Download or read book The Song Cycle written by Laura Tunbridge and published by Cambridge University Press. This book was released on 2010 with total page 255 pages. Available in PDF, EPUB and Kindle. Book excerpt: Investigates how other types of music have influenced the scope of the song cycle, from operas and symphonies to popular song --
Download or read book Wilhelm M ller s Lyrical Song Cycles written by Alan P. Cottrell and published by University of North Carolina S. This book was released on 2020-05 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: The poetry of Wilhelm Muller, to whom Heine expressed indebtedness for his renewal of the forms of the German Volkslied, had rarely been discussed in depth prior to this volume originally published in 1970. Cottrell's study is an interpretation of Muller's three most successful song-cycles: Die schone Mullerin, Die Winterreise, and Fruhlingskranz. The first two, interpreted in chapters one and two, are famed through Schubert's musical settings. Chapter three offers an interpretation of the Fruhlingskranz. A last chapter considers Muller's poetic imagination. Full texts of the poems discussed are included in the Appendix and are indexed by titles and first lines.
Download or read book The Faure Song Cycles written by Stephen Rumph and published by Univ of California Press. This book was released on 2020-09-29 with total page 277 pages. Available in PDF, EPUB and Kindle. Book excerpt: Gabriel Fauré’s mélodies offer an inexhaustible variety of style and expression that have made them the foundation of the French art song repertoire. During the second half of his long career, Fauré composed all but a handful of his songs within six carefully integrated cycles. Fauré moved systematically through his poetic contemporaries, exhausting Baudelaire’s Les fleurs du mal before immersing himself in the Parnassian poets. He would set nine poems by Armand Silvestre in swift succession (1878-84), seventeen by Paul Verlaine (1887-94), and eighteen by Charles Van Lerberghe (1906-14). As an artist deeply engaged with some of the most important cultural issues of the period, Fauré reimagined his musical idiom with each new poet and school, and his song cycles show the same sensitivity to the poetic material. Far more than Debussy, Ravel, or Poulenc, he crafted his song cycles as integrated works, reordering poems freely and using narratives, key schemes, and even leitmotifs to unify the individual songs. The Fauré Song Cycles explores the peculiar vision behind each synthesis of music and verse, revealing the astonishing imagination and insight of Fauré’s musical readings. This book offers not only close readings of Fauré’s musical works but an interdisciplinary study of how he responded to the changing schools and aesthetic currents of French poetry.
Download or read book Twentieth and Twenty First Century Song Cycles written by Gordon Sly and published by Routledge. This book was released on 2020-11-23 with total page 338 pages. Available in PDF, EPUB and Kindle. Book excerpt: Twentieth- and Twenty-First-Century Song Cycles: Analytical Pathways Toward Performance presents analyses of fourteen song cycles composed after the turn of the twentieth century, with a focus on offering ways into the musical and poetic structure of each cycle to performers, scholars, and students alike. Ranging from familiar works of twentieth-century music by composers such as Schoenberg, Britten, Poulenc, and Shostakovich to lesser-known works by Van Wyk, Sviridov, Wheeler, and Sánchez, this collection of essays captures the diversity of the song cycle repertoire in contemporary classical music. The contributors bring their own analytical perspectives and methods, considering musical structures, the composers' selection of texts, how poetic narratives are expressed, and historical context. Informed by music history, music theory, and performance, Twentieth- and Twenty-First-Century Song Cycles offers an essential guide into the contemporary art-music song cycle for performers, scholars, students, and anyone seeking to understand this unique genre.
Download or read book Art Song Cycles written by William Otto Miessner and published by . This book was released on 1910 with total page 120 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Art Song Cycles Cycle of insects written by William Otto Miessner and published by . This book was released on 1910 with total page 64 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Faure Song Cycles written by Stephen Rumph and published by University of California Press. This book was released on 2020-09-29 with total page 277 pages. Available in PDF, EPUB and Kindle. Book excerpt: Gabriel Fauré’s mélodies offer an inexhaustible variety of style and expression that have made them the foundation of the French art song repertoire. During the second half of his long career, Fauré composed all but a handful of his songs within six carefully integrated cycles. Fauré moved systematically through his poetic contemporaries, exhausting Baudelaire’s Les fleurs du mal before immersing himself in the Parnassian poets. He would set nine poems by Armand Silvestre in swift succession (1878-84), seventeen by Paul Verlaine (1887-94), and eighteen by Charles Van Lerberghe (1906-14). As an artist deeply engaged with some of the most important cultural issues of the period, Fauré reimagined his musical idiom with each new poet and school, and his song cycles show the same sensitivity to the poetic material. Far more than Debussy, Ravel, or Poulenc, he crafted his song cycles as integrated works, reordering poems freely and using narratives, key schemes, and even leitmotifs to unify the individual songs. The Fauré Song Cycles explores the peculiar vision behind each synthesis of music and verse, revealing the astonishing imagination and insight of Fauré’s musical readings. This book offers not only close readings of Fauré’s musical works but an interdisciplinary study of how he responded to the changing schools and aesthetic currents of French poetry.
Download or read book Essays on the Song Cycle and on Defining the Field written by and published by BRILL. This book was released on 2022-07-18 with total page 272 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume assembles twelve interdisciplinary essays that were originally presented at the Second International Conference on Word and Music Studies at Ann Arbor, MI, in 1999, a conference organized by the International Association for Word and Music Studies (WMA). The contributions to this volume focus on two centres of interest. The first deals with general issues of literature and music relations from culturalist, historical, reception-aesthetic and cognitive points of view. It covers issues such as conceptual problems in devising transdisciplinary histories of both arts, cultural functions of opera as a means of reflecting postcolonial national identity, the problem of verbalizing musical experience in nineteenth-century aesthetics and of understanding reception processes triggered by musicalized fiction. The second centre of interest deals with a specific genre of vocal music as an obvious area of word and music interaction, namely the song cycle. As a musico-literary genre, the song cycle not only permits explorations of relations between text and music in individual songs but also raises the question if, and to what extent words and/or music contribute to creating a larger unity beyond the limits of single songs. Elucidating both of these issues with stimulating diversity the essays in this section highlight classic nineteenth- and twentieth-century song cycles by Franz Schubert, Robert Schumann, Hugo Wolf, Richard Strauss and Benjamin Britten and also include the discussion of a modern successor of the song cycle, the concept album as part of today’s popular culture.
Download or read book The Cambridge Companion to the Lied written by James Parsons and published by Cambridge University Press. This book was released on 2004-07 with total page 446 pages. Available in PDF, EPUB and Kindle. Book excerpt: Beginning several generations before Schubert, the Lied first appears as domestic entertainment. In the century that follows it becomes one of the primary modes of music-making. By the time German song comes to its presumed conclusion with Richard Strauss's 1948 Vier letzte Lieder, this rich repertoire has moved beyond the home and keyboard accompaniment to the symphony hall. This is a 2004 introductory chronicle of this fascinating genre. In essays by eminent scholars, this Companion places the Lied in its full context - at once musical, literary, and cultural - with chapters devoted to focal composers as well as important issues, such as the way in which the Lied influenced other musical genres, its use as a musical commodity, and issues of performance. The volume is framed by a detailed chronology of German music and poetry from the late 1730s to the present and also contains a comprehensive bibliography.
Download or read book Orchestral Song Cycles written by Charles Villiers Stanford and published by A-R Editions, Inc.. This book was released on 2019-01-31 with total page 257 pages. Available in PDF, EPUB and Kindle. Book excerpt: Charles Villiers Stanford wrote two cycles of songs for baritone with orchestra and chorus, setting nautical verses by the popular poet Henry Newbolt. From its premiere at the Leeds Musical Festival in October 1904, Songs of the Sea was a great success; Songs of the Fleet followed in 1910 and was transparently modeled on it (even quoting from the earlier work). Both works became very popular among amateur choral societies. Songs of the Sea was published in full score a year after its composition; it now appears in a critical edition for the first time in the present volume, which also includes the first publication of the orchestral version of Songs of the Fleet. Both works demonstrate Stanfords mastery of orchestral technique and sureness of touch. Newbolts texts alternate between heroic and sentimental moods; Stanford responded with music that is dramatic and atmosphericindeed, with some of the most remarkable textures of his whole oeuvre.
Download or read book The Harvard Dictionary of Music written by Don Michael Randel and published by Harvard University Press. This book was released on 2003-11-28 with total page 1020 pages. Available in PDF, EPUB and Kindle. Book excerpt: This classic reference work, the best one-volume music dictionary available, has been brought completely up to date in this new edition. Combining authoritative scholarship and lucid, lively prose, the Fourth Edition of The Harvard Dictionary of Music is the essential guide for musicians, students, and everyone who appreciates music. The Harvard Dictionary of Music has long been admired for its wide range as well as its reliability. This treasure trove includes entries on all the styles and forms in Western music; comprehensive articles on the music of Africa, Asia, Latin America, and the Near East; descriptions of instruments enriched by historical background; and articles that reflect today’s beat, including popular music, jazz, and rock. Throughout this Fourth Edition, existing articles have been fine-tuned and new entries added so that the dictionary fully reflects current music scholarship and recent developments in musical culture. Encyclopedia-length articles by notable experts alternate with short entries for quick reference, including definitions and identifications of works and instruments. More than 220 drawings and 250 musical examples enhance the text. This is an invaluable book that no music lover can afford to be without.
Download or read book Van Dyke Parks Song Cycle written by Richard Henderson and published by A&C Black. This book was released on 2010-06-03 with total page 146 pages. Available in PDF, EPUB and Kindle. Book excerpt: An intelligent take on a classic left-field album from the late 1960s, including original interviews with all the key players including Van Dyke Parks. >
Download or read book Twentieth and Twenty first century Song Cycles written by Gordon Cameron Sly and published by Routledge. This book was released on 2020 with total page 280 pages. Available in PDF, EPUB and Kindle. Book excerpt: Twentieth- and Twenty-First-Century Song Cycles: Analytical Pathways Toward Performance presents analyses of fourteen song cycles composed after the turn of the twentieth century, with a focus on offering "ways into" the musical and poetic structure of each cycle to performers, scholars, and students alike. Ranging from familiar works of twentieth-century music by composers such as Schoenberg, Britten, Poulenc, and Shostakovich to lesser-known works by Van Wyk, Sviridov, Wheeler, and Sánchez, this collection of essays captures the diversity of the song cycle repertoire in contemporary classical music. The contributors bring their own analytical perspectives and methods, considering musical structures, the composers' selection of texts, how poetic narratives are expressed, and historical context. Informed by music history, music theory, and performance, Twentieth- and Twenty-First-Century Song Cycles offers an essential guide into the contemporary art-music song cycle for performers, scholars, students, and anyone seeking to understand this unique genre.
Download or read book Encyclopedia of the Romantic Era 1760 1850 written by Christopher John Murray and published by Taylor & Francis. This book was released on 2004 with total page 664 pages. Available in PDF, EPUB and Kindle. Book excerpt: Review: "Written to stress the crosscurrent of ideas, this cultural encyclopedia provides clearly written and authoritative articles. Thoughts, themes, people, and nations that define the Romantic Era, as well as some frequently overlooked topics, receive their first encyclopedic treatments in 850 signed articles, with bibliographies and coverage of historical antecedents and lingering influences of romanticism. Even casual browsers will discover much to enjoy here."--"The Top 20 Reference Titles of the Year," American Libraries, May 2004.
Download or read book Song on Record Volume 2 written by Alan Blyth and published by Cambridge University Press. This book was released on 2006-11-02 with total page 304 pages. Available in PDF, EPUB and Kindle. Book excerpt: Once again Alan Blyth has brought together a distinguished group of contributors to provide a valuable and informed discussion of interpretation. Indispensable for record collectors, it is also fascinating reading for all musicians and music lovers with an interest in song.
Download or read book Schumann s Eichendorff Liederkreis and the Genre of the Romantic Cycle written by David Ferris and published by Oxford University Press. This book was released on 2000-11-30 with total page 281 pages. Available in PDF, EPUB and Kindle. Book excerpt: This new study draws on analysis, literary criticism, and source studies to propose a new conception of the nineteenth-century romantic cycle. Rather than a unified whole, the cycle is seen as a fragmentary and open-ended form, which enables Schumann to express the romantic themes of transcendence and ineffability in musical terms.
Download or read book Word and Music Studies written by Walter Bernhart and published by Rodopi. This book was released on 2001 with total page 272 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume assembles twelve interdisciplinary essays that were originally presented at the Second International Conference on Word and Music Studies at Ann Arbor, MI, in 1999, a conference organized by the International Association for Word and Music Studies (WMA). The contributions to this volume focus on two centres of interest. The first deals with general issues of literature and music relations from culturalist, historical, reception-aesthetic and cognitive points of view. It covers issues such as conceptual problems in devising transdisciplinary histories of both arts, cultural functions of opera as a means of reflecting postcolonial national identity, the problem of verbalizing musical experience in nineteenth-century aesthetics and of understanding reception processes triggered by musicalized fiction. The second centre of interest deals with a specific genre of vocal music as an obvious area of word and music interaction, namely the song cycle. As a musico-literary genre, the song cycle not only permits explorations of relations between text and music in individual songs but also raises the question if, and to what extent words and/or music contribute to creating a larger unity beyond the limits of single songs. Elucidating both of these issues with stimulating diversity the essays in this section highlight classic nineteenth- and twentieth-century song cycles by Franz Schubert, Robert Schumann, Hugo Wolf, Richard Strauss and Benjamin Britten and also include the discussion of a modern successor of the song cycle, the concept album as part of today's popular culture.
