Download or read book New Theatre Quarterly 39 Volume 10 Part 3 written by Clive Barker and published by Cambridge University Press. This book was released on 1994-09-15 with total page 100 pages. Available in PDF, EPUB and Kindle. Book excerpt: New Theatre Quarterly provides a lively international forum where theatrical scholarship and practice can meet, and where prevailing dramatic assumptions can be subjected to vigorous critical questioning. It shows that theatre history has a contemporary relevance.
Download or read book New Theatre Quarterly 51 Volume 13 Part 3 written by Clive Barker and published by Cambridge University Press. This book was released on 1997-11-06 with total page 108 pages. Available in PDF, EPUB and Kindle. Book excerpt: Provides an international forum where theatrical scholarship and practice can meet to question dramatic assumptions.
Download or read book New Theatre Quarterly 79 Volume 20 Part 3 written by Simon Trussler and published by Cambridge University Press. This book was released on 2005-03-21 with total page 100 pages. Available in PDF, EPUB and Kindle. Book excerpt: Provides an international forum where theatrical scholarship and practice can meet.
Download or read book New Theatre Quarterly 60 Volume 15 Part 4 written by Clive Barker and published by Cambridge University Press. This book was released on 2000-02-24 with total page 140 pages. Available in PDF, EPUB and Kindle. Book excerpt: New Theatre Quarterly provides an international forum where theatrical scholarship and practice can meet, and where prevailing dramatic assumptions can be subjected to vigorous critical questioning.
Download or read book New Theatre Quarterly 74 Volume 19 Part 2 written by Simon Trussler and published by Cambridge University Press. This book was released on 2003-09-11 with total page 108 pages. Available in PDF, EPUB and Kindle. Book excerpt: New Theatre Quarterly provides a lively international forum where theatrical scholarship and practice can meet, and where prevailing dramatic assumptions can be subjected to vigorous critical questioning. Articles in volume 74 include: Joan Littlewood's Key to Creativity: 'Go on Stage to Fail'; Grandfathers and Orphans: the Family Saga of European Theatre; Decoding Myths in the Nepalese Festival of Indra Jatra; Theatre in Education in Britain: Current Practice and Future Potential; From Object to Subject: the Israeli Theatre of the Battered Women; 'The Spirits Wouldn't Let Me Be Anything Else': Shamanic Dimensions in Theatre Practice Today; The Contaminated Audience: Researching Amateur Theatre in Wales before 1939.
Download or read book New Theatre Quarterly 68 Volume 17 Part 4 written by Clive Barker and published by Cambridge University Press. This book was released on 2002-01-28 with total page 108 pages. Available in PDF, EPUB and Kindle. Book excerpt: Provides an international forum where theatrical scholarship and practice can meet.
Download or read book New Theatre Quarterly 29 Volume 8 Part 1 written by Clive Barker and published by Cambridge University Press. This book was released on 1992-02-13 with total page 108 pages. Available in PDF, EPUB and Kindle. Book excerpt: One of a series discussing topics of interest in theatre studies from theoretical, methodological, philosophical and historical perspectives.
Download or read book New Theatre Quarterly 73 Volume 19 Part 1 written by Simon Trussler and published by Cambridge University Press. This book was released on 2003-08-25 with total page 98 pages. Available in PDF, EPUB and Kindle. Book excerpt: New Theatre Quarterly provides a lively international forum where theatrical scholarship and practice can meet, and where prevailing dramatic assumptions can be subjected to vigorous critical questioning. It shows that theatre history has a contemporary relevance, that theatre studies need a methodology, and that theatre criticism needs a language. Articles in volume 73 include: Performance, Embodiment, Voice: the Theatre/Dance Cross-overs of Dodin, Bausch, and Forsythe; The Performative Self: Improvisation for Self and Other; The Events of June 1848: the 'Monte Cristo' Riots and the Politics of Protest; Culture, Memory, and American Performer Training; 'The Maker and the Tool': Charles Parker, Documentary Performance, and the Search for a Popular Culture; Simple Pleasures: the Ten-Minute Play, Overnight Theatre, and the Decline of the Art of Storytelling; Archive or Memory? The Detritus of Live Performance; NTQ Reports and Announcements; NTQ Book Reviews.
Download or read book New Theatre Quarterly 36 Volume 9 Part 4 written by Clive Barker and published by Cambridge University Press. This book was released on 1993-12-16 with total page 100 pages. Available in PDF, EPUB and Kindle. Book excerpt: One of a series discussing topics of interest in theatre studies from theoretical, methodological, philosophical and historical perspectives.
Download or read book New Theatre Quarterly 43 Volume 11 Part 3 written by Clive Barker and published by Cambridge University Press. This book was released on 1995-11-16 with total page 98 pages. Available in PDF, EPUB and Kindle. Book excerpt: One of a series discussing topics of interest in theatre studies from theoretical, methodological, philosophical and historical perspectives.
Download or read book Rewriting the Nation written by Aleks Sierz and published by A&C Black. This book was released on 2011-01-16 with total page 289 pages. Available in PDF, EPUB and Kindle. Book excerpt: This is an essential guide for anyone interested in the best new British stage plays to emerge in the new millennium. For students of theatre studies and theatre-goers Rewriting the Nation: British Theatre Today is a perfect companion to Britain's burgeoning theatre writing scene. It explores the context from which new plays have emerged and charts the way that playwrights have responded to the key concerns of the decade and helped shape our sense of who we are. In recent years British theatre has seen a renaissance in playwriting accompanied by a proliferation of writing awards and new writing groups. The book provides an in-depth exploration of the industry and of the key plays and playwrights. It opens by defining what is meant by 'new writing' and providing a study of the leading theatres, such as the Royal Court, the Traverse, the Bush, the Hampstead and the National theatres, together with the London fringe and the work of touring companies. In the second part, Sierz provides a fascinating survey of the main issues that have characterised new plays in the first decade of the new century, such as foreign policy and war overseas, economic boom and bust, divided communities and questions of identity and race. It considers too how playwrights have re-examined domestic issues of family, of love, of growing up, and the fantasies and nightmares of the mind. Against the backdrop of economic, political and social change under New Labour, Sierz shows how British theatre responded to these changes and in doing so has been and remains deeply involved in the project of rewriting the nation.
Download or read book New Theatre Quarterly 28 Volume 7 Part 4 written by Clive Barker and published by Cambridge University Press. This book was released on 1992-02-06 with total page 110 pages. Available in PDF, EPUB and Kindle. Book excerpt: One of a series which discusses topics of interest in theatre studies from various perspectives. Part 28 includes discussions of 'Mother Courage' at the Citizens, 1990, by Margaret Eddershaw, and Wole Soyinka's 'Death and the King's Horseman', at the Royal Exchange, 1990, by Martin Banham.
Download or read book The Theater of Michel Vinaver written by David Bradby and published by University of Michigan Press. This book was released on 1993 with total page 196 pages. Available in PDF, EPUB and Kindle. Book excerpt: The first book-length study in English of contemporary French playwright Michel Vinaver
Download or read book Performing Archives Archives of Performance written by Gunhild Borggreen and published by Museum Tusculanum Press. This book was released on 2013-07-12 with total page 498 pages. Available in PDF, EPUB and Kindle. Book excerpt: Performing Archives/Archives of Performance contributes to the ongoing critical discussions of performance and its disappearance, of the ephemeral and its reproduction, of archives and mediatized recordings of liveness. The many contributions by excellent scholars and artists from a broad range of interdisciplinary fields as well as from various locations in research geographies demonstrate that despite the extensive discourse on the relationship between performance and the archive, inquiry into the productive tensions between ephemerality and permanence is by no means outdated or exhausted. New ways of understanding archives, history, and memory emerge and address theories of enactment and intervention, while concepts of performance constantly proliferate and enable a critical focus on archival residue. The contributions in Performing Archives/Archives of Performance cover philosophical inquiries as well as discussions of specific art works, performances, and archives.
Contributions by: Heike Roms, Amelia Jones, Julie Louise Bacon, Peter van der Meijden, Emma Willis, Rivka Syd Eisner, Rachel Fensham, Sarah Whatley, Tracy C. Davis, Barnaby King, Laura Luise Schultz, Malene Vest Hansen, Mette Sandbye, Bodil Marie Stavning Thomsen, Margeritha Sprio, Annelis Kuhlmann, Morten Søndergaard, Martha Wilson, Catherine Bagnall, Paul Clarke, Solveig Gade, Gunhild Borggreen, Rune Gade, Louise Wolthers, Mathias Danbolt, Marco Pustianaz.
Gunhild Borggreen is Associate Professor at the Department of Arts and Cultural Studies at the University of Copenhagen.
Rune Gade is Associate Professor at the Department of Arts and Cultural Studies at the University of Copenhagen.
Download or read book Thatcher s Theatre written by D. Keith Peacock and published by Bloomsbury Publishing USA. This book was released on 1999-03-30 with total page 244 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Thatcher administration of 1979 to 1990 had a profound and apparently lasting effect on British theatre and drama. It is now roughly a decade since the fall of Margaret Thatcher and, with the benefit of hindsight, it has become possible to disentangle fact from fantasy concerning her effect on the British theatre. During her administration, there was a significant cultural shift which affected drama in Britain. While some critics have argued that the theatre was simply affected by financial cutbacks in arts subsidies, this volume challenges that view. While it looks at the economic influence of Thatcher's policies, it also examines how her ideology shaped theatrical and dramatic discourse. It begins by defining Thatcherism and illustrating its cultural influence. It then examines the consequences of Thatcherite policies through the agency of the Arts Council of Great Britain. Having established this political and cultural environment, the book considers in detail the effect of Thatcher's administration on the subject-matter and dramatic and theatrical discourse of left-wing drama and on the subsidized political theatre companies which proliferated during the 1970s. Attention is then given to the development of constituency theatres, such as Women's and Black Theatre, which assumed an oppositional cultural stance and, in some cases, attempted to develop characteristic theatrical and dramatic discourses. The penultimate chapter deals with the effect of Thatcherite economic policy and ideology on new writing and performance, while the final chapter draws conclusions and suggests that the cultural shift perpetrated by the Thatcher regime has altered the status of subsidized theatre from an agency of cultural, spiritual, social, or psychological welfare to an entertainment industry which is viewed as largely irrelevant to the workings of society.
Download or read book Thinking Through Theatre and Performance written by Maaike Bleeker and published by Bloomsbury Publishing. This book was released on 2019-02-07 with total page 337 pages. Available in PDF, EPUB and Kindle. Book excerpt: Thinking Through Theatre and Performance presents a bold and innovative approach to the study of theatre and performance. Instead of topics, genres, histories or theories, the book starts with the questions that theatre and performance are uniquely capable of asking: How does theatre function as a place for seeing and hearing? How do not only bodies and voices but also objects and media perform? How do memories, emotions and ideas continue to do their work when the performance is over? And how can theatre and performance intervene in social, political and environmental structures and frameworks? Written by leading international scholars, each chapter of this volume is built around a key performance example, and detailed discussions introduce the methodologies and theories that help us understand how these performances are practices of enquiry into the world. Thinking through Theatre and Performance is essential for those involved in making, enjoying, critiquing and studying theatre, and will appeal to anyone who is interested in the questions that theatre and performance ask of themselves and of us.
Download or read book Representing Shakespeare written by Robert Shaughnessy and published by Routledge. This book was released on 2014-07-15 with total page 241 pages. Available in PDF, EPUB and Kindle. Book excerpt: This text traces the changing theatrical and cultural identity of the History plays in the context of postwar social and political conflict, crisis and change. Since the company's inception in the early 1960s, the RSC's commitment to relevance has fostered close relationships between Shakespearean criticism and performance, and between the theatre and its audiences. Through a detailed discussion of key productions, from "The War of the Roses" in 1963 to "The Plantegenets" in 1988, Robert Shaughnessy emphasizes the political dimension of contemporary theatrical representations of Shakespeare, and of the "Shakespearean" modes of history that these plays have been employed to promote; individualist, cyclical, male-dominated, and driven by essentialised, transcendent human nature.
