Download or read book Catalogue of the Allen A Brown Collection of Music in the Public Library of the City of Boston written by Boston Public Library. Allen A. Brown Collection of Music and published by . This book was released on 1912 with total page 590 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book The National Union Catalog Pre 1956 Imprints written by Library of Congress and published by . This book was released on 1968 with total page 712 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book British Museum Catalogue of printed Books written by and published by . This book was released on 1881 with total page 666 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Catalogue of the Printed Books in the Library of the British Museum written by British Museum. Department of Printed Books and published by . This book was released on 1881 with total page 960 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Fragonard written by Pierre Rosenberg and published by Metropolitan Museum of Art. This book was released on 1988 with total page 637 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Catalogue of Printed Books in the Library of the British Museum written by British Museum. Department of Printed Books and published by . This book was released on 1886 with total page 1048 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Op ra Comique written by Robert Ignatius Letellier and published by Cambridge Scholars Publishing. This book was released on 2010-04-16 with total page 780 pages. Available in PDF, EPUB and Kindle. Book excerpt: Opéra-comique, like grand opéra, a specifically French genre of opera, emerged from the political changes and intellectual discussion that played a recurrent role in determining the nature of artistic expression and production in Paris from the late 17th until the mid-18th centuries. Opéra-comique is distinguished by its use of spoken dialogue to link the arias and sung parts, and its more restrained use of recitatives. It emerged out of the popular entertainments, called opéras-comiques en vaudevilles, that were a feature of the theatres held at the seasonal Parisian fairs of St Germain and St Laurent, and of the Comédie-Italienne. The similarity of the entertainments provided by the Comédie-Italienne and the fairs resulted in their amalgamation on 3 February 1756, when they established a theatre for their joint productions, the Hôtel Bourgogne. Their type of entertainment, combining existing popular tunes with spoken sections, lent its generic name to this house, which, regardless of its changing venue, would become known as the Opéra-Comique. The genre of opéra-comique exercised a powerful popular appeal because of its unique fusion of fixed musical form with fluid improvised dialogue. The well-known airs of the day, invariably strophic, came to be the genre’s staple medium of artistic expression—the couplets. But opéra-comique was not necessarily comic or light in nature. Indeed, the most famous example, Bizet’s Carmen (1875), is a tragedy. The genre, with its unique mixture of comedy and drama, its captivating musical fluency, its handling of serious and Romantic themes—expertly crafted by its most famous librettist Augustin-Eugène Scribe (1791-1861)—became universally popular in the masterpieces of its heyday between 1820 and 1870: Adrien Boieldieu’s La Dame blanche (1825), Daniel-François-Esprit Auber’s Fra Diavolo (1830) and Le Domino noir (1837), Ferdinand Hérold’s Zampa (1831) and Le Pré aux clercs (1832), Fromental Halévy’s L’Éclair (1835) and Ambroise Thomas’s Mignon (1866). The history of the opéra-comique between 1762 and 1915 reflects the political and cultural life of France—from the last days of the ancien régime, through the tumult of the Revolution and Napoleonic era, the July Monarchy and Second Empire, to the shattering defeat of France by Prussia in 1870. After this, apart from isolated works (by Bizet, Delibes, Offenbach, Massenet), new works by the younger generation of musicians now tended to be French adaptations of the Wagnerian aesthetic and the record of success is very thin. Hardly any native French works in this imitative mode premiered at the Opéra-Comique between 1870 and 1915 have survived—apart from Debussy’s unique Pelléas et Mélisande (1902). This study serves as a sourcebook for this very French genre, with details of forgotten composers, their operas—performance dates, plot summaries, the singers who created them, the names of important numbers in the works (from libretti and scores that are either now to be found only in the Paris libraries, or are lost completely), often with contemporary observations about the reception of particular works, the effectiveness of their dramaturgy and music. It provides a resource for operatic culture and convention, from the late 18th to the early 20th centuries. The record of the fortunes of the Opéra-Comique provides a way into the changing culture and aesthetic values of an age.

Download or read book States of Decadence written by Guri Barstad and published by Cambridge Scholars Publishing. This book was released on 2016-12-14 with total page 355 pages. Available in PDF, EPUB and Kindle. Book excerpt: States of Decadence is a two volume anthology that focuses on the literary and cultural phenomenon of decadence. Particular attention is given to literature from the end of the 1800s, the fin de siècle; however, the essays presented here are not restricted to this historical period, but draw lines both back in time and forward to our day to illuminate the contradictory multiplicity inherent in decadence. Furthermore, the essays go beyond literary studies, drawing on a number of the tropes and themes of decadence manifested in the arts and culture, such as in music, opera, film, history, and even jewelry design.

Download or read book Printed Opera Scores in American Libraries written by and published by . This book was released on 1998 with total page 552 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Les Manuscrits de Chr tien de Troyes The Manuscripts of Chr tien de Troyes Volume 1 written by and published by BRILL. This book was released on 1993 with total page 520 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Dictionnaire Critique Et Documentaire Des Peintres Sculpteurs Dessinateurs Graveurs de Tous Les Temps Et de Tous Les Pays L Z written by Emmanuel Bénézit and published by . This book was released on 1924 with total page 1238 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Bookseller and the Stationery Trades Journal written by and published by . This book was released on 1874 with total page 1450 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Saint Sa ns and the Stage written by Hugh Macdonald and published by Cambridge University Press. This book was released on 2019-03-14 with total page 449 pages. Available in PDF, EPUB and Kindle. Book excerpt: The first major study of Saint-Saëns's stage music, timed to coincide with revivals of his operas on stage.

Download or read book Catalogue of Printed Books written by British Museum. Department of Printed Books and published by . This book was released on 1902 with total page 504 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Iran and French Orientalism written by Julia Caterina Hartley and published by Bloomsbury Publishing. This book was released on 2023-12-28 with total page 297 pages. Available in PDF, EPUB and Kindle. Book excerpt: New translations of Persian literature into French, the invention of the Aryan myth, increased travel between France and Iran, and the unveiling of artefacts from ancient Susa at the Louvre Museum are among the factors that radically altered France's perception of Iran during the long nineteenth century. And this is reflected in the literary culture of the period. In an ambitious study spanning poetry, historiography, fiction, travel-writing, ballet, opera, and marionette theatre, Julia Hartley reveals the unique place that Iran held in the French literary imagination between 1829 and 1912. Iran's history and culture remained a constant source of inspiration across different generations and artistic movements, from the 'Oriental' poems of Victor Hugo to those of Anna de Noailles and Théophile Gautier's strategic citation of Persian poetry to his daughter Judith Gautier's full-blown rewriting of a Persian epic. Writing about Iran could also serve to articulate new visions of world history and religion, as was the case in the intellectual debates that took place between Michelet, Renan, and Al-Afghani. Alternatively joyous, as in Félicien David's opera Lalla Roukh, and ominous, as in Massenet's Le Mage, Iran elicited a multiplicity of treatments. This is most obvious in the travelogues of Flandin, Gobineau, Loti, Jane Dieulafoy, and Marthe Bibesco, which describe the same cities and cultural practices in altogether different ways. Under these writers' pens, Iran emerges as both an Oriental other and an alter ego, its culture elevated above that of all other Muslim nations. At times this led French writers to critique notions of European superiority. But at others, they appropriated Iran as proto-European through racialist narratives that reinforced Orientalist stereotypes. Drawing on theories of Orientalism and cultural difference, this book navigates both sides of this fascinating and complex literary history. It is the first major study on the subject.

Download or read book The Bookseller written by and published by . This book was released on 1913 with total page 924 pages. Available in PDF, EPUB and Kindle. Book excerpt: Official organ of the book trade of the United Kingdom.

Download or read book Bulletin of the Toronto Public Library written by and published by . This book was released on 1912 with total page 360 pages. Available in PDF, EPUB and Kindle. Book excerpt: