Download or read book Pintura Y Escultura en Santo Domingo written by Emilio Rodríguez Demorizi and published by . This book was released on 1972 with total page 286 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Artes en Santo Domingo written by and published by . This book was released on 2007 with total page 466 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book La pintura de un visionario written by Museo de Arte Moderno (Santo Domingo). and published by . This book was released on 1999 with total page 64 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Historia de la pintura dominicana written by Jeannette Miller and published by . This book was released on 1979 with total page 122 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Memoria de la pintura Dominicana written by Danilo de los Santos and published by . This book was released on 2003 with total page 616 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Arte Colonial en Santo Domingo Siglos XVI XVIII written by and published by . This book was released on 1950 with total page 50 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Ausstellungskat written by Elizabeth Ferrer and published by University of Washington Press. This book was released on 1996 with total page 184 pages. Available in PDF, EPUB and Kindle. Book excerpt: Dist. for Americas Society and the Spanish Inst., Exhibition catalog.

Download or read book Elit tile 02 03 written by Museo de la Cerámica Contemporánea (Santo Domingo, Dominican Republic) and published by . This book was released on 2002 with total page 172 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Arte written by Jose A. Nino and published by Linda International Publishing. This book was released on 2001 with total page 280 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Arte colonial en Santo Domingo siglos 16 18 written by Universidad de Santo Domingo and published by . This book was released on 1950 with total page 50 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Dominican Cultures written by Bernardo Vega and published by . This book was released on 2007 with total page 278 pages. Available in PDF, EPUB and Kindle. Book excerpt: While the Spanish brought their religion, language, values, and traditions to the island to form the cornerstone of the Dominican culture, a later influx of Germans, Irish, Italians, and Sephardic Jews from the Dutch Caribbean and Lebanon added further variety. Traditional histories of the island have long overlooked the influence of black Africans on the national heritage, although this rich cultural legacy is evident in many areas. And while there has been ample discussion of the indigenous Taino people, very few of them survived over the centuries, and they left a lesser lasting imprint, limited to agriculture, diet, language, and religion.This distinctive cultural amalgam provides the backdrop for this book, which has become a classic text in the Dominican Republic. It is the first book to acknowledge creolization as the dominant feature of Dominican culture. The contributors are Dominican scholars and journalists, and they have also served as diplomats, university professors, museum directors, and artists.

Download or read book Encyclopedia of Latin American Caribbean Art written by Jane Turner and published by Oxford University Press, USA. This book was released on 2000 with total page 856 pages. Available in PDF, EPUB and Kindle. Book excerpt: For abstracts see: Caribbean Abstracts, no. 11, 1999-2000 (2001); p. 111.

Download or read book Arte sacro colonial en Santo Domingo written by Abelardo Jiménez Lambertus and published by . This book was released on 2002 with total page 224 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book The Fear of French Negroes written by Sara E. Johnson and published by Univ of California Press. This book was released on 2012-10-10 with total page 313 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Fear of French Negroes is an interdisciplinary study that explores how people of African descent responded to the collapse and reconsolidation of colonial life in the aftermath of the Haitian Revolution (1791-1845). Using visual culture, popular music and dance, periodical literature, historical memoirs, and state papers, Sara E. Johnson examines the migration of people, ideas, and practices across imperial boundaries. Building on previous scholarship on black internationalism, she traces expressions of both aesthetic and experiential transcolonial black politics across the Caribbean world, including Hispaniola, Louisiana and the Gulf South, Jamaica, and Cuba. Johnson examines the lives and work of figures as diverse as armed black soldiers and privateers, female performers, and newspaper editors to argue for the existence of "competing inter-Americanisms" as she uncovers the struggle for unity amidst the realities of class, territorial, and linguistic diversity. These stories move beyond a consideration of the well-documented anxiety insurgent blacks occasioned in slaveholding systems to refocus attention on the wide variety of strategic alliances they generated in their quests for freedom, equality and profit.

Download or read book Arte colonial en Santo Domingo siglos XVI XVIII written by Universidad autónoma de Santo Domingo (Saint-Domingue) and published by . This book was released on with total page 51 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Arte contempor neo dominicano written by and published by . This book was released on 1987 with total page 74 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Finding Caspicara written by Susan Verdi Webster and published by University of Texas Press. This book was released on 2024 with total page 200 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Caspicara was the most renowned sculptor of the eighteenth-century Andean world. Yet many works that are attributed to this Indigenous artist cannot be firmly documented as he is nearly absent in traditional archival records. Susan Webster seeks to analyze not only the visual imagery and material culture of his many works, but she also seeks to lay the foundation for understanding how scholars can revive the life and records of artists and other historical figures--many of whom were Indigenous in this period--with different methodologies. By cultivating artistic theory, popular religious devotion, and specific styles of sculpture, Webster's examination of the labor and workshop practices of this period contextualize the extensive commercial networks that existed within Quito and emanated beyond it. Webster explores the reason why authors constructed an almost completely fictional life story and canon for this artist that continued for two centuries, how this story fueled the agendas and goals of these authors in melding the colonial past with a newly independent country that could measure itself against western European culture, and as a potent story for tourists. She then considers the ways in which Caspicara's work was at the center of debates of sculpture versus painting in Quito. These debates and their development in the city also add context to notions of authorship, and how it was documented (or not). By exploring the professional world where he worked, Webster's analysis of Indigenous sculptors and their family networks of labor and apprenticeship in the arts allow us to understand the changing workforce and materials for sculptures. This analysis also reveals what day-to-day life may have been for Caspicara, and how this routine informed the artistic choices available to him. Archival materials indirectly offer glimpses into how patrons regarded Caspicara and his work, and how the work of others later embellished or altered his original vision. Throughout the chapters, visuality, materials, and reception challenge the typical obsession of art historians, museum curators, and auction houses in their hunger to attribute authorship in ways that increase the value, both for prestige and monetary reasons, and in ways that end up obscuring authorship and intent"--