Download or read book A Performer s Guide to Seventeenth Century Music written by Stewart Carter and published by Indiana University Press. This book was released on 2012-03-21 with total page 558 pages. Available in PDF, EPUB and Kindle. Book excerpt: Revised and expanded, A Performer's Guide to Seventeenth Century Music is a comprehensive reference guide for students and professional musicians. The book contains useful material on vocal and choral music and style; instrumentation; performance practice; ornamentation, tuning, temperament; meter and tempo; basso continuo; dance; theatrical production; and much more. The volume includes new chapters on the violin, the violoncello and violone, and the trombone—as well as updated and expanded reference materials, internet resources, and other newly available material. This highly accessible handbook will prove a welcome reference for any musician or singer interested in historically informed performance.
Download or read book The Cambridge History of Seventeenth Century Music written by Tim Carter and published by Cambridge University Press. This book was released on 2005-12-22 with total page 636 pages. Available in PDF, EPUB and Kindle. Book excerpt: First published in 2005, this title provides extensive knowledge on seventeenth-century music.
Download or read book The Evolution of Organ Music in the 17th Century written by John R. Shannon and published by McFarland. This book was released on 2014-01-10 with total page 316 pages. Available in PDF, EPUB and Kindle. Book excerpt: The 17th century was the century of the organ in much the same way the 19th century was the century of the piano. Almost without exception, the major composers of the century wrote for the instrument, and most of them were practicing organists themselves. This historical book surveys, analyzes, and discusses the major national styles of 17th century European organ music. Due to the extraordinarily extensive body of literature produced during this 100-year period, this text includes 350 musical examples to illustrate the various styles. The book also includes brief discussions of the various national styles of organ building, an appendix about the various notational methods used in the 17th century, and a chapter on Spain and Portugal written by Andre Lash, an expert on the subject.
Download or read book Desire and Pleasure in Seventeenth Century Music written by Susan McClary and published by Univ of California Press. This book was released on 2012-03-06 with total page 239 pages. Available in PDF, EPUB and Kindle. Book excerpt: In this book, Susan McClary examines the mechanisms through which seventeenth-century musicians simulated extreme affective states—desire, divine rapture, and ecstatic pleasure. She demonstrates how every major genre of the period, from opera to religious music to instrumental pieces based on dances, was part of this striving for heightened passions by performers and listeners. While she analyzes the social and historical reasons for the high value placed on expressive intensity in both secular and sacred music, and she also links desire and pleasure to the many technical innovations of the period. McClary shows how musicians—whether working within the contexts of the Reformation or Counter-Reformation, Absolutists courts or commercial enterprises in Venice—were able to manipulate known procedures to produce radically new ways of experiencing time and the Self.
Download or read book Music Science and Natural Magic in Seventeenth century England written by Penelope Gouk and published by . This book was released on 1999 with total page 308 pages. Available in PDF, EPUB and Kindle. Book excerpt: The role of natural magic in the rise of seventeenth-century experimental science has been the subject of lively controversy for several decades. Now Penelope Gouk introduces a new element into the debate: how music mediated between these two domains. Arguing that changing musical practice in sixteenth-century Europe affected seventeenth-century English thought on science and magic, she maps the various relationships among these apparently separate disciplines.Gouk explores these relationships in several ways. She adopts the methods of social geography to discuss the disciplinary, social, and intellectual overlapping of music, science, and natural magic. She gives a historical account of the emergence of acoustics in English science, the harmonically based physics of Robert Hooke, and the position of harmonics within Newton's transformation of natural philosophy. And she provides a gallery of images in which contemporary representations of instruments, practices, and concepts demonstrate the way in which,musical models informed and transformed those of natural philosophy. Gouk shows that as the "occult" features of music became subject to the new science of experimentation, and as their causes became evident, so natural magic was pushed outside the realms of scientific discourse.
Download or read book Music Theory in Seventeenth century England written by Rebecca Herissone and published by Oxford University Press, USA. This book was released on 2000 with total page 354 pages. Available in PDF, EPUB and Kindle. Book excerpt: Thus, over the course of the seventeenth century, there occurred a complete transformation in almost every aspect of theory: by the 1720s, many of the principles being described bore close relation to those still used today. Nowhere was this metamorphosis clearer than in England where, because of a traditional emphasis on practicality, there was much more willingness to accept and encourage new theoretical ideas than on the continent.
Download or read book Music in the Seventeenth Century written by Lorenzo Bianconi and published by Cambridge University Press. This book was released on 1987-11-26 with total page 364 pages. Available in PDF, EPUB and Kindle. Book excerpt: Examines musical life in the seventeenth century, a period of profound change in the history of music.
Download or read book European Music 1520 1640 written by James Haar and published by Boydell Press. This book was released on 2006 with total page 606 pages. Available in PDF, EPUB and Kindle. Book excerpt: The sixteenth and early seventeenth centuries - the so-called Golden Age of Polyphony - represent a time of great change and development in European music, with the flourishing of Orlando di Lasso, Palestrina, Byrd, Victoria, Monteverdi and Schütz among others. The thirty chapters of this book, contributed by established scholars on subjects within their fields of expertise, deal with polyphonic music - sacred and secular, vocal and instrumental - during this period. The volume offers chronological surveys of national musical cultures (in Italy, France, the Netherlands, Germany, England, and Spain); genre studies (Mass, motet, madrigal, chanson, instrumental music, opera); and is completed with essays on intellectual and cultural developments and concepts relevant to music (music theory, printing, the Protestant Reformation and the corresponding Catholic movement, humanism, concepts of 'Renaissance' and 'Baroque'). It thus provides a complete overview of the music and its context. Contributors: GARY TOMLINSON, JAMES HAAR, TIM CARTER, GIULIO ONGARO, NOEL O'REGAN, ALLAN ATLAS, ANTHONY CUMMINGS, RICHARD FREEDMAN, JEANICE BROOKS, DAVID TUNLEY, KATE VAN ORDEN, KRISTINE FORNEY, IAIN FENLON, KAROL BERGER, PETER BERGQUIST, DAVID CROOK, ROBIN LEAVER, CRAIG MONSON, TODD BORGERDING, LOUISE K. STEIN, GIUSEPPE GERBINO, ROGER BRAY, JONATHAN WAINWRIGHT, VICTOR COELHO, KEITH POLK
Download or read book Passaggio in Italia written by Dinko Fabris and published by . This book was released on 2015 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Travellers on the Grand Tour came to Italy to see antiquities as well as paintings, flora, and fortifications. They also encountered the most modern Italian music - for concertos, sonatas, operas, oratorios, and cantatas were all invited in the course of the seventeenth century. Passaggio in Italia traces the musical experiences of visitors to Italy, from a Frenchman present at the birth of monody in Florence, a Spaniard attending the public opera theatre in Venice, a Dutchman attending a Roman oratorio, to a Russian describing an organ in Padua and open-air music on the Bay of Naples. The itinerary includes a look at Barbara Strozzi singing for the men of a Venetian academy, the Dutch composer Constantin Huygens absorbing the new Italian music, and listening to Corelli in terms of late Roman Baroque architecture. Music herself travels between Italy and Spain and north to the Netherlands via performers or by print. Also inspired by the five Baroque operas and a Stradella oratorio that were presented for the Early Music Festival Utrecht in 2006, the book gives views onto the lives of the composers Francesco Lucio and Cavalli in Venice, travelling players in Venetian opera, Marazzoli's La Vita humana, and the changing nature of the oratorio in Rome."--Page 4 de la couverture.
Download or read book Music in Seventeenth century Naples written by Dinko Fabris and published by Ashgate Publishing, Ltd.. This book was released on 2007 with total page 364 pages. Available in PDF, EPUB and Kindle. Book excerpt: Dinko Fabris draws on newly discovered archival documents to reconstruct the career of Francesco Provenzale (1624-1704) who became the leader of his musical world, despite his relatively small musical output. The book examines Provenzale's surviving works alongside those of his most important Neapolitan contemporaries. Fabris provides both a life and works study of Provenzale and a conspectus of Neapolitan musical life of the seventeenth century.
Download or read book A History of Baroque Music written by George J. Buelow and published by Indiana University Press. This book was released on 2004-11-23 with total page 732 pages. Available in PDF, EPUB and Kindle. Book excerpt: "A History of Baroque Music is a detailed treatment of the music of the Baroque era, with particular focus on the seventeenth century. The author's approach is a history of musical style with an emphasis on musical scores. The book is divided initially by time period into early and later Baroque (1600-1700 and 1700-1750 respectively), and secondarily by country and composer. An introductory chapter discusses stylistic continuity with the late Renaissance and examines the etymology of the term "Baroque." The concluding chapter on the composer Telemann addresses the stylistic shift that led to the end of the Baroque and the transition into the Classical period."--Jacket.
Download or read book Buildings for Music written by Michael Forsyth and published by CUP Archive. This book was released on 1985 with total page 410 pages. Available in PDF, EPUB and Kindle. Book excerpt: The book focuses on how musical taste and style affected architecture and acoustics influenced musical composition.
Download or read book Opera in Seventeenth Century Venice written by Ellen Rosand and published by Univ of California Press. This book was released on 2007-10-09 with total page 712 pages. Available in PDF, EPUB and Kindle. Book excerpt: "In this elegantly constructed study of the early decades of public opera, the conflicts and cooperation of poets, composers, managers, designers, and singers—producing the art form that was soon to sweep the world and that has been dominant ever since—are revealed in their first freshness."—Andrew Porter "This will be a standard work on the subject of the rise of Venetian opera for decades. Rosand has provided a decisive contribution to the reshaping of the entire subject. . . . She offers a profoundly new view of baroque opera based on a solid documentary and historical-critical foundation. The treatment of the artistic self-consciousness and professional activities of the librettists, impresarios, singers, and composers is exemplary, as is the examination of their reciprocal relations. This work will have a positive effect not only on studies of 17th-century, but on the history of opera in general."—Lorenzo Bianconi
Download or read book O Let Us Howle Some Heavy Note written by Amanda Eubanks Winkler and published by Indiana University Press. This book was released on 2006-11-01 with total page 248 pages. Available in PDF, EPUB and Kindle. Book excerpt: A multidisciplinary study of the uses of music and the portrayal of characters with mental disorder in seventeenth-century English opera and theater. In the seventeenth century, harmonious sounds were thought to represent the well-ordered body of the obedient subject, and, by extension, the well-ordered state; conversely, discordant, unpleasant music represented both those who caused disorder (murderers, drunkards, witches, traitors) and those who suffered from bodily disorders (melancholics, madmen, and madwomen). While these theoretical correspondences seem straightforward, in theatrical practice the musical portrayals of disorderly characters were multivalent and often ambiguous. O Let Us Howle Some Heavy Note focuses on the various ways that theatrical music represented disorderly subjects—those who presented either a direct or metaphorical threat to the health of the English kingdom in seventeenth -century England. Using theater music to examine narratives of social history, Winkler demonstrates how music reinscribed and often resisted conservative, political, religious, gender, and social ideologies. “In a world centered on notions of order and harmony, witchcraft, melancholia, and madness inhabit the margins of society. However, in this impressive and wide-ranging study, Amanda Eubanks Winkler skillfully relocates this trinity of disorder close to the center of our understanding of seventeenth-century English theater. Musically insightful, historically illuminating, and interpretatively rich, O Let Us Howle Some Heavy Note will amply reward scholars of music and theater alike.” —Steven Plank, Oberlin College “Winkler has crafted an extraordinarily useful and well-informed study that fills significant gaps in the existing musicological and theatrical scholarship on this period. With its interpretive subtlety, its approachable style, and its detailed exploration of a wide range of examples—from little-known stage works to such staples of the genre as Hamlet, The Duchess of Malfi, and Dido and Aeneas—this engaging book will be of interest to any scholar or non-specialist seeking to understand the seventeenth-century’s fascination with, and ambivalence toward, portrayals of witchcraft and madness on the theatrical stage.” —Dr. Andrew Walkling, Department of History, SUNY Binghamton “Seventeenth-century England provides an outstanding backdrop for this study, which focuses on theatrical characters generally associated with mental disorder. . . . Opera scholars should find this work helpful, and specialists in gender studies will gain much from Winkler’s discussion of stereotypes, role reversals, pathological diagnoses, and so on. . . . Recommended.” —Choice
Download or read book A Performer s Guide to Renaissance Music Second Edition written by Jeffery Kite-Powell and published by Indiana University Press. This book was released on 2007-08-02 with total page 498 pages. Available in PDF, EPUB and Kindle. Book excerpt: Vocal/choral issues. The solo voice in the Renaissance / Ellen Hargis ; On singing and the vocal ensemble I / Alexander Blachly ; On singing and the vocal ensemble II / Alejandro Planchart ; Practical matters of vocal performance / Anthony Rooley -- Wind, string, and percussion instruments. Recorder ; Renaissance flute / Herbert Myers ; Capped double reeds : crumhorn--Kortholt--Schreierpfeif / Jeffery Kite-Powell ; Shawm and curtal / Ross Duffin ; Racket : rackett, Rankett (Ger.), cervelas (Fr.), cervello (It.) / Jeffery Kite-Powell ; Bagpipe / Adam Knight Gilbert ; Cornett / Douglas Kirk ; Sackbut / Stewart Carter -- Bowed instruments / Wendy Gillespie -- The violin / David Douglass -- Plucked instruments / Paul O'Dette -- The harp / Herbert Myers -- Early percussion / Benjamin Harms -- Keyboard instruments / Jack Ashworth -- Practical considerations/instrumentation. Proto-continuo / Jack Ashworth and Paul O'Dette ; Mixed ensembles / James Tyler ; Large ensembles / Jeffery Kite-Powell ; Rehearsal tips for directors / Adam Knight Gilbert ; Performance editions / Frederick Gable -- Performance practice. Tuning and temperament / Ross Duffin ; Pitch and transposition / Herbert Myers ; Ornamentation in sixteenth-century music / Bruce Dickey ; Pronunciation guides / Ross Duffin -- Aspects of theory. Eight brief rules for composing a si placet altus, ca. 1470-1510 / Adam Knight Gilbert ; Renaissance theory / Sarah Mead -- Introduction to Renaissance dance. Early Renaissance dance, 1450-1520 / Yvonne Kendall -- For the early music director. Starting from scratch / Jeffery Kite-Powell.
Download or read book Both from the Ears and Mind written by Linda Phyllis Austern and published by University of Chicago Press. This book was released on 2020-07-15 with total page 393 pages. Available in PDF, EPUB and Kindle. Book excerpt: Both from the Ears and Mind offers a bold new understanding of the intellectual and cultural position of music in Tudor and Stuart England. Linda Phyllis Austern brings to life the kinds of educated writings and debates that surrounded musical performance, and the remarkable ways in which English people understood music to inform other endeavors, from astrology and self-care to divinity and poetics. Music was considered both art and science, and discussions of music and musical terminology provided points of contact between otherwise discrete fields of human learning. This book demonstrates how knowledge of music permitted individuals to both reveal and conceal membership in specific social, intellectual, and ideological communities. Attending to materials that go beyond music’s conventional limits, these chapters probe the role of music in commonplace books, health-maintenance and marriage manuals, rhetorical and theological treatises, and mathematical dictionaries. Ultimately, Austern illustrates how music was an indispensable frame of reference that became central to the fabric of life during a time of tremendous intellectual, social, and technological change.
Download or read book Music and Culture in Eighteenth Century Europe written by Enrico Fubini and published by University of Chicago Press. This book was released on 1994-08-15 with total page 436 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book collects key writings about eighteenth century music . It brings together for the first time in one place, a wide selection of essential documents not only about music theory and practice, but about the historical, philosophical, aesthetic, ideological, and literary debates which held sway during a century when musical thought and criticism gained a privileged position in the culture of Europe. Enrico Fubini offers a sampling of English, French, German, and Italian writings on topics ranging from Enlightenment rationalism and the theories of harmony to German musical culture and the polemics on J. S. Bach. Organized by topic and historical period these selections go beyond writings dealing exclusively with specific musical works to larger issues of theory and the reception of musical ideas in the culture at large. The selections are from books, journals, newspapers, pamphlets, and letters; the contributors include Diderot, Rousseau, Voltaire, Grimm, Alfieri, Rameau, Quantz, Gluck, Tartini, Leopold and W. A. Mozart, and C. P .E. Bach. Many are translated here for the first time. With general and chapter introductions, restored footnotes, and other valuable annotations, and a biographical appendix, this anthology will interest music scholars, students, and teachers.
