Download or read book Palestrina and the German Romantic Imagination written by James Garratt and published by Cambridge University Press. This book was released on 2002-07-18 with total page 334 pages. Available in PDF, EPUB and Kindle. Book excerpt: Focusing on the reception of Palestrina, this bold interdisciplinary study explains how and why the works of a sixteenth-century composer came to be viewed as a paradigm for modern church music. It explores the diverse ways in which later composers responded to his works and style, and expounds a provocative model for interpreting compositional historicism. In addition to presenting insights into the works of Bruckner, Mendelssohn and Liszt, the book offers fresh perspectives on the institutional, aesthetic and ideological frameworks sustaining the cultivation of choral music in this period. This publication provides an overview and analysis of the relation between the Palestrina revival and nineteenth-century composition and it demonstrates that the Palestrina revival was just as significant for nineteenth-century culture as parallel movements in the other arts, such as the Gothic revival.
Download or read book Palestrina and the German Romantic Imagination written by James Garatt and published by . This book was released on 1999 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Medievalism and Nationalism in German Opera written by Michael S. Richardson and published by Routledge. This book was released on 2020-11-29 with total page 198 pages. Available in PDF, EPUB and Kindle. Book excerpt: Medievalism, or the reception or interpretation of the Middle Ages, was a prominent aesthetic for German opera composers in the first half of the nineteenth century. A healthy competition to establish a Germanic operatic repertory arose at this time, and fascination with medieval times served a critical role in shaping the desire for a unified national and cultural identity. Using operas by Weber, Schubert, Marshner, Wagner, and Schumann as case studies, Richardson investigates what historical information was available to German composers in their recreations of medieval music, and whether or not such information had any demonstrable effect on their compositions. The significant role that nationalism played in the choice of medieval subject matter for opera is also examined, along with how audiences and critics responded to the medieval milieu of these works. In this book, readers will gain a clear understanding of the rise of German opera in the early nineteenth century and the cultural and historical context in which this occurred. This book will also provide insight on the reception of medieval history and medieval music in nineteenth-century Germany, and will demonstrate how medievalism and nationalism were mutually reinforcing phenomena at this time and place in history.
Download or read book Brahms s A German Requiem written by R. Allen Lott and published by Eastman Studies in Music. This book was released on 2020 with total page 511 pages. Available in PDF, EPUB and Kindle. Book excerpt: Examines in detail the contexts of Brahms's masterpiece and demonstrates that, contrary to recent consensus, it was performed and received as an inherently Christian work during the composer's life.
Download or read book Verdi and the Germans written by Gundula Kreuzer and published by Cambridge University Press. This book was released on 2010-08-26 with total page 383 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book explores how the reception of Italian opera, epitomised by Verdi, influenced changing ideas of German musical and national identity.
Download or read book The Cambridge Companion to Music and Romanticism written by Benedict Taylor and published by Cambridge University Press. This book was released on 2021-08-26 with total page 403 pages. Available in PDF, EPUB and Kindle. Book excerpt: This Companion presents a new understanding of the relationship between music and culture in and around the nineteenth century, and encourages readers to explore what Romanticism in music might mean today. Challenging the view that musical 'romanticism' is confined to a particular style or period, it reveals instead the multiple intersections between the phenomenon of Romanticism and music. Drawing on a variety of disciplinary approaches, and reflecting current scholarly debates across the humanities, it places music at the heart of a nexus of Romantic themes and concerns. Written by a dynamic team of leading younger scholars and established authorities, it gives a state-of-the-art yet accessible overview of current thinking on this popular topic.
Download or read book Sacred and Secular Intersections in Music of the Long Nineteenth Century written by Eftychia Papanikolaou and published by Rowman & Littlefield. This book was released on 2022-06-21 with total page 439 pages. Available in PDF, EPUB and Kindle. Book excerpt: Sacred and Secular Intersections in Music of the Long Nineteenth Century: Church, Stage, and Concert Hall explores interconnections of the sacred and the secular in music and aesthetic debates of the long nineteenth century. The essays in this volume view the category of the sacred not as a monolithic attribute that applies only to music written for and performed in a religious ritual. Rather, the “sacred” is viewed as a functional as well as a topical category that enhances the discourse of cross-pollination of musical vocabularies between sacred and secular compositions, church and concert music. Using a variety of methodological approaches, the contributors articulate how sacred and religious identities coalesce, reconcile, fuse, or intersect in works from the long nineteenth century that traverse an array of genres and compositional styles.
Download or read book PALESTRINA FOR ALL written by Jonathan Boswell and published by eBook Partnership. This book was released on 2019-09-24 with total page 184 pages. Available in PDF, EPUB and Kindle. Book excerpt: This new book explores the music of the great composer Giovanni Pierluigi da Palestrina (1525-1594), its surrounding history and still unfolding potential. It follows the music from love poetry, through changing events in the Church Year, to the composer's record-breaking 104 Mass settings, uncovering many neglected treasures on the way. Its approach is accessible and largely non-technical. There is a focus on relationships with text, belief and ceremony, the individual melodic lines, and the richly interweaving voice parts (cantus, alto, tenor, bass). Not least, the author explores diverse ways - emotional, devotional, imaginative - of enjoying and responding to the music.Here is music which excels in differentiation, equality, consonance and cordiality between the voice parts. Much of it can be interpreted as symbolising ideal community and core beliefs about the eternal God There is a striking avoidance of tight metricality, mighty forces, tumult or disjunction. The music's leading values are those of clarity, balance, affectionate concord and graceful flowingness.{WHAT SOME LEADING PEOPLE ARE SAYING ABOUT THE BOOK}'Historian Jonathan Boswell has brought a lifetime's fascination with the life and music of Palestrina to bear in a new book, the first accessible general guide in English to appear for several decades' (Early Music Today, news, June 2019).'Worthy of its title ... well-chosen examples ... in every way a suitable introduction for music lovers of all descriptions' (Tamesis).'Anyone interested in exploring Palestrina should start with this account ... I very much applaud the author' (Peter Phillips, The Tallis Scholars).'So refreshing, so personal, so illuminating ... I loved this book' (Harry Christophers, The Sixteen).'A very valuable contribution to the field, and it will immensely enrich all those who engage with it' (Chiara Bertoglio, Professor of Musicology, University of Bologna).'Admirably illuminates the fervent response of a great musical poet to the emotion and theology of the sacred texts and liturgy'(Patrick Russill, Royal College of Music and The London Oratory).'A much needed book ... it's first class' (Andrew Carwood, St Paul's Cathedral and The Cardinall's Musick).{CHAPTER HEADINGS, 176 pages}1 - Prince of music ?2 - Palestrina in his own time3 - Love poetry and devotional diversities4 - Sorrow, suffering, hope and glory5 - A music of amity and ideal community6 - 'The quality of mercy': Kyrie eleison7 - Gloria and Credo8 - Controversies, choirs, conductors9 - Sounding the mystery: Sanctus and Benedictus10 - Peace and eternity: Agnus Dei Select bibliographyIndex of works referred toProduct description About the AuthorJonathan Boswell is a general historian whose projects have repeatedly defied narrow specialisation. Following periods in industry he became an academic, working successively at The City University Business School, St Antony's College Cambridge, and the Von Hugel Institute, St Edmund's College Cambridge. He has published books on business history and social ideas.Music has been a lifelong passion. A lover of Palestrina's music since early manhood, Jonathan later sang large quantitites of it in early music choral groups. He loves walking, TV, and chatting about books and current affairs. He lives with his wife in North London. For more about Jonathan and Palestrina for All visit www.jonathanboswell.co.uk
Download or read book The Polyphonic Mass in Early Lutheran Central Europe written by DR. ALANNA. ROPCHOCK TIERNO and published by Boydell & Brewer. This book was released on 2024-09-24 with total page 213 pages. Available in PDF, EPUB and Kindle. Book excerpt: Investigates the reception and performance history of the polyphonic mass in Lutheran Central Europe from ca. 1540-1600. The five-movement polyphonic Mass Ordinary emerged from the cultural and liturgical practices of medieval Roman Catholicism and became the pre-eminent large-scale musical genre of early modern Europe. By the end of the sixteenth century, the polyphonic mass remained a core musical genre among Catholics despite gaining widespread popularity within a new institution fundamentally opposed to the Catholic Church and best known for its cultivation of vernacular liturgical music: the Lutheran church. This book investigates the reception and performance history of the polyphonic mass in Lutheran Central Europe from ca. 1540-1600. Through careful source analysis, this study presents examples of polyphonic masses composed in both Lutheran and Catholic contexts that contradict the conventional conception of the Mass Ordinary as a fixed five-movement cycle with unaltered Latin texts. The book draws on sixteenth-century liturgical documents such as Lutheran church orders and hundreds of primary printed and manuscript sources of polyphonic masses; some of these items are well-known in Renaissance musicology source studies while others have received little to no scholarly attention. The book's findings invite reconsideration of how the Mass Ordinary genre is defined, allow for a discussion whether the polyphonic mass should be considered a bi-confessional genre, and present a cohesive examination of early modern liturgical music in the Germanic and western Slavic regions. It offers interesting reading to scholars and students of European Renaissance and religious music, as well as Reformation studies more generally.
Download or read book The Cambridge History of Nineteenth Century Music written by Jim Samson and published by Cambridge University Press. This book was released on 2001-12-03 with total page 796 pages. Available in PDF, EPUB and Kindle. Book excerpt: The most informed reference book on nineteenth-century music currently available, this comprehensive overview of music in the nineteenth century draws on the most recent scholarship in the field. Essays investigate the intellectual and socio-political history of the time, and examine topics such as nations and nationalism, the emergent concept of an avant garde, and musical styles and languages at the turn of the century. It contains a detailed chronology, and extensive glossaries.
Download or read book Brahms in the Priesthood of Art written by Laurie McManus and published by Oxford University Press. This book was released on 2021-01-05 with total page 277 pages. Available in PDF, EPUB and Kindle. Book excerpt: Brahms in the Priesthood of Art: Gender and Art Religion in the Nineteenth-Century German Musical Imagination explores the intersection of gender, art religion (Kunstreligion) and other aesthetic currents in Brahms reception of the nineteenth and early twentieth centuries. In particular, it focuses on the theme of the self-sacrificing musician devoted to his art, or "priest of music," with its quasi-mystical and German Romantic implications of purity seemingly at odds with the lived reality of Brahms's bourgeois existence. While such German Romantic notions of art religion informed the thinking on musical purity and performance, after the failed socio-political revolutions of 1848/49, and in the face of scientific developments, the very concept of musical priesthood was questioned as outmoded. Furthermore, its essential gender ambiguity, accommodating such performing mothers as Clara Schumann and Amalie Joachim, could suit the bachelor Brahms but leave the composer open to speculation. Supportive critics combined elements of masculine and feminine values with a muddled rhetoric of prophets, messiahs, martyrs, and other art-religious stereotypes to account for the special status of Brahms and his circle. Detractors tended to locate these stereotypes in a more modern, fin-de-siècle psychological framework that questioned the composer's physical and mental well-being. In analyzing these receptions side by side, this book revises the accepted image of Brahms, recovering lost ambiguities in his reception. It resituates him not only in a romanticized priesthood of art, but also within the cultural and gendered discourses overlooked by the absolute music paradigm.
Download or read book Allusion as Narrative Premise in Brahms s Instrumental Music written by Jacquelyn Sholes and published by Indiana University Press. This book was released on 2018-05-24 with total page 276 pages. Available in PDF, EPUB and Kindle. Book excerpt: Who inspired Johannes Brahms in his art of writing music? In this book, Jacquelyn E. C. Sholes provides a fresh look at the ways in which Brahms employed musical references to works of earlier composers in his own instrumental music. By analyzing newly identified allusions alongside previously known musical references in works such as the B-Major Piano Trio, the D-Major Serenade, the First Piano Concerto, and the Fourth Symphony, among others, Sholes demonstrates how a historical reference in one movement of a work seems to resonate meaningfully, musically, and dramatically with material in other movements in ways not previously recognized. She highlights Brahms's ability to weave such references into broad, movement-spanning narratives, arguing that these narratives served as expressive outlets for his complicated, sometimes conflicted, attitudes toward the material to which he alludes. Ultimately, Brahms's music reveals both the inspiration and the burden that established masters such as Domenico Scarlatti, J. S. Bach, Haydn, Mozart, Schubert, Schumann, Wagner, and especially Beethoven represented for him as he struggled to emerge with his own artistic voice and to define and secure his unique position in music history.
Download or read book Music Libraries and the Academy written by James P. Cassaro and published by A-R Editions, Inc.. This book was released on 2007-01-01 with total page 279 pages. Available in PDF, EPUB and Kindle. Book excerpt: This collection of articles dedicated to the memory of Lenore Coral divides into three sections that focus on her scholarly interests: music of the eighteenth century, music libraries and collections, and new approaches to the musical canon. Many of the seventeen contributions included in the volume are the result of the individual author's connection with Lenore, or were projects that she had been directly involved with, either as dissertation advisor, committee member, or interested observer. The senior scholars and music librarians represented here are testament to the impact of her intellect and influence.
Download or read book Medieval Music and the Art of Memory written by Anna Maria Busse Berger and published by University of California Press. This book was released on 2019-10-08 with total page 304 pages. Available in PDF, EPUB and Kindle. Book excerpt: Winner of the ASCAP Deems Taylor Award and Society of Music Theory's Wallace Berry Award This bold challenge to conventional notions about medieval music disputes the assumption of pure literacy and replaces it with a more complex picture of a world in which literacy and orality interacted. Asking such fundamental questions as how singers managed to memorize such an enormous amount of music and how music composed in the mind rather than in writing affected musical style, Anna Maria Busse Berger explores the impact of the art of memory on the composition and transmission of medieval music. Her fresh, innovative study shows that although writing allowed composers to work out pieces in the mind, it did not make memorization redundant but allowed for new ways to commit material to memory. Since some of the polyphonic music from the twelfth century and later was written down, scholars have long assumed that it was all composed and transmitted in written form. Our understanding of medieval music has been profoundly shaped by German philologists from the beginning of the last century who approached medieval music as if it were no different from music of the nineteenth century. But Medieval Music and the Art of Memory deftly demonstrates that the fact that a piece was written down does not necessarily mean that it was conceived and transmitted in writing. Busse Berger's new model, one that emphasizes the interplay of literate and oral composition and transmission, deepens and enriches current understandings of medieval music and opens the field for fresh interpretations.
Download or read book Franz Liszt written by Michael Saffle and published by Routledge. This book was released on 2009 with total page 538 pages. Available in PDF, EPUB and Kindle. Book excerpt: First published in 2009. Routledge is an imprint of Taylor & Francis, an informa company.
Download or read book Lutheran Music Culture written by Mattias Lundberg and published by Walter de Gruyter GmbH & Co KG. This book was released on 2021-10-25 with total page 332 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume presents a novel and distinct contribution to previous research on the rich Lutheran heritage of music. It builds upon a current surge of interest in the field, which resonates with a wider interest in connections between music and religion, as well as with cultural and aesthetic dimensions of faith at large. The book situates the topic in relation to recent developments within historical and cultural studies that have developed a more nuanced and positive view of the interplay between theologians and other cultural agents in the evolution of Western modernity during post Reformation processes of ‘confessionalization’. It combines conceptual discussions of key terms relevant to the study of the development and significance of an Early Modern Lutheran Music Culture with theological readings of central texts on music, analytic approaches to historical repertoires and material perspectives on its dissemination.
Download or read book Tanz und Musik written by Christelle Cazaux and published by Schwabe Verlag (Basel). This book was released on 2023-11-13 with total page 442 pages. Available in PDF, EPUB and Kindle. Book excerpt: Wie beeinflussen Tanzbewegungen die musikalische Spielweise? Und umgekehrt: Welche Wirkung hat die musikalische Interpretation auf die Ausführung einer Choreografie? Wie stehen tänzerische und melodische Phrasierung zueinander? Derlei Fragen zum Verhältnis von Tanz und Musik ergeben sich sowohl bei der praktischen Ausführung als auch bei der Erforschung historischer ‹Tanzmusik›. Entsprechend vielseitig sind die Zugänge, mit denen dieser interdisziplinäre Band ‹Tanzmusik› vom Mittelalter bis zur Romantik untersucht, kontextualisiert und im Sinne historischer Musikpraxis erschließt. Im Mittelpunkt steht die Wechselbeziehung zwischen Klang und Bewegung in verschiedenen historischen Repertoires, Gattungen und Formen.
