Download or read book Staging and Performing Translation written by R. Baines and published by Springer. This book was released on 2016-02-02 with total page 286 pages. Available in PDF, EPUB and Kindle. Book excerpt: This exploration of the territory between theory and practice in contemporary theatre features essays by academics from theatre and translation studies, and delineates a new space for the discussion of translation in the theatre that is international, critical and scholarly, while rooted in experience and understanding of theatre practices.
Download or read book Page to Stage written by and published by BRILL. This book was released on 2021-11-15 with total page 210 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Theatre Translation in Performance written by Silvia Bigliazzi and published by Routledge. This book was released on 2013 with total page 267 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume focuses on the highly debated topic of theatrical translation, one brought on by a renewed interest in the idea of performance and translation as a cooperative effort on the part of the translator, the director, and the actors. Exploring the role and function of the translator as co-subject of the performance, it addresses current issues concerning the role of the translator for the stage, as opposed to the one for the editorial market, within a multifarious cultural context. The current debate has shown a growing tendency to downplay and challenge the notion of translational accuracy in favor of a recreational and post-dramatic attitude, underlying the role of the director and playwright instead. This book discusses the delicate balance between translating and directing from an intercultural, semiotic, aesthetic, and interlingual perspective, taking a critical stance on approaches that belittle translation for the theatre or equate it to an editorial practice focused on literality. Chapters emphasize the idea of dramatic translation as a particular and extremely challenging type of performance, while consistently exploring its various textual, intertextual, intertranslational, contextual, cultural, and intercultural facets. The notion of performance is applied to textual interpretation as performance, interlingual versus intersemiotic performance, and (inter)cultural performance in the adaptation of translated texts for the stage, providing a wide-ranging discussion from an international group of contributors, directors, and translators.
Download or read book Time sharing on Stage written by Sirkku Aaltonen and published by Multilingual Matters Limited. This book was released on 2000 with total page 136 pages. Available in PDF, EPUB and Kindle. Book excerpt: Time-Sharing on Stage compares theatre texts to apartments where tenants may make considerable changes to their living quarters. Translated theatre texts are therefore studied in relation to the 'tenants' - theatrical producers - who have responded to various codes in the surrounding societies in their effort to integrate these texts into a sociocultural discourse of their time. Different modes of integration, expressions of reverence or subversion, have generated endless chains of texts, born of other texts, and redecorated by their various tenants. The line between writing and translating has at times become so blurred that instead of originals and translations we have a multitude of texts which can be used to serve many. Time-Sharing on Stage argues that translation comprises inherently egotistically motivated strategies which can only hope to produce cultural hybrids. Book jacket.
Download or read book Performing Without a Stage written by Robert Wechsler and published by Catbird Press. This book was released on 1998 with total page 326 pages. Available in PDF, EPUB and Kindle. Book excerpt: Performing Without a Stage is a lively and comprehensive introduction to the art of literary translation for readers of foreign fiction and poetry who wonder what it takes to translate, how the art of literary translation has changed over the centuries, what problems translators face in bringing foreign works into English and how they go about solving these problems. This book will also be of interest to translators, writers, editors, critics, and literature students, dealing as it does, often controversially, with such matters as the translator's fidelity to the author, the publishing and reviewing of translations, the nearly nonexistent public image of the stageless translator, and the value for writers and scholars of studying and practicing translation.
Download or read book Europe on Stage written by Gunilla Anderman and published by Bloomsbury Publishing. This book was released on 2017-03-22 with total page 570 pages. Available in PDF, EPUB and Kindle. Book excerpt: For any play originating in a different culture and society to be favourably received in English translation, timing and other factors of reception are often as important as the purely linguistic aspects. This book focuses on the problems of reception and translation into English encountered by European playwrights now regularly staged at British theatres, such as Ibsen, Strindberg, Chekhov, Brecht, Anouilh, Lorca and Pirandello, among others. Introduced by discussions highlighting different approaches to translation in general and the difficulties inherent in the translation of drama in particular, the book concludes by looking at what is lost in translation and the means by which adaptions and new versions may help to restore the balance.
Download or read book Writing Adaptations and Translations for the Stage written by Jacqueline Goldfinger and published by Taylor & Francis. This book was released on 2022-08-16 with total page 111 pages. Available in PDF, EPUB and Kindle. Book excerpt: Writing Adaptations and Translations for the Stage is a practical guide for writing adapted works for theatrical performance. Broadway translator and dramaturg Allison Horsley and award-winning playwright and educator Jacqueline Goldfinger take readers step-by-step through the brainstorming, writing, revision, and performance processes for translations and adaptations. The book includes lectures, case studies, writing exercises, and advice from top theater professionals on the process of creating, pitching, and producing adaptations and translations, covering a wide range of topics such as jukebox musicals, Shakespeare adaptations, plays from novels, theater for young adults, and theater in translation and using Indigenous language. Artists who share their wisdom in this book include: Des McAnuff (Tony Award), Emily Mann (Tony Award), Dominique Morisseau (Broadway Adaptor, Tony Award nominee, MacArthur Genius Fellow), Lisa Peterson (Obie Award, Lortel Award), Sarah Ruhl (Broadway Playwright, Tony Award nominee, Pulitzer Prize finalist, MacArthur Genius Fellow), and Tina Satter (Broadway Director, Obie Award, Guggenheim Fellowship). The book also features interviews with artists working both in the US and internationally, as well as guest columns from artists who work in less traditional adaptive forms including cabaret, burlesque, opera, community-engaged process, and commercial theater. Writing Adaptations and Translations for the Stage is an essential resource for students and instructors of Dramatic Writing, Playwriting, and Creative Writing courses and for aspiring playwrights.
Download or read book Adapting Translation for the Stage written by Geraldine Brodie and published by Routledge. This book was released on 2017-07-06 with total page 296 pages. Available in PDF, EPUB and Kindle. Book excerpt: Translating for performance is a difficult – and hotly contested – activity. Adapting Translation for the Stage presents a sustained dialogue between scholars, actors, directors, writers, and those working across these boundaries, exploring common themes and issues encountered when writing, staging, and researching translated works. It is organised into four parts, each reflecting on a theatrical genre where translation is regularly practised: The Role of Translation in Rewriting Naturalist Theatre Adapting Classical Drama at the Turn of the Twenty-First Century Translocating Political Activism in Contemporary Theatre Modernist Narratives of Translation in Performance A range of case studies from the National Theatre’s Medea to The Gate Theatre’s Dances of Death and Emily Mann’s The House of Bernarda Alba shed new light on the creative processes inherent in translating for the theatre, destabilising the literal/performable binary to suggest that adaptation and translation can – and do – coexist on stage. Chronicling the many possible intersections between translation theory and practice, Adapting Translation for the Stage offers a unique exploration of the processes of translating, adapting, and relocating work for the theatre.
Download or read book Contemporary Performance Translation written by Jean Graham-Jones and published by . This book was released on 2024 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Rethinking translation for the contemporary international stage, Jean Graham-Jones argues for a radical new approach incorporating dramaturgical logic and staging, actor training and performance styles, gesture and embodiment, and aesthetics and reception, drawing upon her own extensive experience as translator, actor, director, and scholar"--
Download or read book The Translator on Stage written by Geraldine Brodie and published by . This book was released on 2017 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Performing the Politics of Translation in Modern Japan written by Aragorn Quinn and published by Routledge. This book was released on 2019-12-09 with total page 260 pages. Available in PDF, EPUB and Kindle. Book excerpt: Performing the Politics of Translation in Modern Japan sheds new light on the adoption of concepts that motivated political theatres of resistance for nearly a century and even now underpin the collective understanding of the Japanese nation. Grounded in the aftermath of the Meiji Restoration in 1868 and analyzing its legacy on stage, this book tells the story of the crucial role that performance and specifically embodied memory played in the changing understanding of the imported Western concepts of "liberty" (jiyū) and "revolution" (kakumei). Tracing the role of the post-Restoration movement itself as an important touchstone for later performances, it examines two key moments of political crisis. The first of these is the Proletarian Theatre Movement of the 1920s and '30s, in which the post-Restoration years were important for theorizing the Japanese communist revolution. The second is in the postwar years when Rights Movement theatre and thought again featured as a vehicle for understanding the present through the past. As such, this book presents the translation of "liberty" and "revolution", not through a one-to-one correspondence model, but rather as a many-to-many relationship. In doing so, it presents a century of evolution in the dramaturgy of resistance in Japan. This book will be useful to students and scholars of Japanese history, society and culture, as well as literature and translation studies alike.
Download or read book Stages of Translation written by David Johnston and published by Oberon Books. This book was released on 1996 with total page 300 pages. Available in PDF, EPUB and Kindle. Book excerpt: Stages of Translation is a unique collection of interviews and essays which deal with the art no less than the business of preparing performance scripts from works originally written in languages other than English. Among its contributors are some of the finest dramatists and drama translators currently working in English: David Hare, Ranjit Bolt, Jeremy Sams, Neil Bartlett, John Clifford, Adrian Mitchell, David Rudkin, Nick Dear and Kenneth McLeish are just some of those contributing. The book ranges widely over issues of cultural ownership, the invisibility of the translator, the relationship between translation and adaptation, the practical demands of stagecraft, and the collective nature of theatre-making.
Download or read book Translation Poetics and the Stage written by Romy Heylen and published by Routledge. This book was released on 2014-08-13 with total page 122 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book establishes an analytical model for the description of existing translations in their historical context within a framework suggested by systemic concepts of literature. It argues against mainstream 20th-century translation theory and, by proposing a socio-cultural model of translation, takes into account how a translation functions in the receiving culture. The case studies of successive translations of "Hamlet" in France from the eighteenth century neoclassical version of Jean-Francois Ducis to the 20th-century Lacanian, post-structuralist stage production of Daniel Mesguich show the translator at work. Each chapter focuses on a different aspect of the changing theatrical and literary norms to which translators through the ages have been bound by the expectations both of their audiences and the literary establishment.
Download or read book The Languages of Theatre written by O. Zuber and published by Elsevier. This book was released on 2014-06-28 with total page 192 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book focuses on the various problems in the verbal and nonverbal translation and tranposition of drama from one language and cultural background into another and from the text on to the stage. It covers a range of previously unpublished essays specifically written on translation problems unique to drama, by playwrights and literary translators as well as theorists, scholars and teachers of drama and translation studies
Download or read book Staging the Spanish Golden Age written by Kathleen Jeffs and published by Oxford University Press. This book was released on 2018-04-13 with total page 265 pages. Available in PDF, EPUB and Kindle. Book excerpt: In this volume, Kathleen Jeffs draws on first-hand experience of the Royal Shakespeare Company's rehearsal room for the 2004-05 Spanish Golden Age season to put forth a collaborative model for translating, rehearsing, and performing Spanish Golden Age drama. Building on the RSC season, the volume offers methodologies for translation and communication that can feed the creative processes of actors and directors, while maintaining an ethos of fidelity with regards to the original texts. It argues that collaboration between academics and theatre practitioners was instrumental in the success of the season and that the work carried out has repercussions for critical debate of Comedia. The volume posits a model for future productions of the Comedia in English, one that recognizes the need for the languages of the scholar and the theatre artist to be made mutually intelligible by the use of collaborative strategies, mediated by a consultant or dramaturg proficient in both tongues. This model applies more generally to theatrical collaborations involving a translator, writer and director, and will be useful for translation and performance processes in any language.
Download or read book Last Tape on Stage in Translation written by Burç İdem Dinçel and published by Cambridge Scholars Publishing. This book was released on 2011-11-15 with total page 140 pages. Available in PDF, EPUB and Kindle. Book excerpt: Samuel Beckett’s theatrical works maintain a prominent position within contemporary theatre. His plays provide a prodigious potential to study several forms of acting, staging, and dramaturgy, as well as language and translation, thereby setting a fertile ground to tackle the problematic issue of the relationship between theatre criticism and theatre-translation criticism. That is precisely what this study examines by drawing attention to the fundamental characteristics of translated theatre texts as blueprints for productions and taking several aspects into account from directing to acting, from staging to performance, together with the language factor. To that end, Burç İdem Dinçel focuses on one of Beckett’s most significant plays, namely, Krapp’s Last Tape, situating it within the author’s oeuvre and along the way scrutinising not only the theatrical pieces but also the prose. By looking into the Turkish translations and productions of the play, this book brings forth a new dimension into approaching theatre through translation.
Download or read book Theatre Translation in Performance written by Silvia Bigliazzi and published by Routledge. This book was released on 2013-04-02 with total page 267 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume focuses on the highly debated topic of theatrical translation, one brought on by a renewed interest in the idea of performance and translation as a cooperative effort on the part of the translator, the director, and the actors. Exploring the role and function of the translator as co-subject of the performance, it addresses current issues concerning the role of the translator for the stage, as opposed to the one for the editorial market, within a multifarious cultural context. The current debate has shown a growing tendency to downplay and challenge the notion of translational accuracy in favor of a recreational and post-dramatic attitude, underlying the role of the director and playwright instead. This book discusses the delicate balance between translating and directing from an intercultural, semiotic, aesthetic, and interlingual perspective, taking a critical stance on approaches that belittle translation for the theatre or equate it to an editorial practice focused on literality. Chapters emphasize the idea of dramatic translation as a particular and extremely challenging type of performance, while consistently exploring its various textual, intertextual, intertranslational, contextual, cultural, and intercultural facets. The notion of performance is applied to textual interpretation as performance, interlingual versus intersemiotic performance, and (inter)cultural performance in the adaptation of translated texts for the stage, providing a wide-ranging discussion from an international group of contributors, directors, and translators.
