Download or read book Survey of Australian Music Composition written by Commonwealth Assistance to Australian Composers Advisory Board and published by . This book was released on 1969 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Australian Chamber Music with Piano written by Larry Sitsky and published by ANU E Press. This book was released on 2011-10-01 with total page 334 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book represents the first critical survey of a section of a rich Australian corpus of chamber music. The author has included various instrumental combinations with piano as well as vocal music with piano. The survey is chronological, as well as by composer. An appendix to the work provides source material for future research into this area. The research has concentrated on progressive modernist music by Australian composers. The commentary utilizes the author's rich experience as composer, pianist and educator.
Download or read book Australian Music and Modernism 1960 1975 written by Michael Hooper and published by Bloomsbury Publishing USA. This book was released on 2019-10-31 with total page 430 pages. Available in PDF, EPUB and Kindle. Book excerpt: Drawing on newly available archival material, key works, and correspondence of the era, Australian Music and Modernism defines "Australian Music" as an idea that emerged through the lens of the modernist discourse of the 1960s and 70s. At the same time that the new "Australian Music" was distinctive of the nation, it was also thoroughly connected to practices from Europe and shaped by a new engagement with the music of Southeast Asia. This book examines the intersection of nationalism and modernism at this formative time. During the early stages of "Australian Music" there was disagreement about what the idea itself ought to represent and, indeed, whether the idea ought to apply at all. Michael Hooper considers various perspectives offered by such composers as Peter Sculthorpe, Richard Meale, and Nigel Butterley and analyzes some of the era's significant works to articulate a complex understanding of "Australian Music" at its inception.
Download or read book Australian Chamber Music with Piano written by Larry Sitsky and published by . This book was released on 2011 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book represents the first critical survey of a section of a rich Australian corpus of chamber music. The author has included various instrumental combinations with piano as well as vocal music with piano. The survey is chronological, as well as by composer. An appendix to the work provides source material for future research into this area. The research has concentrated on progressive modernist music by Australian composers. The commentary utilises the author's rich experience as composer, pianist and educator.
Download or read book Composing Our Future written by Michele Kaschub and published by Oxford University Press. This book was released on 2013-02-14 with total page 386 pages. Available in PDF, EPUB and Kindle. Book excerpt: Composing Our Future is the ideal book for music teacher educators seeking to learn more about composition education. It provides resources to guide the development of undergraduate and graduate curricula, specific courses, professional development workshops, and environments where composition education can flourish.
Download or read book Toward a General History of Australian Musical Composition written by Graeme Skinner and published by . This book was released on 2010 with total page 1162 pages. Available in PDF, EPUB and Kindle. Book excerpt: This study is a first attempt at a history of musical composition in early colonial Australia. It demonstrates that the existing general literature gives an inadequate account of the role of composers, and the function and reception of locally composed music within colonial society. That such a study has not been undertaken earlier is due partly to a lingering historical prejudice that the music itself is not very interesting, and not very good; and partly to the intractability of musical and documentary sources. Since 2005, a National and State libraries initiative has built a freely accessible online archive of around 300 printed early colonial compositions; nevertheless, most of these prints were undated, and few of the works or composers featured in previous literature. Since 2008, another NLA initiative, Australian Newspapers 1803-1954, has solved the documentary problem, with its searchable online archive of the colonial press. Using both new resources, it has been possible for the first time to date almost all of the existing prints precisely, and to identify from press advertisements a further 140 prints that are presumed lost. Systematic searches also identified a large number of unpublished compositions previously unknown. Since manuscripts survivals from this period are rare, almost none of these works is still extant. However, their identification adds greatly to the understanding of the profile of composed music in the era and to the careers of individual composers. Whereas fewer than 50 individual works have been cited in previous literature on the period, an appendix checklist identifies 880. This new data is used to chronicle the early history of compositional activity in Australia, from the European takeover onward. While no attempt has been made to hypothesise prior creative activity, early European transcriptions of Indigenous song, characterised at the time as the authentic "Australian National Music", are one focus of the early chapters. Early colonial composed music, meanwhile, answered the immediate needs of the founding British colonial establishments, and later settler colonial society, mainly in dance music and songs. A first performance by professionals (theatre and concert artists, and military bands) was often followed by publication in sheet music format for the domestic market, complementing a limited supply of imported print music. Composers also regularly arranged and reorchestrated imported theatre music for local forces, and improvised. The press greeted new works as contributing to "colonial production" and social improvement. Contemporary commentators theorised that local conditions - geographic, climatic, social, and economic - would help form an Australian national music distinct from its British and European antecedents. The study argues that, responding creatively to colonial realities, composers indeed produced a body of music locally distinctive, modest in ambition, broad in appeal, and functionally supportive of social and national interests. Insufficient infrastructure to support advanced repertoire and larger forms effectively quarantined Australia from canonic influence until the 1860s, allowing a popular early-Romantic music culture to continue to flourish in isolation. The study provides the first bibliographic apparatus and historical framework to assist researchers, performers, and students in using the online materials. The online format prototypes a novel approach to delivering history in which live links to primary sources allow readers to engage with the author's discussion critically.
Download or read book A Century of Composition by Women written by Linda Kouvaras and published by Springer Nature. This book was released on 2022-08-01 with total page 450 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book presents accounts of creative processes and contextual issues of current-day and early-twentieth century women composers. This collection of essays balances narratives of struggle, artistic prowess, and of "breaking through" the obstacles in the profession. Part I: Creative Work – Then and Now illuminates historical and present-day women’s composition and various iterations and conceptions of the “feminine voice”; Part II: The State of the Industry in the Present Day provides solutions from the frontline to sector inequities; and Part III: Creating; Collaborating: Composer and Performer Reflections offers personal stories of current creation in music. A Century of Composition by Women: Music Against the Odds draws together topical issues in feminist musicology over the past century. This volume provides insight into the professional and compositional procedures of creative women in music and stands to be relevant for composers, performers, industry professionals, students, and feminist and musicological scholars for many years to come.
Download or read book Post Colonial Distances written by Denis Crowdy and published by Cambridge Scholars Publishing. This book was released on 2020-10-27 with total page 225 pages. Available in PDF, EPUB and Kindle. Book excerpt: This anthology emanated from a conference in St. John’s, Newfoundland, that brought together popular music scholars, folklorists and ethnomusicologists from Canada and Australia. Implicit in that conference and in this anthology is the comparability of the two countries. Their ‘post-colonial’ status (if that is indeed an appropriate modifier in either case) has some points of similarity. On the other hand, their ‘distance’ – from hegemonic centres, from colonial histories – is arguably more a matter of contrast than similarity. Canada and Australia are similar in various regards. Post-colonial in the sense that they are both former British colonies, they now each have more than a century of stature as nation states. By the beginning of the 21st century, they are each modest in size but rich in ethnocultural diversity. Nonetheless, each country has some skeletons in the closet where openness to difference, to indigenous and new immigrant groups are concerned. Both countries are similarly both experiencing rapid shifts in cultural makeup with the biggest population increases in Australia coming from China, India, and South Africa, and the biggest in Canada from Afro-Caribbean, South Asian countries, and China. The chapters in this anthology constitute an important comparative initiative. Perhaps the most obvious point of comparison is that both countries create commercial music in the shadow of the hegemonic US and British industries. As the authors demonstrate, both proximity (specifically Canada’s nearness to the US) and distance have advantages and disadvantages. As the third and fourth largest Anglophone music markets for popular music, they face similar issues relating to music management, performance markets, and production. A second relationship, as chapters in this anthology attest, is the significant movement between the two countries in a matrix of exchange and influence among musicians that has rarely been studied hitherto. Third, both countries invite comparison with regard to the popular music production of diverse social groups within their national populations. In particular, the tremendous growth of indigenous popular music has resulted in opportunities as well as challenges. Additionally, however, the strategies that different waves of immigrants have adopted to devise or localize popular music that was both competitive and meaningful to their own people as well as to a larger demographic bear comparison. The historical similarities and differences as well as the global positionality of each country in the early 21st century, then, invites comparison relating to musical practices, social organization, lyrics as they articulate social issues, career strategies, industry structures and listeners.
Download or read book Australian Directory of Music Research written by Philip J. Drummond and published by Sydney : Australia Music Centre. This book was released on 1978 with total page 438 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Musical Composition in Australia written by Andrew D. McCredie and published by Canberra : Advisory Board, Commonwealth Assistance to Australian Composers. This book was released on 1969 with total page 52 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Diversity in Australia s Music written by Dorottya Fabian and published by Cambridge Scholars Publishing. This book was released on 2018-10-30 with total page 333 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume showcases academic research into the rich diversity of music in Australia from colonial times to the present. Starting with an overview of developments during the past 50 years, the contributions discuss Western and non-western genres (opera, film, dance, choral, chamber); the history of music-making in particular cosmopolitan and regional centres (Canberra, Brisbane, the Hunter Valley, Alice Springs); old, new, and experimental compositions; and a variety of performers and ensembles active at particular points in time. In addition, cultural tropes and music as social practice are also explored, providing a rich tapestry of music and music-making in the country. The volume thus serves as a model for representing and approaching multicultural musical societies in an inclusive and comprehensive manner.
Download or read book An Introductory Survey on the Development of Australian Art Song with a Catalog and Bibliography of Selected Works from the 19th Through 21st Centuries written by John Cleveland Howell and published by . This book was released on 2014 with total page 108 pages. Available in PDF, EPUB and Kindle. Book excerpt: An introductory survey on the development of Australian art song with a catalog and bibliography of selected works from the 19th through 21st centuries is a concise survey that examines the growth of the genre spanning over 120 years, and is accompanied by a catalog of annotated song data for over 300 selected works. The annotated catalog contains information including composer, year of composition, poet, range and tessitura, and publisher. Appendices that detail the most easily accessible sources for obtaining musical scores and a comprehensive list of composers are provided. This subject is widely unaddressed in the song literature courses taught in American universities, and is largely absent from the oeuvre of English-language song. This document was designed to provide a practical, introductory resource for both performers and academics that are interested in learning more about the history of Australian art song.
Download or read book Sounds Australian written by and published by . This book was released on 2006 with total page 132 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Take Note Interviews with Australian Composers written by Madeline Roycroft and published by Lyrebird Press lyrebirdpress.music.unimelb.edu.au. This book was released on 2021-12-01 with total page 216 pages. Available in PDF, EPUB and Kindle. Book excerpt: What is the creative process? Is there an Australian voice? Does tonality have a place in music of this century? These and many other questions relating to composition, its philosophy and individual works are answered by nineteen Australian composers in a fascinating collection of interviews dating from 1996 to 2021. Composers in the spotlight are: Larry Sitsky, Elena Kats-Chernin, Chris Dench, Julian Yu, Brenton Broadstock, Richard Mills, Nigel Westlake, Neil Kelly, Carl Vine, Elliott Gyger, Joseph Twist, Felicity Wilcox, Gordon Kerry, Liza Lim, Linda Kouvaras, Helen Gifford, Paul Stanhope, Stuart Greenbaum and Melody Eötvös.
Download or read book Collaborative Creative Thought and Practice in Music written by Margaret S. Barrett and published by Routledge. This book was released on 2016-05-23 with total page 329 pages. Available in PDF, EPUB and Kindle. Book excerpt: The notion of the individual creator, a product in part of the Western romantic ideal, is now troubled by accounts and explanations of creativity as a social construct. While in collectivist cultures the assimilation (but not the denial) of individual authorship into the complexities of group production and benefit has been a feature, the notion of the lone individual creator has been persistent. Systems theories acknowledge the role of others, yet at heart these are still individual views of creativity - focusing on the creative individual drawing upon the work of others rather than recognizing the mutually constitutive elements of social interactions across time and space. Focusing on the domain of music, the approach taken in this book falls into three sections: investigations of the people, processes, products, and places of collaborative creativity in compositional thought and practice; explorations of the ways in which creative collaboration provides a means of crossing boundaries between disciplines such as music performance and musicology; and studies of the emergence of creative thought and practice in educational contexts including that of the composer and the classroom. The volume concludes with an extended chapter that reflects on the ways in which the studies reported advance understandings of creative thought and practice. The book provides new perspectives to our understandings of the role of collaborative thought and processes in creative work across the domain of music including: composition, musicology, performance, music education and music psychology.
Download or read book Australian Academic and Research Libraries written by and published by . This book was released on 1972 with total page 520 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Aboriginal Music Making written by Catherine J. Ellis and published by . This book was released on 1964 with total page 404 pages. Available in PDF, EPUB and Kindle. Book excerpt: Revision of 1961 Ph.D. thesis, Glasgow University; p.2-15; Types of Aboriginal music; p.16-22; Aranda social customs (brief description of kinship system, totemism, male initiation); p.23-50; Sacred songs of the Aranda-speaking people, notes & definitions, signs used in transcription, rhythm, catalogue of rhythms for 14 inidividual verses; p.51-296; Musical transcriptions of Aranda & Unmatjera songs with original text & free English translations given separately, comments on vocabulary & ceremonial background, musical construction, rhythm p.297-327; General characteristics - performance, ornamentation, melodic outline, rhythm, harmony, form, pitch, intervals & scale; p.328-346; Comparison with music from Arnhem Land, Central & South Aust. (Alice Springs, Hermannsburg, Eyres Peninsula, Mucumba, Koonibba), Tangane, Pintubi, Yirrkala and Tasmania.
