Download or read book Plays and Playwrights from Ireland in International Perspective written by Heinz Kosok and published by . This book was released on 1995 with total page 280 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Perspectives on Contemporary Irish Theatre written by Anne Etienne and published by Springer. This book was released on 2017-10-20 with total page 298 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book addresses the notion posed by Thomas Kilroy in his definition of a playwright’s creative process: ‘We write plays, I feel, in order to populate the stage’. It gathers eclectic reflections on contemporary Irish theatre from both Irish theatre practitioners and international academics. The eighteen contributions offer innovative perspectives on Irish theatre since the early 1990s up to the present, testifying to the development of themes explored by emerging and established playwrights as well as to the (r)evolutions in practices and approaches to the stage that have taken place in the last thirty years. This cross-disciplinary collection devotes as much attention to contextual questions and approaches to the stage in practice as it does to the play text in its traditional and revised forms. The essays and interviews encourage dialectic exchange between analytical studies on contemporary Irish theatre and contributions by theatre practitioners.
Download or read book The Theatre of War written by H. Kosok and published by Springer. This book was released on 2007-07-12 with total page 284 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Theatre of War surveys more than two hundred plays about the First World War written, published and/or performed in Britain and Ireland between 1909 and 1998. Perspectives discussed include: subject matter, technique and evaluation. The result is an understanding of the First World War as a watershed in international history.
Download or read book Irish Plays and Playwrights written by Cornelius Weygandt and published by . This book was released on 1913 with total page 366 pages. Available in PDF, EPUB and Kindle. Book excerpt: Critical analysis including the players and their plays, their audience and their art: W. B. Yeats, "A. E.", Lady Gregory, J. M. Synge, P. Colum, and others. Also plays produced in Dublin by the Abbey Theatre Company.
Download or read book A Century of Irish Drama written by Stephen Watt and published by Indiana University Press. This book was released on 2000 with total page 366 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book traces a significant shift in 20th century Irish theatre from the largely national plays produced in Dublin to a more expansive international art form. Confirmed by the recent success outside of Ireland of the "third wave" of Irish playwrights writing in the 1990s, the new Irish drama has encouraged critics to reconsider both the early national theatre and the dramatic tradition it fostered. On the occasion of the centenary of the first professional production of the Irish Literary Theatre, the contributors to this volume investigate contemporary Irish drama's aesthetic features and socio-political commitments and re-read the plays produced earlier in the century. Although these essayists cover a wide range of topics, from the productions and objectives of the Abbey Theatre's first rivals to mid-century theatre festivals, to plays about the "Troubles" in the North, they all reassess the oppositions so commonplace in critical discussions of Irish drama: nationalism vs. internationalism, high vs. low culture, urban experience vs. rural or peasant life. A Century of Irish Drama includes essays on such figures as W. B. Yeats, Lady Gregory, J. M. Synge, Sean O'Casey, Brendan Behan, Samuel Beckett, Marina Carr, Brian Friel, Frank McGuinness, Christina Read, Martin McDonagh, and many more. Stephen Watt is Professor of English and Cultural Studies at Indiana University-Bloomington, and author of Postmodern/Drama: Reading the Contemporary Stage, Joyce, O'Casey, and the Irish Popular Theatre, and essays on Irish and Irish-American culture. He has also written extensively on higher education, most recently Academic Keywords: A Devil's Dictionary for Higher Education (with Cary Nelson). Eileen M. Morgan is a lecturer in English and Irish Studies at the University of Michigan, Ann Arbor. She is currently working on Sean O'Faolain's biographies of De Valera and on Edna O'Brien's 1990s trilogy, and is preparing a book-length study on the influence of radio in Ireland. Shakir Mustafa is a Visiting Instructor in the English department at Indiana University. His work has appeared in such journals as New Hibernia Review and The Canadian Journal of Irish Studies, and he is now translating Arabic short stories into English. Drama and Performance Studies--Timothy Wiles, general editor
Download or read book Irish Drama and Theatre Since 1950 written by Patrick Lonergan and published by Bloomsbury Publishing. This book was released on 2019-02-21 with total page 281 pages. Available in PDF, EPUB and Kindle. Book excerpt: Drawing on major new archival discoveries and recent research, Patrick Lonergan presents an innovative account of Irish drama and theatre, spanning the past seventy years. Rather than offering a linear narrative, the volume traces key themes to illustrate the relationship between theatre and changes in society. In considering internationalization, the Troubles in Northern Ireland, the Celtic Tiger period, feminism, and the changing status of the Catholic Church in Ireland, Lonergan asserts the power of theatre to act as an agent of change and uncovers the contribution of individual artists, plays and productions in challenging societal norms. Irish Drama and Theatre since 1950 provides a wide-ranging account of major developments, combined with case studies of the premiere or revival of major plays, the establishment of new companies and the influence of international work and artists, including Tennessee Williams, Chekhov and Brecht. While bringing to the fore some of the untold stories and overlooked playwrights following the declaration of the Irish Republic, Lonergan weaves into his account the many Irish theatre-makers who have achieved international prominence in the period: Samuel Beckett, Siobhán McKenna and Brendan Behan in the 1950s, continuing with Brian Friel and Tom Murphy, and concluding with the playwrights who emerged in the late 1990s, including Martin McDonagh, Enda Walsh, Conor McPherson, Marie Jones and Marina Carr. The contribution of major Irish companies to world theatre is also examined, including both the Abbey and Gate theatres, as well as Druid, Field Day and Charabanc. Through its engaging analysis of seventy years of Irish theatre, this volume charts the acts of gradual but revolutionary change that are the story of Irish theatre and drama and of its social and cultural contexts.
Download or read book Irish Drama and the Other Revolutions written by Susan Cannon Harris and published by Edinburgh University Press. This book was released on 2017-06-23 with total page 280 pages. Available in PDF, EPUB and Kindle. Book excerpt: The first modern Irish playwrights emerged in London in the 1890s, at the intersection of a rising international socialist movement and a new campaign for gender equality and sexual freedom. Irish Drama and the Other Revolutions shows how Irish playwrights mediated between the sexual and the socialist revolutions, and traces their impact on left theatre in Europe and America from the 1890s to the 1960s. Drawing on original archival research, the study reconstructs the engagement of Yeats, Shaw, Wilde, Synge, O'Casey, and Beckett with socialists and sexual radicals like Percy Bysshe Shelley, William Morris, Edward Carpenter, Florence Farr, Bertolt Brecht, and Lorraine Hansberry.
Download or read book The Methuen Drama Guide to Contemporary Irish Playwrights written by Martin Middeke and published by A&C Black. This book was released on 2010-05-28 with total page 482 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Methuen Drama Guide to Contemporary Irish Playwrights is an authoritative guide to the work of twenty-five playwrights from the last 50 years whose work has helped to shape and define Irish theatre. Written by a team of international scholars, it provides an illuminating survey and analysis of each writer's plays and will be invaluable to anyone interested in, studying or teaching contemporary Irish drama. The playwrights examined range from John B. Keane, Brian Friel and Tom Murphy, to the crop of writers who emerged in the 1990s and who include Martin McDonagh, Marina Carr, Emma Donoghue and Mark O'Rowe. Each essay features: a biographical sketch and introduction to the playwright a discussion of their most important plays an analysis of their stylistic and thematic traits, the critical reception and their place in the discourses of Irish theatre a bibliography of texts and critical material With a total of 190 plays discussed in detail, over half of which were written during the 1990s and 2000s, The Methuen Drama Guide to Contemporary Irish Playwrights is unrivalled in its study of recent plays and playwrights.
Download or read book Echoes Down the Corridor written by International Association for the Study of Anglo-Irish Literature. Conference and published by Peter Lang. This book was released on 2007 with total page 224 pages. Available in PDF, EPUB and Kindle. Book excerpt: Essays on contemporary Irish theatre
Download or read book Perspectives of Irish Drama and Theatre written by International Association for the Study of Anglo-Irish Literature and published by Rowman & Littlefield Publishers. This book was released on 1991 with total page 208 pages. Available in PDF, EPUB and Kindle. Book excerpt: This collection of papers from a meeting of the International Association for the study of Anglo-Irish Literature provides a comprehensive survey of the Irish theatre. Contents: Acknowledgements; Introduction. Jacqueline Genet; The Dangers and Difficulties of Dramatising the Lives of Deirdre and Grania. Richard Allen Cave; Actors in Barrels: Views on Vivid Words in Yeats's Plays. Margaret Rose; Beckett's Irish Theatre. Katharine Worth; The Image of Ireland in Nineteenth-Century Drama. Heinz Kosok; 'Nothing was Decided': Louis Macneice's Treatment of Irish History in^R They Met on Good Friday. Maureen S.G. Hawkins; 'The Heartbreak's Relevant': Dramatic and Poetic Qualities of John Hewitt's^R The Bloody Brae. Britta Olinder; Ireland and the Caribbean. Two Caribbean Versions of J.M. Synge's Dramas: Derek Walcott's^R The Sea at Dauphin and Mustapha Natura's The Playboy of the West Indies. Paul F. Botheroyd; James Joyce's Italian Translation of^R Riders to the Sea. Joan Fitzgerald; The Masks of Language in Translations. Lucia Angelica Solaris; The Worlds of Brian Friel. Patrick Rafroidi; Three Irish^R Antigones. Christopher Murray; The Theatre of Thomas Kilroy: Boxes of Words. Denis Sampson; Field Day's Fables of Identity. Patrick Burke; Language and Act: Thomas Murphy's Non-Interpretive Drama. Joseph Swann; Notes; Notes on Contributors; Index^R. Irish Literary Studies Series No. 33.
Download or read book Ireland Enlightenment and the English Stage 1740 1820 written by David O'Shaughnessy and published by Cambridge University Press. This book was released on 2019-08 with total page 283 pages. Available in PDF, EPUB and Kindle. Book excerpt: Reveals the contribution of Irish writers to the Georgian English stage; argues that theatre is an important strand of the Irish Enlightenment.
Download or read book Irish Women Playwrights 1900 1939 written by Cathy Leeney and published by Peter Lang. This book was released on 2010 with total page 282 pages. Available in PDF, EPUB and Kindle. Book excerpt: Irish Women Playwrights 1900-1939 is the first book to examine the plays of five fascinating and creative women, placing their work for theatre in co-relation to suggest a parallel tradition that reframes the development of Irish theatre into the present day. How these playwrights dramatize violence and its impacts in political, social, and personal life is a central concern of this book. Augusta Gregory, Eva Gore-Booth, Dorothy Macardle, Mary Manning, and Teresa Deevy re-model theatrical form, re-structuring action and narrative, and exploring closure as a way of disrupting audience expectation. Their plays create stage spaces and images that expose relationships of power and authority, and invite the audience to see the performance not as illusion, but as framed by the conventions and limits of theatrical representation. Irish Women Playwrights 1900-1939 is suitable for courses in Irish theatre, women in theatre, gender and performance, dramaturgy, and Irish drama in the twentieth century as well as for those interested in women's work in theatre and in Irish theatre in the twentieth century.
Download or read book The Irish Drama of Europe from Yeats to Beckett written by Katharine Worth and published by A&C Black. This book was released on 2014-01-13 with total page 291 pages. Available in PDF, EPUB and Kindle. Book excerpt: This study provides a European perspective on the drama of Yeats and of the Irish playwrights – Wilde and Synge, O'Casey and Beckett – who share in the achievement of creating a modern 'drama of the interior'. Professor Worth traces in particular the influence of Maeterlinck, examining his 'static drama' in some detail. A dominant theme is the importance of total theatre techniques to the playwrights of the interior from Wilde in Salomé to O'Casey in plays like Cock-a-Doodle Dandy. Yeats is seen as the great pioneer, assimilating inspiration from the French, with Arthur Symons as guide, from Synge, from Gordon Craig and from the No drama, and evolving a modern technique for a drama of complex self-consciousness.
Download or read book Twentieth Century Irish Drama written by Christopher Murray and published by Syracuse University Press. This book was released on 2000-05-01 with total page 292 pages. Available in PDF, EPUB and Kindle. Book excerpt: This work provides an overview of Irish theatre, read in the light of Ireland's self-definition. Mediating between history and its relations with politics and art, it attempts to do justice to the enabling and mirroring preoccupations of Irish drama.
Download or read book The Palgrave Handbook of Contemporary Irish Theatre and Performance written by Eamonn Jordan and published by Springer. This book was released on 2018-09-18 with total page 862 pages. Available in PDF, EPUB and Kindle. Book excerpt: This Handbook offers a multiform sweep of theoretical, historical, practical and personal glimpses into a landscape roughly characterised as contemporary Irish theatre and performance. Bringing together a spectrum of voices and sensibilities in each of its four sections — Histories, Close-ups, Interfaces, and Reflections — it casts its gaze back across the past sixty years or so to recall, analyse, and assess the recent legacy of theatre and performance on this island. While offering information, overviews and reflections of current thought across its chapters, this book will serve most handily as food for thought and a springboard for curiosity. Offering something different in its mix of themes and perspectives, so that previously unexamined surfaces might come to light individually and in conjunction with other essays, it is a wide-ranging and indispensable resource in Irish theatre studies.
Download or read book Irish Plays and Playwrights written by Cornelius Weygandt and published by . This book was released on 1913 with total page 314 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Irish Dramatic Revival 1899 1939 written by Anthony Roche and published by Bloomsbury Publishing. This book was released on 2015-02-26 with total page 273 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Irish Dramatic Revival was to radically redefine Irish theatre and see the birth of Ireland's national theatre, the Abbey, in 1904. From a consideration of such influential precursors as Boucicault and Wilde, Anthony Roche goes on to examine the role of Yeats as both founder and playwright, the one who set the agenda until his death in 1939. Each of the major playwrights of the movement refashioned that agenda to suit their own very different dramaturgies. Roche explores Synge's experimentation in the creation of a new national drama and considers Lady Gregory not only as a co-founder and director of the Abbey Theatre but also as a significant playwright. A chapter on Shaw outlines his important intervention in the Revival. O'Casey's four ground-breaking Dublin plays receive detailed consideration, as does the new Irish modernism that followed in the 1930s and which also witnessed the founding of the Gate Theatre in Dublin. The Companion also features interviews and essays by leading theatre scholars and practitioners Paige Reynolds, P.J. Mathews and Conor McPherson who provide further critical perspectives on this period of radical change in modern Irish theatre.
