Download or read book A Book of Old English Ballads written by George Wharton Edwards and published by IndyPublish.com. This book was released on 1896 with total page 252 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book A Book of Old English Love Songs written by Hamilton Wright Mabie and published by . This book was released on 1897 with total page 260 pages. Available in PDF, EPUB and Kindle. Book excerpt: Songs by a variety of English authors including Shakespeare, Ben Jonson, Thomas Dekker and Robert Herrick -- vendor's description.
Download or read book Old English Ballads and Folk Songs written by William Dallam Armes and published by . This book was released on 1904 with total page 290 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Old English Ballads 1553 1625 written by Hyder Edward Rollins and published by . This book was released on 1920 with total page 474 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Old English Ballads written by John Andrew Long and published by . This book was released on 1912 with total page 168 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book A Book of Old Ballads written by and published by . This book was released on 1880 with total page 52 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The New Penguin Book of English Folk Songs written by Julia Bishop and published by Penguin UK. This book was released on 2012-06-07 with total page 608 pages. Available in PDF, EPUB and Kindle. Book excerpt: One of the Spectator's Books of the Year 2012 'Farewell and adieu to you fair Spanish ladies Farewell and adieu to you ladies of Spain For we've received orders for to sail for old England But we hope in a short while to see you again' One of the great English popular art forms, the folk song can be painful, satirical, erotic, dramatic, rueful or funny. They have thrived when sung on a whim to a handful of friends in a pub; they have bewitched generations of English composers who have set them for everything from solo violin to full orchestra; they are sung in concerts, festivals, weddings, funerals and with nobody to hear but the singer. This magical new collection brings together all the classic folk songs as well as many lesser-known discoveries, complete with music and annotations on their original sources and meaning. Published in cooperation with the English Folk Dance and Song Society, it is a worthy successor to Ralph Vaughan Williams and A.L.Lloyd's original Penguin Book of English Folk Songs. 'Her keen eye did glitter like the bright stars by night The robe she was wearing was costly and white Her bare neck was shaded with her long raven hair And they called her pretty Susan, the pride of Kildare' In association with EFDSS, the English Folk Dance and Song Society
Download or read book Ancient Poems Ballads and Songs of the Peasantry of England written by Robert Bell and published by . This book was released on 1857 with total page 260 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Old English Ballads written by Francis Barton Gummere and published by . This book was released on 1903 with total page 488 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book A Book of Old English Ballads written by Various and published by DigiCat. This book was released on 2022-08-16 with total page 180 pages. Available in PDF, EPUB and Kindle. Book excerpt: DigiCat Publishing presents to you this special edition of "A Book of Old English Ballads" by Various. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.
Download or read book American Ballads and Folk Songs written by John A. Lomax and published by Courier Corporation. This book was released on 2013-07-24 with total page 719 pages. Available in PDF, EPUB and Kindle. Book excerpt: Music and lyrics for over 200 songs. John Henry, Goin' Home, Little Brown Jug, Alabama-Bound, Black Betty, The Hammer Song, Jesse James, Down in the Valley, The Ballad of Davy Crockett, and many more.
Download or read book The Book of Old English Ballads written by George Wharton Edwards and published by Library of Alexandria. This book was released on 2005-01-01 with total page 64 pages. Available in PDF, EPUB and Kindle. Book excerpt: Goethe, who saw so many things with such clearness of vision, brought out the charm of the popular ballad for readers of a later day in his remark that the value of these songs of the people is to be found in the fact that their motives are drawn directly from nature; and he added, that in the art of saying things compactly, uneducated men have greater skill than those who are educated. It is certainly true that no kind of verse is so completely out of the atmosphere of modern writing as the popular ballad. No other form of verse has, therefore, in so great a degree, the charm of freshness. In material, treatment, and spirit, these bat lads are set in sharp contrast with the poetry of the hour. They deal with historical events or incidents, with local traditions, with personal adventure or achievement. They are, almost without exception, entirely objective. Contemporary poetry is, on the other hand, very largely subjective; and even when it deals with events or incidents it invests them to such a degree with personal emotion and imagination, it so modifies and colours them with temperamental effects, that the resulting poem is much more a study of subjective conditions than a picture or drama of objective realities. This projection of the inward upon the outward world, in such a degree that the dividing line between the two is lost, is strikingly illustrated in Maeterlinck's plays. Nothing could be in sharper contrast, for instance, than the famous ballad of "The Hunting of the Cheviot" and Maeterlinck's "Princess Maleine." There is no atmosphere, in a strict use of the word, in the spirited and compact account of the famous contention between the Percies and the Douglases, of which Sir Philip Sidney said "that I found not my heart moved more than with a Trumpet." It is a breathless, rushing narrative of a swift succession of events, told with the most straight-forward simplicity. In the "Princess Maleine," on the other hand, the narrative is so charged with subjective feeling, the world in which the action takes place is so deeply tinged with lights that never rested on any actual landscape, that all sense of reality is lost. The play depends for its effect mainly upon atmosphere. Certain very definite impressions are produced with singular power, but there is no clear, clean stamping of occurrences on the mind. The imagination is skilfully awakened and made to do the work of observation. The note of the popular ballad is its objectivity; it not only takes us out of doors, but it also takes us out of the individual consciousness. The manner is entirely subordinated to the matter; the poet, if there was a poet in the case, obliterates himself. What we get is a definite report of events which have taken place, not a study of a man's mind nor an account of a man's feelings. The true balladist is never introspective; he is concerned not with himself but with his story. There is no self-disclosure in his song. To the mood of Senancour and Amiel he was a stranger. Neither he nor the men to whom he recited or sang would have understood that mood. They were primarily and unreflectively absorbed in the world outside of themselves. They saw far more than they meditated; they recorded far more than they moralized. The popular ballads are, as a rule, entirely free from didacticism in any form; that is one of the main sources of their unfailing charm. They show not only a childlike curiosity about the doings of the day and the things that befall men, but a childlike indifference to moral inference and justification. The bloodier the fray the better for ballad purposes; no one feels the necessity of apology either for ruthless aggression or for useless blood-letting; the scene is reported as it was presented to the eye of the spectator, not to his moralizing faculty. He is expected to see and to sing, not to scrutinize and meditate. In those rare cases in which a moral inference is drawn, it is always so obvious and elementary that it gives the impression of having been fastened on at the end of the song, in deference to ecclesiastical rather than popular feeling.
Download or read book Old Ballads written by Thomas Evans and published by . This book was released on 1810 with total page 426 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Book of Old English Ballads written by George Wharton Edwards and published by CreateSpace. This book was released on 2015-02-17 with total page 90 pages. Available in PDF, EPUB and Kindle. Book excerpt: Goethe, who saw so many things with such clearness of vision, brought out the charm of the popular ballad for readers of a later day in his remark that the value of these songs of the people is to be found in the fact that their motives are drawn directly from nature; and he added, that in the art of saying things compactly, uneducated men have greater skill than those who are educated. It is certainly true that no kind of verse is so completely out of the atmosphere of modern writing as the popular ballad. No other form of verse has, therefore, in so great a degree, the charm of freshness. In material, treatment, and spirit, these bat lads are set in sharp contrast with the poetry of the hour. They deal with historical events or incidents, with local traditions, with personal adventure or achievement.
Download or read book The Ballad and Oral Literature written by Joseph Harris and published by Harvard University Press. This book was released on 1991 with total page 334 pages. Available in PDF, EPUB and Kindle. Book excerpt: Francis James Child, compiler and editor of English and Scottish Popular Ballads, established the scholarly study of folk ballads in the English-speaking world. His successors at Harvard University, notably George Lyman Kittredge, Milman Parry, and Albert B. Lord, discovered new ways of relating ideas about sung narrative to the study of epic poetry and what has come to be called - oral literature. In this volume, 16 scholars from Europe and the United States offer original essays in the spirit of these pioneers. The topics of their studies include well-known Child ballads in their British and American forms; aspects of the oral literatures of France, Ireland, Scandinavia, medieval England, ancient Greece, and modern Egypt; and recent literary ballads and popular songs. Many of the essays evince a concern with the theoretical underpinnings of the study of folklore and literature, orality and literacy; and as a whole the volume re-establishes the European ballad in the wider context of oral literature. Among the contributors are Albert B. Lord, Bengt R. Jonsson, Gregory Nagy, David Buchan, Vesteinn Olason, and Karl Reichl.
Download or read book Popular British Ballads Ancient and Modern written by and published by . This book was released on 1894 with total page 326 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book A Book of Old English Ballads written by George Wharton Edwards and published by CreateSpace. This book was released on 2014-07-27 with total page 80 pages. Available in PDF, EPUB and Kindle. Book excerpt: Old English Ballads. A Classic Publication - Complete. A Top 100 Music Book of Historical Importance. A Book of Old English Ballads by George Wharton Edwards and an Introduction by Hamilton W. Mabie. Complete Edition containing over 25 traditional English Ballads including Chevy Chace, King Cophetua and the Beggar-Maid, King Leir and his Three Daughters, Fair Rosamond, Phillida and Corydon, Fair Margaret and Sweet William. This apparent arrest, in the ballad stage, of a story which seemed destined to become an epic, naturally suggests the vexed question of the author ship of the popular ballads. They are in a very real sense the songs of the people; they make no claim to individual authorship; on the contrary, the inference of what may be called community authorship is, in many instances, irresistible. They are the product of a social condition which, so to speak, holds song of this kind in solution; of an age in which improvisation, singing, and dancing are the most natural and familiar forms of expression. They deal almost without exception with matters which belong to the community memory or imagination; they constantly reappear with variations so noticeable as to indicate free and common handling of themes of wide local interest. All this is true of the popular ballad; but all this does not decisively settle the question of authorship. What share did the community have in the making of these songs, and what share fell to individual singers?
