Download or read book The Origin of the German Carnival Comedy written by Maximilian Josef Rudwin and published by . This book was released on 1919 with total page 112 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book The Origin of the German Carnival Comedy written by Maximilian Josef Rudwin and published by Palala Press. This book was released on 2016-05-17 with total page 110 pages. Available in PDF, EPUB and Kindle. Book excerpt: This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Download or read book The Origin of the German Carnival Comedy written by Maximilian J B 1885 Rudwin and published by Palala Press. This book was released on 2015-09-06 with total page 104 pages. Available in PDF, EPUB and Kindle. Book excerpt: This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Download or read book The Origin of the German Carnival Comedy written by Maximilian Rudwin and published by CreateSpace. This book was released on 2015-01-03 with total page 96 pages. Available in PDF, EPUB and Kindle. Book excerpt: The purpose of this book is to show the growth of the Carnival comedy, the form which the secular drama assumed in medieval Germany, from its earliest beginnings to its culmination in the Fastnachtsspiele of Hans Sachs. It is generally assumed that the secular plays grew out of the comical scenes which had early been introduced into the serious plays. Dr. Rudwin claims an independent origin for the comedy. Just as the Church drama developed out of Christian worship, so the secular drama, the author maintains, originated in the heathen ritual. He then attempts to reconstruct the ancient pagan rites out of the few fragments which have persisted until the present day among the European peasants. He proceeds in much the same way as a scientist reconstructs a dynosaur from the most meagre osseous remains. It is a most ingenious work; and what surprising analogies the pagan beliefs and practices show to Christian creed and cult! This part of the book will interest chiefly the students of the history of religion. The Carnival, the author maintains, was not instituted by the Church. It is of pagan origin. The word "carnival" is not derived, as is generally assumed, from Latin carnem levare, the removal of flesh as food, but from carrus navalis, the ship-cart, which played a very important part in Carnival processions for centuries, and which may still be seen in the modern float. The ship had no relation to the sea, but was a symbol of femininity and hence of productivity. In addition to this ceremony were other charms intended to bring about, through "mimetic" magic, the revival of the earth-the death and resurrection of the fertility god, the burning or burying in effigy of Death or Winter, the bringing in of Life or Summer in a tree or branch procession, and the like. In all these magical rites we see the elements of drama, for the leaf-clad mummer is impersonating the vegetation demon. This masked performer the author considers as the originator of the rough and ready comedy of contemporary men and manners. Very soon the ritual acts, it is claimed, were supplemented by comical scenes in which certain individuals among the spectators were imitated. The Carnival comedy is of country origin, but developed as an art when it later came into the hands of the burghers. In the course of its development it absorbed all the ludi of the Feast of Fools and of the Feast of Boys, the spectacula of the medieval minstrel, the successor to the Roman mimus on the one hand and the Germanic scôp on the other, and was moreover influenced in its literary form by the Church play. This influence, however, was mutual. The sacred and secular plays of the Middle Ages influenced each other to such a degree that it is very difficult to state in definite terms on which side was the greater debt. The similarities between the two types of medieval drama became so great toward the end of the fifteenth century that they imperceptibly merged into each other. To draw a well-defined line of demarcation between the two would thus be a difficult task. -The Open Court, Volume 35 [1920]

Download or read book ORIGIN OF THE GERMAN CARNIVAL written by Maximilian Josef Rudwin and published by Forgotten Books. This book was released on 2016-09-08 with total page 100 pages. Available in PDF, EPUB and Kindle. Book excerpt: Excerpt from The Origin of the German Carnival Comedy Our hypothesis will also have served its purpose if it helps us understand better this unique phenomenon in the history of the German drama, the Carnival comedy of the fifteenth century. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Download or read book The Origin of the german carnival comedy written by Maximilian J. Rudwin and published by . This book was released on 1920 with total page 85 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Carnival in Germany written by Frederike Meyer and published by . This book was released on 2002 with total page 24 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book How does the Cologne Carnival in the 21st Century differ from its beginnings written by Nadine Mallmann and published by GRIN Verlag. This book was released on 2017-05-12 with total page 25 pages. Available in PDF, EPUB and Kindle. Book excerpt: Seminar paper from the year 2010 in the subject Cultural Studies - Empiric Cultural Studies, grade: 2,0, University of Bonn, language: English, abstract: "Kölle Alaaf" is the battle cry for the kickoff to the Cologne Carnival session. In the year 1733, Kölle Alaaf first appears as praise and drinking phrase. It means 'just Cologne'. In this essay, I will have a deeper look at the relation between the historical Cologne Carnival in its beginnings and the modern Carnival in 2010. For this, I will talk about the Carnival Session itself to demonstrate what the story is behind the six days of Carnival. The Thursday is no usual weekday anymore, but the start of a week in which Cologne is in an exceptional state. Furthermore, I would like to focus on the question of the roots of the Cologne Carnival and the misinterpretation thereof and how this is still common today. To compare the beginnings of the Cologne Carnival with the one today, one needs a historical point of view. Insofar, I have studied the history of the Cologne Carnival and examined the most significant events. My main attention lies with the human interaction and behavior, the exercised customs and the further development of the tradition of Cologne. At the end of my essay, I will show the main characters of the Cologne Carnival. This essay should answer the question of what the Cologne Carnival means today. The focus is on my main question “How does the Cologne Carnival in the 21st Century differ from its beginnings?” This essay leads you through the history of the Cologne Carnival and how its forms developed. The conclusion will give you an overview over my worked out insights.

Download or read book The Development of the Comic Figure in the German Drama from the Reformation to the Thirty Years War written by Wilhelma Charlotte Garvin and published by . This book was released on 1923 with total page 62 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book The Development of the Comic Figure in the German Drama From the Reformation to the Thirty Years War written by and published by Ardent Media. This book was released on with total page 70 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book The Drama Its History Literature and Influence on Civilization German drama written by Alfred Bates and published by . This book was released on 1903 with total page 370 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Origins Commodification and Significance of Berlin s Love Parade written by Florian Mayer and published by GRIN Verlag. This book was released on 2007-10 with total page 41 pages. Available in PDF, EPUB and Kindle. Book excerpt: Seminar paper from the year 2002 in the subject Cultural Studies - European Studies, grade: 1 (A), University of Leeds (Cultural Studies department), course: Carnival, 32 entries in the bibliography, language: English, abstract: Carnival, as an ideal type identified by Cohen, ′is a season of festive popular events that are characterized by revelry, playfulness, and overindulgence in eating, drinking and sex, culminating in one or two days of massive street processions by masqued individuals and groups, playing or dancing ecstatically to the accompaniment of loud and cheerful music. Also, every carnival is a place in which 'hegemonous and opposition political formations ...], alliance and enmity, consensus and conflict are expressed like a grand joking relationship'. In the light of this it is worthwhile to examine contemporary carnivals as movements of cultural production and places of cultural policy and contestation. In this case study the author focusses on a very recent offspring of carnival culture, which has in a short period of time outnumbered the traditional carnivals in London′s Notting Hill district and Trinidad, and has at one time been the biggest street dance event and youth meeting in the world. The Love Parade in Berlin, initially held as a birthday party for a Berlin DJ, Dr Motte (Mathias Roeingh) in 1989, has developed from an underground electronic dance music event (or better demonstration) and the voice of the (German) techno and rave scene, often referred to as ′Generation X′, to a mass event with 1.5 million visitors in 1999. Today, the parade, has been turned into a ′global brand′ with offshoot events held in Vienna, Mexico City, Leeds, Tel Aviv and plans for parades in Cape Town and Hong Kong. In the following the origins, the increasing commodification and the cultural as well as political significance of the Love Parade are being examined.

Download or read book Public Performances written by Jack Santino and published by University Press of Colorado. This book was released on 2017-12-15 with total page 313 pages. Available in PDF, EPUB and Kindle. Book excerpt: Public Performances offers a deep and wide-ranging exploration of relationships among genres of public performance and of the underlying political motivations they share. Illustrating the connections among three themes—the political, the carnivalesque, and the ritualesque—this volume provides rich and comprehensive insight into public performance as an assertion of political power. Contributors consider how public genres of performance express not only celebration but also dissent, grief, and remembrance; examine the permeability of the boundaries between genres; and analyze the approval or regulation of such events by municipalities and other institutions. Where the particular use of public space is not sanctioned or where that use meets with hostility from institutions or represents a critique of them, performers are effectively reclaiming public space to make public statements on their own terms—an act of popular sovereignty. Through these concepts, Public Performances distinguishes the sometimes overlapping dimensions of public symbolic display. Carnival, and thus the carnivalesque, is understood to possess tacit social permission for unconventional or even deviant performance, on the grounds that normal social order will resume when the performance concludes. Ritual, and the ritualesque, leverages a deeper symbolic sensibility, one believed—or at least intended—by the participants to effect transformative, longer-term change. Contributors: Roger D. Abrahams, John Borgonovo, Laurent Sébastien Fournier, Lisa Gilman, Barbara Graham, David Harnish, Samuel Kinser, Scott Magelssen, Elena Martinez, Pamela Moro, Beverly J. Stoeltje, Daniel Wojcik, Dorothy L. Zinn

Download or read book German literature pamphlets written by and published by . This book was released on 1902 with total page 602 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book This Carnival of Hell written by Richard A. Baumgartner and published by . This book was released on 2010-02 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book features first-person narratives of more than 85 participants and dozens of rare photographs. They offer snapshots of the Somme-fighter's reality, collectively illustrating what it was like for the German soldier at the apex of combat on the Western Front.

Download or read book History of the German People at the Close of the Middle Ages written by Johannes Janssen and published by . This book was released on 1907 with total page 428 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Otto H fler s Characterisation of the Germanic Peoples written by Courtney Marie Burrell and published by Walter de Gruyter GmbH & Co KG. This book was released on 2023-05-08 with total page 380 pages. Available in PDF, EPUB and Kindle. Book excerpt: Otto Höfler (1901–1987) was an Austrian Germanist and Scandinavist. His research on ‘Germanic culture’, in particular on Germanic Männerbünde (men’s bands), was controversial and remains a topic of academic debate. In modern discourse, Höfler’s theories are often fundamentally rejected on account of his involvement in the National Socialist movement and his contribution to the research initiatives of the SS Ahnenerbe, or they are adopted by scholars who ignore his problematic methodologies and the ideological and political elements of his work. The present study takes a comprehensive approach to Höfler’s research on ‘Germanic culture’ and analyses his characterisation of the ‘Germanic peoples’, contextualising his research in the backdrop of German philological studies of the early twentieth century and highlighting elements of his theories that are still the topic of modern academic discourse. A thorough analysis of his main research theses, focusing on his Männerbund-research, reveals that his concept of ‘Germanic culture’ is underscored by a belief in the deep-seated religiosity of the ‘Germanic peoples’ formed through sacred-daemonic forces.