England 1558-1603, this volume provides the data for the succeeding 40 years (during the reign of King James I and Charles I) and contributes to the study of Anglo-Italian relations in literature through entries on 187 Italian books (335 editions) printed in England. The Catalogue starts with the books published immediately after the death of Queen Elizabeth I on 24 March 1603, and ends in 1642 with the closing of English theatres. It also contains 45 Elizabethan books (75 editions), which did not feature in the previous volume. Formatted along the lines of Mary Augusta Scott's Elizabethan Translations from the Italian (1916), and adopting Philip Gaskell's scientific method of bibliographical description, this volume provides reliable and comprehensive information about books and their publication, viewed in a general perspective of Anglo-Italian transactions in Jacobean and part of Caroline England.

Book The Shattering of the Self

Download or read book The Shattering of the Self written by Cynthia Marshall and published by JHU Press. This book was released on 2003-05-22 with total page 246 pages. Available in PDF, EPUB and Kindle. Book excerpt: In The Shattering of the Self: Violence, Subjectivity, and Early Modern Texts, Cynthia Marshall reconceptualizes the place and function of violence in Renaissance literature. During the Renaissance an emerging concept of the autonomous self within art, politics, religion, commerce, and other areas existed in tandem with an established, popular sense of the self as fluid, unstable, and volatile. Marshall examines an early modern fascination with erotically charged violence to show how texts of various kinds allowed temporary release from an individualism that was constraining. Scenes such as Gloucester's blinding and Cordelia's death in King Lear or the dismemberment and sexual violence depicted in Titus Andronicus allowed audience members not only a release but a "shattering"—as opposed to an affirmation—of the self. Marshall draws upon close readings of Shakespearean plays, Petrarchan sonnets, John Foxe's Acts and Monuments of the Christian Martyrs, and John Ford's The Broken Heart to successfully address questions of subjectivity, psychoanalytic theory, and identity via a cultural response to art. Timely in its offering of an account that is both historically and psychoanalytically informed, The Shattering of the Self argues for a renewed attention to the place of fantasy in this literature and will be of interest to scholars working in Renaissance and early modern studies, literary theory, gender studies, and film theory.

Book Daniel s Delia and Drayton s Idea

Download or read book Daniel s Delia and Drayton s Idea written by Samuel Daniel and published by . This book was released on 1908 with total page 250 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Book The National Union Catalog Pre 1956 Imprints

Download or read book The National Union Catalog Pre 1956 Imprints written by Library of Congress and published by . This book was released on 1971 with total page 712 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Book The Imprint Catalog in the Rare Book Division

Download or read book The Imprint Catalog in the Rare Book Division written by New York Public Library. Rare Book Division and published by . This book was released on 1979 with total page 792 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Book The Re Attribution of the British Renaissance Corpus

Download or read book The Re Attribution of the British Renaissance Corpus written by Anna Faktorovich and published by Anaphora Literary Press. This book was released on 2023-05-02 with total page 700 pages. Available in PDF, EPUB and Kindle. Book excerpt: The first accurate quantitative re-attribution of all central texts of the British Renaissance. Describes and applies the first unbiased and accurate method of computational-linguistics authorial-attribution. Covers 303 texts with 8,106,059 words, 123 authorial bylines, a range of genres, and a timespan between 1510 and 1662. Includes helpful diagrams that visually show the quantitative-matches and the identical most-frequent phrases between the texts in each linguistic-signature-group. Detailed chronologies for each of the six ghostwriters and the bylines they wrote under, including their dates of birth, death, publications, and other biographical markers that explain why each of them was the only logical attribution. A full bibliography of the 303 tested texts. All of the raw and processed data, not only in summary-tables inside of the book, but also in-full on a publicly-accessible website: https://github.com/faktorovich/Attribution. One table includes all of the data from the first-edition title-pages (byline, printer, bookseller, date, proverbs), and the first-performance (date, troupe). A table on structural elements across all “Shakespeare”-bylined texts summarizes their plot-movements, character-types, settings, slang-usage, primary sources, and poetic design (percentage of rhyme and hendiadys). To explain why these are the first truly accurate re-attributions, numerous reasons for discrediting previous attribution claims are provided throughout. Re-Attribution of the British Renaissance Corpus describes a newly invented for this study computational-linguistics authorial-attribution method and applies it and several other approaches to the central texts of the British Renaissance. All of the attribution steps are described precisely to give readers replicable instructions on how they can apply them to any text from any period that they are interested in determining an attribution for. This method can be applied to solving criminal linguistic mysteries such as who wrote the Unabomber Manifesto, or theological mysteries such as if any of the Dead Sea Scrolls might have been forged by a modern author. This method is uniquely accurate because it uses 27 different quantitative tests that measure a text’s dimensions and its similarity or divergence to other texts automatically, without the statisticians being able to skew the outcome by altering the experiment’s analytical design. Re-Attribution guides researchers not only on how to perform the basic calculations, but also how to perform the biographical and documentary research to derive who among the potential bylines in a single signature-group is the ghostwriter, while the others are merely ghostwriter-contractors or pseudonyms. Reliable accuracy is achieved by also performing other types of attribution tests to check if these alternative approaches validate or contradict the 27-tests’ findings. Non-quantitative tests discussed include deciphering the hidden implications of contemporary pufferies, as well as comparing structural elements such as characters, plot, and element borrowings. Part II presents a revised version of the history of the birth of the theater in Britain by reviewing forensic accounting evidence in Philip Henslowe’s Diary, and the documented history of homicidal lending practices and government corruption connected with troupes and theaters. Parts III-VIII explain precisely how this series derived that the British Renaissance was ghostwritten by only six linguistic-signatures: Richard Verstegan, Josuah Sylvester, Gabriel Harvey, Benjamin Jonson, William Byrd and William Percy. The parts on each of these ghostwriters, not only explain how their biographies fit with the timelines of the texts being attributed to them, but also provide various types of evidence that explains their motives for ghostwriting. And Part IX returns for an intricate analysis of a few pseudonyms or ghostwriting-contractors who were uniquely difficult to exclude as potential ghostwriters; in parallel, these chapters question the reasons these individuals would have needed to purchase ghostwriting services. “The complete series on British Renaissance Re-Attribution and Modernization by Anna Faktorovich is a remarkable accomplishment. Based on her own unbiased method of computational-linguistic authorial-attribution, she has critically examined an entire collection of texts, many previously inaccessible and untranslated to modern English. From a variety of distinct factors that have been ignored or unnoticed in the past, she identifies a group of ghost writers behind many miss-attributed Renaissance works. Of particular interest are works traditionally attributed to William Shakespeare. Dr. Faktorovich is a prolific writer, very well informed in English literature, philology, and literary criticism, and she is clearly thorough and detail-oriented. Her re-attribution and modernization series demonstrates solid scholarship, fresh perspective, and willingness to challenge conventional thought and methodology.” —Midwest Book Review, Lesly F. Massey (December 2021) “I have long had an interest in linguistics and enjoy reading the frequent ‘Who really wrote Shakespeare’s works?’ Therefore, this book was extremely interesting to me… So, my recommendation is that if you have an interest in linguistics and scholarly research you will love this book… Very interesting and well laid out book. *****” —LibraryThing, Early Reviewers, February 2022 Anna Faktorovich, PhD, is an English professor who previously published Rebellion as Genre and Formulas of Popular Fiction. She is also the Director and Founder of Anaphora Literary Press.

Book Book prices Current

Download or read book Book prices Current written by and published by . This book was released on 1926 with total page 1032 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Book Bibliography of Early English Literature Bibliographical collections and notes on early English literature made during the years 1893 1903

Download or read book Bibliography of Early English Literature Bibliographical collections and notes on early English literature made during the years 1893 1903 written by William Carew Hazlitt and published by . This book was released on 1903 with total page 464 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Book Bibliography of Early English Literature Hand book to the popular poetical and dramatic literature of Great Britain from the invention of printing to the Restoration

Download or read book Bibliography of Early English Literature Hand book to the popular poetical and dramatic literature of Great Britain from the invention of printing to the Restoration written by William Carew Hazlitt and published by . This book was released on 1961 with total page 728 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Book Hand Book to the Popular Poetical and Dramatic Literature of Great Britain

Download or read book Hand Book to the Popular Poetical and Dramatic Literature of Great Britain written by William Carew Hazlitt and published by BoD – Books on Demand. This book was released on 2021-10-28 with total page 722 pages. Available in PDF, EPUB and Kindle. Book excerpt: Reprint of the original, first published in 1867.