Download or read book Story of British Music and the Earlier French Musicians written by Harris Clement Antrobus and published by . This book was released on 2019 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Story of British Music and the Earlier French Musicians written by Clement Antrobus Harris and published by . This book was released on 1918 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Story of British Music and the Earlier French Musicians Classic Reprint written by Clement Antrobus Harris and published by Forgotten Books. This book was released on 2017-10-28 with total page 522 pages. Available in PDF, EPUB and Kindle. Book excerpt: Excerpt from The Story of British Music and the Earlier French Musicians That everyone should be familiar With the history of his own country is axiomatic. But national chronicles have too often been written as though mankind had no other employment than putting kings on thrones and hurling them off, and life could be fully expressed in gonea logical tables, dates, and pictures of battles. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Download or read book The Story of British Music and the Earlier French Musicians written by Clement Antrobus Harris and published by Forgotten Books. This book was released on 2015-06-12 with total page 526 pages. Available in PDF, EPUB and Kindle. Book excerpt: Excerpt from The Story of British Music and the Earlier French Musicians That everyone should be familiar with the history of his own country is axiomatic. But national chronicles have too often been written as though mankind had no other employment than putting kings on thrones and hurling them off and life could be fully expressed in genealogical tables, dates, and pictures of battles. To this anomaly there falls to be added the further one that the oldest of arts, leastways the first mentioned in the Hebrew Scriptures, has been the most neglected. Even chroniclers who have dealt with the industries, plastic arts, and literature of a nation have wholly passed over its music. Thus Henry Hallam could write on "The State of Europe during the Middle Ages" (1818), that is to say on the countries and the period which saw the birth of harmony (more strictly, of counterpoint), the gradual growth of our modern orchestra, and the evolution of "the only universal language" (musical notation), and blot his last page without having used a nib full of ink on these events! About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Download or read book The Story of British Music And The Earlier French Musicians by Mary Hargreaves written by Clement Antrobus Harris and published by . This book was released on 19?? with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book French Music in Britain 1830 1914 written by Paul J Rodmell and published by Routledge. This book was released on 2020-11-26 with total page 233 pages. Available in PDF, EPUB and Kindle. Book excerpt: French Music in Britain 1830–1914 investigates the presence, reception and influence of French art music in Britain between 1830 (roughly the arrival of ‘grand opera’ and opéra comique in London) and the outbreak of the First World War. Five chronologically ordered chapters investigate key questions such as: * Where and to whom was French music performed in Britain in the nineteenth century? * How was this music received, especially by journal and newspaper critics and other arbiters of taste? * What characteristics and qualities did British audiences associate with French music? * Was the presence and reception of French music in any way influenced by Franco-British political relations, or other aspects of cultural transfer and exchange? * Were British composers influenced by their French contemporaries to any extent and, if so, in what ways? Placed within the wider social and cultural context of Britain’s most ambiguous and beguiling international relationship, this volume demonstrates how French music became an increasingly significant part of the British musician’s repertory and influenced many composers. This is an important resource for musicologists specialising in Nineteenth-Century Music, Music History and European Music. It is also relevant for scholars and researchers of French Studies and Cultural Studies.
Download or read book Singing the English written by Hannah L. Scott and published by Routledge. This book was released on 2022-03-31 with total page 226 pages. Available in PDF, EPUB and Kindle. Book excerpt: Late nineteenth-century France was a nation undergoing an identity crisis: the uncertain infancy of the Third Republic and shifting alliances in the wake of the Franco-Prussian War forced France to interrogate the fundamental values and characteristics at the heart of its own national identity. Music was central to this national self-scrutiny. It comes as little surprise to us that Oriental fears, desires, and anxieties should be a fundamental part of this, but what has been overlooked to date is that Britain, too, provided a thinking space in the French musical world; it was often – surprisingly and paradoxically – represented through many of the same racialist terms and musical tropes as the Orient. However, at the same time, its shared history with France and the explosions of colonial rivalry between the two nations introduced an ever-present tension into this musical relationship. This book sheds light on this forgotten musical sphere through a rich variety of contemporary sources. It visits the café-concert and its tradition of ‘Englishing up’ with fake hair, mocking accents, and unflattering dances; it explores the reactions, both musical and physical, to British evangelical bands as they arrived in the streets of France and the colonies; it considers the French reception of, and fascination with, folk music from Ireland and Scotland; and it confronts the culture shock felt by French visitors to Britain as they witnessed British music-making for the first time. Throughout, it examines the ways in which this music allowed French society to grapple with the uncertainty of late nineteenth-century life, providing ordinary French citizens with a means of understanding and interrogating both the Franco-British relationship and French identity itself.
Download or read book French Musical Life written by Katharine Ellis and published by Oxford University Press. This book was released on 2022 with total page 445 pages. Available in PDF, EPUB and Kindle. Book excerpt: Explicitly or not, the historical musicology of post-Revolutionary France has focused on Paris as a proxy for the rest of the country. This distorting lens is the legacy of political and cultural struggle during the long nineteenth century, indicating a French Revolution unresolved both then and now. In light of the capital's power as the seat of a centralizing French state (which provincials found 'colonizing') and as a cosmopolitan musical crossroads of nineteenth-century Europe, the struggles inherent in creating sustainable musical cultures outside Paris, and in composing local and regionalist music, are ripe for analysis. Replacement of 'France' with Paris has encouraged normative history-writing articulated by the capital's opera and concert life. Regional practices have been ignored, disparaged or treated piecemeal. This book is a study of French musical centralization and its discontents during the period leading up to and beyond the "provincial awakening" of the Belle Époque. The book explains how different kinds of artistic decentralization and regionalism were hard won (or not) across a politically turbulent century from the 1830s to World War II. In doing so it redraws the historical map of musical power relations in mainland France. Based on work in over 70 archives, chapters on conservatoires, concert life, stage music, folk music and composition reveal how tensions of State and locality played out differently depending on the structures and funding mechanisms in place, the musical priorities of different communities, and the presence or absence of galvanizing musicians. Progressively, the book shifts from musical contexts to musical content, exploring the pressure point of folk music and its translation into "local color" for officials who perpetually feared national division. Control over composition on the one hand, and the emotional intensity of folk-based musical experience on the other, emerges as a matter of consistent official praxis. In terms of "French music" and its compositional styles, what results is a surprising new historiography of French neoclassicism, bound into and growing out of a study of diversity and its limits in daily musical life.
Download or read book The Story of British Music written by Frederick J. Crowest and published by . This book was released on 1896 with total page 416 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Story of British Music written by Clement Antrobus Harris and published by London : K. Paul, Trench, Trubner ; New York : E.P. Dutton. This book was released on 1919 with total page 532 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book How Music Grew written by Marion Bauer and published by . This book was released on 1925 with total page 676 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Europe Empire and Spectacle in Nineteenth Century British Music written by Julian Rushton and published by Routledge. This book was released on 2017-07-05 with total page 320 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume illuminates musical connections between Britain and the continent of Europe, and Britain and its Empire. The seldom-recognized vitality of musical theatre and other kinds of spectacle in Britain itself, and also the flourishing concert life of the period, indicates a means of defining tradition and identity within nineteenth-century British musical culture. The objective of the volume has been to add significantly to the growing literature on these topics. It benefits not only from new archival research, but also from fresh musicological approaches and interdisciplinary methods that recognize the integral role of music within a wider culture, including religious, political and social life. The essays are by scholars from the USA, Britain, and Europe, covering a wide range of experience. Topics range from the reception of Bach, Mozart, and Liszt in England, a musical response to Shakespeare, Italian opera in Dublin, exoticism, gender, black musical identities, British musicians in Canada, and uses of music in various theatrical genres and state ceremony, and in articulating the politics of the Union and Empire.
Download or read book The Earlier French Musicians written by Hargrave Mary and published by Hardpress Publishing. This book was released on 2013-01 with total page 280 pages. Available in PDF, EPUB and Kindle. Book excerpt: Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.
Download or read book The Story of British Music written by Frederick James Crowest and published by . This book was released on 1896 with total page 428 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book British Music and the French Revolution written by Paul Francis Rice and published by . This book was released on 2010 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: British Music and the French Revolution investigates the nature of British musical responses to the cataclysmic political events unfolding in France during the period of 1789â "1795, a time when republican and royalist agendas were in conflict in both nations. While the parallel demands for social and political change resulted from different stimuli, and were resolved very differently, the 1790s proved to be a defining period for each country. In Britain, the combination of a protracted period of Tory conservatism, and the strong spirit of patriotism which swept the nation, had a profound influence on the arts. There was an outpouring of concert and theatrical music dealing with the French Revolution and the subsequent war with France. While patriotic songs might be expected when a country is at war, the number of recreations on the London stages of events taking place on the Continent may surprise. Initially, such topical subjects were restricted to the summer or â oeminorâ theatres; however, government restrictions were relaxed after 1793, giving Londoners the opportunity to see topical theatre in the royal or â oepatentâ theatres, as well. The resulting repertoire of plays and recreations (often propagandist in nature) made considerable use of music, and those performed in the â oeminorâ theatres were all-sung. Consequently, there exists a large repertoire of music which has been little studied. British Music and the French Revolution investigates this repertoire within a social and political context. Initial chapters examine the historical relationship between France and Britain from a musical perspective, the powerful symbols of national identity in both countries, and the complex laws that governed commercial theatres in London. Thereafter, the materials are presented in a chronological fashion, starting with the fall of the Bastille in 1789, and the FÃate de la FÃ(c)dÃ(c)ration in 1790. The period of the Captivity was one of growing tension and fear in both France and Britain as war became an ever-increasing threat between the two nations. Two subsequent chapters examine the war years of 1793 until first half of 1795. The choice of a five-year period allows the reader to follow British musical reactions to the fall of the Bastille and subsequent events up to the rise of NapolÃ(c)on.
Download or read book Modern Music and Musicians Encyclopedia v 1 A history of music special articles great composers v 2 Religious music of the world vocal music and musicians the opera history and guide v 3 The theory of music piano technique special articles modern instruments anecdotes of musicians dictionary musical terms and biography written by Louis Charles Elson and published by . This book was released on 1912 with total page 342 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Nineteenth Century British Music Studies written by Bennett Zon and published by Routledge. This book was released on 2019-05-23 with total page 324 pages. Available in PDF, EPUB and Kindle. Book excerpt: Originally published in 1999, this volume of essays arises from the first biennial Music in Nineteenth-Century Britain conference, held at the University of hull in July 1997. Like the conference, this book seeks to expand and reassess our current knowledge of musical life in Britain during the nineteenth century, as well as to challenge the preconceptions of earlier attitudes and scholarship. This volume covers a cohesive range of subjects and materials intended not only as a revision of past views and scholarship, but also as a tool for further research. It provides a vigorous reconsideration of the musical activity of the period.
