Download or read book Shakespeare and the Mannerist Tradition written by Jean-Pierre Maquerlot and published by Cambridge University Press. This book was released on 1995 with total page 220 pages. Available in PDF, EPUB and Kindle. Book excerpt: This 1996 book offers an original approach to Shakespeare's so-called 'problem plays' by contending that they can be viewed as experiments in the Mannerist style. The plays reappraised here are Julius Caesar, Hamlet, Troilus and Cressida, All's Well That Ends Well and Measure for Measure. How can a term used to define a movement in art history be made relevant to theatrical analysis? Maquerlot shows how famous painters of sixteenth-century Italy cultivated structural ambiguity or dissonance in reaction to the classical canons of the High Renaissance. Close readings of Shakespeare's plays, from the period 1599 to 1604, reveal intriguing analogies with Mannerist art and the dramatist's response to Elizabethan formalism. Maquerlot concludes by examining Othello, which marks the end of Shakespeare's Mannerist experiments, and the less equivocal use of artifice in his late romances.
Download or read book Shakespeare s Patterns of Self knowledge written by Rolf Soellner and published by Ohio State University Press. This book was released on 1972 with total page 488 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Shakespeare Contemporary Critical Approaches written by Harry Raphael Garvin and published by Bucknell University Press. This book was released on 1980 with total page 210 pages. Available in PDF, EPUB and Kindle. Book excerpt: The study and criticism of Shakespeare has always been of major interest in the literary world but never more than in the last ten years. The essays in this volume explore Shakespeare's art that is complementary to the experience of his plays. The feelings of the essays create a sensitive atmosphere for creative study.
Download or read book Shakespeare s Mannerist Canon written by Jeffrey Rayner Myers and published by Peter Lang Incorporated, International Academic Publishers. This book was released on 1989 with total page 276 pages. Available in PDF, EPUB and Kindle. Book excerpt: Myers uses a new and theoretically provocative comparative approach to bring into view and then to question the pervasive but often unsuspected influence of the «classical» conception of Shakespeare's canon dominant since Dowden first suggested it in the middle of the nineteenth century. As an alternative, he argues for a «mannerist» conception of the canon that is more persuasive than the outmoded conception in the light of artistic possibilities in the Renaissance and more useful to the continuing reinterpretation of Shakespeare's plays.
Download or read book Shakespeare s Sublime Ethos written by Jonathan P. A. Sell and published by Routledge. This book was released on 2021-07-29 with total page 193 pages. Available in PDF, EPUB and Kindle. Book excerpt: Shakespeare’s Sublime Ethos: Matter, Stage, Form breaks new ground in providing a sustained, demystifying treatment of its subject and looking for answers to basic questions regarding the creation, experience, aesthetics and philosophy of Shakespearean sublimity. More specifically, it explores how Shakespeare generates a sublime mood or ethos which predisposes audiences intellectually and emotionally for the full experience of sublime pathos, explored in the companion volume, Shakespeare’s Sublime Pathos. To do so, it examines Shakespeare’s invention of sublime matter, his exploitation of the special characteristics of the Elizabethan stage, and his dramaturgical and formal simulacra of absolute space and time. In the process, it considers Shakespeare’s conception of the universe and man’s place in it and uncovers the epistemological and existential implications of key aspects of his art. As the argument unfolds, a case is made for a transhistorically baroque Shakespeare whose "bastard art" enables the dramatic restoration of an original innocence where ignorance really is bliss. Taken together, Shakespeare’s Sublime Ethos and Shakespeare’s Sublime Pathos show how Shakespearean drama integrates matter and spirit on hierarchical planes of cognition and argue that, ultimately, his is an immanent sublimity of the here-and-now enfolding a transcendence which may be imagined, simulated or evoked, but never achieved.
Download or read book Shakespeare s Dialectic of Hope written by Hugh Grady and published by Cambridge University Press. This book was released on 2022-05-19 with total page 259 pages. Available in PDF, EPUB and Kindle. Book excerpt: This study charts how Shakespeare's early fascination with power developed into the profoundly optimistic utopian visions suffusing his later tragicomedies. Hugh Grady shows how five of Shakespeare's most important plays presciently confront dilemmas of an emerging modernity, diagnosing and indicting instrumental politics and capitalism.
Download or read book Shakespeare Survey written by Stanley Wells and published by Cambridge University Press. This book was released on 2002-11-28 with total page 302 pages. Available in PDF, EPUB and Kindle. Book excerpt: The first fifty volumes of this yearbook of Shakespeare studies are being reissued in paperback.
Download or read book Shakespeare and the Classical Tradition written by Lewis Walker and published by Routledge. This book was released on 2019-05-24 with total page 920 pages. Available in PDF, EPUB and Kindle. Book excerpt: This bibliography will give comprehensive coverage to published commentary in English on Shakespeare and the Classical Tradition during the period from 1961-1985. Doctoral dissertations will also be included. Each entry will provide a clear and detailed summary of an item's contents. For pomes and plays based directly on classical sources like Antony and Cleopatra and The Rape of Lucrece, virtually all significant scholarly work during the period covered will be annotated. For other works such as Hamlet, any scholarship that deals with classical connotations will be annotated. Any other bibliographies used in the compiling of this volume will be described with emphasis on their value to a student of Shakespeare and the Classics.
Download or read book The Art of John Webster written by Ralph Berry and published by Routledge. This book was released on 2016-01-29 with total page 170 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Art of John Webster, first published in 1972, is a study of the three extant plays of Webster known to be solely his work. These plays are seen as attempts to achieve in literature the effects of the baroque, a term which related Webster to the larger developments of European art. Their content is analysed in terms of a consistent opposition between evil and the law. The book seeks to re-establish a base for the claims that must be made for Webster as a serious artist. This title will be of interest to students of literature and drama.
Download or read book Shakespeare the Earl and the Jesuit written by John Klause and published by Associated University Presse. This book was released on 2008 with total page 344 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Jesuit's influence is pervasive, but most especially when the poet/playwright takes up in his own work issues of special concern to the earl in a crucial decade (1593-1604), after Southwell's death, through the religious and political crises faced by the young nobleman during that time."--BOOK JACKET.
Download or read book The Spectacular In and Around Shakespeare written by Pascale Drouet and published by Cambridge Scholars Publishing. This book was released on 2009-05-27 with total page 199 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume addresses the economy of the spectacular in and around Shakespeare’s plays, both in early modern England and in late-twentieth/twenty-first-century adaptations and appropriations. Apart from addressing issues such as (im)plausibility, tours de force arousing amazement, and excess for the sake of entertainment, it raises the question of intentionality—what is behind the spectacular? Is there always a manipulative purpose? How far-reaching are the political and ideological stakes? The contributors to this volume investigate a broad spectrum of particular phenomena: the spectacular sound effects and pyrotechnics displayed for the opening of the Globe theatre with Julius Caesar on performance; George Gascoigne’s lavish 1575 pageant commissioned by the Earl of Leicester for the queen at Kenilworth (The Princely Pleasures); the relationship between the spectacular and scientific discoveries, as well as their dialectics of appropriation; the impact of Mannerist art on The Winter’s Tale; Coriolanus’ resistance to ostentation and political shows; the anti-spectacular counter-current running through Timon of Athens; Julia Pascal’s innovative 2007 stage production of The Merchant of Venice; apocalyptic screen adaptations of turn-of-the-century Jacobean tragedies, and Richard III’s potential to be graphically interpreted in 2008 as political satire and as a danse macabre.
Download or read book Free Will written by Richard Wilson and published by Manchester University Press. This book was released on 2016-05-16 with total page 387 pages. Available in PDF, EPUB and Kindle. Book excerpt: Free Will: Art and power on Shakespeare’s stage is a study of theatre and sovereignty that situates Shakespeare’s plays in the contraflow between two absolutisms of early modern England: the aesthetic and the political. Starting from the dramatist’s cringing relations with his princely patrons, Richard Wilson considers the ways in which this ‘bending author’ identifies freedom in failure and power in weakness by staging the endgames of a sovereignty that begs to be set free from itself. The arc of Shakespeare’s career becomes in this comprehensive new interpretation a sustained resistance to both the institutions of sacred kingship and literary autonomy that were emerging in his time. In a sequence of close material readings, Free Will shows how the plays instead turn command performances into celebrations of an art without sovereignty, which might ‘give delight’ but ‘hurt not’, and ‘leave not a rack behind’. Free Will is a profound rereading of Shakespeare, art and power that will contribute to thinking not only about the plays, but also about aesthetics, modernity, sovereignty and violence.
Download or read book Shakespeare s Pluralistic Concepts of Character written by Imtiaz H. Habib and published by Susquehanna University Press. This book was released on 1993 with total page 264 pages. Available in PDF, EPUB and Kindle. Book excerpt: The presentation of a complex character such as Shylock bears resemblance to the technique of anamorphic portraiture and trick perspective in the sense that, seen one way he appears a villain, but seen another way he appears a persecuted victim. The clashing and merging of opposed frames of ideological reference that cannot be held apart or resolved and that remain in a kind of uneasy balance may be a technique of comic characterization that exploits relativism and ambiguity in the presentation of human personality and self on stage. A similar technique can be seen at work in the Histories in the characters of Richard and Bolingbroke, who, as has long been noted, compete contrarily for the audience's ideological sympathies over the course of the play.
Download or read book The Works of William Shakespeare Chronologically Arranged written by William Shakespeare and published by . This book was released on 1925 with total page 700 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Jacobean Private Theatre written by Keith Sturgess and published by Routledge. This book was released on 2017-03-27 with total page 219 pages. Available in PDF, EPUB and Kindle. Book excerpt: In this scholarly and entertaining book, first published in 1987, the author tells the story of Jacobean private theatre. Most of the best plays written after 1610, including Shakespeare’s late plays such as The Tempest, were written for the new breed of private playhouses – small, roofed and designed for an aristocratic, literary audience, as opposed to the larger, open-air houses such as the Globe and the Red Bull, catering for a popular, ‘lowbrow’ audience. The author discusses the polarisation of taste and the effect it had on literary criticism and theatre history. This title will be of interest to students of English Literature, Drama and Performance.
Download or read book Shakespeare s Universe of Discourse written by Keir Elam and published by Cambridge University Press. This book was released on 1984-06-21 with total page 360 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book makes ample use of approaches to language within linguistics, semiotics, the philosophy of language and sociology, in order to do justice to the subtlety of Shakespeare's verbal artistry. Keir Elam adopts a fresh approach to the language of Shakespeare's comedies, considering it not simply as 'style' but as the principal dramatic and comic substance of the plays. Traditional analysis of the language as 'diction', 'expression' or 'verbal structure' is not adequate to describe the range and importance of linguistic functions in these plays. This book shows that in Shakespearean comedy language, or rather 'discourse', language in use, is always a dynamic, active protagonist of the drama. The author explores the extraordinary gamut of verbal activities or 'language-games' that contribute to the rich rhetorical make-up of the comedies. The historical framework complements the application of critical theory which will assure a readership among students and teachers of Shakespeare as well as those interested in liguistics and semiotics.
Download or read book Vision and Rhetoric in Shakespeare written by A. Thorne and published by Springer. This book was released on 2000-08-01 with total page 307 pages. Available in PDF, EPUB and Kindle. Book excerpt: This major new interdisciplinary study argues that Shakespeare exploited long-established connections between vision, space and language in order to construct rhetorical equivalents for visual perspective. Through a detailed comparison of art and poetic theory in Italy and England, Thorne shows how perspective was appropriated by English writers, who reinterpreted it to suit their own literary concerns and cultural context. Focusing on five Shakespearean plays, she situates their preoccupation with issues of viewpoint in relation to a range of artistic forms and topics from miniatures to masques.
