Download or read book Realist Film Theory and Bicycle Thieves written by Hilary Neroni and published by Film Theory in Practice. This book was released on 2023-05-18 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book offers a concise introduction to realist film theory and shows how this theory can be engaged to interpret Vittorio De Sica's Bicycle Thieves. Through three key concepts-Hollywood and realism, early realist theories and their influence, and realism and its relationship to melodrama-the book lays bare the debates and approaches within the vibrant history of realist film theory. In this way, the book provides a point of entry to realist film theory from its inception to today as well as a new way to conceive of realism. The discussion of Bicycle Thieves brings the concepts of realist film theory into practice through an interpretation of the film and demonstrates to students how detailed filmic analysis of film history, film theory, and close textual analysis of the film itself can yield a deeper understanding of all three, as well as being able to produce innovative ways to move forward with film theory.
Download or read book Realist Film Theory and Bicycle Thieves written by Hilary Neroni and published by Bloomsbury Publishing USA. This book was released on 2023-05-18 with total page 185 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Film Theory in Practice series fills a gaping hole in the world of film theory. By marrying the explanation of a film theory with the interpretation of a film, the volumes provide discrete examples of how film theory can serve as the basis for textual analysis. Realist Film Theory and Bicycle Thieves offers a concise introduction to realist film theory in jargon-free language and shows how this theory can be deployed to interpret Vittorio De Sica's 1948 Italian neo realist masterpiece Bicycle Thieves. Hilary Neroni explores the original realist film theorists from the 1940s: André Bazin, Siegfried Kracauer, and Cesare Zavattini, among others. But rather than seeing realist film theory as simply a theory of the past to be moved beyond, the book argues that the prevalence of realism in many different forms within practice and theory suggests the importance of updating this original realist film theory with an understanding of realism that would sustain its viability. Throughout the book, Neroni analyzes neorealist film movements-such as Italian Neorealism, Parallel Cinema of India, and the Iranian New Wave-that challenge mainstream realism with a more radical form that exposes the social order instead of hiding it. Her in-depth investigation of Bicycle Thieves provides a realist methodology that reveals the radicality of its combination of realist techniques, a melodramatic story, and humanist values.
Download or read book Realism and Popular Cinema written by Julia Hallam and published by Manchester University Press. This book was released on 2000-08-05 with total page 302 pages. Available in PDF, EPUB and Kindle. Book excerpt: Compares Once were warriors with other films that have similar themes.
Download or read book Closely Watched Films written by Marilyn Fabe and published by Univ of California Press. This book was released on 2014-10-14 with total page 312 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Through detailed examinations of passages from classic films, Marilyn Fabe supplies the analytic tools and background in film history and theory to enable us to see more in every film we watch"--Page [4] of cover.
Download or read book Major Realist Film Theorists written by Aitken Ian Aitken and published by Edinburgh University Press. This book was released on 2016-05-31 with total page 240 pages. Available in PDF, EPUB and Kindle. Book excerpt: From the 1910s to the emergence of structuralism and post-structuralism in the 1960s, the writings of John Grierson, Siegfried Kracauer, Andre Bazin and Georg Lukacs dominated realist film theory. In this critical anthology, the first collection to address their work in one volume, a wide range of international scholars explore the interconnections between their ideas and help generate new understandings of this important, if neglected, field. Challenging preconceptions about 'classical' theory and the nature of realist representation, and in the process demonstrating how this body of work can be seen as a cohesive theoretical model, this invaluable collection will help return the realist paradigm of film theory to the forefront of academic enquiry.
Download or read book Global Neorealism written by Saverio Giovacchini and published by Univ. Press of Mississippi. This book was released on 2011-10-11 with total page 407 pages. Available in PDF, EPUB and Kindle. Book excerpt: Contributions by Nathaniel Brennan, Luca Caminati, Silvia Carlorosi, Caroline Eades, Saverio Giovacchini, Paula Halperin, Neepa Majumdar, Mariano Mestman, Hamid Naficy, Sada Niang, Masha Salazkina, Sarah Sarzynski, Robert Sklar, and Vito Zagarrio Intellectual, cultural, and film historians have long considered neorealism the founding block of post-World War II Italian cinema. Neorealism, the traditional story goes, was an Italian film style born in the second postwar period and aimed at recovering the reality of Italy after the sugarcoated moving images of fascism. Lasting from 1945 to the early 1950s, neorealism produced world-renowned masterpieces such as Roberto Rossellini's Roma, città aperta (Rome, Open City, 1945) and Vittorio De Sica's Ladri di biciclette (Bicycle Thieves, 1947). These films won some of the most prestigious film awards of the immediate postwar period and influenced world cinema. This collection brings together distinguished film scholars and cultural historians to complicate this nation-based approach to the history of neorealism. The traditional story notwithstanding, the meaning and the origins of the term are problematic. What does neorealism really mean, and how Italian is it? Italian filmmakers were wary of using the term and Rossellini preferred "realism." Many filmmakers confessed to having greatly borrowed from other cinemas, including French, Soviet, and American. Divided into three sections, Global Neorealism examines the history of this film style from the 1930s to the 1970s using a global and international perspective. The first section examines the origins of neorealism in the international debate about realist esthetics in the 1930s. The second section discusses how this debate about realism was “Italianized” and coalesced into Italian “neorealism” and explores how critics and film distributors participated in coining the term. Finally, the third section looks at neorealism’s success outside of Italy and examines how film cultures in Latin America, Africa, Asia, and the United States adjusted the style to their national and regional situations.
Download or read book Brutal Vision written by Karl Schoonover and published by U of Minnesota Press. This book was released on 2012 with total page 321 pages. Available in PDF, EPUB and Kindle. Book excerpt: How spectacular visions of physical suffering in post–World War II Italian neorealist films redefined moviegoing as a form of political action
Download or read book Cinema written by Gordon Gray and published by Routledge. This book was released on 2020-05-26 with total page 168 pages. Available in PDF, EPUB and Kindle. Book excerpt: Cinema: A Visual Anthropology provides a clear and concise summary of the key ideas, debates, and texts of the most important approaches to the study of fiction film from around the world. The book examines ways to address film and film experience beyond the study of the audience. Cross-disciplinary in scope, Cinema uses ideas and approaches both from within and outside of anthropology to further students' knowledge of and interest in fiction film. Including selected, globally based case studies to highlight and exemplify important issues, the book also contains suggested Further Reading for each chapter, for students to expand their learning independently. Exploring fundamental methods and approaches to engage this most interesting and vibrant of media, Cinema will be essential reading for students of anthropology and film.
Download or read book Teaching Sound Film written by R. J. Cardullo and published by Springer. This book was released on 2016-10-26 with total page 460 pages. Available in PDF, EPUB and Kindle. Book excerpt: Teaching Sound Film: A Reader is a film analysis-and-criticism textbook that contains 35 essays on 35 geographically diverse, historically significant sound films. The countries represented here are France, Italy, England, Belgium, Russia, India, China, Cuba, Germany, Japan, Russia, Romania, Czechoslovakia, Brazil, Taiwan, Austria, Afghanistan, South Korea, Finland, Burkina Faso, Mexico, Iran, Israel, Colombia, and the United States. The directors represented include Jean Renoir, Orson Welles, Akira Kurosawa, Federico Fellini, Woody Allen, Aki Kaurismäki, Ken Loach, Tomás Gutiérrez Alea, Abbas Kiarostami, Michael Haneke, and Hong Sang-soo. Written with university students (and possibly also advanced high school students) in mind, the essays in Teaching Sound Film: A Reader cover some of the central films treated—and central issues raised—in today’s cinema courses and provide students with practical models to help them improve their own writing and analytical skills. These essays are clear and readable—that is, sophisticated and meaty yet not overly technical or jargon-heavy. This makes them perfect introductions to their respective films as well as important contributions to the field of film studies in general. Moreover, this book’s scholarly apparatus features credits, images, bibliographies for all films discussed, filmographies for all the directors, a list of topics for writing and discussion, a glossary of film terms, and an appendix containing three essays, respectively, on film acting, avant-garde cinema, and theater vs. film.
Download or read book Cesare Zavattini s Neo realism and the Afterlife of an Idea written by David Brancaleone and published by Bloomsbury Publishing USA. This book was released on 2021-07-15 with total page 310 pages. Available in PDF, EPUB and Kindle. Book excerpt: How many Zavattinis are there? During a life spanning most of the twentieth century, the screenwriter who wrote Sciuscià, Bicycle Thieves, Miracle in Milan, and Umberto D. was also a pioneering magazine publisher in 1930s Milan, a public intellectual, a theorist, a tireless campaigner for change within the film industry, a man of letters, a painter and a poet. This intellectual biography is built on the premise that in order to understand Zavattini's idea of cinema and his legacy of ethical and political cinema (including guerrilla cinema), we must also tease out the multi-faceted strands of his interventions and their interplay over time. The book is for general readers, students and film historians, and anyone with an interest in cinema and its fate.
Download or read book The Bicycle Thieves written by and published by . This book was released on 1949 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: A masterpiece of Italian filmmaking and foundation stone of the neorealistfilm movement, Vittorio De Sica's The Bicycle Thieves is a harrowing portrait of loss and depravation in post-war Rome. Awarded an honorary Oscar for Best Foreign Film, and regularly voted one of the greatest films of all time, The Bicycle Thieves is a simple, powerful movie about a man who needs a job. Like the great neo-realist film that preceded it, Roberto Rosselini's Open City, The Bicycle Thieves was shot on location in the streets of Rome using non-professional actors, giving chilling authenticity to the story of a man's desperate bid to provide for his family. De Sica combined with long-time collaborator, writer Cesare Zavattini (Miracle in Milan, Umberto D), to produce a potent mix of real life detail, detective story and poetic melodrama as a father (Lamberto Maggiorani) and his devoted son(Enzo Staiola) roam the streets of the capital in search of the bicycle that will deliver them from poverty. .
Download or read book Realism and the Cinema written by British Film Institute and published by London : Routledge & K. Paul : British Film Institute. This book was released on 1980 with total page 306 pages. Available in PDF, EPUB and Kindle. Book excerpt: This reader brings together the principal arguments in the long-standing and often tortuous debate about realism in the cinema, linking them with a critical commentary which elucidates their dramatic and political character.
Download or read book Film Theory written by Philip Simpson and published by Taylor & Francis. This book was released on 2004 with total page 346 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Italian Neorealist Cinema written by Christopher Wagstaff and published by University of Toronto Press. This book was released on 2007-01-01 with total page 537 pages. Available in PDF, EPUB and Kindle. Book excerpt: "The end of the Second World War saw the emergence in Italy of the neorealism movement, which produced a number of films characterized by stories set among the poor and working class, often shot on location using non-professional actors. In this study Christopher Wagstaff provides an in-depth analysis of neorealist film, focusing on three films that have had a major impact on filmmakers and audiences around the world: Roberto Rossellini's Roma città aperta and Paisà and Vittorio De Sica's Ladri di biciclette. Indeed, these films are still, more than half a century after they were made, among the most highly regarded works in the history of cinema. In this insightful and carefully researched work, Wagstaff suggests that the importance of these films is largely due to the aesthetic and rhetorical qualities of their assembled sounds and images rather than, as commonly thought, their particular representations of historical reality.The author begins by situating neorealist cinema in its historical, industrial, commercial, and cultural context. He goes on to provide a theoretical discussion of realism and the merits of neorealist films, individually and collectively, as aesthetic artefacts. He follows with a detailed analysis of the three films, focusing on technical and production aspects as well as on the significance of the films as cinematic works of art.While providing a wealth of information and analysis previously unavailable to an English-speaking audience, Italian Neorealist Cinema offers a radically new perspective on neorealist cinema and the Italian art cinema that followed it."
Download or read book Screening Modernism written by András Bálint Kovács and published by University of Chicago Press. This book was released on 2007 with total page 441 pages. Available in PDF, EPUB and Kindle. Book excerpt: Casting fresh light on the renowned productions of auteurs like Antonioni, Fellini, and Bresson and drawing out from the shadows a range of important but lesser-known works, Screening Modernism is the first comprehensive study of European art cinema’s postwar heyday. Spanning from the 1950s to the 1970s, András Bálint Kovács’s encyclopedic work argues that cinematic modernism was not a unified movement with a handful of styles and themes but rather a stunning range of variations on the core principles of modern art. Illustrating how the concepts of modernism and the avant-garde variously manifest themselves in film, Kovács begins by tracing the emergence of art cinema as a historical category. He then explains the main formal characteristics of modern styles and forms as well as their intellectual foundation. Finally, drawing on modernist theory and philosophy along the way, he provides an innovative history of the evolution of modern European art cinema. Exploring not only modernism’s origins but also its stylistic, thematic, and cultural avatars, Screening Modernism ultimately lays out creative new ways to think about the historical periods that comprise this golden age of film.
Download or read book Grundrisse written by Karl Marx and published by Penguin UK. This book was released on 2005-11-24 with total page 1086 pages. Available in PDF, EPUB and Kindle. Book excerpt: Written during the winter of 1857-8, the Grundrisse was considered by Marx to be the first scientific elaboration of communist theory. A collection of seven notebooks on capital and money, it both develops the arguments outlined in the Communist Manifesto (1848) and explores the themes and theses that were to dominate his great later work Capital. Here, for the first time, Marx set out his own version of Hegel's dialectics and developed his mature views on labour, surplus value and profit, offering many fresh insights into alienation, automation and the dangers of capitalist society. Yet while the theories in Grundrisse make it a vital precursor to Capital, it also provides invaluable descriptions of Marx's wider-ranging philosophy, making it a unique insight into his beliefs and hopes for the foundation of a communist state.
Download or read book Film Theory written by Thomas Elsaesser and published by Routledge. This book was released on 2015-03-12 with total page 290 pages. Available in PDF, EPUB and Kindle. Book excerpt: What is the relationship between cinema and spectator? This is the key question for film theory, and one that Thomas Elsaesser and Malte Hagener put at the center of their insightful and engaging book, now revised from its popular first edition. Every kind of cinema (and every film theory) first imagines an ideal spectator, and then maps certain dynamic interactions between the screen and the spectator’s mind, body and senses. Using seven distinctive configurations of spectator and screen that move progressively from ‘exterior’ to ‘interior’ relationships, the authors retrace the most important stages of film theory from its beginnings to the present—from neo-realist and modernist theories to psychoanalytic, ‘apparatus,’ phenomenological and cognitivist theories, and including recent cross-overs with philosophy and neurology. This new and updated edition of Film Theory: An Introduction through the Senses has been extensively revised and rewritten throughout, incorporating discussion of contemporary films like Her and Gravity, and including a greatly expanded final chapter, which brings film theory fully into the digital age.
