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Book From Spirituals to Symphonies

Download or read book From Spirituals to Symphonies written by Helen Walker-Hill and published by University of Illinois Press. This book was released on 2007 with total page 429 pages. Available in PDF, EPUB and Kindle. Book excerpt: Exploding the assumption that black women's only important musical contributions have been in folk, jazz, and pop Helen Walker-Hill's unique study provides a carefully researched examination of the history and scope of musical composition by African American women composers from the nineteenth and twentieth centuries. Focusing on the effect of race, gender, and class, From Spirituals to Symphonies notes the important role played by individual personalities and circumstances in shaping this underappreciated category of American art. The study also provides in-depth exploration of the backgrounds, experiences, and musical compositions of eight African American women including Margaret Bonds, Undine Smith Moore, and Julia Perry, who combined the techniques of Western art music with their own cultural traditions and individual gifts. Despite having gained national and international recognition during their lifetimes, the contributions of many of these women are today forgotten.

Book Symphonies nos  1 and 3

    Book Details:
  • Author : Florence Price
  • Publisher : A-R Editions, Inc.
  • Release : 2008-01-01
  • ISBN : 9780895796387
  • Pages : 356 pages

Download or read book Symphonies nos 1 and 3 written by Florence Price and published by A-R Editions, Inc.. This book was released on 2008-01-01 with total page 356 pages. Available in PDF, EPUB and Kindle. Book excerpt: http://www.areditions.com/rr/rra/a066.html Florence Beatrice Smith Price (1887-1953), who settled in Chicago in 1927, was the most widely known African-American woman composer from the 1930s until her death. This edition presents two important unpublished orchestral works: the Symphony no. 1 in E Minor (1932) and the Symphony no. 3 in C Minor (1940). The style of these works is quite different. Price's Symphony in E Minor is squarely in the nationalist tradition, and it may be more fully considered in the context of the Harlem Renaissance and the New Negro Movement of the 1920s and 1930s. Cultural characteristics are borne out in the pentatonic themes, call-and-response procedures, syncopated rhythms of the third movement's Juba dance, the preponderance of altered tones, and the timbral differentiation of instrumental choirs (the juxtaposition of the brass and woodwind choirs, for example).The Symphony in C Minor was inspired by new philosophical, political, and social currents, stemming from the Chicago Renaissance, underway from 1935-1950. The Great Migration (of blacks from the south to Chicago), the Depression, and the adjustment to urban life provided vivid life experiences as subject matter for Chicago Renaissance writers and artists (including Langston Hughes, Richard Wright, and Margaret Bonds). Price's third symphony, which omits overtly black themes and simple dance rhythms, presents a modern approach to composition¿a synthesis, rather than a retrospective view, of African-American life and culture.

Book Music and the Southern Belle

Download or read book Music and the Southern Belle written by Candace Bailey and published by SIU Press. This book was released on 2010-05-05 with total page 276 pages. Available in PDF, EPUB and Kindle. Book excerpt: Candace Bailey’s exploration of the intertwining worlds of music and gender shows how young southern women pushed the boundaries of respectability to leave their unique mark on a patriarchal society. Before 1861, a strictly defined code of behavior allowed a southern woman to identify herself as a “lady” through her accomplishments in music, drawing, and writing, among other factors. Music permeated the lives of southern women, and they learned appropriate participation through instruction at home and at female training institutions. A belle’s primary venue was the parlor, where she could demonstrate her usefulness in the domestic circle by providing comfort and serving to enhance social gatherings through her musical performances, often by playing the piano or singing. The southern lady performed in public only on the rarest of occasions, though she might attend public performances by women. An especially talented lady who composed music for a broader audience would do so anonymously so that her reputation would remain unsullied. The tumultuous Civil War years provided an opportunity for southern women to envision and attempt new ways to make themselves useful to the broader, public society. While continuing their domestic responsibilities and taking on new ones, young women also tested the boundaries of propriety in a variety of ways. In a broad break with the past, musical ladies began giving public performances to raise money for the war effort, some women published patriotic Confederate music under their own names, supporting their cause and claiming public ownership for their creations. Bailey explores these women’s lives and analyzes their music. Through their move from private to public performance and publication, southern ladies not only expanded concepts of social acceptability but also gained a valued sense of purpose. Music and the Southern Belle places these remarkable women in their social context, providing compelling insight into southern culture and the intricate ties between a lady’s identity and the world of music. Augmented by incisive analysis of musical compositions and vibrant profiles of composers, this volume is the first of its kind, making it an essential read for devotees of Civil War and southern history, gender studies, and music.

Book Music

    Book Details:
  • Author : William Smythe Babcock Mathews
  • Publisher :
  • Release : 1902
  • ISBN :
  • Pages : 406 pages

Download or read book Music written by William Smythe Babcock Mathews and published by . This book was released on 1902 with total page 406 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Book A Composer s Insight  Leslie Bassett

Download or read book A Composer s Insight Leslie Bassett written by Timothy Salzman and published by Hal Leonard Corporation. This book was released on 2003 with total page 212 pages. Available in PDF, EPUB and Kindle. Book excerpt: This is a five-volume series on major contemporary composers and their works for wind band. Included in this initial volume are rare, behind-the-notes perspectives acquired from personal interviews with each composer. An excellent resource for conductors, composers or enthusiasts interested in acquiring a richer musical understanding of the composers' training, compositional approach, musical influences and interpretative ideas. Features the music of: Timothy Broege, Michael Colgrass, Michael Daugherty, David Gillingham, John Harbison, Karel Husa, Alfred Reed and others.

Book Music

    Book Details:
  • Author :
  • Publisher :
  • Release : 1902
  • ISBN :
  • Pages : 204 pages

Download or read book Music written by and published by . This book was released on 1902 with total page 204 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Book Modern Music and Musicians

Download or read book Modern Music and Musicians written by Louis Charles Elson and published by . This book was released on 1918 with total page 368 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Book Modern music and musicians      Encyclopedic

Download or read book Modern music and musicians Encyclopedic written by and published by . This book was released on 1918 with total page 378 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Book Handbook of Texas Music

    Book Details:
  • Author : Laurie E. Jasinski
  • Publisher : Texas A&M University Press
  • Release : 2012-02-22
  • ISBN : 0876112971
  • Pages : 2008 pages

Download or read book Handbook of Texas Music written by Laurie E. Jasinski and published by Texas A&M University Press. This book was released on 2012-02-22 with total page 2008 pages. Available in PDF, EPUB and Kindle. Book excerpt: The musical voice of Texas presents itself as vast and diverse as the Lone Star State’s landscape. According to Casey Monahan, “To travel Texas with music as your guide is a year-round opportunity to experience first-hand this amazing cultural force….Texas music offers a vibrant and enjoyable experience through which to understand and enjoy Texas culture.” Building on the work of The Handbook of Texas Music that was published in 2003 and in partnership with the Texas Music Office and the Center for Texas Music History (Texas State University-San Marcos), The Handbook of Texas Music, Second Edition, offers completely updated entries and features new and expanded coverage of the musicians, ensembles, dance halls, festivals, businesses, orchestras, organizations, and genres that have helped define the state’s musical legacy. · More than 850 articles, including almost 400 new entries· 255 images, including more than 170 new photos, sheet music art, and posters that lavishly illustrate the text· Appendix with a stage name listing for musicians Supported by an outstanding team of music advisors from across the state, The Handbook of Texas Music, Second Edition, furnishes new articles on the music festivals, museums, and halls of fame in Texas, as well as the many honky-tonks, concert halls, and clubs big and small, that invite readers to explore their own musical journeys. Scholarship on many of the state’s pioneering groups and the recording industry and professionals who helped produce and promote their music provides fresh insight into the history of Texas music and its influence far beyond the state’s borders. Celebrate the musical tapestry of Texas from A to Z!

Book Catalog of Copyright Entries

Download or read book Catalog of Copyright Entries written by Library of Congress. Copyright Office and published by . This book was released on 1973 with total page 954 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Book Modern Music and Musicians for Vocalists  Opera and oratorio excerpts

Download or read book Modern Music and Musicians for Vocalists Opera and oratorio excerpts written by Louis Charles Elson and published by . This book was released on 1918 with total page 380 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Book Music Trades

    Book Details:
  • Author :
  • Publisher :
  • Release : 1919
  • ISBN :
  • Pages : 1382 pages

Download or read book Music Trades written by and published by . This book was released on 1919 with total page 1382 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Book The Improbable Era

    Book Details:
  • Author : Charles P. Roland
  • Publisher : University Press of Kentucky
  • Release : 1975
  • ISBN : 9780813131665
  • Pages : 244 pages

Download or read book The Improbable Era written by Charles P. Roland and published by University Press of Kentucky. This book was released on 1975 with total page 244 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Book Nietzsche  Wagner  Europe

Download or read book Nietzsche Wagner Europe written by Martine Prange and published by Walter de Gruyter. This book was released on 2013-08-29 with total page 296 pages. Available in PDF, EPUB and Kindle. Book excerpt: Friedrich Nietzsche (1844-1900) supported the unification of Europe and reflected on this like few other philosophers before or after him. Many of his works are concerned with the present state and future of European culture and humanity. Resisting the “nationalist nonsense” and “politics of dissolution” of his day, he advocated the birth of “good Europeans,” i.e. “supra-national” individuals and the “amalgamation of nations.” Nietzsche, Wagner, Europe analyzes the development of Friedrich Nietzsche’s ideal of European culture based on his musical aesthetics. It does so against the background of contemporary searches for a wider, cultural meaning beyond Europe’s economic-political union. The book claims that Nietzsche always propagated the “aestheticization” of Europe, but that his view on how to achieve this changed as a result of his dramatically altering philosophy of music. The main focus is on Nietzsche’s passion for and later aversion to Wagner’s music, and, in direct connection with this, his surprising embrace of Italian operas as new forms of “Dionysian” music and of Goethe as a model of “Good Europeanism.”