Download or read book Dvo k written by Kurt Honolka and published by Haus Publishing. This book was released on 2004 with total page 186 pages. Available in PDF, EPUB and Kindle. Book excerpt: Accessible and affordable illustrated biography
Download or read book Dvor k Cello Concerto written by Jan Smaczny and published by Cambridge University Press. This book was released on 1999-09-28 with total page 134 pages. Available in PDF, EPUB and Kindle. Book excerpt: Dvorák's Cello Concerto, composed during his second stay in America, is one of the most popular works in the orchestral repertoire. This guide explores Dvorák's reasons for composing a concerto for an instrument which he at one time considered unsuitable for solo work, its relationship to his American period compositions and how it forms something of a bridge with his operatic interests. A particular focus is the concerto's unique qualities: why it stands apart in terms of form, melodic character and texture from the rest of Dvorák's orchestral music. The role of the dedicatee of the work, Hanus Wihan, in its creation is also considered, as are performing traditions as they have developed in the twentieth century. In addition the guide explores the extraordinary emotional background to the work which links it intimately to the woman who was probably Dvorák's first love.
Download or read book Mendelssohn and His World written by R. Larry Todd and published by Princeton University Press. This book was released on 1991-08-13 with total page 300 pages. Available in PDF, EPUB and Kindle. Book excerpt: Bringing together previously unpublished essays by historians and musicologists, reflections on Mendelssohn written by his contemporaries, the composer's own letters, and early critical reviews of his music, this volume explores various facets of Mendelssohn's music, his social and intellectual circles, and his career. The essays in Part I cover the nature of a Jewish identity in Mendelssohn's music; his relationship to the Berlin Singakademie; the role of his sister Fanny Hensel, herself a child prodigy and accomplished composer; Mendelssohn's compositional craft in the Italian Symphony and selected concert overtures; his oratorio Elijah; his incidental music to Sophocles' Antigone; his anthem "Why, O Lord, delay forever?"; and an unfinished piano sonata. Part II presents little-known memoirs by such contemporaries as J.C. Lobe, A.B. Marx, Julius Schubring, C.E. Horsley, Max Mller, and Betty Pistor. Mendelssohn's letters are represented in Part III by his correspondence with Wilhelm von Boguslawski and Aloys Fuchs, here translated for the first time. Part IV contains late nineteenth-century critical reviews by Heinrich Heine, Franz Brendel, Friedrich Niecks, Otto Jahn, and Hans von Blow. --From publisher's description.
Download or read book The Brahms Keller Correspondence written by George S. Bozarth and published by U of Nebraska Press. This book was released on 1996-01-01 with total page 700 pages. Available in PDF, EPUB and Kindle. Book excerpt: For two decades, beginning in the early 1870s, Robert Keller, music editor for N. Simrock Verlag in Berlin, worked with diligence and devotion to usher into print most of Johannes Brahms's major compositions, including all four of his symphonies, the Violin Concerto, the Double Concerto, the Second Piano Concerto, and numerous chamber, choral, and vocal works. This volume collects for the first time the complete extant correspondence between Brahms and Keller, as preserved in the collections of the Library of Congress and the Gesellschaft der Musikfreunde in Vienna. To read their correspondence is to witness a relationship of mutual respect and increasing friendship and to gain an appreciation for the meticulous labor that went into the publication of Brahms's masterpieces. Keller’s admiration for the composer's genius was answered by Brahms's affection for Keller’s diligence and musical expertise. The vicissitudes of the publication process from composer’s manuscript to printed score are documented in fascinating detail. This edition includes a transcription of the letters in the original German.
Download or read book Nineteenth Century Chamber Music written by Stephen Hefling and published by Routledge. This book was released on 2004-03-01 with total page 404 pages. Available in PDF, EPUB and Kindle. Book excerpt: Nineteenth Century Chamber Music proceeds chronologically by composer, beginning with the majestic works of Beethoven, and continuing through Schubert, Spohr and Weber, Mendelssohn, Schumann, Brahms, the French composers, Smetana and Dvorák, and the end-of-the-century pre-modernists. Each chapter is written by a noted authority in the field. The book serves as a general introduction to Romantic chamber music, and would be ideal for a seminar course on the subject or as an adjunct text for Introduction to Romantic Music courses. Plus, musicologists and students of 19th century music will find this to be an invaluable resource.
Download or read book Beethoven written by William Kinderman and published by Oxford University Press. This book was released on 2009-04-10 with total page 445 pages. Available in PDF, EPUB and Kindle. Book excerpt: Combining musical insight with the most recent research, William Kinderman's Beethoven is both a richly drawn portrait of the man and a guide to his music. Kinderman traces the composer's intellectual and musical development from the early works written in Bonn to the Ninth Symphony and the late quartets, looking at compositions from different and original perspectives that show Beethoven's art as a union of sensuous and rational, of expression and structure. In analyses of individual pieces, Kinderman shows that the deepening of Beethoven's musical thought was a continuous process over decades of his life. In this new updated edition, Kinderman gives more attention to the composer's early chamber music, his songs, his opera Fidelio, and to a number of often-neglected works of the composer's later years and fascinating projects left incomplete. A revised view emerges from this of Beethoven's aesthetics and the musical meaning of his works. Rather than the conventional image of a heroic and tormented figure, Kinderman provides a more complex, more fully rounded account of the composer. Although Beethoven's deafness and his other personal crises are addressed, together with this ever-increasing commitment to his art, so too are the lighter aspects of his personality: his humor, his love of puns, his great delight in juxtaposing the exalted and the commonplace.
Download or read book Adolf Busch written by Tully Potter and published by Boydell & Brewer. This book was released on 2024-04-02 with total page 1444 pages. Available in PDF, EPUB and Kindle. Book excerpt: Revised edition: Adolf Busch (1891-1952) was an all-round musician and a moral beacon in troubled times. As first violin of the Busch String Quartet, founded in 1912, he was the greatest quartet-player of the last century and he led a famous conductorless orchestra, the Busch Chamber Players. He was also the busiest solo violinist of the inter-War years, regularly performing major concertos with such conductors as Nikisch, Toscanini, Weingartner, Walter, Furtwängler, Boult, Wood, Barbirolli and his elder brother Fritz. He was, moreover, an outstanding composer whose works enjoyed performances in Germany and further afield. Frequently he appeared as soloist and composer in the same concert. His courageous decision to boycott his native country from April 1933 - despite Hitler's efforts to persuade 'our German violinist' to return - drastically reduced his income and damaged his career as soloist and composer. In 1938, because of Mussolini's race laws, he imposed a similar boycott on Italy, where he was wildly popular. The following year he emigrated with his quartet colleagues to the United States, where he was not fully appreciated, although he had many successes with a new chamber orchestra and founded the Marlboro summer school. This biography, based on more than thirty years' research, examines Busch's exemplary behaviour in the context of a tumultuous era. Volume One traces his progress from childhood in Westphalia, through friendships with Fritz Steinbach, Donald Tovey and Max Reger, early triumphs in Berlin, London and Vienna, years of maturity and fulfilment, rejection of Hitler's Germany and close bonds with British musicians and concert-goers in the 1930s. It ends just before his move into American exile. Volume Two follows Busch through the Second World War, his return to give concerts in Europe in the late 1940s and his founding of the Marlboro summer school in Vermont shortly before his untimely death. A series of appendices consider Busch as violinist, violist and teacher, his taste and repertoire, his interpretations, his colleagues, his celebrated recordings and his compositions.
Download or read book Nineteenth Century Music written by Bennett Zon and published by Routledge. This book was released on 2017-07-05 with total page 396 pages. Available in PDF, EPUB and Kindle. Book excerpt: This selection of essays represents a wide cross-section of the papers given at the Tenth International Conference on Nineteenth-Century Music held at the University of Bristol in 1998. Sections include thematic groupings of work on musical meaning, Wagner, Liszt, musical culture in France, music and nation, and women and music.
Download or read book Catalog of Copyright Entries written by Library of Congress. Copyright Office and published by . This book was released on with total page 1260 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book School of Music Programs written by University of Michigan. School of Music and published by . This book was released on 1997 with total page 888 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Brahms written by Karl Geiringer and published by Da Capo Press. This book was released on 2009-07-21 with total page 434 pages. Available in PDF, EPUB and Kindle. Book excerpt: Karl Geiringer's biography of Brahms is generally regarded as the finest study of the composer ever published in any language. It is based upon the great body of material in the archives of the Viennese Society of Friends, for which Dr. Geiringer was curator from 1930–1938, and which contains more than a thousand letters written by and to Brahms. These letters, exchanged with family and with his famous contemporaries, reveal his loneliness, grim humor, loyalty, painful shyness, and enthusiasm for the music of Beethoven and Schubert—moods that the self-effacing composer did not publicly display. Divided into sections on Brahms's solitary, scholarly existence and his fruitful composing career—including examinations of rare first drafts—the biography relates how crises in Brahms's personal life were translated into his music, and how he often managed to ignore or suppress them. Supplemented with a new appendix on "Brahms as a Reader and Collector," this third edition of a classic biography is both a literary and musicological event.
Download or read book Chamber Music from Haydn to Bart k written by Harold Gleason and published by Alfred Music Publishing. This book was released on 1980 with total page 126 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Chamber Music written by Lucy Miller Murray and published by Rowman & Littlefield. This book was released on 2015-04-09 with total page 463 pages. Available in PDF, EPUB and Kindle. Book excerpt: In Chamber Music: An Extensive Guide for Listeners,Lucy Miller Murray transforms her decades of program notes for some of the world’s most distinguished artists and presenters into the go-to guide for the chamber music novice and enthusiast. Offering practical information on the broad array of chamber music works from the Classical, Romantic, and Modern periods—and an artful selection from the Baroque period of Johann Sebastian Bach’s works—Chamber Music: An Extensive Guide for Listeners is both the perfect reference resource and chamber music primer for listeners. Covering over 500 works, Murray surveys in clear and simple language the historical and musical impact of some 130 composers—20 of them living. Notably, Chamber Music includes the complete string quartets of Beethoven, Bartok, and Shostakovich, as well as 35 piano trios of Haydn. It also provides critical information and assessments of works by composers not nearly so well known, both past and present. Entries appear in alphabetical order by composer, and, in every instance, give a brief introduction to the composer’s life and work. Of particular interest are the brief spotlight contributions, from well-known figures in the chamber music world, who focus on the performance experience or offer special knowledge of the works. This work is an ideal introduction and reference for students and scholars, new listeners, and enthusiasts of the chamber music tradition in Western music. Special contributors include: ·Charles Abramovic ·James Bonn ·Michael Brown ·Eugene Drucker ·James Dunham ·Daniel Epstein ·Ralph Evans ·Jeremy Gill ·Jake Heggie ·Paul Katz ·Bert Lucarelli ·Stuart Malina ·Robert Martin ·Peter Orth ·Jann Pasler ·Susan Salm ·David Shifrin ·Peter Sirotin/Ya-Ting Chang ·Arnold Steinhardt ·Kenneth Woods ·David Yang Phillip Ying
Download or read book Sonata in G major for two violins and piano with cello ad libitum written by Carl Philipp Emanuel Bach and published by . This book was released on 1980 with total page 28 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Chamber Music written by Mark A. Radice and published by University of Michigan Press. This book was released on 2012-01-19 with total page 384 pages. Available in PDF, EPUB and Kindle. Book excerpt: A thorough overview and history of chamber music
Download or read book The Variations of Johannes Brahms written by Julian Littlewood and published by Plumbago Books and Arts. This book was released on 2004 with total page 384 pages. Available in PDF, EPUB and Kindle. Book excerpt: Variation is a fundamental musical principle, yet its most naked expression - variation form - resists all but the broadest of descriptions. This book offers listener, performer, analyst and composer an eclectic array of approaches to `Theme and Variations', including: patterns of departure and return; real versus perceived time; strategies of propulsion and closure in an intrinsically cyclic and open-ended form; the interplay of authorial voices deriving from dialogue between the `self' of variations and the `other' of their theme; critique of a theme through a set's generic references; drama and narrative achieved through textural and tonal control; and the intrinsic sound of a variation, so different from that of a freely composed work. These topics are introduced through a general survey of the form, seen through the prisms of the provenance of themes and the ideologies of sets, before being developed through close study of Brahms's variation sets and movements. Brahms was supremely aware of his place in music history and was uncommonly self-conscious in his manipulation of different techniques of composition. His variation sets - some of the most well-crafted and beloved examples - place the interplay of forms and styles at the heart of their identity. Moreover, in their stunning breadth and diversity they offer a microcosm of Brahms's entire output, a succinct revelation of his life-long concerns. Through them we marvel at his technical and poetic mastery, and journey to the heart of his creative character.
