Download or read book Music in Renaissance Magic written by Gary Tomlinson and published by University of Chicago Press. This book was released on 1993 with total page 318 pages. Available in PDF, EPUB and Kindle. Book excerpt: Magic enjoyed a vigorous revival in sixteenth-century Europe, attaining a prestige lost for over a millennium and becoming, for some, a kind of universal philosophy. Renaissance music also suggested a form of universal knowledge through renewed interest in two ancient themes: the Pythagorean and Platonic "harmony of the celestial spheres" and the legendary effects of the music of bards like Orpheus, Arion, and David. In this climate, Renaissance philosophers drew many new and provocative connections between music and the occult sciences. In Music in Renaissance Magic, Gary Tomlinson describes some of these connections and offers a fresh view of the development of early modern thought in Italy. Raising issues essential to postmodern historiography—issues of cultural distance and our relationship to the others who inhabit our constructions of the past —Tomlinson provides a rich store of ideas for students of early modern culture, for musicologists, and for historians of philosophy, science, and religion. "A scholarly step toward a goal that many composers have aimed for: to rescue the idea of New Age Music—that music can promote spiritual well-being—from the New Ageists who have reduced it to a level of sonic wallpaper."—Kyle Gann, Village Voice "An exemplary piece of musical and intellectual history, of interest to all students of the Renaissance as well as musicologists. . . . The author deserves congratulations for introducing this new approach to the study of Renaissance music."—Peter Burke, NOTES "Gary Tomlinson's Music in Renaissance Magic: Toward a Historiography of Others examines the 'otherness' of magical cosmology. . . . [A] passionate, eloquently melancholy, and important book."—Anne Lake Prescott, Studies in English Literature

Download or read book Frau Lou written by Rudolph Binion and published by Princeton University Press. This book was released on 2015-03-08 with total page 602 pages. Available in PDF, EPUB and Kindle. Book excerpt: The rich and fascinating life of Lou Andreas-Salomé (1861-1937) has been reconstructed by Professor Binion on a vast documentary basis, and his findings contradict all earlier versions of her life. Frau Lou was a woman of prodigious intellect, a woman of letters, and a powerful personality. She was closely linked with many of the great cultural figures of the time, often before they achieved recognition. This was the case with Nietzsche, Rilke, Freud, Ferdinand Tönnies, Gerhart Hauptmann, Arthur Schnitzler, and Martin Buber. Frau Lou not only relates but interprets Lou's life, and the point of the book is to discover how the works of the mind, whether scientific or imaginative, arise out of personal experience. Contents: I. Father and Father-God. II. God's Vicar, Gillot. III. After Gillot. IV. The Unholy Trinity. V. From Pillar to Post. VI. "A Pity Forever." VII. Lou Without Nietzsche. VIII. The Wayward Disciple. IX. Rites of Love. X. Super-Lou and Raincr. XI. Russia In, Raincr Out. XII. Idly Busy. XIII. At Freud's Elbow. XIV. A Personalized Freudianism. XV. Theorizing for Freud. XVI. Living for Freud. XVII. Aside from Freud. XVIII. Revamping the Past. XIX. "Homecoming." XX. A Retrospect. XXI. Beyond Frau Lou. Bibliography. Index. Originally published in 1968. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Download or read book The Great Art of Knowing written by Daniel Stolzenberg and published by . This book was released on 2001 with total page 178 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Psychologische Beobachtungen written by Edited Paul Rée and published by Legare Street Press. This book was released on 2022-10-27 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Download or read book Music Science and Natural Magic in Seventeenth century England written by Penelope Gouk and published by . This book was released on 1999 with total page 308 pages. Available in PDF, EPUB and Kindle. Book excerpt: The role of natural magic in the rise of seventeenth-century experimental science has been the subject of lively controversy for several decades. Now Penelope Gouk introduces a new element into the debate: how music mediated between these two domains. Arguing that changing musical practice in sixteenth-century Europe affected seventeenth-century English thought on science and magic, she maps the various relationships among these apparently separate disciplines.Gouk explores these relationships in several ways. She adopts the methods of social geography to discuss the disciplinary, social, and intellectual overlapping of music, science, and natural magic. She gives a historical account of the emergence of acoustics in English science, the harmonically based physics of Robert Hooke, and the position of harmonics within Newton's transformation of natural philosophy. And she provides a gallery of images in which contemporary representations of instruments, practices, and concepts demonstrate the way in which,musical models informed and transformed those of natural philosophy. Gouk shows that as the "occult" features of music became subject to the new science of experimentation, and as their causes became evident, so natural magic was pushed outside the realms of scientific discourse.

Download or read book The Mechanical Mind in History written by Phil Husbands and published by MIT Press (MA). This book was released on 2008 with total page 480 pages. Available in PDF, EPUB and Kindle. Book excerpt: The idea of intelligent machines has become part of popular culture. Tracing the history of the actual science of machine intelligence reveals a rich network of cross-disciplinary contributions, and the origins of ideas now central to artificial intelligence, artificial life, cognitive science and neuroscience.

Download or read book Time s Arrow Time s Cycle written by Stephen Jay Gould and published by Harvard University Press. This book was released on 1988 with total page 242 pages. Available in PDF, EPUB and Kindle. Book excerpt: Examines scientific theories pertaining to the measurement of earth's history.

Download or read book Instruments and the Imagination written by Thomas L. Hankins and published by Princeton University Press. This book was released on 2014-07-14 with total page 352 pages. Available in PDF, EPUB and Kindle. Book excerpt: Thomas Hankins and Robert Silverman investigate an array of instruments from the seventeenth through the nineteenth century that seem at first to be marginal to science--magnetic clocks that were said to operate by the movements of sunflower seeds, magic lanterns, ocular harpsichords (machines that played different colored lights in harmonious mixtures), Aeolian harps (a form of wind chime), and other instruments of "natural magic" designed to produce wondrous effects. By looking at these and the first recording instruments, the stereoscope, and speaking machines, the authors show that "scientific instruments" first made their appearance as devices used to evoke wonder in the beholder, as in works of magic and the theater. The authors also demonstrate that these instruments, even though they were often "tricks," were seen by their inventors as more than trickery. In the view of Athanasius Kircher, for instance, the sunflower clock was not merely a hoax, but an effort to demonstrate, however fraudulently, his truly held belief that the ability of a flower to follow the sun was due to the same cosmic magnetic influence as that which moved the planets and caused the rotation of the earth. The marvels revealed in this work raise and answer questions about the connections between natural science and natural magic, the meaning of demonstration, the role of language and the senses in science, and the connections among art, music, literature, and natural science. Originally published in 1995. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Download or read book Breve historia de la musica written by Leopoldo Querol and published by . This book was released on 1955 with total page 328 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Historia de la m sica occidental written by J. Peter Burkholder and published by . This book was released on 2019 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book HISTORIA DE LA MUSICA written by Henri Lavoix and published by Editorial MAXTOR. This book was released on 2008-02 with total page 300 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Un siglo de m sica grabada written by Timothy Day and published by Alianza Editorial Sa. This book was released on 2002 with total page 312 pages. Available in PDF, EPUB and Kindle. Book excerpt: Por primera vez en la historia, el siglo xx permitio que pudieran grabarse las interpretaciones musicales. Con la aparicion del disco ya nada volvio a ser igual, tanto comercial como artisticamente: por un lado, hacia posible escuchar musica sin asistir fisicamente a un concierto; por otro, permitia documentar interpretaciones que hasta entonces quedaban depositadas unicamente en la memoria de los oyentes. Timothy Day utiliza las grabaciones como herramienta para analizar la historia musical del siglo xx e investiga el trabajo de los grandes ingenieros de grabacion-empresarios y el desarrollo de los sellos musicales clasicos. Asimismo, aborda una serie de cuestiones como que es autenticidad historica? Constituyen las grabaciones una forma de arte por derecho propio? Son fraudulentas de alguna manera las grabaciones que aportan tecnicas impecables a artistas incompetentes? Que esperan los oyentes de una interpretacion grabada?

Download or read book Conceptos fundamentales en la historia de la m sica written by Adolfo Salazar and published by . This book was released on 1954 with total page 272 pages. Available in PDF, EPUB and Kindle. Book excerpt: Para el gran crítico musical Adolfo Salazar la música no es un fenómeno aislado que pueda estudiarse separado de todas las demás creaciones del espíritu, e incluso, en su concepto, tampoco pued eentenderse a fondo una forma o un estilo musical si no se le integra en otro conjunto aún más amplio: la sucesión histórica en que ha nacido y se ha desarrollado.'Conceptos fundamentales en la historia de la música' son la monodia, la polifonía, la armonía, a los que corresponden los estilos románico, gótico, barroco, romántico. Tales conceptos aparecen sucesivamente, saliendo uno de otro u caracterizando períodos distintos. Por muy intuitivo y espontáneo que nos parezca el arte musical, es el resultado de una serie de descubrimientos sucesivos: no siempre se han 'oído' las notas que hoy conocemos ni siempre de la manera que hoy las oímos, sino que fueron 'descubiertas'. Las mismas fuerzas que llevan a la músic a asu esplendor son también las que la llevan a su destrucción, ya que, en definitiva, la música no es más que una 'explosión magnífica que destruye su propia creación'.