Download or read book Nazi Propaganda Films written by Rolf Giesen and published by McFarland. This book was released on 2015-09-11 with total page 296 pages. Available in PDF, EPUB and Kindle. Book excerpt: Hitler and the Nazis saturated their country with many types of propaganda to convince the German citizenry that the Nazi ideology was the only ideology. One type of propaganda that the Nazis relied on heavily was cinematic. This work focuses on Nazi propaganda feature films and feature-length documentaries made in Germany between 1933 and 1945 and released to the public. Some of them were Staatsauftragsfilme, films produced by order of and financed by the Third Reich. The films are arranged by subject and then alphabetically, and complete cast and production credits are provided for each. Short biographies of actors, directors, producers, and other who were involved in the making of Nazi propaganda films are also provided.
Download or read book Propaganda and the German Cinema 1933 1945 written by David Welch and published by Bloomsbury Publishing. This book was released on 2001-03-23 with total page 329 pages. Available in PDF, EPUB and Kindle. Book excerpt: This is the most comprehensive analysis to date of Nazi film propaganda in its political, social, and economic contexts, from the pre-war cinema as it fell under the control of the Propaganda Minister, Joseph Goebbels, through to the end of the Second World War. David Welch studies more than one hundred films of all types, identifying those aspects of Nazi ideology that were concealed in the framework of popular entertainment.
Download or read book The Triumph of Propaganda written by Hilmar Hoffmann and published by Berghahn Books. This book was released on 1996 with total page 276 pages. Available in PDF, EPUB and Kindle. Book excerpt: Seeing German film during the Third Reich as a powerful and sinister tool for both indoctrination and escapist pacification, analyses the pictorial and spoken language to identify the psychological techniques used in the various genres, including news reels, documentaries, features, and cultural films. Two chapters focus on the role of flags, and another explains the rise of Hitler. Not illustrated. No subject index. First published as Und die Fahne fuhrt uns in die Ewigkeit in 1988 by Fischer Taschenbuch Verlag in Frankfurt am Main. Annotation copyright by Book News, Inc., Portland, OR
Download or read book Nazi Film Melodrama written by Laura Heins and published by University of Illinois Press. This book was released on 2013-09-16 with total page 257 pages. Available in PDF, EPUB and Kindle. Book excerpt: Cultural productions in the Third Reich often served explicit propaganda functions of legitimating racism and glorifying war and militarism. Likewise, the proliferation of domestic and romance films in Nazi Germany also represented an ideological stance. Rather than reinforcing traditional gender role divisions and the status quo of the nuclear family, these films were much more permissive about desire and sexuality than previously assumed. Focusing on German romance films, domestic melodramas, and home front films from 1933 to 1945, Nazi Film Melodrama shows how melodramatic elements in Nazi cinema functioned as part of a project to move affect, body, and desire beyond the confines of bourgeois culture and participate in a curious modernization of sexuality engineered to advance the imperialist goals of the Third Reich. Offering a comparative analysis of Nazi productions with classical Hollywood films of the same era, Laura Heins argues that German fascist melodramas differed from their American counterparts in their negative views of domesticity and in their use of a more explicit antibourgeois rhetoric. Nazi melodramas, film writing, and popular media appealed to viewers by promoting liberation from conventional sexual morality and familial structures, presenting the Nazi state and the individual as dynamic and revolutionary. Some spectators objected to the eroticization and modernization of the public sphere under Nazism, however, pitting Joseph Goebbels' Ministry of Propaganda against more conservative film audiences in a war over the very status of domesticity and the shape of the family. Drawing on extensive archival research, this perceptive study highlights the seemingly contradictory aspects of gender representation and sexual morality in Nazi-era cinema.
Download or read book Nazi Films in America 1933 1942 written by Harry Waldman and published by McFarland. This book was released on 2020-08-05 with total page 748 pages. Available in PDF, EPUB and Kindle. Book excerpt: From 1933 until America's entry into World War II in 1941, nearly 500 Nazi films were shown in American theaters, accounting for nearly half of all foreign language film imports during the period. These poorly disguised propaganda films were produced by Germany's top studios and featured prominent pro-German and Nazi actors, directors and technicians. The films were replete with overt and covert anti-Jewish imagery and themes, but in spite of this obvious intent to use the medium to justify Nazi ascendancy, viewers and film critics from such prominent publications as the New York Times, Variety, the Washington Post and the Chicago Times consistently overlooked the films' anti-Semitic message, dubbing them harmless entertainment. This is the complete history of German films shown in America from the founding of the Nazi government to America's involvement in the war. Summaries, descriptions and discussions of these almost 500 films serve to examine the major filmmakers and distributors who kept the German film industry alive during the rule of Hitler and the Third Reich. Special emphasis is placed on films directly commissioned by Joseph Goebbels, head of the German Ministry for the Enlightenment of the People and Propaganda and the man directly responsible for ensuring that the anti-Semitic ideology of the new regime was reflected in all films produced after January 30, 1933. Rarely seen photographs and illustrations complete an in-depth study of the Nazi use of this global medium.
Download or read book Film Propaganda in Britain and Nazi Germany written by Jo Fox and published by Bloomsbury Publishing PLC. This book was released on 2007 with total page 372 pages. Available in PDF, EPUB and Kindle. Book excerpt: Publisher description
Download or read book Hitler and Film written by Bill Niven and published by Yale University Press. This book was released on 2018-04-24 with total page 321 pages. Available in PDF, EPUB and Kindle. Book excerpt: An exposé of Hitler’s relationship with film and his influence on the film industry A presence in Third Reich cinema, Adolf Hitler also personally financed, ordered, and censored films and newsreels and engaged in complex relationships with their stars and directors. Here, Bill Niven offers a powerful argument for reconsidering Hitler’s fascination with film as a means to further the Nazi agenda. In this first English-language work to fully explore Hitler’s influence on and relationship with film in Nazi Germany, the author calls on a broad array of archival sources. Arguing that Hitler was as central to the Nazi film industry as Goebbels, Niven also explores Hitler’s representation in Third Reich cinema, personally and through films focusing on historical figures with whom he was associated, and how Hitler’s vision for the medium went far beyond “straight propaganda.” He aimed to raise documentary film to a powerful art form rivaling architecture in its ability to reach the masses.
Download or read book The Courage to Care written by Carol Rittner and published by NYU Press. This book was released on 1989-02 with total page 180 pages. Available in PDF, EPUB and Kindle. Book excerpt: The extraordinary story of a few non-Jews who risked their lives to rescue and protect Jews from Nazi persecution in Europe during World War II is told in The Courage to Care. It features the first person accounts of rescuers and of survivors whose stories address the basic issue of individual responsibility: the notion that one person can act—and that those actions can make a difference. These rescuers are true heroes, but modest ones. They did a thousand ordinary things—opening doors, hiding and feeding strangers, keeping secrets—in an extraordinary time. For this, they are known as "Righteous Among the Nations of the World." The rescuers and survivors are from many countries in Europe—Italy, the Netherlands, Denmark, Norway, France, Bulgaria, Poland, Germany—and they tell their stories with simplicity and dignity. Each story is interwoven with old snapshots of rescuers and survivors, their homes, their hiding places, and the communities in which they lived. Noted author, teacher, and human rights activist, Elie Wiesel, helps us to ask: "what made these people different?" He points out how those who helped Jews during the Holocaust "changed history" by their actions. The Courage to Care reminds readers of the power of individual action. This compelling book is the companion volume to the award-winning film, The Courage to Care, and includes the personal narratives of the same persons in the film and many others.
Download or read book Hollywood and Hitler 1933 1939 written by Thomas Doherty and published by Columbia University Press. This book was released on 2013-04-02 with total page 449 pages. Available in PDF, EPUB and Kindle. Book excerpt: Between 1933 and 1939, representations of the Nazis and the full meaning of Nazism came slowly to Hollywood, growing more ominous and distinct only as the decade wore on. Recapturing what ordinary Americans saw on the screen during the emerging Nazi threat, Thomas Doherty reclaims forgotten films, such as Hitler's Reign of Terror (1934), a pioneering anti-Nazi docudrama by Cornelius Vanderbilt Jr.; I Was a Captive of Nazi Germany (1936), a sensational true tale of "a Hollywood girl in Naziland!"; and Professor Mamlock (1938), an anti-Nazi film made by German refugees living in the Soviet Union. Doherty also recounts how the disproportionately Jewish backgrounds of the executives of the studios and the workers on the payroll shaded reactions to what was never simply a business decision. As Europe hurtled toward war, a proxy battle waged in Hollywood over how to conduct business with the Nazis, how to cover Hitler and his victims in the newsreels, and whether to address or ignore Nazism in Hollywood feature films. Should Hollywood lie low, or stand tall and sound the alarm? Doherty's history features a cast of charismatic personalities: Carl Laemmle, the German Jewish founder of Universal Pictures, whose production of All Quiet on the Western Front (1930) enraged the nascent Nazi movement; Georg Gyssling, the Nazi consul in Los Angeles, who read the Hollywood trade press as avidly as any studio mogul; Vittorio Mussolini, son of the fascist dictator and aspiring motion picture impresario; Leni Riefenstahl, the Valkyrie goddess of the Third Reich who came to America to peddle distribution rights for Olympia (1938); screenwriters Donald Ogden Stewart and Dorothy Parker, founders of the Hollywood Anti-Nazi League; and Harry and Jack Warner of Warner Bros., who yoked anti-Nazism to patriotic Americanism and finally broke the embargo against anti-Nazi cinema with Confessions of a Nazi Spy (1939).
Download or read book Entertaining the Third Reich written by Linda Schulte-Sasse and published by Duke University Press. This book was released on 1996 with total page 372 pages. Available in PDF, EPUB and Kindle. Book excerpt: On Nazi cinema
Download or read book Antisemitism in Film Comedy in Nazi Germany written by Valerie Weinstein and published by Indiana University Press. This book was released on 2019-03-05 with total page 298 pages. Available in PDF, EPUB and Kindle. Book excerpt: Today many Germans remain nostalgic about "classic" film comedies created during the 1930s, viewing them as a part of the Nazi era that was not tainted with antisemitism. In Antisemitism in Film Comedy in Nazi Germany, Valerie Weinstein scrutinizes these comic productions and demonstrates that film comedy, despite its innocent appearance, was a critical component in the effort to separate "Jews" from "Germans" physically, economically, and artistically. Weinstein highlights how the German propaganda ministry used directives, pre- and post-production censorship, financial incentives, and influence over film critics and their judgments to replace Jewish "wit" with a slower, simpler, and more direct German "humor" that affirmed values that the Nazis associated with the Aryan race. Through contextualized analyses of historical documents and individual films, Weinstein reveals how humor, coded hints and traces, absences, and substitutes in Third Reich film comedy helped spectators imagine an abstract "Jewishness" and a "German" identity and community free from the former. As resurgent populist nationalism and overt racism continue to grow around the world today, Weinstein's study helps us rethink racism and prejudice in popular culture and reconceptualize the relationships between film humor, national identity, and race.
Download or read book Holocaust and Human Behavior written by Facing History and Ourselves and published by Facing History & Ourselves National Foundation, Incorporated. This book was released on 2017-03-24 with total page 734 pages. Available in PDF, EPUB and Kindle. Book excerpt: Holocaust and Human Behavior uses readings, primary source material, and short documentary films to examine the challenging history of the Holocaust and prompt reflection on our world today
Download or read book Ministry of Illusion written by Eric Rentschler and published by Harvard University Press. This book was released on 1996-10 with total page 480 pages. Available in PDF, EPUB and Kindle. Book excerpt: Overview of Nazi cinema
Download or read book Popular Cinema of the Third Reich written by Sabine Hake and published by University of Texas Press. This book was released on 2001 with total page 292 pages. Available in PDF, EPUB and Kindle. Book excerpt: Too often dismissed as escapist entertainment or vilified as mass manipulation, popular cinema in the Third Reich was in fact sustained by well-established generic conventions, cultural traditions, aesthetic sensibilities, social practices, and a highly developed star system—not unlike its Hollywood counterpart in the 1930s. This pathfinding study contributes to the ongoing reassessment of Third Reich cinema by examining it as a social, cultural, economic, and political practice that often conflicted with, contradicted, and compromised the intentions of the Propaganda Ministry. Nevertheless, by providing the illusion of a public sphere presumably free of politics, popular cinema helped to sustain the Nazi regime, especially during the war years. Rather than examining Third Reich cinema through overdetermined categories such as propaganda, ideology, or fascist aesthetics, Sabine Hake concentrates on the constituent elements shared by most popular cinemas: famous stars, directors, and studios; movie audiences and exhibition practices; popular genres and new trends in set design; the reception of foreign films; the role of film criticism; and the representation of women. She pays special attention to the forced coordination of the industry in 1933, the changing demands on cinema during the war years, and the various ways of coming to terms with these filmic legacies after the war. Throughout, Hake's findings underscore the continuities among Weimar, Third Reich, and post-1945 West German cinema. They also emphasize the codevelopment of German and other national cinemas, especially the dominant Hollywood model.
Download or read book State of Deception written by Susan Bachrach and published by National Geographic Books. This book was released on 2017-05-30 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: A history of Nazi propaganda based on never-before-published posters, rare photographs, and historical artifacts from the USHMM’s groundbreaking exhibition. “Propaganda,” Adolf Hitler wrote in 1924, “is a truly terrible weapon in the hands of an expert.” State of Deception: The Power of Nazi Propaganda documents how, in the 1920s and 1930s, the Nazi Party used posters, newspapers, rallies, and the new technologies of radio and film to sway millions with its vision for a new Germany—reinforced by fear-mongering images of state “enemies.” These images promoted indifference toward the suffering of neighbors, disguised the regime’s genocidal actions, and insidiously incited ordinary people to carry out or tolerate mass violence.The United States Holocaust Memorial Museum is addressing this topic today because, in an age of instant electronic communication, disseminators of messages and images of intolerance and hate have new tools, while at the same time consumers seem less able to cope with the vast amounts of unmediated information bombarding them daily. It is hoped that a deeper understanding of the complexities of the past may help us respond more effectively to today’s propaganda campaigns and biased messages.
Download or read book Leni Riefenstahl written by Leni Riefenstahl and published by Macmillan. This book was released on 1995-01-15 with total page 734 pages. Available in PDF, EPUB and Kindle. Book excerpt: Leni Riefenstahl is best known as director of Triumph of the Will, a film of a Nazi Party Rally, and Olympia, the classic account of the 1936 Berlin Olympics. In this memoir, the author finally discusses her motivations, her history, her important friendships, and, most of all, her art. 40 pages of black-and-white photos.
Download or read book Berlin Diary written by William L. Shirer and published by Rosetta Books. This book was released on 2011-10-23 with total page 626 pages. Available in PDF, EPUB and Kindle. Book excerpt: The author of the international bestseller The Rise and Fall of the Third Reich offers a personal account of life in Nazi Germany at the start of WWII. By the late 1930s, Adolf Hitler, Führer of the Nazi Party, had consolidated power in Germany and was leading the world into war. A young foreign correspondent was on hand to bear witness. More than two decades prior to the publication of his acclaimed history, The Rise and Fall of the Third Reich, William L. Shirer was a journalist stationed in Berlin. During his years in the Nazi capital, he kept a daily personal diary, scrupulously recording everything he heard and saw before being forced to flee the country in 1940. Berlin Diary is Shirer’s first-hand account of the momentous events that shook the world in the mid-twentieth century, from the annexation of Austria and Czechoslovakia to the fall of Poland and France. A remarkable personal memoir of an extraordinary time, it chronicles the author’s thoughts and experiences while living in the shadow of the Nazi beast. Shirer recalls the surreal spectacles of the Nuremberg rallies, the terror of the late-night bombing raids, and his encounters with members of the German high command while he was risking his life to report to the world on the atrocities of a genocidal regime. At once powerful, engrossing, and edifying, William L. Shirer’s Berlin Diary is an essential historical record that illuminates one of the darkest periods in human civilization.
