Download or read book Silent Films Loud Music written by Phillip Johnston and published by Bloomsbury Publishing USA. This book was released on 2021-08-12 with total page 249 pages. Available in PDF, EPUB and Kindle. Book excerpt: Silent Films/Loud Music discusses contemporary scores for silent film as a rich vehicle for experimentation in the relationship between music, image, and narrative. Johnston offers an overview of the early history of music for silent film paired with his own first-hand view of the craft of creating new original scores for historical silent films: a unique form crossing musical boundaries of classical, jazz, rock, electronic, and folk. As the first book completely devoted to the study of contemporary scores for silent film, it tells the story of the historical and creative evolution of this art form and features an extended discussion and analysis of some of the most creative works of contemporary silent film scoring. Johnston draws upon his own career in both contemporary film music (working with directors Paul Mazursky, Henry Bean, Philip Haas and Doris Dörrie, among others) and in creating new scores for silent films by Browning, Méliès, Kinugasa, Murnau & Reiniger. Through this book, Johnston presents a discussion of music for silent films that contradicts long-held assumptions about what silent film music is and must be, with thought-provoking implications for both historical and contemporary film music.
Download or read book Silent Films Loud Music written by Phillip Johnston and published by Bloomsbury Publishing USA. This book was released on 2021-08-12 with total page 249 pages. Available in PDF, EPUB and Kindle. Book excerpt: Silent Films/Loud Music discusses contemporary scores for silent film as a rich vehicle for experimentation in the relationship between music, image, and narrative. Johnston offers an overview of the early history of music for silent film paired with his own first-hand view of the craft of creating new original scores for historical silent films: a unique form crossing musical boundaries of classical, jazz, rock, electronic, and folk. As the first book completely devoted to the study of contemporary scores for silent film, it tells the story of the historical and creative evolution of this art form and features an extended discussion and analysis of some of the most creative works of contemporary silent film scoring. Johnston draws upon his own career in both contemporary film music (working with directors Paul Mazursky, Henry Bean, Philip Haas and Doris Dörrie, among others) and in creating new scores for silent films by Browning, Méliès, Kinugasa, Murnau & Reiniger. Through this book, Johnston presents a discussion of music for silent films that contradicts long-held assumptions about what silent film music is and must be, with thought-provoking implications for both historical and contemporary film music.
Download or read book Music and Sound in Silent Film written by Ruth Barton and published by Routledge. This book was released on 2018-12-07 with total page 214 pages. Available in PDF, EPUB and Kindle. Book excerpt: Despite their name, the silent films of the early cinematic era were frequently accompanied by music and other sound elements of many kinds, including mechanical instruments, live performers, and audience sing-alongs. The 12 chapters in this concise book explore the multitude of functions filled by music in the rapidly changing context of the silent film era, as the concept of cinema itself developed. Examples are drawn from around the globe and across the history of silent film, both during the classic era of silent film and later uses of the silent format. With contributors drawn from film studies and music disciplines, and including both senior and emerging scholars, Music and Sound in Silent Film offers an essential introduction to the origins of film music and the cinematic art form.
Download or read book Wonderstruck written by Brian Selznick and published by Scholastic. This book was released on 2015-09-03 with total page 325 pages. Available in PDF, EPUB and Kindle. Book excerpt: Ben's story takes place in 1977 and is told in words. Rose's story in 1927 is told entirely in pictures. Ever since his mother died, Ben feels lost. At home with her father, Rose feels alone. When Ben finds a mysterious clue hidden in his mother's room, both children risk everything to find what's missing.
Download or read book Music for Silent Films 1894 1929 written by and published by . This book was released on 1988 with total page 240 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book is a guide for locating scores and musical cue sheets made for films of the silent era, 1894-1929. All entries are for the microfilmed items found in the Library of Congress and the Museum of Modern Art music collections. The format for each main entry includes: (1) entry number; (2) film title; (3) title as transcribed from title page; (4) literary source of film and its author; (5) adapter; (6) author(s) of screenplay; (7) producer; (8) director; (9) film company; (10) distributor; (11) composer/compiler; (12) musical series title; (13) publisher of music, place and date of publication; (14) instrumentation; (15) copyright registration and renewal information; (16) additional notes; (17) projection time and film footage; (18) library and call number; (19) pagination and height; and (20) microfilm and item number. Appendices list the microfilm contents and reel numbers, film scores, and cue sheets of silent films contained in six different collections. The book also includes many still photographs from silent films. (DB)
Download or read book Music for Silent Films 1894 1929 written by Gillian B. Anderson and published by . This book was released on 2011-07 with total page 234 pages. Available in PDF, EPUB and Kindle. Book excerpt: This is a high quality reprint of a fascinating book first published by The Library of Congress in 1988. Illustrated throughout.
Download or read book Silent Film Sound written by Rick Altman and published by Columbia University Press. This book was released on 2004 with total page 492 pages. Available in PDF, EPUB and Kindle. Book excerpt: Silent films were, of course, never silent at all. However, the sound that used to accompany the screen picture in the early days of cinema has been neglected as an area of study. Altman explores the various musical, narrative, and even synchronized sound systems that enriched cinema before Jolson spoke.
Download or read book Music and the Silent Film written by Martin Miller Marks and published by Oxford University Press, USA. This book was released on 1997 with total page 320 pages. Available in PDF, EPUB and Kindle. Book excerpt: Most people's view of silent film music is of a pianist playing old scores while watching the flickering screen. This title shows that there was much more to silent films and that often it was planned from the start as an integral part of the film. The author argues that film scores are a major and vibrant part of 20th century music.
Download or read book The Sounds of Silent Films written by Claus Tieber and published by Springer. This book was released on 2014-09-30 with total page 371 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Sounds of Silent Films is a unique collection of investigatory and theoretical essays that, for the first time, unite up-to-date research on the complex historical performance practices of silent film accompaniment with in-depth analyses of relevant case studies.
Download or read book Today s Sounds for Yesterday s Films written by K.J. Donnelly and published by Springer. This book was released on 2016-04-08 with total page 233 pages. Available in PDF, EPUB and Kindle. Book excerpt: In recent years, there has been something of an explosion in the performance of live music to silent films. There is a wide range of films with live and new scores that run from the historically accurate orchestral scores to contemporary sounds by groups such as Pet Shop Boys or by experimental composers and gothic heavy metal bands. It is no exaggeration to claim that music constitutes a bridge between the old silent film and the modern audience; music is also a channel for non-scholarly audiences to gain an appreciation of silent films. Music has become a means both for musicians and audiences to understand this bygone film art anew. This book is the first of its kind in that it aims to bring together writings and interviews to delineate the culture of providing music for silent films. It not only has the character of a scholarly work but is also something of a manual in that it discusses how to make music for silent films.
Download or read book Music for Silent Films 1894 1929 written by and published by . This book was released on 1988 with total page 332 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Silent Film Sound written by and published by . This book was released on 2004 with total page 462 pages. Available in PDF, EPUB and Kindle. Book excerpt: Overview: Because silent cinema is widely perceived as having been exactly that-silent-no one has fully examined how sounds was used to accompany the films of this era. Silent Film Sound reconsiders all aspects of sound practices during the entire silent film period. Based on extensive original research and accompanied by gorgeous illustrations, the book challenges the assumptions of earlier histories of this period in film and reveals the complexity and swiftly changing nature of American silent cinema. Contrary to received opinion, silent films were not always accompanied, nor were accompaniments uniform. Beginning with sound practices before cinema's first decade and continuing through to the more familiar sound practices of the 1920s, Rick Altman discusses the variety of sound strategies and the way early cinema exhibitors used these strategies to differentiate their products. During the nickelodeon period prior to 1910, this variety reached its zenith, with theaters often deploying half a dozen competing sound strategies-from carnival-like music in the street, automatic pianos at the rear of the theater, and small orchestras in the pit to lecturers, synchronized sound systems, and voices behind the screen. During this period, musical accompaniment had not yet begun to support the story and its emotions as it would in later years. But in the 1910s, film sound acquiesced to the demands of the burgeoning cinema industry, who successfully argued that accompaniment should enhance film's narrative and emotional content rather than score points by burlesquing or "kidding" the film. The large theaters and blockbuster productions of the mid-1910s provided a perfect crucible for new instruments, new music publication projects, and the development of a new style of film music. From that moment on, film music would become an integral part of the film rather than its adversary, and a new style of cinema sound would favor accompaniment that worked in concert with cinema story-telling. For the first time, Silent Film Sound details the ways in which these diverse interests and industries came together to produce an extraordinarily successful audiovisual art.
Download or read book Music for Silent Films 1894 1929 written by Gillian B. Anderson and published by www.Militarybookshop.CompanyUK. This book was released on 2011-07-01 with total page 234 pages. Available in PDF, EPUB and Kindle. Book excerpt: This is a high quality reprint of a fascinating book first published by The Library of Congress in 1988. Illustrated throughout.
Download or read book Musik f r ber 1500 Stummfilme Musique pour plus de 1500 films muets Music for More Than 1500 Silent Films written by Jürg Stenzl and published by LIT Verlag Münster. This book was released on 2017 with total page 210 pages. Available in PDF, EPUB and Kindle. Book excerpt: Für das damals "größte Kino der Welt", den Pariser Gaumont-Palast, hat Paul Fosse von 1911 bis 1928 die Musik für über 1500 Filme aus aller Welt zusammengestellt und zur Aufführung gebracht. Diese Kompositionen sammelte er in zwei voluminösen Bänden. Als bedeutendste Quelle für die Musik im Stummfilm dieser Jahrzehnte und einmaliges Dokument der Film- und Musikgeschichte werden sie in diesem Buch erstmals erschlossen. Paul Fosse (1884-1959) a été de 1911 à 1928 responsable du choix de la musique et des réalisations musicales destinées aux représentations de plus de 1500 films muets au Gaumont-Palace à Paris, le « plus grand cinéma du monde ». Le catalogue jusqu’ici mal connu de ses « Adaptations musicales » constitue sans doute la source la plus vaste et la plus remarquable concernant la musique de l’époque du cinéma muet, présentée ici intégralement pour la première fois. Paul Fosse (1884-1959) was responsible for choosing and performing the music to more than 1500 silent movies between 1911 and 1928. He personally compiled the music to be played in Paris’s Gaumont-Palace, the "largest cinema in the world". This is the world’s largest and most significant source for music in the age of silent films. Here it is made accessible in print for the very first time.
Download or read book Music for Silent Films written by Gordon Press Publishers and published by . This book was released on 1991-06 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Sounds for the Silents written by Daniel Goldmark and published by Courier Corporation. This book was released on 2013-01-01 with total page 244 pages. Available in PDF, EPUB and Kindle. Book excerpt: This unique collection features piano sheet music that accompanied silent movies. Derived from eight rare sources, the music includes compositions by J. S. Zamecnik, M. L. Lake, Joseph Carl Breil, and others.
Download or read book The Sounds of the Silents in Britain written by Julie Brown and published by Oxford University Press on Demand. This book was released on 2013 with total page 351 pages. Available in PDF, EPUB and Kindle. Book excerpt: Early cinemas were noisy places with pianos, organs, ensembles of all varieties and sometimes full orchestras accompanied films. Britain, a key cultural player in the entertainment world both at the time and now, has a different history than the USA of musical cultures and film production.
