Download or read book Rediscovering Fra Angelico written by Angelico (fra) and published by Yale Univ Art Gallery. This book was released on 2001 with total page 58 pages. Available in PDF, EPUB and Kindle. Book excerpt: Two fascinating essays reveal how art historians and conservators do their sleuthing. Laurence Kantor explores the attribution of three of his panels that had been at Yale but belong to a triptych at the Getty.
Download or read book Rediscovering Fra Angelico a Fragmentary History written by and published by . This book was released on 2001 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Fra Angelico written by Laurence B. Kanter and published by Metropolitan Museum of Art. This book was released on 2005 with total page 350 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Anachronic Renaissance written by Alexander Nagel and published by Zone Books. This book was released on 2020-04-14 with total page 457 pages. Available in PDF, EPUB and Kindle. Book excerpt: A reconsideration of the problem of time in the Renaissance, examining the complex and layered temporalities of Renaissance images and artifacts. In this widely anticipated book, two leading contemporary art historians offer a subtle and profound reconsideration of the problem of time in the Renaissance. Alexander Nagel and Christopher Wood examine the meanings, uses, and effects of chronologies, models of temporality, and notions of originality and repetition in Renaissance images and artifacts. Anachronic Renaissance reveals a web of paths traveled by works and artists—a landscape obscured by art history's disciplinary compulsion to anchor its data securely in time. The buildings, paintings, drawings, prints, sculptures, and medals discussed were shaped by concerns about authenticity, about reference to prestigious origins and precedents, and about the implications of transposition from one medium to another. Byzantine icons taken to be Early Christian antiquities, the acheiropoieton (or “image made without hands”), the activities of spoliation and citation, differing approaches to art restoration, legends about movable buildings, and forgeries and pastiches: all of these emerge as basic conceptual structures of Renaissance art. Although a work of art does bear witness to the moment of its fabrication, Nagel and Wood argue that it is equally important to understand its temporal instability: how it points away from that moment, backward to a remote ancestral origin, to a prior artifact or image, even to an origin outside of time, in divinity. This book is not the story about the Renaissance, nor is it just a story. It imagines the infrastructure of many possible stories.
Download or read book How Divine Images Became Art written by Oleg Tarasov and published by Open Book Publishers. This book was released on 2024-02-09 with total page 171 pages. Available in PDF, EPUB and Kindle. Book excerpt: How Divine Images Became Art tells the story of the parallel ‘discovery’ of Russian medieval art and of the Italian ‘primitives’ at the beginning of the twentieth century. While these two developments are well-known, they are usually studied in isolation. Tarasov’s study has the great merit of showing the connection between the art world in Russia and the West, and its impact in the cultural history of the continent in the pre-war period. Drawing on a profound familiarity with Russian sources, some of which are little known to Western scholars, and on equally expert knowledge of Western material and scholarship, Oleg Tarasov presents a fresh perspective on early twentieth-century Russian and Western art. The author demonstrates that during the Belle Époque, the interest in medieval Russian icons and Italian ‘primitives’ lead to the recognition of both as distinctive art forms conveying a powerful spiritual message. Formalist art theory and its influence on art collecting played a major role in this recognition of aesthetic and moral value of ‘primitive’ paintings, and was instrumental in reshaping the perception of divine images as artworks. Ultimately, this monograph represents a significant contribution to our understanding of early twentieth-century art; it will be of interest to art scholars, students and anyone interested in the spiritual and aesthetic revival of religious paintings in the Belle Époque.
Download or read book Spaces of Connoisseurship written by Alison Clarke and published by BRILL. This book was released on 2022-07-18 with total page 352 pages. Available in PDF, EPUB and Kindle. Book excerpt: Spaces of Connoisseurship explores the ‘who’, ‘where’ and ‘how’ of judging Old Master paintings in the nineteenth-century British art trade, via a comparison of family art dealers Thomas Agnew & Sons (“Agnew’s) and London’s National Gallery.
Download or read book Reconstructing the Renaissance written by Laurence B. Kanter and published by . This book was released on 2008 with total page 88 pages. Available in PDF, EPUB and Kindle. Book excerpt: Saint Hames Freeing Hermogenes is an important painting by one of the world's most beloved Renaissance artists. In analysing this painting, Laurence Kanter reexamines and confirms Fra Angelico's status as a pioneer of the new representational style championed in Florence in the early 15th century.
Download or read book Fra Angelico written by Edgcumbe Staley and published by Palala Press. This book was released on 2018-03-04 with total page 170 pages. Available in PDF, EPUB and Kindle. Book excerpt: This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Download or read book Fra Angelico written by Robert Langton Douglas and published by Palala Press. This book was released on 2015-09-16 with total page 370 pages. Available in PDF, EPUB and Kindle. Book excerpt: This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Download or read book Fra Angelico Classic Reprint written by Robert Langton Douglas and published by . This book was released on 2016-06-15 with total page 364 pages. Available in PDF, EPUB and Kindle. Book excerpt: Excerpt from Fra Angelico Some six or seven years ago I began to make the art of Fra Angelico a special subject of study. In course of time, becoming more and more intimately acquainted with the master through his works, the conviction came to me that the popular conception of him was mistaken au fond, and that, as an artist, Fra Angelico had never received fair and adequate treatment. The present work owes its inception to that fact. In seeking to reconstruct for myself his artistic personality, I have not put trust in the conclusions of any other critic, however eminent, but have relied only upon evidence obtained from the artist's paintings and drawings, and upon the testimony of contemporary documents. There are some who will think that I have attached too much importance to Fra Angelico's studies of Nature and of antique art. They will, perhaps, condemn my whole point of view as "academic" and "stylistic," so applying to it two epithets which to their ears are the most damning that can be conceived. "If," they will say, "this conception of Fra Angelico is the right one, then so much the worse for Fra Angelico." But, indeed, it seems to my judgment that in the great and endless controversy which divides the realm of art, the truth lies, as it so often does in this world, somewhere in the middle ground between two extreme positions. It dwells neither with the intransigenti of classicalism on the one hand, nor with the propounders of that creed of artistic anarchism which is now so fashionable, on the other. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Download or read book Art Now Gallery Guide written by and published by . This book was released on 2002 with total page 886 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Cimabue and Early Italian Devotional Painting written by Holly Flora and published by . This book was released on 2006 with total page 60 pages. Available in PDF, EPUB and Kindle. Book excerpt: Catalog accompanying an exhibition at the Frick Collection, New York, of two paintings by Cimabue (Cenni di Pepo; ca. 1240-1302), called by some the founder of Italian Renaissance painting. The painter's Flagellation of Christ (Frick Collection, New York) and Virgin and Child Enthroned with Two Angels (National Gallery, London) were once part of a larger work, possibly a commission of Franciscan origin. Exhibited with the two panels are other examples of Italian devotional art of the late 13th and early 14th centuries from New York collections.
Download or read book Fra Angelico written by Fra Angelico and published by Andesite Press. This book was released on 2015-08-09 with total page 54 pages. Available in PDF, EPUB and Kindle. Book excerpt: This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Download or read book Dictionary of Artists written by Emmanuel Bénézit and published by . This book was released on 2006 with total page 1480 pages. Available in PDF, EPUB and Kindle. Book excerpt: First English-language edition of Emmanuel Bénézit's Dictionnaire critique et documentaire des peintres, sculpteurs, dessinateurs et graveurs, based on the 14-volume French edition published in 1999. It has been revised, adapted and updated.--Preface.
Download or read book Current Contents written by Institute for Scientific Information (Philadelphia) and published by . This book was released on 2002 with total page 1498 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book FRA ANGELICO written by Langton Douglas and published by . This book was released on 2016-08-26 with total page 152 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Cimabue and the Franciscans written by Holly Flora and published by Harvey Miller Publishers. This book was released on 2018 with total page 300 pages. Available in PDF, EPUB and Kindle. Book excerpt: Cimabue and the Franciscans sheds new light on the legendary artist Cimabue, revealing his sophisticated engagement with complicated intellectual and theological ideas about materials, memory, beauty, and experience. This book offers a fresh look at the broader question of artistic change in the late thirteenth century by examining the intersection of two histories: that of the artist Cimabue (ca. 1240-1302), and that of the Franciscan Order. While focused on the work of a single artist, this study sheds new light on the religious motives and artistic means that fueled the period's visual and spiritual transformations. Flora's study reveals that Cimabue was not just a crucial figure in processes of stylistic change. He and his Franciscan patrons engaged with complicated intellectual and theological ideas about materials, memory, beauty, and experience, creating innovative works of art that celebrated the Order and enabled new modes of Christian devotion. Cimabue's contributions to the history of art thus can finally be recognized for their wide-ranging scope and impact within the rapidly-evolving religious culture of the late thirteenth century.
