Download or read book Sienese Altarpieces 1215 1460 1215 1344 written by H. W. van Os and published by . This book was released on 1984 with total page 182 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Sienese Altarpieces 1215 1460 1215 1344 written by H. W. van Os and published by . This book was released on 1984 with total page 184 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Sienese Altarpieces 1215 1460 1344 1460 written by H. W. van Os and published by . This book was released on 1984 with total page 272 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Sienese Altarpieces 1215 1460 written by Hendrik Willem van Os and published by . This book was released on 1990 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Sienese Altarpieces 1215 1460 1344 1460 written by H. W. van Os and published by . This book was released on 1984 with total page 272 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Mantegna and Painting as Historical Narrative written by Jack M. Greenstein and published by University of Chicago Press. This book was released on 1992-06 with total page 334 pages. Available in PDF, EPUB and Kindle. Book excerpt: In this study, Jack M. Greenstein draws on Early Renaissance art theory, modern narratology, translation studies, critical theory, the philosophy of history, and biblical hermeneutics to explicate the sense and significance of one of Andrea Mantegna's most enigmatic and influential works, the Uffizi Circumcision of Christ. Faced with a work that resists established methods of iconographical analysis, Greenstein reassesses the nature and goals of high humanist narrative painting. The result is a new, historically grounded theory of iconography that calls into question many widely held assumptions about the social and intellectual value of Early Renaissance art. Greenstein's theory rests on a careful analysis of Leon Battista Alberti's commentary On Painting, which equated both the form and the content of artistically composed painting with historia. Situating this equation within a centuries-old discourse on the multivalent significance of the Bible, Greenstein shows that, for Alberti, historia was a mode of artistic narrative, common to literature and painting, in which moral truths were presented to the corporeal senses, particularly to vision, in the guise of plausible human actions. In Greenstein's reading, the painter's primary task was the construction of a visually plausible narrative that effectively conveyed the higher meanings of historia. Having thus delineated the structure of significance in Albertian painting, Greenstein shows what was at stake when a painter of Mantegna's historical bent undertook to produce a historia. As one of the leading historical thinkers of his age, Mantegna imbued his depicted scenes with the plausibility of historical events by employing thosecodes of evidence, causality, and historical distance that underlay the Renaissance sense of the past. But the Circumcision of Christ resisted such treatment because the symbolic conventions developed by earlier artists for conveying the higher theological meanings of the theme were incompatible with the representational fidelity embraced by painters of historia. Mantegna overcame these difficulties by arriving at a new understanding of the Circumcision, which remained faithful to the narrative structure as well as the theological content of the biblical account. His interpretation was widely adopted by later artists, but was so pictorial in nature that, despite its consistency with the biblical account, it remained with-out parallel in theological literature. Greenstein's discovery--that artistic production of Albertian painting was a specialized and singularly visual form of thinking whose roots lay more in readerly hermeneutics than in perception, commerce, or common visual experience--raises questions about narrative, representation, and the textuality of art that will interest a wide array of scholars.
Download or read book Art as Politics in Late Medieval and Renaissance Siena written by TimothyB. Smith and published by Routledge. This book was released on 2017-07-05 with total page 249 pages. Available in PDF, EPUB and Kindle. Book excerpt: In Art as Politics in Late Medieval and Renaissance Siena, contributors explore the evolving relationship between image and politics in Siena from the time of the city-state's defeat of Florence at the Battle of Montaperti in 1260 to the end of the Sienese Republic in 1550. Engaging issues of the politicization of art in Sienese painting, sculpture, architecture, and urban design, the volume challenges the still-prevalent myth of Siena's cultural and artistic conservatism after the mid fourteenth century. Clearly establishing uniquely Sienese artistic agendas and vocabulary, these essays broaden our understanding of the intersection of art, politics, and religion in Siena by revisiting its medieval origins and exploring its continuing role in the Renaissance.
Download or read book Sienese Altarpieces written by Hendrik Willem Van Os and published by . This book was released on 1988 with total page 261 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Sienese Altarpieces 1215 1460 written by Henk van Os and published by . This book was released on 1984 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Carmelites and Antiquity written by Andrew Jotischky and published by OUP Oxford. This book was released on 2002-07-18 with total page 392 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Carmelites, the only contemplative religious order to have been founded in the Crusader States, first emerged as a group of hermits living on Mount Carmel, a site associated with the prophet Elijah. Soon after migrating to the West, in the mid-thirteenth century, they began to develop the geographical associations into a complex historical tradition based on the claim to have been founded by the prophet. Carmelite historical myths were first developed as a response to the threat of suppression, but increasingly came to form the basis of a distinctive ecclesiology and mission. This book, which is the first full-length study of the Carmelite historical legendary, examines the circumstances under which the traditions were constructed, describes the evolution of the traditions themselves from the thirteenth to sixteenth centuries, and places them within the wider context of historical writing by religious orders, and attitudes to the past more generally in the later Middle Ages.
Download or read book A Heritage Of Holy Wood written by Barbara Baert and published by BRILL. This book was released on 2004-01-01 with total page 597 pages. Available in PDF, EPUB and Kindle. Book excerpt: This fascinating study reconstructs the tradition of the Legend of the True Cross in text and image, from its tentative beginnings in 4th-century Jerusalem to the culminating expression of its multi-layered cosmic content in 14th and 15th-century monumental cycles in Germany and Italy.
Download or read book A Critical and Historical Corpus of Florentine Painting written by Richard Offner and published by . This book was released on 1984 with total page 272 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Andrea Mantegna written by Stephen J. Campbell and published by John Wiley & Sons. This book was released on 2016-01-19 with total page 232 pages. Available in PDF, EPUB and Kindle. Book excerpt: Andrea Mantegna: Making Art (History) presents the art of Mantegna as challenging the parameters of the history of art in the demands it makes upon historical interpretation, and explores the artist’s potentially transformative impact on the study of the early Renaissance. Features an array of new methodologies for the study of Mantegna and early Renaissance art Critically addresses the question of iconography and “literary” art, as well as the politics of the monographic exhibition Includes translations of two seminal accounts of the artist by Roberto Longhi and Daniel Arasse, key texts not previously available in English Explores the Mantegna’s potentially transformative impact on the study of the early Renaissance
Download or read book Late Medieval Italian Art and Its Contexts written by Donal Cooper and published by Boydell & Brewer. This book was released on 2022-11-29 with total page 413 pages. Available in PDF, EPUB and Kindle. Book excerpt: Joanna Cannon's scholarship and teaching have helped shape the historical study of thirteenth- and fourteenth-century Italian art; this essay collection by her former students is a tribute to her work.
Download or read book The Virtual Liturgy and Ritual Artifacts in Medieval and Early Modern Studies written by Katharine D. Scherff and published by Taylor & Francis. This book was released on 2023-03-03 with total page 171 pages. Available in PDF, EPUB and Kindle. Book excerpt: Examining the history of altar decorations, this study of the visual liturgy grapples with many of the previous theoretical frameworks to reveal the evolution and function of these ritual objects. Using an interdisciplinary approach, this book uses traditional art-historical methodologies and media technology theory to reexamine ritual objects. Previous analysis has not considered the in-between nature of these objects as deliberate and virtual conduits to the divine. The liturgy, the altarpiece, the altar environment, relics, and their reliquaries are media. In a series of case studies, several objects tell a different story about culture and society in medieval Europe. In essence, they reveal that media and media technologies generate and modulate the individual and collective structure of feelings of sacredness among assemblages of humans and nonhumans. The book will be of interest to scholars working in art history, medieval studies, early modern studies, and architectural history.
Download or read book East and West in the Crusader States written by Krijna Nelly Ciggaar and published by Peeters Publishers. This book was released on 2003 with total page 330 pages. Available in PDF, EPUB and Kindle. Book excerpt: Scholars studying texts, works of art, and other material belonging to Christian and Muslim, eastern and western communities affected by the crusader phenomenon share findings and views. A dozen papers present perspectives of the western Latin community, various indigenous Christian communities, travel reports characterized by strong personal and even intimate observations, and crafts and arts. Distributed by The David Brown Book Company. Annotation : 2004 Book News, Inc., Portland, OR (booknews.com).
Download or read book Pilgrimage to Images in the Fifteenth Century written by Robert Maniura and published by Boydell Press. This book was released on 2004 with total page 258 pages. Available in PDF, EPUB and Kindle. Book excerpt: A case study of the meaning and purpose of pilgrimage, based on the image of the 'scarred Virgin', Our Lady of Czestochowa. The tradition of pilgrimage to an image is so well-established as to be taken for granted. Throughout Christian history large numbers of people have made journeys to images associated with miracles, yet the phenomenon has never been a subject of detailed scholarly scrutiny. This book explores the issue through a case study of the origins of pilgrimage to one such image, Our Lady of Czestochowa in Poland. The shrine remains one of the most prominent pilgrimage destinations in the Catholic world: the striking focal panel painting shows the Virgin Mary with an apparently scarred face, and the legend of the picture's origin claims that it was painted by St Luke and desecrated by iconoclasts. The author assesses the significance of the stories attached to the shrine, and goes beyond them to consider the practices and responses of the pilgrims. Drawing on the earliest surviving miracle collections, he also explores the interaction between the pilgrims and the image of the 'scarred' Virgin. ROBERT MANIURA is Lecturer in the History of Renaissance Art, Birkbeck College, University of London.
