Download or read book Studies in Burgundian Romanesque sculpture written by Neil Stratford and published by . This book was released on 1998 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: Romanesque sculpture in Burgundy has always been seen as central to our understanding of the history and culture of 11th and 12th century Europe, standing as it does at a cross-roads between north and south, with its rich agricultural and urban economies out of which grew some of the great monastic settlements of feudal Europe, including of course Cluny and the Cistercians. Neil Stratford has been Keeper of Medieval and Later Antiquities at the British Museum since 1975 and is recognised as a leading authority on Romanesque and Gothic art. Over the last twenty years he has published many articles on Romanesque Burgundy in a number of English and French journals. The most famous sculptures (above all the Cluny apse capitals and the Vezelay tympanum) have been studied, alongside unpublished and little known monuments. These two volumes brings together a selection of these studies, some published in English for the first time and with new photographs. All are updated with brief corrections and new comments from the author.
Download or read book Studies in Burgundian Romanesque sculpture text written by Neil Stratford and published by . This book was released on 1998 with total page 498 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Studies in Burgundian Romanesque sculpture plates written by Neil Stratford and published by . This book was released on 1998 with total page 344 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Cluny and the Origins of Burgundian Romanesque Sculpture written by C. Edson Armi and published by L'Erma Di Bretschneider. This book was released on 2019 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: The role of individual sculptors in creating the ambulatory capitals in the largest basilica in Christendom at Cluny remains a mystery. The unresolved issue of individual creativity leaves open three important questions about this powerful abbey which controlled hundreds of monasteries throughout Europe in the eleventh century: What was the specific artistic context - the origin, training and career path of the major sculptors who worked at the mother church at the start of construction? What was the relationship, in time and influence, between the focal ambulatory capitals and similar sculptures at numerous local sites? And what role did artists play in determining the form and meaning of Cluny sculptures and related monuments? This book traces the career of a sculptor who worked on the earliest capitals in the abbey church at Cluny. It documents his artistic preferences at previous Burgundian projects, gathering a variety of evidence intended to be on the one hand precise, complex and subtle, and on the other convincingly repetitious. He treated gesture, pose, anatomy, drapery, foliage, architecture, background and space not only consistently but also in a complementary fashion. Plainly put, he blurred the traditional distinction between sculpture and architecture, displaying a rich and unique combination of artistic preferences even as he worked with different kinds of patrons on various subjects at numerous and diverse monuments. These findings are supported with high-resolution photographs taken at telling angles from high ladders and scaffolding. This version of the creative process at the mother church, in which the Cluniac brothers picked a local talent to carry out one of the most important sculptural commissions in Europe, differs markedly from the standard one based largely on presumed but undocumented artistic priorities of the monks. Prevailing theory assumes the monks had an international perspective when it came to art as they tried to establish at Cluny a new Rome as the centerpiece of their monastic empire. Rather than tap an experienced sculptor who worked in the indigenous masonry tradition, they would have looked toward foreign lands to find suitable artists who based their designs on high forms of art such as ivory, painting, and metalwork. C. Edson Armi Is a research professor at the University of California, Santa Barbara. He has written books on Cluniac architecture and sculpture, design and construction in Romanesque architecture, Gothic sculpture, and American car design. He received the Society of Architectural Historians Founders' Award, the C.I.N.O.A. International Art History Prize, and a Guggenheim Fellowship.
Download or read book Burgundian Sculpture in the Middle of the Twelfth Century written by Anne C. Doherty and published by . This book was released on 1983 with total page 672 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Masons and Sculptors in Romanesque Burgundy written by C. Edson Armi and published by Penn State University Press. This book was released on 1983 with total page 230 pages. Available in PDF, EPUB and Kindle. Book excerpt: For nearly a century, archaeologists and art historians studying the great third abbey at Cluny (Cluny III) have "agreed on a set of abstract principles, including its spontaneous generation or revolutionary character, and posited an overseeing genius who selected from non-local sources." In a sweeping revision of that position, this book argues that Cluny Ill is "the building where regional masons of different traditions first combined their talents to develop a new design," and further maintains that the artisans responsible for the masonry of Cluny Ill also created its sculpture. Professor Armi reaches these conclusions through a painstaking analysis of archaeological evidence, such as masons' marks, and a careful "hand analysis" of the site's sculpture, allowing observation of both individual and general design changes, turning points, and stylistic trends. As a result of his investigation of the major Burgundian structures of the period Cluny, Vézelay, Paray-le-Monial, Anzy-le-Duc, Perrecy-les-Forges, etc., the author has established a new chronology for the architecture of the region. He also has identified the careers of the major artists who carved the portal and capital sculpture. His research has even disproved the traditional assumption that sculpture was carved in situ, for his evidence reveals that finished pieces were fitted into the masonry at Cluny III and elsewhere. By focusing on the work of individual masons and on progressive alterations in architectural detail, the author has broken with the method of his predecessors, but there is ample support for both his methods and his conclusions in the book's 400 illustrations. In his use of macrophotography alone, Armi has added a valuable new methodological tool for the comprehension of both architecture and sculpture, but his most important contribution to the field lies in showing that, by working together, two local groups of masons merged their separate traditions to create a magnificent synthesis: the Cluniac High Romanesque style.
Download or read book Masons and Sculptors in Romanesque Burgundy Illustrations written by C. Edson Armi and published by . This book was released on 1983 with total page 182 pages. Available in PDF, EPUB and Kindle. Book excerpt: "For nearly a century, archaeologists and art historians studying the great third abbey at Cluny (Cluny III) have "agreed on a set of abstract principles, including its spontaneous generation or revolutionary character, and posited an overseeing genius who selected from non-local sources." In a sweeping revision of that position, this book argues that Cluny Ill is "the building where regional masons of different traditions first combined their talents to develop a new design," and further maintains that the artisans responsible for the masonry of Cluny Ill also created its sculpture. Professor Armi reaches these conclusions through a painstaking analysis of archaeological evidence, such as masons' marks, and a careful "hand analysis" of the site's sculpture, allowing observation of both individual and general design changes, turning points, and stylistic trends. As a result of his investigation of the major Burgundian structures of the period Cluny, Vézelay, Paray-le-Monial, Anzy-le-Duc, Perrecy-les-Forges, etc., the author has established a new chronology for the architecture of the region. He also has identified the careers of the major artists who carved the portal and capital sculpture. His research has even disproved the traditional assumption that sculpture was carved in situ, for his evidence reveals that finished pieces were fitted into the masonry at Cluny III and elsewhere. By focusing on the work of individual masons and on progressive alterations in architectural detail, the author has broken with the method of his predecessors, but there is ample support for both his methods and his conclusions in the book's 400 illustrations. In his use of macrophotography alone, Armi has added a valuable new methodological tool for the comprehension of both architecture and sculpture, but his most important contribution to the field lies in showing that, by working together, two local groups of masons merged their separate traditions to create a magnificent synthesis: the Cluniac High Romanesque style."--
Download or read book Romanesque Sculpture An Ecstatic Art written by Susan Marcus and published by FriesenPress. This book was released on 2014-05-21 with total page 309 pages. Available in PDF, EPUB and Kindle. Book excerpt: Architectural sculpture, virtually abandoned for five hundred years following the demise of the Roman Empire, was revivified on the portals of Romanesque churches in eleventh and twelfth-century France and Spain. Long overdue is a reappraisal of those images whose aesthetic of rendering the invisible visible establish them as valuable witnesses to the culture of Europe in the Middle Ages. Countless losses, mutilation through wilful destruction, centuries of accumulated grime, and a dearth of studies in English have impeded the deserved realization and appreciation of these magnificent works of art. Through illustration and illuminative interpretation, Romanesque Sculpture An Ecstatic Art fills the void by tracing the beginnings, maturation, and efflorescence of monumental sculptured facades in the short-lived Romanesque era. Depictions on them are mirrors of the age: sophisticated theological messages, monastic life, the cult of relics, pilgrimages, crusades and politics. The survey considers too the sculptors, mostly anonymous, who in adapting models from several media - both antique and current - created a unique visual vocabulary. The beauty of the sculptures comes to the fore. The stones live!
Download or read book Romanesque Art Problems and Monuments written by Willibald Sauerländer and published by . This book was released on 2004 with total page 464 pages. Available in PDF, EPUB and Kindle. Book excerpt: Volumes I and II bring together Professor Sauerlander's papers on Romanesque art, and complement his two previously published volumes in this series on Gothic art. The studies are again grouped around a number of common themes: structures, problems of classification, the geography of Romanesque art, and its development in Italy and the Empire. Early studies have been updated with references to the more recent literature, and there is a comprehensive index. Volume I Contents: Introduction; Forms and Structures. Romanesque Sculpture in its Architectural Context; Facade ou facades romanes; Reliquien, Altare und Portale; Die gestorte Ordnung oder "le chapiteau historie"; Initialen. Ein Versuch uber das verworrene Verhaltnis von Bild und Schrift im Mittelalter; The Limits of Classification. Die Geographie der Stile; Style or Transition? The Fallacies of Classification discussed in the Light of German Architecture 1190-1260; Sermonizing in Stone. Uber die Komposition des Weltgerichts-Tympanons in Autun; Omnes perversi sic sunt in Tartara Mersi. Skulptur als Bildpredikt. Das Weltgerichtstympanon von Sainte-Foy in Conques; Nisi transmutetis mores. Riflessioni sull'ambiguita dell'iconografia romanica; The Diversity of French Examples. Chefs-d'Oeuvre romans des musees de province; Gislebertus von Autun. Ein Beitrag zur Entstehung seines kunstlerischen Stils; Lowen in Lyon; Eine trauernde Maria des 12. Jahrhunderts aus dem mittleren Rhonetal; Die Fassade der Abteikirche Saint-Gilles du Gard; Sainte-Foy de Conques; Die Skulptur von Saint-Sernin in Toulouse; Zu dem romanischen Krucifix in Moissac.
Download or read book Studies in Romanesque Sculpture written by George Zarnecki and published by Pindar Press. This book was released on 1979 with total page 460 pages. Available in PDF, EPUB and Kindle. Book excerpt: Professor Zarnecki is the leading authority on English medieval sculpture. The present volume has assembled his major articles on Romanesque art published before 1979. These studies are primarily concerned with the changes that took place in English sculpture during the eleventh and twelfth centuries, and attempt to set developments in English art over this period within a European context. The volume also deals with Romanesque sculpture in France and Italy, together with metalwork and woodcarving in England, and includes a number of important iconographical studies. The author has up-dated his earlier studies to incorporate the results of subsequent research, and has augmented several studies with added bibliographical notes or references to more recent discoveries. Additional illustrations have been added where necessary, including photographs of a number of monuments which were previously unpublished.
Download or read book Romanesque Sculpture written by Millard Fillmore Hearn and published by Cornell University Press. This book was released on 1985 with total page 244 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book A Companion to Medieval Art written by Conrad Rudolph and published by John Wiley & Sons. This book was released on 2019-02-08 with total page 1238 pages. Available in PDF, EPUB and Kindle. Book excerpt: A fully updated and comprehensive companion to Romanesque and Gothic art history This definitive reference brings together cutting-edge scholarship devoted to the Romanesque and Gothic traditions in Northern Europe and provides a clear analytical survey of what is happening in this major area of Western art history. The volume comprises original theoretical, historical, and historiographic essays written by renowned and emergent scholars who discuss the vibrancy of medieval art from both thematic and sub-disciplinary perspectives. Part of the Blackwell Companions to Art History, A Companion to Medieval Art, Second Edition features an international and ambitious range of contributions covering reception, formalism, Gregory the Great, pilgrimage art, gender, patronage, marginalized images, the concept of spolia, manuscript illumination, stained glass, Cistercian architecture, art of the crusader states, and more. Newly revised edition of a highly successful companion, including 11 new articles Comprehensive coverage ranging from vision, materiality, and the artist through to architecture, sculpture, and painting Contains full-color illustrations throughout, plus notes on the book’s many distinguished contributors A Companion to Medieval Art: Romanesque and Gothic in Northern Europe, Second Edition is an exciting and varied study that provides essential reading for students and teachers of Medieval art.
Download or read book The Nave Sculpture of V zelay written by Kirk Ambrose and published by PIMS. This book was released on 2006 with total page 216 pages. Available in PDF, EPUB and Kindle. Book excerpt: "This scholarly work fundamentally changes the way we think about the monastic church of Vezelay and its sculptures. Kirk Ambrose provides a new account of the celebrated sculptural ensemble at this important French Romanesque monastic church. Whereas scholarly attention in the past has focused almost exclusively on the Pentecostal portal, Ambrose devotes most of his analysis to the nave capitals. He considers how these works intersect with various aspects of monastic culture, from poetry to a sign language used during observed periods of silence. From this study it emerges how many of the sculptures resonated with communal practices and with interpretive modes in use at the site." "Deeming the attempt to uncover an underlying or unifying program to be an anachronistic project, Ambrose explores historically specific ways this ensemble cohered for medieval viewers. Covering a range of themes, including hagiography, ornament, and violence, he develops alternative approaches for the examination of serial imagery. As a result, this book has broad implications for the study of eleventh- and twelfth-century art in the West."--BOOK JACKET.
Download or read book Romanesque sculpture in Burgundy written by Susan Jane Claremont and published by . This book was released on 1976 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Theme of Cockfighting in Burgundian Romanesque Sculpture written by Ilene H.. Forsyth and published by . This book was released on with total page 8 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Marvellous and the Monstrous in the Sculpture of Twelfth century Europe written by Kirk Ambrose and published by Boydell Press. This book was released on 2013 with total page 204 pages. Available in PDF, EPUB and Kindle. Book excerpt: Richly-illustrated consideration of the meaning of the carvings of non-human beings, from centaurs to eagles, found in ecclesiastical settings. Representations of monsters and the monstrous are common in medieval art and architecture, from the grotesques in the borders of illuminated manuscripts to the symbol of the "green man", widespread in churches and cathedrals. These mysterious depictions are frequently interpreted as embodying or mitigating the fears symptomatic of a "dark age". This book, however, considers an alternative scenario: in what ways did monsters in twelfth-century sculpture help audiences envision, perhaps even achieve, various ambitions? Using examples of Romanesque sculpture from across Europe, with a focus on France and northern Portugal, the author suggests that medieval representations of monsterscould service ideals, whether intellectual, political, religious, and social, even as they could simultaneously articulate fears; he argues that their material presence energizes works of art in paradoxical, even contradictory ways. In this way, Romanesque monsters resist containment within modern interpretive categories and offer testimony to the density and nuance of the medieval imagination. KIRK AMBROSE is Associate Professor & Chair, Department of Art and Art History, University of Colorado Boulder.
Download or read book The Grove Encyclopedia of Medieval Art and Architecture written by Colum Hourihane and published by . This book was released on 2012 with total page 4064 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume offers unparalleled coverage of all aspects of art and architecture from medieval Western Europe, from the 6th century to the early 16th century. Drawing upon the expansive scholarship in the celebrated 'Grove Dictionary of Art' and adding hundreds of new entries, it offers students, researchers and the general public a reliable, up-to-date, and convenient resource covering this field of major importance in the development of Western history and international art and architecture.
