Download or read book L art de Toucher Le Clavecin written by François Couperin and published by . This book was released on 1974 with total page 90 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book The Cambridge Companion to the Harpsichord written by Mark Kroll and published by Cambridge University Press. This book was released on 2019-01-03 with total page 407 pages. Available in PDF, EPUB and Kindle. Book excerpt: Covers every aspect of the harpsichord and its music, including composers, genres, national styles, tuning, and the art of harpsichord building.

Download or read book Nouvelles Suites de Pieces de Clavecin written by Jean Philippe Rameau and published by Alan R. Liss. This book was released on 1967 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Eighteenth Century Keyboard Music written by Robert Marshall and published by Routledge. This book was released on 2004-03-01 with total page 431 pages. Available in PDF, EPUB and Kindle. Book excerpt: First published in 2004. Routledge is an imprint of Taylor & Francis, an informa company.

Download or read book Soeur Monique written by François Couperin and published by Alfred Music. This book was released on 1999-12-21 with total page 12 pages. Available in PDF, EPUB and Kindle. Book excerpt: An Organ solo composed by François Couperin.

Download or read book Playing the Harpsichord Expressively written by Mark Kroll and published by Scarecrow Press. This book was released on 2004 with total page 146 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book gives a practical method for playing the harpsichord in a way that was lost when the instrument was marginalized by the piano in the 19th century. Since a thorough knowledge of historical performance practice is such an important aspect of playing this repertoire, excerpts from relevant primary sources are given at the end of many of the lessons.

Download or read book The Mirror of Human Life written by Jane Clark and published by . This book was released on 2011 with total page 224 pages. Available in PDF, EPUB and Kindle. Book excerpt: The titles of François Couperin's harpsichord pieces have puzzled generations of players and listeners. Many refer to theatrical spectacles; others are portraits, sympathetic or satirical, of characters in the composer's circle--courtiers, aristocrats, musicians, actors and actresses. This book opens a door into Couperin's world. Jane Clark introduces us to some of the characters that inhabit the Pièces de Clavecin, whose lives, sometimes dramatic and even scandalous, are illustrated by quotations from contemporary letters, songs and satirical epigrams. Derek Connon explores the literary and theatrical world in which the composer moved, particularly the rival French and Italian Comédies, the latter with its links to the improvised Commedia dell' Arte. The heart of the book is an analytic catalogue of the individual movements from all 27 Ordres, explaining what is known about the meaning of each title. Even to the composer's contemporaries, not every reference was transparent: where mysteries remain, alternative possible explanations are presented here. The Mirror of Human Life was first published by King's Music in 2002. This Keyword Press edition incorporates new facts that have emerged since, particularly about Couperin's connections with the theatre; it includes a new essay by Jane Clark on the architecture of the Ordres, and some striking illustrations from contemporary sources [Publisher description]

Download or read book Catalog of Sound Recordings written by Sibley Music Library and published by . This book was released on 1977 with total page 662 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Ornamentation in Baroque and Post Baroque Music with Special Emphasis on J S Bach written by Frederick Neumann and published by Princeton University Press. This book was released on 2020-05-05 with total page 644 pages. Available in PDF, EPUB and Kindle. Book excerpt: Ornaments play an enormous role in the music of the seventeenth and eighteenth centuries, and ambiguities in their notation (as well as their frequent omission in the score) have left doubt as to how composers intended them to be interpreted. Frederick Neumann, himself a violinist and conductor, questions the validity of the rigid principles applied to their performance. In this controversial work, available for the first time in paperback, he argues that strict constraints are inconsistent with the freedom enjoyed by musicians of the period. The author takes an entirely new look at ornamentation, and particularly that of J. S. Bach. He draws on extensive research in England, France, Germany, Italy, and the United States to show that prevailing interpretations are based on inadequate evidence. These restrictive interpretations have been far-reaching in their effect on style. By questioning them, this work continues to stimulate a reorientation in our understandiing of Baroque and post-Baroque music.

Download or read book Historical Dictionary of Baroque Music written by Joseph P. Swain and published by Rowman & Littlefield. This book was released on 2023-05-08 with total page 465 pages. Available in PDF, EPUB and Kindle. Book excerpt: Named a Library Journal Best Reference of 2023 - "Bravo! An invaluable source for scholars and concertgoers.” - Library Journal In the history of the Western musical tradition, the Baroque period traditionally dates from the turn of the 17th century to 1750. The beginning of the period is marked by Italian experiments in composition that attempted to create a new kind of secular musical art based upon principles of Greek drama, quickly leading to the invention of opera. The ending is marked by the death of Johann Sebastian Bach in 1750 and the completion of George Frideric Handel’s last English oratorio, Jephtha, the following year. The Historical Dictionary of Baroque Music, Second Edition contains a chronology, an introduction, and an extensive bibliography. The dictionary section has more than 500 cross-referenced entries on composers, instruments, cities, and technical terms. This book is an excellent resource for students, researchers, and anyone wanting to know more about baroque music.

Download or read book Three Carols written by Peter Warlock and published by . This book was released on 1923 with total page 20 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Catalog of Copyright Entries written by Library of Congress. Copyright Office and published by . This book was released on 1974 with total page 1182 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Off the Record written by Neal Peres da Costa and published by Oxford University Press. This book was released on 2012-05-16 with total page 396 pages. Available in PDF, EPUB and Kindle. Book excerpt: Off the Record is a revealing exploration of piano performing practices of the high Romantic era. Author and well-known keyboard player Neal Peres Da Costa bases his investigation on a range of early sound recordings (acoustic, piano roll and electric) that capture a generation of highly-esteemed pianists trained as far back as the mid-nineteenth-century. Placing general practices of late nineteenth-century piano performance alongside evidence of the stylistic idiosyncrasies of legendary pianists such as Carl Reinecke (1824-1910), Theodor Leschetizky (1830-1915), Camille Saint-Sa?ns (1838-1921) and Johannes Brahms (1833-1897), he examines prevalent techniques of the time--dislocation, unnotated arpeggiation, rhythmic alteration, tempo fluctuation--and unfolds the background and lineage of significant performer/pedagogues. Throughout, Peres Da Costa demonstrates that these early recordings do not simply capture the idiosyncrasies of aging musicians as has been commonly asserted, but in fact represent a range of established expressive practices of a lost age. An extensive collection of these fascinating and sometimes rare professional recordings of the Romantic age masters are available on a companion web site, and in addition, Peres Da Costa, himself a renowned period keyboardist, illustrates points made throughout the book with his own playing. Of essential value to student and professional pianists, historical musicologists of 19th and early 20th century performance practice, and also to the general music aficionado audience, Off the Record is an indispensable resource for scholarly research, performance inspiration, and listening enjoyment.

Download or read book Guide to the Pianist s Repertoire written by Maurice Hinson and published by Indiana University Press. This book was released on 2013-12-03 with total page 1215 pages. Available in PDF, EPUB and Kindle. Book excerpt: Guide to the Pianist's Repertoire continues to be the go-to source for piano performers, teachers, and students. Newly updated and expanded with more than 250 new composers, this incomparable resource expertly guides readers to solo piano literature and provides answers to common questions: What did a given composer write? What interesting work have I never heard of? How difficult is it? What are its special musical features? How can I reach the publisher? New to the fourth edition are enhanced indexes identifying black composers, women composers, and compositions for piano with live or recorded electronics; a thorough listing of anthologies and collections organized by time period and nationality, now including collections from Africa and Slovakia; and expanded entries to account for new material, works, and resources that have become available since the third edition, including websites and electronic resources. The "newest Hinson" will be an indispensible guide for many years to come.

Download or read book French Organ Music in the Reign of Louis XIV written by David Ponsford and published by Cambridge University Press. This book was released on 2011-06-16 with total page 341 pages. Available in PDF, EPUB and Kindle. Book excerpt: A radical new approach to French Baroque organ music in which developments in musical style are coupled to performance practice.

Download or read book Baroque Music written by Peter Walls and published by Routledge. This book was released on 2017-07-05 with total page 688 pages. Available in PDF, EPUB and Kindle. Book excerpt: Research in the 20th and 21st centuries into historical performance practice has changed not just the way performers approach music of the 17th and 18th centuries but, eventually, the way audiences listen to it. This volume, beginning with a 1915 Saint-Sa? lecture on the performance of old music, sets out to capture musicological discussion that has actually changed the way Baroque music can sound. The articles deal with historical instruments, pitch, tuning, temperament, the nexus between technique and style, vibrato, the performance implications of musical scores, and some of the vexed questions relating to rhythmic alteration. It closes with a section on the musicological challenges to the ideology of the early music movement mounted (principally) in the 1990s. Leading writers on historical performance practice are represented. Recognizing that significant developments in historically-inspired performance have been led by instrument makers and performers, the volume also contains representative essays by key practitioners.

Download or read book The Art of French Piano Music written by Roy Howat and published by Yale University Press. This book was released on 2009-08-11 with total page 417 pages. Available in PDF, EPUB and Kindle. Book excerpt: An essential resource for scholars and performers, this study by a world-renowned specialist illuminates the piano music of four major French composers, in comparative and reciprocal context. Howat explores the musical language and artistic ethos of this repertoire, juxtaposing structural analysis with editorial and performing issues. He also relates his four composers historically and stylistically to such predecessors as Chopin, Schumann, Liszt, the French harpsichord school, and Russian and Spanish music. Challenging long-held assumptions about performance practice, Howat elucidates the rhythmic vitality and invention inherent in French music. In granting Fauré and Chabrier equal consideration with Debussy and Ravel, he redresses a historic imbalance and reshapes our perceptions of this entire musical tradition. Outstanding historical documentation and analysis are supported by Howat’s direct references to performing traditions shaped by the composers themselves. The book balances accessibility with scholarly and analytic rigor, combining a lifetime’s scholarship with practical experience of teaching and the concert platform