Download or read book Text and Music in German Operas of the 1920s written by Rebekka Fritz and published by . This book was released on 1998 with total page 214 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Text and Music in German Operas of the 1920s written by Rebekka Fritz and published by . This book was released on 1998 with total page 212 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Worte Klingen Toene Sprechen Capriccio written by Rebekka Fritz and published by . This book was released on 1996 with total page 396 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Worte Klingen Toene Sprechen Capriccio Text and Music in German Operas in the 1920s written by Rebekka Fritz and published by . This book was released on 1997 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Worte Klingen Toene Sprechen Capriccio written by Rebekka Fritz and published by . This book was released on 1996 with total page 28 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Operas in German written by Margaret Ross Griffel and published by Rowman & Littlefield. This book was released on 2018-01-23 with total page 1046 pages. Available in PDF, EPUB and Kindle. Book excerpt: With nearly three thousand new entries, the revised edition of Operas in German: A Dictionary is the most current encyclopedic treatment of operas written specifically to a German text from the seventeenth century through 2016. Musicologist Margaret Ross Griffel details the operas’ composers, scores, librettos, first performances, and bibliographic sources. Four appendixes then list composers, librettists, authors whose works inspired or were adapted for the opera librettos, and a chronological listing of the entries in the A–Z section. The bibliography details other dictionaries and encyclopedias, performance studies, collections of plot summaries, general studies on operas, sources on locales where opera premieres took place, works on the history of operas in German, and selective volumes on individual opera composers, librettists, producers, directors, and designers. Finally, two indexes list the main characters in each opera and the names of singers, conductors, producers, composers, directors, choreographers, and arrangers. The revised edition of Operas in German provides opera historians, musicologists, performers, and opera lovers with an invaluable resource for continued study and enjoyment. As the most current encyclopedic collection of German opera from the seventeenth century through the twenty-first, Operas in German is an invaluable resource for opera historians, musicologists, performers, and opera lovers.
Download or read book Alban Berg written by Bryan R. Simms and published by Routledge. This book was released on 2018-02-01 with total page 302 pages. Available in PDF, EPUB and Kindle. Book excerpt: Alban Berg: A Research and Information Guide, Third Edition is an annotated bibliography highlighting both the nature of primary sources related to the composer and the scope and significance of the secondary sources that deal with Berg, his compositions, and his influence as a composer. It is a reliable, complete, and useful resource and a starting point for anyone—performer, teacher, student, or scholar—wanting to learn about Berg’s life, works, and cultural milieu. The third edition has 162 additional citations since the publication of the second edition, many arising after the expiration of copyright of Berg’s musical and archival works 2005. Many important new, primary sources of information have appeared, most notably the letter exchanges with his wife, recently published in a three-volume critical edition (in German), as well as letter exchanges with Alma Mahler and Erich Kleiber, and later correspondences with Anton Webern. There has also been a notable increase in the availability of commercial video recordings of Berg's operas, Wozzeck and Lulu.
Download or read book Historical Dictionary of Opera written by Scott L. Balthazar and published by Scarecrow Press. This book was released on 2013-07-05 with total page 564 pages. Available in PDF, EPUB and Kindle. Book excerpt: Opera has been around ever since the late 16th century, and it is still going strong in the sense that operas are performed around the world at present, and known by infinitely more persons than just those who attend performances. On the other hand, it has enjoyed periods in the past when more operas were produced to greater acclaim. Those periods inevitably have pride of place in this Historical Dictionary of Opera, as do exceptional singers, and others who combine to fashion the opera, whether or not they appear on stage. But this volume looks even further afield, considering the cities which were and still are opera centers, literary works which were turned into librettos, and types of pieces and genres. While some of the former can be found on the web or in other sources, most of the latter cannot and it is impossible to have the whole picture without them. Indeed, this book has an amazingly broad scope. The dictionary section, with about 340 entries, covers the topics mentioned above but obviously focuses most on composers, not just the likes of Mozart, Verdi and Wagner, but others who are scarcely remembered but made notable contributions. Of course, there are the divas, but others singers as well, and some of the most familiar operas, Don Giovanni, Tosca and more. Technical terms also abound, and reference to different genres, from antimasque to zarzuela. Since opera has been around so long, the chronology is rather lengthy, since it has a lot of ground to cover, and the introduction sets the scene for the rest. This book should not be an end but rather a beginning, so it has a substantial bibliography for readers seeking more specific or specialized works. It is an excellent access point for readers interested in opera.
Download or read book Analyses of Nineteenth and Twentieth Century Music 1940 2000 written by D. J. Hoek and published by Scarecrow Press. This book was released on 2007-02-15 with total page 374 pages. Available in PDF, EPUB and Kindle. Book excerpt: This new volume incorporates all entries from the previous editions by Arthur Wenk, expanding to cover writings drawn from periodicals, theses, dissertations, books, and Festschriften from 1940 to 2000. Over 9,000 references to analyses of works by over 1,000 composers of the nineteenth and twentieth centuries are included.
Download or read book Ancient Drama in Music for the Modern Stage written by Peter Brown and published by OUP Oxford. This book was released on 2010-09-02 with total page 1755 pages. Available in PDF, EPUB and Kindle. Book excerpt: Opera was invented at the end of the sixteenth century in imitation of the supposed style of delivery of ancient Greek tragedy, and, since then, operas based on Greek drama have been among the most important in the repertoire. This collection of essays by leading authorities in the fields of Classics, Musicology, Dance Studies, English Literature, Modern Languages, and Theatre Studies provides an exceptionally wide-ranging and detailed overview of the relationship between the two genres. Since tragedies have played a much larger part than comedies in this branch of operatic history, the volume mostly concentrates on the tragic repertoire, but a chapter on musical versions of Aristophanes' Lysistrata is included, as well as discussions of incidental music, a very important part of the musical reception of ancient drama, from Andrea Gabrieli in 1585 to Harrison Birtwistle and Judith Weir in the late twentieth and early twenty-first centuries.
Download or read book Ernst Krenek and the Politics of Musical Style written by Peter Tregear and published by Scarecrow Press. This book was released on 2013-07-05 with total page 195 pages. Available in PDF, EPUB and Kindle. Book excerpt: Ernst Krenek has been described as a “one-man history of twentieth-century music.” His vast compositional output encompasses many of its extremes and expresses many of its contradictions. Few have attempted, however, to contextualize Krenek’s compositional output because our understanding of classical music in the first half of the twentieth century still largely remains focused on the music of a few canonical figures. Responding to renewed interest from performers in Krenek’s work, particularly his operas, Peter Tregear’s Ernst Krenek and the Politics of Musical Style addresses this gap in the scholarly literature and makes an important contribution to our comprehension of the ways in which his music reflected and informed broader social and political debates in Austria and Germany at the time. Focusing on Krenek’s compositional path from the eclectic musical language of Jonny spielt auf to the austere twelve-tone technique of Karl V, Tregear provides an historical and critical context to this most historically significant period of Krenek’s creative life. His study also enriches our understanding of many of Krenek’s contemporaries, such as Alban Berg and Arnold Schoenberg. This book should interest students, scholars and practitioners with an interest in modern opera, and contemporary classical music as well as early-20th-century German history more generally.
Download or read book Medievalism and Nationalism in German Opera written by Michael S. Richardson and published by Routledge. This book was released on 2020-11-29 with total page 198 pages. Available in PDF, EPUB and Kindle. Book excerpt: Medievalism, or the reception or interpretation of the Middle Ages, was a prominent aesthetic for German opera composers in the first half of the nineteenth century. A healthy competition to establish a Germanic operatic repertory arose at this time, and fascination with medieval times served a critical role in shaping the desire for a unified national and cultural identity. Using operas by Weber, Schubert, Marshner, Wagner, and Schumann as case studies, Richardson investigates what historical information was available to German composers in their recreations of medieval music, and whether or not such information had any demonstrable effect on their compositions. The significant role that nationalism played in the choice of medieval subject matter for opera is also examined, along with how audiences and critics responded to the medieval milieu of these works. In this book, readers will gain a clear understanding of the rise of German opera in the early nineteenth century and the cultural and historical context in which this occurred. This book will also provide insight on the reception of medieval history and medieval music in nineteenth-century Germany, and will demonstrate how medievalism and nationalism were mutually reinforcing phenomena at this time and place in history.
Download or read book Forbidden Music written by Michael Haas and published by Yale University Press. This book was released on 2013-04-15 with total page 505 pages. Available in PDF, EPUB and Kindle. Book excerpt: DIV With National Socialism's arrival in Germany in 1933, Jews dominated music more than virtually any other sector, making it the most important cultural front in the Nazi fight for German identity. This groundbreaking book looks at the Jewish composers and musicians banned by the Third Reich and the consequences for music throughout the rest of the twentieth century. Because Jewish musicians and composers were, by 1933, the principal conveyors of Germany’s historic traditions and the ideals of German culture, the isolation, exile and persecution of Jewish musicians by the Nazis became an act of musical self-mutilation. Michael Haas looks at the actual contribution of Jewish composers in Germany and Austria before 1933, at their increasingly precarious position in Nazi Europe, their forced emigration before and during the war, their ambivalent relationships with their countries of refuge, such as Britain and the United States and their contributions within the radically changed post-war music environment. /div
Download or read book The Atonal Music of Arnold Schoenberg 1908 1923 written by Bryan R. Simms and published by Oxford University Press, USA. This book was released on 2000 with total page 276 pages. Available in PDF, EPUB and Kindle. Book excerpt: Between 1908 and 1923, Schoenberg developed a compositional strategy that moved beyond the accepted concepts and practices of Western tonality. This study synthesizes and advances the state of knowledge about this body of work.
Download or read book The Lost Tradition of Dvor k s Operas written by John Holland and published by Rowman & Littlefield. This book was released on 2023-09-05 with total page 205 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Lost Tradition of Dvořák’s Operas: Myth, Music, and Nationalism examines Antonín Dvořák’s operas, specifically Jakobín and Rusalka, from a critical standpoint, focusing on such criteria as tonal structures, thematic material and motives, subject matter, Czech folklore and musical influences, textual language, nationalism, characters, compositional history, performance history, and reception. The intent of this research is to vindicate and validate Dvořák as an opera composer; to show him to be an overlooked master in Nineteenth Century opera and the bridge between the Verdi and Wagner traditions. Now, well over one hundred years after his death, it is now time for Dvořák to take his rightful place in the operatic echelon.
Download or read book Bibliographic Guide to Music written by New York Public Library. Music Division and published by . This book was released on 2004 with total page 928 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The International Cyclopedia of Music and Musicians written by Oscar Thompson and published by . This book was released on 1975 with total page 2506 pages. Available in PDF, EPUB and Kindle. Book excerpt:
