Download or read book Socio political Theatre in Nigeria written by Iremhokiokha Peter Ukpokodu and published by Mellen University Press. This book was released on 1992 with total page 340 pages. Available in PDF, EPUB and Kindle. Book excerpt: This work is a study of Nigerian drama from the eve of independence to the 1980s with supportive materials from Nigeria's socio-political history. It examines the appropriateness and usage of the term Nigerian Drama and sets limits on its meaning. It also looks at what influences the Negritude movement and independence had on Nigerian drama, and why it is important to study Nigerian drama of socio-political concern. It examines pre-Colonial Nigeria, the style of politics and electioneering that marked the first Republic, the Marxist phenomenon in drama, the effects of the civil war, and the drama that resulted. It includes play synopses, and biographies of playwrights.
Download or read book Theatre Politics and Social Consciousness in Nigeria written by Egwugwu J. Illah and published by . This book was released on 2002 with total page 274 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Theatre and Politics in Nigeria written by Jide Malomo and published by . This book was released on 1993 with total page 180 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Theatre and Democracy in Nigeria written by Ahmed Yerima and published by . This book was released on 2002 with total page 280 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book African Theatre written by Martin Banham and published by Indiana University Press. This book was released on 2001 with total page 324 pages. Available in PDF, EPUB and Kindle. Book excerpt: This second annual volume in the African Theatre series focuses on the intersection of politics and theatre in Africa today. Topics include the remarkable collaboration between Horse and Bamboo, a puppet theatre company based in the United Kingdom, and Nigerian playwright Sam Ukala that was inspired by the infamous execution of Nigerian playwright Ken Saro-Wiwa and other Ogoni activists; the plays of Femi Osofisan; and plays by Ghanaian playwrights Joe de Graft and Mohammed Ben-Abdallah. African Theatre features the work of Mauritian playwright Dev Virahsawmy and includes an interview with him, reviews of an English production of his play, Toufann, as well as the translated playscript. Reports of workshops and conferences, reviews, and news of the year in African theatre make this volume a valuable resource for anyone interested in current issues in African drama and performance.
Download or read book Socio political Drama in Nigeria Since Independence written by Iremhokiokha P. Ukpokodu and published by . This book was released on 1985 with total page 305 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Pre colonial and Post colonial Drama and Theatre in Africa written by Lokangaka Losambe and published by New Africa Books. This book was released on 2001 with total page 170 pages. Available in PDF, EPUB and Kindle. Book excerpt: In this collection of essays written from different critical perspectives, African playwrights demonstrate through their art that they are not only witnesses, but also consciences, of their societies.
Download or read book Committed Theatre in Nigeria written by Segun Oyeleke Oyewo and published by Rowman & Littlefield. This book was released on 2020-06-01 with total page 231 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book provides an overview of the full range of the teaching and practice of Committed Theatre and theatre of commitment in Nigeria for scholars in the arts and cultural studies. It is divided into four sections; Chapter 1: Theatre in Development Discourse, which is comprised of four papers that explore the theories of practice of theatre of commitment. Chapter 2 : Nigerian Theatre in Perspective discusses the trends, ethos of revolution, theatrical elements and communalistic/individualistic tendencies and the taboos theatre, drama and traditional theatre in Nigeria. In Chapter 3, the social, cultural and historical implications of Nigeria theatre, is examined in papers that focus on politics, theatre, and echoes of separatism in Nigeria and including an analysis of Aesthetagement of the Calabar Carnival in Nigeria. Chapter 4 performs a critical analysis of committed theatre practices from a global perspective. Interviews were conducted with committed artistes from Nigeria, Canada, Ethiopia, and Indonesia. Committed Theatre Perspectives in Teaching and Practice in Nigeria has the potential to impact the philosophy, teaching, and practice of theatre. The ideas contained in the book provide an excellent framework for understanding the importance and more importantly, the impact of theatre on society.
Download or read book Contemporary Nigerian Theatre written by Olu Obafemi and published by . This book was released on 1996 with total page 289 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Nigeria political theatre 1923 53 written by and published by . This book was released on 1900 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Mudskippers written by Peter E. Omoko and published by Malthouse Press. This book was released on 2021-07-30 with total page 90 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Mudskippers dramatises the socio-political malaise that constitutes the political bedrock of Nigeria and other African states. The play illuminates a significant contemporary Nigerian predicament, which is the problem of unexecuted contracts in its bloody propensity. The play reveals the complicit roles played by the government officials in the unending crises bedevilling the infrastructural decay that have become entrenched in all sectors of the Nigerian social and political space. It can also be read as a morality tale which seeks to restrain politicians from dispossessing the people they are meant to govern.
Download or read book The Revolutionary Drama and Theatre of Femi Osofisan written by Chima Osakwe and published by Cambridge Scholars Publishing. This book was released on 2018-11-07 with total page 106 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book is an extensive and captivating study of the work of Femi Osofisan, one of Nigeria’s most important dramatists and postcolonial playwrights. It explores a variety of his plays to gather together insights on the role of art in social change, and discusses the relationship between literature and politics.
Download or read book Playwriting and Directing in Nigeria written by Ola Rotimi and published by Fourth Dimention Publishing Company Limited. This book was released on 2002 with total page 196 pages. Available in PDF, EPUB and Kindle. Book excerpt: A compendium of interviews with the late Ola Rotimi, who is perhaps Nigeria's foremost dramatist of the twentieth century. This edition brings together interviews which Rotimi has given over the past thirty years, some of which were published in occasional journals, and some of which have never previously been published. The interviewers are for the most part leading scholars in the fields of African literature and the dramatic arts: Bernth Lindfors, Onuora Ossie Enekwe, Margaret Floarin, Eldred Titus Green and Bassey Uwatt. The interviews present Rotimi's views on a range of subjects. As a whole, the collection reflects the development in his work and thought over time, and in light of the changing social and political and cultural context. Some subjects addressed are: African identity, academic influences and artistic ambition; the literary heritages of his tragedies, comedies and historical plays; socio-political context and socio-political drama; the craft and form of drama; Nigerian drama, language and authenticity; theatre and teaching in Africa and North America; and the dramatist's commitment to Africa and the Third World.
Download or read book Od n written by Cristina Boscolo and published by BRILL. This book was released on 2009-01-01 with total page 367 pages. Available in PDF, EPUB and Kindle. Book excerpt: A poetic ‘voice’ scans the rhythm of academic research, telling of the encounter with odún; then the voice falls silent. What is then raised is the dust of a forgotten academic debate on the nature of theatre and drama, and the following divergent standpoints of critical discourses bent on empowering their own vision, and defining themselves, rather, as counterdiscourses. This, the first part of the book: a metacritical discourse, on the geopolitics (the inherent power imbalances) of academic writing and its effects on odún, the performances dedicated to the gods, ancestors, and heroes of Yorùbá history. But odún: where is it? and what is it? And the ‘voice’? The many critical discourses have not really answered these questions. In effect, odún is many things. To enable the reader to see these, the study proceeds with an ‘intermezzo’: a frame of reference that sets odún, the festival, in its own historico-cultural ecoenvironment, identifying the strategies that inform the performance and constitute its aesthetic. It is a ‘classical’ yet, for odún, an innovative procedure. This interdisciplinary background equips the reader with the knowledge necessary to watch the performance, to witness its beauty, and to understand the ‘half words’ odún utters. And now the performance can begin. The ‘voice’ emerges one last time, to introduce the second section, which presents two case studies. The reader is led, day by day, through the celebrations –odún edì, Morèmi’s story, and its realization in performance; then confrontation by the masks of the ancestors duing odún egúngún (particularly as held in Ibadan). The meaning of odún becomes clearer and clearer. Odún is poetry, dances, masks, food, prayer. It is play (eré) and belief (ìgbàgbó). It is interaction between the players (both performers and spectators). It is also politics and power. It contains secrets and sacrifices. It is a reality with its own dimension and, above all, as the quintessential site of knowledge, it possesses the power to transform. In short, it is a challenge – a challenge that the present book and its voices take up.
Download or read book Theatre in Nigeria written by Foluke Ogunleye and published by Integritas Services. This book was released on 2007 with total page 116 pages. Available in PDF, EPUB and Kindle. Book excerpt: Building on earlier works on the African video film movement this book discusses: The Dynamics of Finance in the Nigerian Traveling Theatre; Christian Morality Plays in Nigeria; Television Docudrama as Alternative Records of History; Nigerian Tele-Drama and Propaganda; Money and Mercantilism in Nigerian Historical Plays; History of the Ori Olokun Theatre; and The Socio-Economic Construct of the Nigerian Home Video Film.
Download or read book Socio political Drama in Nigeria Since Independence written by Iremhokiokha Peter Ukpokodu and published by . This book was released on 1985 with total page 305 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Crossroads in the Black Aegean written by Barbara Goff and published by OUP Oxford. This book was released on 2007-11-15 with total page 414 pages. Available in PDF, EPUB and Kindle. Book excerpt: Crossroads in the Black Aegean is a compendious, timely, and fascinating study of African rewritings of Greek tragedy. It consists of detailed readings of six dramas and one epic poem, from different locations across the African diaspora. Barbara Goff and Michael Simpson ask why the plays of Sophocles' Theban Cycle figure so prominently among the tragedies adapted by dramatists of African descent, and how plays that dilate on the power of the past, in the inexorable curse of Oedipus and the regressive obsession of Antigone, can articulate the postcolonial moment. Capitalizing on classical reception studies, postcolonial studies, and comparative literature, Crossroads in the Black Aegean co-ordinates theory and theatre. It crucially investigates how the plays engage with the 'Western canon', and shows how they use their self-consciously literary status to assert, ironize, and challenge their own place, and that of the Greek originals, in relation to that tradition. Beyond these oedipal reflexes, the adaptations offer alternative African models of cultural transmission.
