Download or read book Screenplay and Narrative Theory written by George Varotsis and published by Lexington Books. This book was released on 2015-10-01 with total page 151 pages. Available in PDF, EPUB and Kindle. Book excerpt: Screenplay and Narrative Theory draws attention to the notion that in order to comprehend complex narrative dynamics, which are encountered in a great variety of narrative genres, forms, and formats, a more comprehensive theory of narrative is required. George Varotsis explains how a work of narrative functions synergistically and systemically, as well as elucidates the heuristic problem-solving mechanisms that are employed in various structural levels of thought processes, which allow the coherent accumulative derivative we call a story to emerge. The transition from an empirical to theoretical perspective is achieved by introducing characteristics of complex narrative systems: a network of narrative components, i.e. characters, structure, goals, motivations, theme, plot and subplots, narrative action, etc., which are arranged hierarchically over three fundamental levels of structure, i.e. deep, intermediate, and surface structure, that interact parallel to one another in non-linear ways. Varotsis tackles questions about how stories semantically emerge in the underlying dynamics that allow a work of narrative to function as a unified whole.
Download or read book Screenwriting and the Unified Theory of Narrative written by Michael Welles Schock and published by . This book was released on 2015-10-29 with total page 186 pages. Available in PDF, EPUB and Kindle. Book excerpt: Screenwriting and The Unified Theory of Narrative, Part I provides an advanced investigation of narrative structure for readers who wish to understand cinematic storytelling not in terms of its bits and pieces, but as a comprehensive whole. A great story is not a collection of parts, but a process by which many elements interact to create a single meaningful experience. By seeking the principles of these interactions, this book unites the formerly separate structures of plot, character, and theme to reveal for the first time the single overarching structure by which every successful traditionally-told Hollywood or American Independent film abides, regardless of genre, premise, style, or tone. The unified narrative structure is not a formula. It simply reveals the natural method by which great cinematic stories always have and always will unite their many elements into a cohesive line of action that communicates as well as entertains. Whether it be celebratory story like Star Wars, a cautionary tale like Raging Bull, a tragic narrative like Chinatown, or a cynical film like The Godfather, the interactions between plot, character, and theme remain exactly the same. With its approach, The Unified Narrative Structure comes as close as currently possible to a truly universal model of cinematic storytelling; one that takes into account all three dimensions of narrative and stands applicable to virtually any traditional feature-length film.
Download or read book Introduction to Screen Narrative written by Paul Taberham and published by Taylor & Francis. This book was released on 2023-08-29 with total page 330 pages. Available in PDF, EPUB and Kindle. Book excerpt: Bringing together the expertise of world-leading screenwriters and scholars, this book offers a comprehensive overview of how screen narratives work. Exploring a variety of mediums including feature films, television, animation, and video games, the volume provides a contextual overview of the form and applies this to the practice of screenwriting. Featuring over 20 contributions, the volume surveys the art of screen narrative, and allows students and screenwriters to draw on crucial insights to further improve their screenwriting craft. Editors Paul Taberham and Catalina Iricinschi have curated a volume that spans a range of disciplines including screenwriting, film theory, philosophy and psychology with experience and expertise in storytelling, modern blockbusters, puzzle films and art cinema. Screenwriters interviewed include: Josh Weinstein (The Simpsons, Gravity Falls), David Greenberg (Stomping Ground, Used to Love Her), Evan Skolnick and Ioana Uricaru. Ideal for students of Screenwriting and Screen Narrative as well as aspiring screenwriters wanting to provide theoretical context to their craft.
Download or read book Narrative Comprehension and Film written by Edward Branigan and published by Routledge. This book was released on 2013-06-17 with total page 383 pages. Available in PDF, EPUB and Kindle. Book excerpt: Narrative is one of the ways we organise and understnad the world. It is found everywhere: not only in films and books, but also in everday conversations and in the nonfictional discourses of journalists, historians, educators, psychologists, attorneys and many others. Edward Branigan presents a telling exploration of the basic concepts of narrative theory and its relation to film - and literary - analysis, bringing together theories from linguistics and cognitive science, and applying them to the screen. Individual analyses of classical narratives form the basis of a complex study of every aspect of filmic fiction exploring, for example, subjectivity in Lady in the Lake, multiplicity in Letter from and Unknown Woman, post-modernism and documentary in Sans Soleil.
Download or read book Transcultural Screenwriting written by Carmen Sofia Brenes and published by Cambridge Scholars Publishing. This book was released on 2017-05-11 with total page 199 pages. Available in PDF, EPUB and Kindle. Book excerpt: The world in which we live and work today has created new working conditions where storytellers, screenwriters and filmmakers collaborate with colleagues from other countries and cultures. This involves new challenges regarding the practice of transcultural screenwriting and the study of writing screenplays in a multi-cultural environment. Globalisation and its imperatives have seen the film co-production emerge as a means of sharing production costs and creating stories that reach transnational audiences. Transcultural Screenwriting: Telling Stories for a Global World provides an interdisciplinary approach to the study of screenwriting as a creative process by integrating the fields of film and TV production studies, screenwriting studies, narrative studies, rhetorics, transnational cinema studies, and intercultural communication studies. The book applies the emerging theoretical lens of ‘transcultural studies’ to open new perspectives in the debate around notions of transnationalism, imperialism and globalisation, particularly in the screenwriting context, and to build stronger links across academic disciplines. This volume combines methods for studying, as well as methods for doing. It draws on case studies and testimonials from writers from all over the globe including South America, Europe and Asia. Transcultural Screenwriting: Telling Stories for a Global World is characterised by its scope, broad relevance, and emphasis on key aspects of screenwriting in an international environment.
Download or read book Screenwriting is Filmmaking written by Brian Dunnigan and published by The Crowood Press. This book was released on 2019-08-23 with total page 433 pages. Available in PDF, EPUB and Kindle. Book excerpt: To write for the unique medium of the screen, you need to be as engaged with the theory and practice of film as you are with words. Screenwriting is Filmmaking provides a wealth of insights for new and experienced writers alike on the historical, theoretical and practical essentials of screenwriting. With clear analyses drawn from a wide range of classical and contemporary films, alongside case studies and practical exercises, this book encourages the development of craft skills and a personal voice through the writing of short and feature screenplays. You will learn how to develop your screenplay from idea to final draft; apply the techniques of narrative, structure and visual language; build rounded and convincing characters; craft compelling scenes through dialogue and sub-text and maintain a meaningful and lasting creative practice. Brian Dunnigan draws on over thirty years' experience of writing, teaching and making films, to provide a practical guide on how to become an effective screenwriter as well as giving a fascinating insight into visual storytelling and the place of the screenplay in the collaborative process of filmmaking. Of great interest to all screenwriters, especially new/aspiring ones; and all those with an interest in the filmmaking world, it is illustrated with 17 colour and 17 black & white photographs. Brian Dunnigan is an award-winning filmmaker and Head of Screenwriting at the London Film School.
Download or read book Screenplay written by Syd Field and published by M J F Books. This book was released on 1994 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: Providing examples from well-known movies, Field explains the structural and stylistic elements as well as writing techniques basic to the creation of a successful film script.
Download or read book The Passions in Characters A Method Based on the Semiotics of Passions for Writing Series Such as Game of Thrones and Movies Such as Rome written by Hermes Leal and published by . This book was released on 2020-01-07 with total page 86 pages. Available in PDF, EPUB and Kindle. Book excerpt: New theory of narrative revolutionizes the way of writing screenplaysWriter and linguist Hermes Leal, after three decades of research on the Semiotics of Passion, a new field of knowledge for the 21st century, founded in France in the 1990s, launches a new theory in the form of an online course in which he applies, for the first time to fiction screenwriting, an unprecedented way to write stories and develop characters.Unlike screenplay manuals, "Passions in the Narrative" deals with formulas, schemes, and theoretical models that address the superficial and deep layers of characters and narrative, where the characters' pathological states of mind, such as admiration, hatred and resentment, govern their actions.The method, exposed through a video course (en.screenwriteronline.com) and the book "As Paixões nos Personagens" ("Passions in the Characters") offers writers new tools never tested before to build great screenplays, exemplifying how this knowledge actually works in practice, using the original screenplays of "Game of Thrones" and "Roma" as models.The course method is formed essentially by "seven theoretical schemes," which intersect, forming the narrative theory based on the actions and emotions of the characters. They are: Narrative Program, Existential Simulacrum, Extraordinary Event, Surprise, Damage and Fracture, and Rage and Revenge.
Download or read book The Story Solution written by Eric Edson and published by . This book was released on 2011 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: Eric Edson has developed a new tool for bringing depth and passion to any screenplay - the ""23 Steps All Great Heroes Must Take."" It's an easy to understand paradigm that provides writers and filmmakers the interconnecting, powerful storytelling elements they need. With true insight, a master teacher of screenwriting pinpoints the story structure reasons most new spec scripts don't sell; then uses scores of examples from popular hit movies to present, step by step, his revolutionary Hero Goal Sequences blueprint for writing blockbuster movies.
Download or read book The Psychology of Screenwriting written by Jason Lee and published by Bloomsbury Publishing USA. This book was released on 2013-07-18 with total page 202 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Psychology of Screenwriting is more than an interesting book on the theory and practice of screenwriting. It is also a philosophical analysis of predetermination and freewill in the context of writing and human life in our mediated world of technology. Drawing on humanism, existentialism, Buddhism, postmodernism and transhumanism, and diverse thinkers from Meister Eckhart to Friedrich Nietzsche, Theodor Adorno, Jacques Derrida, Jean Baudrillard and Gilles Deleuze, The Psychology of Screenwriting will be of use to screenwriters, film students, philosophers and all those interested in contemporary theory. This book combines in-depth critical and cultural analysis with an elaboration on practice in an innovative fashion. It explores how people, such as those in the Dogme 95 movement, have tried to overcome traditional screenwriting, looking in detail at the psychology of writing and the practicalities of how to write well for the screen. This is the first book to include high-theory with screenwriting practice whilst incorporating the Enneagram for character development. Numerous filmmakers and writers, including David Lynch, Jim Jarmusch, David Cronenberg, Pedro Almodóvar, Darren Aronofsky, Sally Potter and Charlie Kaufman are explored. The Psychology of Screenwriting is invaluable for those who want to delve deeper into writing for the screen.
Download or read book Routledge Encyclopedia of Narrative Theory written by David Herman and published by Routledge. This book was released on 2010-06-10 with total page 1327 pages. Available in PDF, EPUB and Kindle. Book excerpt: The past several decades have seen an explosion of interest in narrative, with this multifaceted object of inquiry becoming a central concern in a wide range of disciplinary fields and research contexts. As accounts of what happened to particular people in particular circumstances and with specific consequences, stories have come to be viewed as a basic human strategy for coming to terms with time, process, and change. However, the very predominance of narrative as a focus of interest across multiple disciplines makes it imperative for scholars, teachers, and students to have access to a comprehensive reference resource.
Download or read book Into the Woods written by John Yorke and published by Abrams. This book was released on 2014-05-29 with total page 204 pages. Available in PDF, EPUB and Kindle. Book excerpt: An analysis of the fundamental narrative structure, why it works, the meanings of stories, and why we tell them in the first place. The idea of Into the Woods is not to supplant works by Aristotle, Lajos Egri, Robert McKee, David Mamet, or any other writers of guides for screenwriters and playwrights, but to pick up on their cues and take the reader on a historical, philosophical, scientific, and psychological journey to the heart of all storytelling. In this exciting and wholly original book, John Yorke not only shows that there is truly a unifying shape to narrative—one that echoes the great fairytale journey into the woods, and one, like any great art, that comes from deep within—he explains why, too. With examples ranging from The Godfather to True Detective, Mad Men to Macbeth, and fairy tales to Forbrydelsen (The Killing), Yorke utilizes Shakespearean five-act structure as a key to analyzing all storytelling in all narrative forms, from film and television to theatre and novel-writing—a big step from the usual three-act approach. Into the Woods: A Five-Act Journey into Story is destined to sit alongside David Mamet’s Three Uses of the Knife, Robert McKee’s Story, Syd Field’s Screenplay, and Lajos Egri’s The Art of Dramatic Writing as one of the most original, useful, and inspiring books ever on dramatic writing. Praise for Into the Woods “Love storytelling? You need this inspiring book. John Yorke dissects the structure of stories with a joyous enthusiasm allied to precise, encyclopedic knowledge. Guaranteed to send you back to your writing desk with newfound excitement and drive.” —Chris Chibnall, creator/writer, Broadchurch and Gracepoint “Outrageously good and by far and away the best book of its kind I’ve ever read. I recognized so much truth in it. But more than that, I learned a great deal. Time and again, Yorke articulates things I’ve always felt but have never been able to describe. . . . This is a love story to story—erudite, witty and full of practical magic. I struggle to think of the writer who wouldn’t benefit from reading it—even if they don’t notice because they’re too busy enjoying every page.” —Neil Cross, creator/writer, Luther and Crossbones “Part ‘how-to’ manual, part ‘why-to’ celebration, Into the Woods is a wide-reaching and infectiously passionate exploration of storytelling in all its guises . . . exciting and thought-provoking.” —Emma Frost, screenwriter, The White Queen and Shameless
Download or read book The Science of Screenwriting written by Paul Joseph Gulino and published by Bloomsbury Publishing USA. This book was released on 2018-02-08 with total page 185 pages. Available in PDF, EPUB and Kindle. Book excerpt: In a world awash in screenwriting books, The Science of Screenwriting provides an alternative approach that will help the aspiring screenwriter navigate this mass of often contradictory advice: exploring the science behind storytelling strategies. Paul Gulino, author of the best-selling Screenwriting: The Sequence Approach, and Connie Shears, a noted cognitive psychologist, build, chapter-by-chapter, an understanding of the human perceptual/cognitive processes, from the functions of our eyes and ears bringing real world information into our brains, to the intricate networks within our brains connecting our decisions and emotions. They draw on a variety of examples from film and television -- The Social Network, Silver Linings Playbook and Breaking Bad -- to show how the human perceptual process is reflected in the storytelling strategies of these filmmakers. They conclude with a detailed analysis of one of the most successful and influential films of all time, Star Wars, to discover just how it had the effect that it had.
Download or read book Story Structure in Film The Multi Level Model written by Lee Matthias and published by GRIN Verlag. This book was released on 2019-04-02 with total page 75 pages. Available in PDF, EPUB and Kindle. Book excerpt: Essay from the year 2019 in the subject Film Science, University of Wisconsin-Milwaukee, language: English, abstract: For new writers, an understanding of story structure is essential. Yet, today, this is almost impossible due to the enormous variety of conflicting theories and views. The scene is filled with controversy and confusion. Three act, five act, nine act, no act... which is it? How does it matter? What will it get you? Writers need to get on with the important work of writing great stories. This essay is intended to get a handle, once and for all, on story structure. So much has already been written on the subject that the new writer investigating her/his craft is confronted with literally hundreds of volumes of conflicting information and theory, ranging from authorities proclaiming structure as “God” to others arguing that structure is a myth. It is interesting how the subject has begun to take on the trappings of religion. The “guru” fervor has reached an all-time high. In order to deal with all the confusion, we’ll have to go to some effort to lay a foundation, before advancing an approach to story structure that applies to the length and breadth of storytelling. From there, the rest of the text is devoted to testing the idea against some of the most well-discussed, “structure-less” films in cinema history.
Download or read book Powerful Myths for Screenwriting written by Chris Mohring and published by Createspace Independent Publishing Platform. This book was released on 2017-03-08 with total page 220 pages. Available in PDF, EPUB and Kindle. Book excerpt: Myths form the foundation of successful Hollywood cinema. Hollywood authors have unlocked the power of ancient myths, transposing them onto modern stories. Myths help us to understand narratives at their deepest levels. Understanding mythology can help you to tap into the true potential of your novel or screenplay and bring its storytelling power to true fruition. This volume, "Powerful Myths for Screenwriting", explains the narrative core of the love film. On the one hand, this book is a reference work. However, it can also provide you with valuable help in shaping your story.
Download or read book Narrative Theory and Adaptation written by Jason Mittell and published by Bloomsbury Publishing USA. This book was released on 2017-04-20 with total page 151 pages. Available in PDF, EPUB and Kindle. Book excerpt: Narrative Theory and Adaptation offers a concise introduction to narrative theory in jargon-free language and shows how this theory can be deployed to interpret Spike Jonze's critically acclaimed 2002 film Adaptation. Understanding narrative theory is crucial to make sense of the award-winning film Adaptation. The book explicates, in clear prose for beginners, four key facets important to the narrative theory of film: the distinction between practical vs. critical theory, the role of adaptation, the process of narrative comprehension, and notions of authorship. It then works to unlock Adaptation using these four keys in succession, considering how the film demands a theoretical understanding of the storytelling process. In using this unusual case study of a film, the author makes the case for the importance of narrative theory as a general perspective for filmmakers, critics, and viewers alike.
Download or read book Narratology written by Mieke Bal and published by University of Toronto Press. This book was released on 2009-05-23 with total page 506 pages. Available in PDF, EPUB and Kindle. Book excerpt: Since its first publication in English in 1985, Mieke Bal's Narratology has become the international classic and comprehensive introduction to the theory of narrative texts. Narratology is a systematic account of narrative techniques, methods, their transmission, and reception, in which Bal distills years of study of the ways in which we understand both literary and non-literary works. In this third edition, Bal updates the book to include more analysis of film narratives while also sharpening and tightening her language to make it the most readable and student-friendly edition to date. Bal also introduces new sections that treat and clarify several modernist texts that pose narratological challenges. With changes prompted by ten years of feedback from scholars and teachers, Narratology remains the most important contribution to the study of the way narratives work, are formed, and are received.
