Download or read book Reggae Rastafari and the Rhetoric of Social Control written by Stephen A. King and published by Univ. Press of Mississippi. This book was released on 2014-07-10 with total page 204 pages. Available in PDF, EPUB and Kindle. Book excerpt: Who changed Bob Marley’s famous peace-and-love anthem into “Come to Jamaica and feel all right?” When did the Rastafarian fighting white colonial power become the smiling Rastaman spreading beach towels for American tourists? Drawing on research in social movement theory and protest music, Reggae, Rastafari, and the Rhetoric of Social Control traces the history and rise of reggae and the story of how an island nation commandeered the music to fashion an image and entice tourists. Visitors to Jamaica are often unaware that reggae was a revolutionary music rooted in the suffering of Jamaica’s poor. Rastafarians were once a target of police harassment and public condemnation. Now the music is a marketing tool, and the Rastafarians are no longer a “violent counterculture” but an important symbol of Jamaica’s new cultural heritage. This book attempts to explain how the Jamaican establishment’s strategies of social control influenced the evolutionary direction of both the music and the Rastafarian movement. From 1959 to 1971, Jamaica’s popular music became identified with the Rastafarians, a social movement that gave voice to the country’s poor black communities. In response to this challenge, the Jamaican government banned politically controversial reggae songs from the airwaves and jailed or deported Rastafarian leaders. Yet when reggae became internationally popular in the 1970s, divisions among Rastafarians grew wider, spawning a number of pseudo-Rastafarians who embraced only the external symbolism of this worldwide religion. Exploiting this opportunity, Jamaica’s new Prime Minister, Michael Manley, brought Rastafarian political imagery and themes into the mainstream. Eventually, reggae and Rastafari evolved into Jamaica’s chief cultural commodities and tourist attractions.
Download or read book Reggae Rastafari and the Rhetoric of Social Control written by Stephen A. King and published by Univ. Press of Mississippi. This book was released on 2014-05-27 with total page 201 pages. Available in PDF, EPUB and Kindle. Book excerpt: Who changed Bob Marley's famous peace-and-love anthem into Come to Jamaica and feel all right? When did the Rastafarian fighting white colonial power become the smiling Rastaman spreading beach towels for American tourists? Drawing on research in social movement theory and protest music, Reggae, Rastafari, and the Rhetoric of Social Control traces the history and rise of reggae and the story of how an island nation commandeered the music to fashion an image and entice tourists. Visitors to Jamaica are often unaware that reggae was a revolutionary music rooted in the suffering of Jamaica's poor. Rastafarians were once a target of police harassment and public condemnation. Now the music is a marketing tool, and the Rastafarians are no longer a violent counterculture but an important symbol of Jamaica's new cultural heritage. This book attempts to explain how the Jamaican establishment's strategies of social control influenced the evolutionary direction of both the music and the Rastafarian movement. From 1959 to 1971, Jamaica's popular music became identified with the Rastafarians, a social movement that gave voice to the country's poor black communities. In response to this challenge, the Jamaican government banned politically controversial reggae songs from the airwaves and jailed or deported Rastafarian leaders. Yet when reggae became internationally popular in the 1970s, divisions among Rastafarians grew wider, spawning a number of pseudo-Rastafarians who embraced only the external symbolism of this worldwide religion. Exploiting this opportunity, Jamaica's new Prime Minister, Michael Manley, brought Rastafarian political imagery and themes into the mainstream. Eventually, reggae and Rastafari evolved into Jamaica's chief cultural commodities and tourist attractions. Stephen A. King is associate professor of speech communication at Delta State University. His work has been published in the Howard Journal of Communications, Popular Music and Society, and The Journal of Popular Culture.
Download or read book Rastafari and Reggae written by Becky Mulvaney and published by Bloomsbury Publishing USA. This book was released on 1990-08-13 with total page 272 pages. Available in PDF, EPUB and Kindle. Book excerpt: A combination dictionary and annotated discography, videography and bibliography, this sourcebook brings together listings of materials on the Rastafarian movement and reggae music. . . . This sourcebook serves as a good introduction to Rastafari and reggae. Reference Books Bulletin Coinciding with the sixtieth anniversary of Rastafari, this reference book traces the relationship between two intertwined aspects of Jamaican culture: Rastafari and reggae music. As important voices in the ongoing dialogue concerning Jamaica's search for a national identity, Rastafari and reggae have had a significant impact on international music and culture. This work is the first to document and describe these areas for researchers, providing a comprehensive dictionary of terms, people, places, and concepts relevant to Rastafari, reggae music, and their related histories. In a unique collaboration from the American and Jamaican perspectives, Mulvaney and Nelson have supplied annotated references and cross references for written materials, audio recordings, videocassettes, and films that cover the first sixty years of Rastafari and over twenty years of reggae music. The book is comprised of four main sections. The dictionary serves as the focal point for the cross referencing of the entire book and offers entries that are either directly related to Rastafari and reggae or provide a historical context. The discography, which includes 200 entries, represents a cross section of reggae music from 1968 to 1990 and is organized by musician or band name. A small, representative sample of documentary, concert, and narrative fiction videocassettes that address aspects of Rastafari or reggae music are catalogued in the videography, along with selected films. Finally, the bibliography, prepared by Carlos I.H. Nelson, provides a thorough overview of journal and magazine articles, creative works, dissertations, books, interviews, parts of books, reviews, and theses written by and about Rastafarians and reggae musicians. It covers the past importance, present significance, and future legacies of the movement and the music. The work also includes two appendices that list relevant periodicals and representative musicians and bands. Music students and researchers will find Rastafari and Reggae to be a valuable reference source, as will students in Caribbean and cultural studies, communication, history, and anthropology courses. For academic, public, and music library collections, the book will be an important addition.
Download or read book Rastafari written by Ennis Barrington Edmonds and published by Oxford University Press. This book was released on 2003 with total page 209 pages. Available in PDF, EPUB and Kindle. Book excerpt: Traces the history of the Rastafarian movement, discussing the impact it has had on Jamaican society, its successful expansion to North America, the British Isles, and Africa, its role as a dominant cultural force in the world, and other related topics.
Download or read book Rastafari and Reggae written by Rebekah Michele Mulvaney and published by Greenwood. This book was released on 1990-08-13 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: A combination dictionary and annotated discography, videography and bibliography, this sourcebook brings together listings of materials on the Rastafarian movement and reggae music. . . . This sourcebook serves as a good introduction to Rastafari and reggae. Reference Books Bulletin Coinciding with the sixtieth anniversary of Rastafari, this reference book traces the relationship between two intertwined aspects of Jamaican culture: Rastafari and reggae music. As important voices in the ongoing dialogue concerning Jamaica's search for a national identity, Rastafari and reggae have had a significant impact on international music and culture. This work is the first to document and describe these areas for researchers, providing a comprehensive dictionary of terms, people, places, and concepts relevant to Rastafari, reggae music, and their related histories. In a unique collaboration from the American and Jamaican perspectives, Mulvaney and Nelson have supplied annotated references and cross references for written materials, audio recordings, videocassettes, and films that cover the first sixty years of Rastafari and over twenty years of reggae music. The book is comprised of four main sections. The dictionary serves as the focal point for the cross referencing of the entire book and offers entries that are either directly related to Rastafari and reggae or provide a historical context. The discography, which includes 200 entries, represents a cross section of reggae music from 1968 to 1990 and is organized by musician or band name. A small, representative sample of documentary, concert, and narrative fiction videocassettes that address aspects of Rastafari or reggae music are catalogued in the videography, along with selected films. Finally, the bibliography, prepared by Carlos I.H. Nelson, provides a thorough overview of journal and magazine articles, creative works, dissertations, books, interviews, parts of books, reviews, and theses written by and about Rastafarians and reggae musicians. It covers the past importance, present significance, and future legacies of the movement and the music. The work also includes two appendices that list relevant periodicals and representative musicians and bands. Music students and researchers will find Rastafari and Reggae to be a valuable reference source, as will students in Caribbean and cultural studies, communication, history, and anthropology courses. For academic, public, and music library collections, the book will be an important addition.
Download or read book Race Class and Political Symbols written by Anita M. Waters and published by Routledge. This book was released on 2017-09-08 with total page 178 pages. Available in PDF, EPUB and Kindle. Book excerpt: Dr. Waters is one of a new breed of analysts for whom the interpenetration of politics, culture, and national development is key to a larger integration of social research. Race, Class, and Political Symbols is a remarkably cogent examination of the uses of Rastafarian symbols and reggae music in Jamaican electoral campaigns. The author describes and analyzes the way Jamaican politicians effectively employ improbable strategies for electoral success. She includes interviews with reggae musicians, Rastafarian leaders, government and party officials, and campaign managers. Jamaican democracy and politics are fused to its culture; hence campaign advertisements, reggae songs, party pamphlets, and other documents are part of the larger picture of Caribbean life and letters. This volume centers and comes to rest on the adoption of Rastafarian symbols in the context of Jamaica's democratic institutions, which are characterized by vigorous campaigning, electoral fraud, and gang violence. In recent national elections, such violence claimed the lives of hundreds of people. Significant issues are dealt with in this cultural setting: race differentials among Whites, Browns, and Blacks; the rise of anti-Cubanism; the Rastafarians' response to the use of their symbols; and the current status of Rastafarian ideological legitimacy.
Download or read book Dread Talk written by Velma Pollard and published by McGill-Queen's Press - MQUP. This book was released on 2000-05-15 with total page 134 pages. Available in PDF, EPUB and Kindle. Book excerpt: Dread Talk examines the effects of Rastafarian language on Creole in other parts of the Carribean, its influence in Jamaican poetry, and its effects on standard Jamaican English. This revised edition includes a new introduction that outlines the changes that have occurred since the book first appeared and a new chapter, "Dread Talk in the Diaspora," that discusses Rastafarian as used in the urban centers of North America and Europe. Pollard provides a wealth of examples of Rastafarian language-use and definitions, explaining how the evolution of these forms derives from the philosophical position of the Rasta speakers: "The socio-political image which the Rastaman has had of himself in a society where lightness of skin, economic status, and social privileges have traditionally gone together must be included in any consideration of Rastafarian words " for the man making the words is a man looking up from under, a man pressed down economically and socially by the establishment."
Download or read book Rastafari and the Arts written by Darren J. N. Middleton and published by Routledge. This book was released on 2015-02-11 with total page 339 pages. Available in PDF, EPUB and Kindle. Book excerpt: Drawing on literary, musical, and visual representations of and by Rastafari, Darren J. N. Middleton provides an introduction to Rasta through the arts, broadly conceived. The religious underpinnings of the Rasta movement are often overshadowed by Rasta’s association with reggae music, dub, and performance poetry. Rastafari and the Arts: An Introduction takes a fresh view of Rasta, considering the relationship between the artistic and religious dimensions of the movement in depth. Middleton’s analysis complements current introductions to Afro-Caribbean religions and offers an engaging example of the role of popular culture in illuminating the beliefs and practices of emerging religions. Recognizing that outsiders as well as insiders have shaped the Rasta movement since its modest beginnings in Jamaica, Middleton includes interviews with members of both groups, including: Ejay Khan, Barbara Makeda Blake Hannah, Geoffrey Philp, Asante Amen, Reggae Rajahs, Benjamin Zephaniah, Monica Haim, Blakk Rasta, Rocky Dawuni, and Marvin D. Sterling.
Download or read book Babylon East written by Marvin Sterling and published by Duke University Press. This book was released on 2010-06-29 with total page 316 pages. Available in PDF, EPUB and Kindle. Book excerpt: An important center of dancehall reggae performance, sound clashes are contests between rival sound systems: groups of emcees, tune selectors, and sound engineers. In World Clash 1999, held in Brooklyn, Mighty Crown, a Japanese sound system and the only non-Jamaican competitor, stunned the international dancehall community by winning the event. In 2002, the Japanese dancer Junko Kudo became the first non-Jamaican to win Jamaica’s National Dancehall Queen Contest. High-profile victories such as these affirmed and invigorated Japan’s enthusiasm for dancehall reggae. In Babylon East, the anthropologist Marvin D. Sterling traces the history of the Japanese embrace of dancehall reggae and other elements of Jamaican culture, including Rastafari, roots reggae, and dub music. Sterling provides a nuanced ethnographic analysis of the ways that many Japanese involved in reggae as musicians and dancers, and those deeply engaged with Rastafari as a spiritual practice, seek to reimagine their lives through Jamaican culture. He considers Japanese performances and representations of Jamaican culture in clubs, competitions, and festivals; on websites; and in song lyrics, music videos, reggae magazines, travel writing, and fiction. He illuminates issues of race, ethnicity, gender, sexuality, and class as he discusses topics ranging from the cultural capital that Japanese dancehall artists amass by immersing themselves in dancehall culture in Jamaica, New York, and England, to the use of Rastafari as a means of critiquing class difference, consumerism, and the colonial pasts of the West and Japan. Encompassing the reactions of Jamaica’s artists to Japanese appropriations of Jamaican culture, as well as the relative positions of Jamaica and Japan in the world economy, Babylon East is a rare ethnographic account of Afro-Asian cultural exchange and global discourses of blackness beyond the African diaspora.
Download or read book Could You Be Loved written by Trevor Fitz-Henley and published by Strategic Book Publishing & Rights Agency. This book was released on 2017-02-09 with total page 316 pages. Available in PDF, EPUB and Kindle. Book excerpt: COULD YOU BE LOVED is of all Humankind acknowledging shared origin for Progress with Peace. " . . insightful . . incisive and instructive . . a beautiful poetic move . . brilliant . . author, poet, philosopher Tekla Mekfet relates Bob Marley's poetics to African philosophy, the Bible and the problems of Babylon as we encounter them in Jamaica and the world. . . helps to resolve the tension between the individual and the community, in Rasta poetics . . Historical memory . . clues to liberation in the present. Out of history and prophecy . . philosophy in Rastafari offers unaccustomed wide practical application." (Dr. Noel Erskine, Professor of Theology & Ethics, Emory University, USA). " . . deep understanding of world politics . . knowledge of the world's literary works whether fiction or treatise . . wide knowledge of music of all genres . . erudite . . encyclopedic . . for every and anyone." (Dr. Erna Brodber, sociologist-historian-novelist, University of the West Indies). "In his own thoroughly original way Tekla Mekfet evokes the largesse of spirit and innovative rhetorical performances of Walt Whitman . . Whitman opened up the space of the line in American verse; he had an agile poetic persona; he was chronicler, seer, prophet. In our time Ras Mekfet is accomplishing much the same through his vision and voice." (Michael Kuelker, Professor of English, St. Charles Community College, Rastafari-Reggae researcher, DJ, Missouri). Structure is as vocabulary item, social commentary, music of meaning, "Often, life is not nice neat sentences'. The index invites piece-mealing focus on such as The Word, Logic RHYTHM Household-Community, Reality, Freedom, Whiteness, or Oneness. Varied subjects are explored as symbiotic - as could be related to Spinoza's All is One and The One is Divine', to 'Selassie is The Chapel', to Hegel's 'God' dwelling within Humankind & permanently pervading the universe - related to shared African principles of an all-manifesting all-embracing 'NTU', or JAH of Rastrafari. Of Nature's Logic & Kant's 'Categorical Imperative' for universal oneness. Concept 'Babylon' de-constructed throughout, as is 'Zion'. Of 'Concrete Jungle', The City, Marketed 'God', Moral Relativity, "life-long insecurity." " . . the heavy and the weary weight / Of all this unintelligible world / Is lightened." Mekfet invites you to be free 'of being psychologically blind. For YOU, are living of some measure & mix of philosophy . . that you may be living unperceived." to be recognized "for sense of options for direction. ." - Mother Africa's Philosophy, Rastafari, The Bible, & cross-refs philosophy of West & East - Philosophy in Reggae, Jazz, Dancehall Music: Atavistic Appeal African Rhythms Worldwide - Culture of Politics, Mis-Education, Violence & Masculinity in 'Jamaica'/'Carry-beyond' - A Rastafari Journey, Jamaica & Social Prejudice - Animism & Literary Imagery. Multi-cultural imagery 'Christ'/Re-patria-tion/Ancestor Worship - 'Israel' & 'Jerusalem' not as geographical entities, but as universal concepts for social organization related to Rhythm of Ecology & Bio-diversity, the Cosmos as a single organism, & Bio-mimicry - all antithesis of concept of 'Babylon'
Download or read book Joseph written by Barbara Makeda Blake Hannah and published by MacMillan Caribbean. This book was released on 2006 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: Joseph is a reggae superstar, admired by his musical peers and adored by women wherever he goes. But, Joseph is also a devout, herb-smoking Rastafarian who dreams of a new life in Ethiopia. Sister Ashanti chronicles Joseph's rise to international stardom. But, for all his peaceable Rasta way of life, in certain quarters Joseph is seen as a threat.
Download or read book Soul Rebels written by William F. Lewis and published by Waveland Press. This book was released on 1993-06-22 with total page 152 pages. Available in PDF, EPUB and Kindle. Book excerpt: . . . a cult, a deviant subculture, a revolutionary movement . . . these descriptions have been commonly used in the past to identify the Rastafari, a group perhaps best known to North American readers for their gift of reggae music to the world. With both compassion and a sharp sense of reality, anthropologist William Lewis suggests alternative perspectives and reviews existing social theories as he reports on the diverse world of the ganja-smoking Rastafari culture. He carefully examines this culture in its confrontations with the law, its growing ambivalence about itself as well as the continued conflict between many Rasta and contemporary middle-class values. Characterized by rich ethnographic detail, an engaging writing style, and thoughtful commentary, Soul Rebels uncovers the complex inner workings of the Rasta movement and offers a critical analysis of the meaning of Rastafari commitment and struggles. Soul Rebels offers a solid historical overview of the movement, an excellent picture of diversity within the faith, fair and accurate discussions of sexism among the Rasta, engaging life history material, and rich descriptions of what actually goes on in a reasoning session. Lewiss treatment of Rastafari populations in a Jamaican fishing village, an Ethiopian market town, and an urban neighborhood in the northeastern United States sets his ethnography in the cross-cultural and comparative framework central to anthropological analysis.
Download or read book Jah Kingdom written by Monique A. Bedasse and published by UNC Press Books. This book was released on 2017-08-11 with total page 271 pages. Available in PDF, EPUB and Kindle. Book excerpt: From its beginnings in 1930s Jamaica, the Rastafarian movement has become a global presence. While the existing studies of the Rastafarian movement have primarily focused on its cultural expression through reggae music, art, and iconography, Monique A. Bedasse argues that repatriation to Africa represents the most important vehicle of Rastafari's international growth. Shifting the scholarship on repatriation from Ethiopia to Tanzania, Bedasse foregrounds Rastafari's enduring connection to black radical politics and establishes Tanzania as a critical site to explore gender, religion, race, citizenship, socialism, and nation. Beyond her engagement with how the Rastafarian idea of Africa translated into a lived reality, she demonstrates how Tanzanian state and nonstate actors not only validated the Rastafarian idea of diaspora but were also crucial to defining the parameters of Pan-Africanism. Based on previously undiscovered oral and written sources from Tanzania, Jamaica, England, the United States, and Trinidad, Bedasse uncovers a vast and varied transnational network--including Julius Nyerere, Michael Manley, and C. L. R James--revealing Rastafari's entrenchment in the making of Pan-Africanism in the postindependence period.
Download or read book The First Rasta written by Stephen Davis and published by Chicago Review Press. This book was released on 2012-03-01 with total page 322 pages. Available in PDF, EPUB and Kindle. Book excerpt: Going far beyond the standard imagery of Rasta—ganja, reggae, and dreadlocks—this cultural history offers an uncensored vision of a movement with complex roots and the exceptional journey of a man who taught an enslaved people how to be proud and impose their culture on the world. In the 1920s Leonard Percival Howell and the First Rastas had a revelation concerning the divinity of Haile Selassie, king of Ethiopia, that established the vision for the most popular mystical movement of the 20th century, Rastafarianism. Although jailed, ridiculed, and treated as insane, Howell, also known as the Gong, established a Rasta community of 4,500 members, the first agro-industrial enterprise devoted to producing marijuana. In the late 1950s the community was dispersed, disseminating Rasta teachings throughout the ghettos of the island. A young singer named Bob Marley adopted Howell's message, and through Marley's visions, reggae made its explosion in the music world.
Download or read book From Garvey to Marley written by Noel Leo Erskine and published by History of African-American Re. This book was released on 2007-04 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: "This history of the theology and rituals of Rastafarianism features accents of the reggae rhythms of Bob Marley and the teachings and philosophy of Marcus Garvey, the black nationalist who motivated many of his fellow Jamaicans to embrace their African ancestral roots. Written by a trained theologian who was raised in the Jamaican village in which the Rastafarian faith originated, the book offers both a serious inquiry into the movement and the perspective of an insider in conversation with elders of the faith who still live in the village." "Noel Leo Erskine isolates and defines the main tenets of Rastafarianism, which emerged toward the end of the 20th century as a way of life and as a new international religion. He includes biographical descriptions of the key players in the development of Rastafari theology, provides details of its organization and ethos, and discusses the role of women in the religion. He also discusses the significance of Ethiopia to the faith; practitioners view that country both as their homeland and as heaven on earth. Examining the religion's relationship to Christianity, Erskine relates the Rastas to 19th-century Native Baptist and Revivalist traditions on the island and to the black theology movement in the United States. The Rastas see the European and North American churches as representatives of an oppressive colonial class, he writes. The Rastafarian name for God - "Jah"--Is derived from Yahveh, the God of the Hebrews, and members of the faith connect their struggle for dignity and solidarity in Jamaican society with the struggle of the oppressed Israelites. "Jah" and not the Bible is the decisive source of morality and truth for the Rastas." "The book will be important in the fields of African, African American, and Caribbean studies, especially to the cultural and religious dimensions in each discipline."--Jacket
Download or read book The Philosophy of Rastafari and the Culture of Reggae Music written by Phiven Saifu and published by . This book was released on 2015 with total page 97 pages. Available in PDF, EPUB and Kindle. Book excerpt: The purpose of this work is to provide a way of understanding the culture of Rastafari and Reggae music as a form of resistance against the dominant culture. This work will show the Rastafarian function and operation of developing a psychology of Blackness and waging an ideological attack on social, economic, and political problems through reggae music. Cultural hegemony has become the problem out of which the Rastafarian perspective has emerged and evolved in response to critical issues experienced by Black people throughout the Diaspora. According to Clovis E. Semmes in his book titled Cultural Hegemony and African American Development, he says "Cultural hegemony is defined as the intentional structural negation of one culture by another." The Rastafarians view Black issues in the sphere of race, economics, but most important to their philosophy in terms of the cultural process. The Rastafarians channel their voice through reggae music against the political and economic oppression people of African descent experience throughout the Diaspora. The Rastafarians perspective sees the dominant cultures negation of all other alternative cultures as the problem of racial and economic oppression and domination. The interchange of people's position in the structure of the system based on race and class as a result of politics, economics and an individual's cultural identity is one reason why people in Jamaica were initially encouraged at developing an African centered perspective of Rastafari for black people throughout the Diaspora. A variety of significant factors arise as a result of the development and evolution of the Rastafarian ideology. Rastafarians see culture as a crucial component to the Black individuals self-perception, functioning and operation, as well as capacity to make a contribution to any society they are in around the world. This paper will explore the ways the Rastafarian movement acts as a counter hegemonic group in response to cultural hegemony by dominant structures controlled by the powerful cultures in Jamaica around the globe.
Download or read book Reggae Rasta Revolution written by Chris Potash and published by Schirmer Trade Books. This book was released on 1997 with total page 328 pages. Available in PDF, EPUB and Kindle. Book excerpt: Here is the first ever anthology on Jamaican music forms that have changed the shape of Western popular music. Beginning with Bob Marley, music reviewer Chris Potash explores the roots of Jamaican pop from mento, ska, calypso, and rock steady. The book also profiles such roots pioneers as Toots and the Maytals, the Skatalites, Jimmy Cliff, and more.
