Download or read book The Music and Dance of the World s Religions written by E. Rust and published by Bloomsbury Publishing USA. This book was released on 1996-08-23 with total page 500 pages. Available in PDF, EPUB and Kindle. Book excerpt: Despite the world-wide association of music and dance with religion, this is the first full-length study of the subject from a global perspective. The work consists of 3,816 references divided among 37 chapters. It covers tribal, regional, and global religions and such subjects as shamanism, liturgical dance, healing, and the relationship of music, mathematics, and mysticism. The referenced materials display such diverse approaches as analysis of music and dance, description of context, direct experience, observation, and speculation. The references address topics from such disciplines as sociology, anthropology, history, linguistics, musicology, ethnomusicology, theology, medicine, semiotics, and computer technology. Chapter 1 consists of general references to religious music and dance. The remaining 36 chapters are organized according to major geographical areas. Most chapters begin with general reference works and bibliographies, then continue with topics specific to the region or religion. This book will be of use to anyone with an interest in music, dance, religion, or culture.
Download or read book Cultural Transfer of Music between Byzantium and the West written by Nina-Maria Wanek and published by BRILL. This book was released on 2024-04-25 with total page 687 pages. Available in PDF, EPUB and Kindle. Book excerpt: This is the first comprehensive study of Greek language ordinary chants (Gloria/Doxa, Credo/Pisteuo, Sanctus/Hagios and Agnus Dei/Amnos tu theu) in Western manuscripts from the 9th to 14th centuries. These chants – known as “Missa Graeca” – have been the subject of academic research for over a hundred years. So far, however, research has been almost exclusively from a Western point of view, without knowledge of the Byzantine sources. For the first time, this book presents an in-depth analysis of these chants and their historical, linguistic and theological-liturgical environment from a Byzantine perspective. The new approach enables the author to refute numerous (and largely contradictory) theories on the origin and development of the Missa Graeca and provides new answers to old questions.
Download or read book Gothic Song written by Margot Elsbeth Fassler and published by CUP Archive. This book was released on 1993-08-19 with total page 520 pages. Available in PDF, EPUB and Kindle. Book excerpt: This is the first study of how a particular genre of liturgical texts and music, the Victorine sequences, were first written in great numbers during the twelfth-century.
Download or read book Theology and Music at the Early University written by Nancy van Deusen and published by BRILL. This book was released on 1994-10-01 with total page 240 pages. Available in PDF, EPUB and Kindle. Book excerpt: At the climax of one of his most important and comprehensive works, De cessatione legalium, the thirteenth-century theologian and natural philosopher, Robert Grosseteste, uses a musical example to make a point fundamental to the treatise. Music, using time as its material, located between the abstract and the concrete, served as an analogy, thus making a difficult philosophical concept perceptible. In using music as an analogy, Gorsseteste drew upon a long tradition established by Augustine, confirmed within the new Aristotelian reception, and a newly-translated Platonic dialogue. But the first rector of the University of Oxford was also demonstrating music's place within the curriculum of the early university, namely, as a ministry discipline, efficiently and efficaciously exemplifying traditional Augustinian, as well as new Aristotelian principles. This book unites the most important theological-philosophical subjects discussed by Robert Grosseteste throughout his prodigious output, with those exemplified by an anonymous contemporary English writer on music. The work shows how music collaborated with the other liberal arts, operating within the early university curriculum as a ministry discipline. Music made accessible through the figurae of its notation, and through sound, otherwise nearly unapproachable, new Aristotelian concepts. The influence was reciprocal in that new Aristotelian tools and conceptualization greatly influenced music notation and style. Music theory has been studied in isolation, as pertaining only to music. This study is the first to relate music of the early thirteenth century to its intellectual context, overturning dogma, uncritically accepted since the beginning of this century, concerning so-called “modal rhythm,” and showing how “contrary motion,” rather than forming a musical convention, demonstrated a key Aristotelian concept.
Download or read book Western Plainchant written by David Hiley and published by Oxford University Press. This book was released on 1995 with total page 764 pages. Available in PDF, EPUB and Kindle. Book excerpt: Plainchant is the oldest substantial body of music that has been preserved in any shape or form. It was first written down in Western Europe in the eighth to ninth centuries. Many thousands of chants have been sung at different times or places in a multitude of forms and styles, responding to the differing needs of the church through the ages. This book provides a clear and concise introduction, designed both for those to whom the subject is new and those who require a reference work for advanced study. It begins with an explanation of the liturgies that plainchant was designed to serve. It describes all the chief genres of chant, different types of liturgical book, and plainchant notations. After an exposition of early medieval theoretical writing on plainchant, Hiley provides a historical survey that traces the constantly changing nature of the repertory. He also discusses important musicians and centers of composition. Copiously illustrated with over 200 musical examples, this book highlights the diversity of practice and richness of the chant repertory in the Middle Ages. It will be an indispensable introduction and reference source on this important music for many years to come.
Download or read book The Cultural Context of Medieval Music written by Nancy Van Deusen and published by Bloomsbury Publishing USA. This book was released on 2011-11-02 with total page 218 pages. Available in PDF, EPUB and Kindle. Book excerpt: An urgently needed guide to understanding medieval music to be used as a text for the university undergraduate, graduate students in music and interdisciplinary medieval studies, and for the professional musicologist and medievalist. This book will also be appreciated by everyone interested in early music. Nancy van Deusen's The Cultural Context of Medieval Music addresses the mental landscape surrounding music that, especially, was sung and experienced in the Middle Ages. Largely anonymous in its composition, and apparently lacking the motivation of fame and commerce, music within a well thought-out system of education served a purpose that goes far beyond casual entertainment or personal professional advancement. Offering experience through performance, music exemplified the basic principles not only of the material and possible measurements of the visible world—such as of objects, relationships, and movement—but also of the invisible materials of sound and time, making it an ideal medium for working with unseen substances such as concepts, imaginations, and ideas. St. Augustine in the late fourth century reinforced the importance of music for the process of learning when he wrote that nothing could be truly understood without music. This book shows how this, in fact, is the case—a message of great relevance today.
Download or read book Embellishing the Liturgy written by Alejandro Enrique Planchart and published by Taylor & Francis. This book was released on 2017-07-05 with total page 614 pages. Available in PDF, EPUB and Kindle. Book excerpt: After the imposition of Gregorian chant upon most of Europe by the authority of the Carolingian kings and emperors in the eighth and ninth centuries, a large number of repertories arose in connection with the new chant and its liturgy. Of these repertories, the tropes, together with the sequences, represent the main creative activity of European musicians in the ninth, tenth, and eleventh centuries. Because they were not an absolutely official part of the liturgy, as was Gregorian chant, they reflect local traditions, particularly in terms of melody, and more so than the new pieces that were composed at the time. In addition, the earlier layers of tropes represent, in many cases, a survival of the pre local pre Gregorian melodic traditions. This volume provides an introduction to the study of tropes in the form of an extensive anthology of major studies and a comprehensive bibliography and constitutes a classic reference resource for the study of one of the most important musico-liturgical genres of the central middle ages.
Download or read book Chant gr gorien et musique m di vale written by Michel Huglo and published by Taylor & Francis. This book was released on 2023-08-18 with total page 452 pages. Available in PDF, EPUB and Kindle. Book excerpt: This is the third in a set of four collections of articles by Michel Huglo to be published in the Variorum series. It brings together the studies of Gregorian chant and of later monophonic and polyphonic additions to the earlier repertory that occupied Huglo in the second phase of his research. Represented here are articles on the Kyrie, the introit tropes of St-Gall, an elegy for William the Conqueror (d. 1087), the versus by Venantius Fortunatus for the cathedral of Paris, the liturgical dramas of Fleury, early organum, the Mass of Tournai, and, finally, the Requiem by Eustache Du Caurroy. Ce volume des articles de Michel Huglo est le troisième de la série de quatre dans la collection Variorum. Il réunit des études sur le chant grégorien et sur les additions de pièces monodiques ou polyphoniques faites au répertoire primitif, sujets qui ont occupé Michel Huglo dans la seconde phase de sa carrière de chercheur. Dans ce volume, le lecteur trouvera des articles sur le Kyrie, les tropes d'introït de St-Gall, l'élégie pour Guillaume le Conquérant (d. 1087), les versus de Venance Fortunat pour la cathédrale de Paris, les drames liturgiques de Fleury, les débuts de l'organum, la Messe de Tournai, et finalement le Requiem d'Eustache Du Caurroy.
Download or read book Medieval Liturgical Music of Zamora written by Kathleen E. Nelson and published by . This book was released on 1996 with total page 360 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Wessel Gansfort 1419 1489 and Northern Humanism written by Fokke Akkerman and published by BRILL. This book was released on 1993 with total page 258 pages. Available in PDF, EPUB and Kindle. Book excerpt: These nineteen original studies deal with Wessel Gansfort (1419-1489), the Modern Devotion and its influence, subjects and personalities of early humanism and the Reformation in the northern Netherlands and Germany. Topics include, a.o. Regnerus Praedinius, Rodolphus Agricola, Hardenberg, Molanus and Ubbo Emmius.
Download or read book Music History And Ideas written by Hugo Leichtentritt and published by Read Books Ltd. This book was released on 2013-05-31 with total page 352 pages. Available in PDF, EPUB and Kindle. Book excerpt: This present work had it's origin in two series of twelve public lectures on music as part of the general culture, given at Harvard University between 1934 and 1935. Since these lectures this subject matter has been considerable enlarged, supplemented and concluded. Chapters include: Music of the Greeks, The Gothic Period, The Renaissance, Seventeenth-Century Baroque, Classical Tendencies of the Eighteenth Century, The Romantic Movement, The Twentieth Century and many others.
Download or read book Historical organ collection written by William Crane Carl and published by . This book was released on 1919 with total page 166 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Jew the Cathedral and the Medieval City written by Nina Rowe and published by Cambridge University Press. This book was released on 2011-04-04 with total page 345 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book examines the Synagoga-Ecclesia motif in the thirteenth century and argues that the figures conveyed a political message of Christian ascendancy and Jewish submission.
Download or read book Dreams and Visions written by Nancy van Deusen and published by BRILL. This book was released on 2010-01-13 with total page 420 pages. Available in PDF, EPUB and Kindle. Book excerpt: Dreams and Visions have constituted an important topic and point of departure in the past; but also continue to play a present role in literature, political thought, economic theory, and in the arts. An essential historical topos, Dreams and Visions--the second in a series that projects past issues into the present--brings significant contributions from an interdisciplinary spectrum of standpoints in order to discover fresh insights. Perhaps this is the essence, in any case, of "Vision"--to discover new, fresh ways of conceptualizing a problem, topic, or historical enquiry, which is the goal of this volume. Contributors are Tamara Albertini, David Bevington, Eolene M. Boyd-MacMillan, John N. Crossley, J. Harold Ellens, Wendy Furman-Adams, Robert W. Hanning, Virginia K. Henderson, Birgitta Lindros Wohl, Ann R. Meyer, Ana M. Montero, Michael Murrin, Wendy Petersen Boring, Conrad Rudolph, Nancy Van Deusen, Joanna Woods-Marsden, and Meg Worley.
Download or read book Music at Nevers Cathedral Edition written by Nancy Elizabeth Van Deusen and published by . This book was released on 1980 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Medieval Music as Medieval Exegesis written by William T. Flynn and published by . This book was released on 1999 with total page 304 pages. Available in PDF, EPUB and Kindle. Book excerpt: In this unique deconstruction of liturgical musicology, William T. Flynn explores the expanding scope of the discipline. He includes contextual and philosophic interpretation that encompasses biblical exegesis, medieval studies, Latin linguistics and ecclesiastical history. Flynn's comprehensive analysis shows that the interdisciplinary dimensions of the expanding field must be understood beyond their traditional boundaries.
Download or read book French Musical Life written by Katharine Ellis and published by Oxford University Press. This book was released on 2022 with total page 445 pages. Available in PDF, EPUB and Kindle. Book excerpt: Explicitly or not, the historical musicology of post-Revolutionary France has focused on Paris as a proxy for the rest of the country. This distorting lens is the legacy of political and cultural struggle during the long nineteenth century, indicating a French Revolution unresolved both then and now. In light of the capital's power as the seat of a centralizing French state (which provincials found 'colonizing') and as a cosmopolitan musical crossroads of nineteenth-century Europe, the struggles inherent in creating sustainable musical cultures outside Paris, and in composing local and regionalist music, are ripe for analysis. Replacement of 'France' with Paris has encouraged normative history-writing articulated by the capital's opera and concert life. Regional practices have been ignored, disparaged or treated piecemeal. This book is a study of French musical centralization and its discontents during the period leading up to and beyond the "provincial awakening" of the Belle Époque. The book explains how different kinds of artistic decentralization and regionalism were hard won (or not) across a politically turbulent century from the 1830s to World War II. In doing so it redraws the historical map of musical power relations in mainland France. Based on work in over 70 archives, chapters on conservatoires, concert life, stage music, folk music and composition reveal how tensions of State and locality played out differently depending on the structures and funding mechanisms in place, the musical priorities of different communities, and the presence or absence of galvanizing musicians. Progressively, the book shifts from musical contexts to musical content, exploring the pressure point of folk music and its translation into "local color" for officials who perpetually feared national division. Control over composition on the one hand, and the emotional intensity of folk-based musical experience on the other, emerges as a matter of consistent official praxis. In terms of "French music" and its compositional styles, what results is a surprising new historiography of French neoclassicism, bound into and growing out of a study of diversity and its limits in daily musical life.
