Download or read book Score and I M A Magazine written by and published by . This book was released on 1957 with total page 400 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The score and I M A magazine written by and published by . This book was released on with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Score and I M A Magazine written by and published by . This book was released on 1953 with total page 610 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Score and I M A Magazine written by and published by . This book was released on 1951 with total page 502 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Score written by International Music Association and published by London : I.T. Publications Limited. This book was released on with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Ernst Krenek written by John Lincoln Stewart and published by Univ of California Press. This book was released on 1991-01-01 with total page 488 pages. Available in PDF, EPUB and Kindle. Book excerpt: Biografie van de Amerikaanse componist van Oostenrijkse afkomst (geb. 1900)
Download or read book Serial Music and Serialism written by John D. Vander Weg and published by Routledge. This book was released on 2013-10-08 with total page 158 pages. Available in PDF, EPUB and Kindle. Book excerpt: Serial or 12-tone music has proved to be an enduring 20th century style that has generated a wide range of writings. This much-needed work provides the only comprehensive, up-to-date guide to research on serial music, offering an annotated bibliography with nearly 500 citations from books and journals from 1950 to 1995.
Download or read book The Listening Composer written by George Perle and published by Univ of California Press. This book was released on 1990-06-11 with total page 224 pages. Available in PDF, EPUB and Kindle. Book excerpt: George Perle takes us into the composer's workshop as he reevaluates what we call "twentieth-century music"—a term used to refer to new or modern or contemporary music that represents a radical break from the tonal tradition, or "common practice," of the preceding three centuries. He proposes that this music, in the course of breaking with the tonal tradition, presents coherent and definable elements of a new tradition. In spite of the disparity in their styles, idioms, and compositional methods, he argues, what unites Scriabin, Stravinsky, Bartók, and the Viennese circle (Schoenberg, Berg, and Webern) is more important than what separates them. If we are to understand the connections among these mainstream composers, we also have to understand their connections with the past. Through an extraordinarily comprehensive analysis of a single piece by Varèse, Density 21.5 for unaccompanied flute, Perle shows how these composers refer not only to their contemporaries but also to Wagner, Debussy, and Beethoven. Perle isolates the years 1909-10 as the moment of revolutionary transformation in the foundational premises of our musical language. He asks: What are the implications of this revolution, not only for the composer, but also for the listener? What are the consequences for the theory and teaching of music today? In his highly original answers, Perle relates the role of intuition in the listening experience to its role in the compositional process. Perle asserts that the post-Schoenbergian serialists have preoccupied themselves with secondary and superficial aspects of Schoenberg's twelve-tone method that have led it to a dead end but he also exposes the speciousness of current alternatives such as chance music, minimalism, and the so-called return to tonality. He offers a new and more comprehensive definition of "twelve-tone music" and firmly rejects the notion that accessibility to the new music is reserved for a special class of elite listeners.
Download or read book The American Stravinsky written by Gayle Murchison and published by University of Michigan Press. This book was released on 2012-02-21 with total page 304 pages. Available in PDF, EPUB and Kindle. Book excerpt: divdivThe first study to show Copland's style development from his early works through his first widely accessible ballet/DIV/DIV
Download or read book Serial Music written by Ann Phillips Basart and published by Univ of California Press. This book was released on 2023-04-28 with total page 168 pages. Available in PDF, EPUB and Kindle. Book excerpt: This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1961.
Download or read book Frontier Figures written by Beth E. Levy and published by Univ of California Press. This book was released on 2012-04-18 with total page 470 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Beth Levy has written an elegant work of depth and breadth that gives generous space to the idea of the American West. Her discussions of more than a dozen composers and their works—some usual suspects, others rather unexpected—reveal the 'varied musical ecosystems of the west.' Levy takes us with her on the trail in prose that is by turns pithy and poetic, but always spot on."—Denise Von Glahn, author of The Sounds of Place: Music and the American Cultural Landscape “Big and bold as the terrain it covers, Beth Levy’s Frontier Figures takes us on a gratifying road trip, traversing American ‘classical’ compositions that conjure up landscapes from the Middle West to the shores of the Pacific. En route, we encounter many now-famous composers, such as Aaron Copland, Roy Harris, and Virgil Thomson, along with others who have faded from view. Throughout, Levy treats the ‘West’ as both geographic location and mythologized ideal, demonstrating its power on the American musical imagination.”—Carol Oja, author of Making Music Modern: New York in the 1920s.
Download or read book The Cambridge History of American Music written by David Nicholls and published by Cambridge University Press. This book was released on 1998-11-19 with total page 668 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Cambridge History of American Music, first published in 1998, celebrates the richness of America's musical life. It was the first study of music in the United States to be written by a team of scholars. American music is an intricate tapestry of many cultures, and the History reveals this wide array of influences from Native, European, African, Asian, and other sources. The History begins with a survey of the music of Native Americans and then explores the social, historical, and cultural events of musical life in the period until 1900. Other contributors examine the growth and influence of popular musics, including film and stage music, jazz, rock, and immigrant, folk, and regional musics. The volume also includes valuable chapters on twentieth-century art music, including the experimental, serial, and tonal traditions.
Download or read book The Musical Language of Berlioz written by Julian Rushton and published by Cambridge University Press. This book was released on 1983-11-24 with total page 332 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book is an analytical and critical study of Berlioz's unique musical style. It does not undertake to analyse all his works, but rather to separate characteristic elements and observe them in action. Berlioz's writings and those of his critics are called upon to help focus the discussion. Part I includes material on the sources of Berlioz's idiosyncrasy and a discussion of fundamental pitch elements. Part II pursues this discussion into textural, contrapuntal and orchestral features, and considers melody and rhythm. Part III deals with whole musical forms, vocal and instrumental. The book includes copious musical illustration, much of it analytical reduction, and the expressive purpose of the features analysed is fully considered. The conclusion is that Berlioz's musical language is inescapably peculiar, though not necessarily inept; features which seem inexplicable in the light of compositional theory nearly always contribute to the musical and expressive exactness of communication.
Download or read book Analyses of Nineteenth and Twentieth Century Music 1940 2000 written by D. J. Hoek and published by Scarecrow Press. This book was released on 2007-02-15 with total page 374 pages. Available in PDF, EPUB and Kindle. Book excerpt: This new volume incorporates all entries from the previous editions by Arthur Wenk, expanding to cover writings drawn from periodicals, theses, dissertations, books, and Festschriften from 1940 to 2000. Over 9,000 references to analyses of works by over 1,000 composers of the nineteenth and twentieth centuries are included.
Download or read book Serial Music and Serialism written by John Dean Vander Weg and published by Taylor & Francis. This book was released on 2001 with total page 158 pages. Available in PDF, EPUB and Kindle. Book excerpt: First Published in 2001. Routledge is an imprint of Taylor & Francis, an informa company.
Download or read book The Last Opera written by Chandler Carter and published by Indiana University Press. This book was released on 2019-05-31 with total page 277 pages. Available in PDF, EPUB and Kindle. Book excerpt: From the fall of 1947 through the summer of 1951 composer Igor Stravinsky and poet W. H. Auden collaborated on the opera The Rake's Progress. At the time, their self-consciously conventional work seemed to appeal only to conservative audiences. Few perceived that Stravinsky and Auden were confronting the central crisis of the Modern age, for their story of a hapless eighteenth-century Everyman dramatizes the very limits of human will, a theme Auden insists underlies all opera. In The Last Opera, Chandler Carter weaves together three interlocking stories. The central and most detailed story explores the libretto and music of The Rake's Progress. The second positions the opera as a focal point in Stravinsky's artistic journey and those who helped him realize it—his librettists, Auden and Chester Kallman; his protégé Robert Craft; and his compatriot, fellow composer, and close friend Nicolas Nabokov. By exploring the ominous cultural landscape in which these fascinating individuals lived and worked, the book captures a pivotal twenty-five-year span (from approximately 1945 to 1970) during which modernists like Stravinsky and Auden confronted a tectonic disruption to their artistic worldview. Ultimately, Carter reveals how these stories fit into a larger third narrative, the 400-year history of opera. This richly and lovingly contextualized study of The Rake's Progress sheds new light on why, despite the hundreds of musical dramas and theater pieces that have been written since its premier in 1951, this work is still considered the "the last opera."
