Download or read book Mughal Paintings and Islamic Calligrpahy written by John William Seyller and published by . This book was released on 2013 with total page 143 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Aesthetic Hybridity in Mughal Painting 1526 1658 written by Valerie Gonzalez and published by Routledge. This book was released on 2016-03-03 with total page 415 pages. Available in PDF, EPUB and Kindle. Book excerpt: The first specialized critical-aesthetic study to be published on the concept of hybridity in early Mughal painting, this book investigates the workings of the diverse creative forces that led to the formation of a unique Mughal pictorial language. Mughal pictoriality distinguishes itself from the Persianate models through the rationalization of the picture’s conceptual structure and other visual modes of expression involving the aesthetic concept of mimesis. If the stylistic and iconographic results of this transformational process have been well identified and evidenced, their hermeneutic interpretation greatly suffers from the neglect of a methodologically updated investigation of the images’ conceptual underpinning. Valerie Gonzalez addresses this lacuna by exploring the operations of cross-fertilization at the level of imagistic conceptualization resulting from the multifaceted encounter between the local legacy of Indo-Persianate book art, the freshly imported Persian models to Mughal India after 1555 and the influx of European art at the Mughal court in the sixteenth and seventeenth centuries. The author's close examination of the visuality, metaphysical order and aesthetic language of Mughal imagery and portraiture sheds new light on this particular aspect of its aesthetic hybridity, which is usually approached monolithically as a historical phenomenon of cross-cultural interaction. That approach fails to consider specific parameters and features inherent to the artistic practice, such as the differences between doxis and praxis, conceptualization and realization, intentionality and what lies beyond it. By studying the distinct phases and principles of hybridization between the variegated pictorial sources at work in the Mughal creative process at the successive levels of the project/intention, the practice/realization and the result/product, the author deciphers the modalities of appropriation and manipulation of the heterogeneous elements. Her unique
Download or read book The Emperors Album written by Stuart Cary Welch and published by Metropolitan Museum of Art. This book was released on 1987 with total page 320 pages. Available in PDF, EPUB and Kindle. Book excerpt: Fifty leaves that form the sumptuous Kevorkian Album, one of the world's greatest assemblages of Mughal art. -- Metropolitan Museum of Art website.
Download or read book Mughal Miniatures written by J. M. Rogers and published by . This book was released on 2006 with total page 136 pages. Available in PDF, EPUB and Kindle. Book excerpt: Rogers presents a classic, beautifully illustrated concise introduction to the history and development of miniature painting in Mughal India during the 16th and 17th centuries.
Download or read book Early Mughal Painting written by Milo Cleveland Beach and published by Harvard University Press. This book was released on 1987 with total page 190 pages. Available in PDF, EPUB and Kindle. Book excerpt: One of the minor miracles of art history is the extraordinary flowering of Indian painting that began in the mid-sixteenth century under the early Mughal emperors of Indian, notably Akbar the Great. Only in recent decades has the consummate artistry of early Mughal painting come to be widely appreciated in the West. Scholars have noted the innovations--departures from both Islamic and native Indian tradition--of the new, highly distinctive school of painting, among them natural history studies, a concern for portraiture, and the documentation of contemporary court events. Milo Beach traces, with an abundance of captivating illustrations, the evolution of the Mughal style. While acknowledging the influence of Akbar's interests and changing tastes (related in turn to historical and biographical circumstances), he shows that many of the new tendencies were evident during the short reign of Akbar's father, the Emperor Humayun, whose role as patron of the arts is thereby reassessed. Beach also stresses the traditionalism of the individual painters, who only gradually changed their concepts and compositions in response to foreign influences and to imperial taste. Mughal art, he affirms, can no longer be regarded as simply a reflection of its imperial patrons. The book takes account of recently discovered material and reproduces for the first time important paintings from unpublished manuscripts and albums. It will appeal to the general reader as well as the scholar.
Download or read book How to Read Islamic Calligraphy written by Maryam D. Ekhtiar and published by Metropolitan Museum of Art. This book was released on 2018-09-03 with total page 159 pages. Available in PDF, EPUB and Kindle. Book excerpt: "For centuries, Islamic calligraphy has mesmerized viewers with its beauty, sophistication, and seemingly endless variety of styles. How to Read Islamic Calligraphy offers new perspectives on this distinctive art form, using examples from The Met's superlative collections to explore the enduring preeminence of the written word as a means of creative expression throughout the Islamic world. Combining engaging, accessible texts with stunning new photography, How to Read Islamic Calligraphy introduces readers to the major Islamic script types and explains the various contexts, whether secular or sacred, in which each one came to be used. Beauty and brilliance emerge in equal measure from works of every medium, from lavishly illuminated Qur'an manuscripts, to glassware etched with poetic verses, to ceramic tiles brushed with benedictions. The sheer breadth of objects illustrated in these pages exemplifies the ubiquity of calligraphy, and provides a compelling introduction to this unique art form"--Publisher's description
Download or read book Jahangir a Connoisseur of Mughal Art written by Sanjeev Prasad Srivastava and published by Abhinav Publications. This book was released on 2001 with total page 224 pages. Available in PDF, EPUB and Kindle. Book excerpt: Jahangir : A Connoisseur Of Mughal Art Is Author'S Third Great Work Showing The Character And Personality Of Prince Salim Who Ruled India After The Death Of Akbar. It Tends To Portray The Aesthetic Taste Of Emperor Jahangir As An Unrivalled Connoisseur Of Mughal Art Besides Being A Shrewd Administrator Of Mughal Empire. The Primary Sources Attempts To Present The Artistic Heritage Of His Ancestors Followed By His Own Innovations Known As Muraqqas In Miniature Painting Which Stand Out As Rare Specimens Of Mughal Painting In The Entire Range Of Art History.Jahangir, Who Has Been Depicted As A Great Campaigner Of Wars, Was Also An Avowed Lover Of Natural Phenomena As Also Famous Naturalist Lover Of Mughal Art. What Excelled All Others Styles Of His Reign Was Aspect Of Sophistication And Refinement Which Characterize The Miniatures, Muraqqas Produced In Jahangir'S Atelier.It Was Based On Detailed Analytical Study Of The Trends And Tendencies Patronised By Him. Jahangir Devoted Enough Time To The Study And Enjoyment Of Painting During His Stay At Lahore Which Became A Hub Of Artistic Activity. It Was Here That Most Significant Manuscripts Were Illustrated. Many Noted Artists Worked At Lahore Kingdom. Lahore Became The Second Capital Of The Mughal Empire From Where Radiated Art, Culture, Language And Literature Throughout India.He Was A Man Of Wide Literary Taste, Having Intense Love For Poetry, Music, History, Geography, Architecture, Painting And Fine Arts. A Typical Mughal Culture Would Have Been Impossible Without This Intellectual And Artistic Contribution.
Download or read book Painting for the Mughal Emperor written by Susan Stronge and published by Victoria & Albert Museum. This book was released on 2002-05 with total page 200 pages. Available in PDF, EPUB and Kindle. Book excerpt: A unique blend of Indian, Persian, and Islamic styles, Mughal painting reached its golden age during the reigns of the emperors Akbar, Jahangir, and Shah Jahan in the 16th and 17th centuries. This gloriously illustrated book is the first to examine the Victoria and Albert Museum's remarkable collection of Mughal paintings, one of the finest in the world. Richly detailed battle scenes, scenes of court life, and lively depictions of the hunt were commissioned by the royal courts, along with a remarkable series of portraits, studies of wildlife, and decorative borders. The authoritative text contains much new research, and the beautifully reproduced color illustrations give this stunning volume wide appeal.
Download or read book Mughal Painting written by Ashok Kumar Srivastava and published by . This book was released on 2000 with total page 272 pages. Available in PDF, EPUB and Kindle. Book excerpt: Illustrations: Numerous B/w & Colour Illustrations Description: The present work is based on an extensive and critical study of the original Mughal paintings supported by contemporary historical literature and provides fresh perspective for the interpretation and analysis of the painter's art under the Mughals. After a brief discussion on painting in Islam the author goes on to expound the nature and role of pre-Mughal indigenous traditions in the making of Mughal style. Thereafter, the study turns towards the origin and development of Mughal painting from Humayun to Aurangzeb. Finally, the various influences--Persian, Chinese and European--have been examined. The author concludes that Mughal painting reflecte a non-mechanical fusion of the different cultures of Asia and Europe. It had never been a colonial expression of Persian painting. Despite the presence of a number of elements borrowed from foreign sources, it remained truly Indian from the very beginning. This richly illustrated volume carries finest treasures of Mughal court paintings.
Download or read book Imperial Mughal Painting written by Stuart Cary Welch and published by . This book was released on 1978 with total page 128 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Mughal patrons and artists doted on the world and its inhabitants. No pains were spared to record them realistically in life-oriented pictures,usually of people and animals. The people are exceptional--some of mankind's most extraordinary wordlings and wisest saints, shown in depth, to be scrutinized inside and out. All the folios reproduced here were made for the Mughal emperors of India or their immediate families during the sixteenth and seventeenth centuries. They were intense essences of their culture, showing emperors and their courts in elaborate settings, scenes of suspense and excitement depicting huns, demons, and elegant elephants, as well as a group of striking genre scenes in which the subtle rendering of light, learned form European painting, imparts a poetic quality that provides a striking conrast to the highly finished treatment of the royal portraits. The Introduction and Commentaries to the individual folios reproduced here have been provided by Stuart Cary Welch of The Fogg Art Museum at Harvard University."--back cover
Download or read book The Image and the Word written by Museum of Fine Arts (Springfield, Mass.) and published by . This book was released on 1976 with total page 64 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Mughal Paintings written by Sonia Rhie Mace and published by Giles. This book was released on 2016 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: A captivating and vibrant reflection of the art history of one of the greatest empires of the early modern period
Download or read book Arts of the Islamic Book written by Anthony Welch and published by Cornell University Press. This book was released on 1982 with total page 272 pages. Available in PDF, EPUB and Kindle. Book excerpt: The collection of Prince Sadruddin Aga Khan contains some of the world's finest examples of painting and calligraphy and is perhaps the most important private Muslim collection of Islamic art. This volume, richly illustrated with 24 color plates and 101 black-and-white photographs, provides a brief history of the collection and offers a generous selection of paintings, manuscripts, calligraphies, bindings, and drawings that spans the geographic range of Islamic art from North Africa to India. Detailed discussions of each illustration introduce readers to the major patrons and artists in the development of the arts of the precious book. Anthony Welch and Stuart Cary Welch have selected the most magnificent pages from the prince's collection for this volume. Included are portraits of the great Mughal rulers of India, paintings from the pages of a sixteenth-century Shahnamah (Book of Kings) of Iran, and stunning examples of calligraphy. Among the Muslim manuscripts represented are Qur̕ans from North Africa, Ottoman Turkey, Iran, and India; historical works such as the Ottoman illustrated manuscript of the Tuhfet ul-Leta̕if; philosophical treatises such as the Ethics of Nasir al-Din Tusi of India; and literary works such as the late-sixteenth-century Anvar-i Suhayli, commissioned and probably illustrated by the leading Safavid Iranian painter Sadiqi Bek. -- Inside jacket flap.
Download or read book Majesty of Mughal Decoration written by George Michell and published by Thames and Hudson. This book was released on 2007-10-30 with total page 294 pages. Available in PDF, EPUB and Kindle. Book excerpt: An exquisitely illustrated survey of the decorative motifs and visual themes from one of the great artistic periods in Indian history. Mughal decorative arts delight in arabesque and geometric designs, as well as scenes of nature (flowers, birds, and animals) and human pleasure (music, dancing, feasting, love-making). Master craftsmen at the Mughal and Rajput courts employed a variety of materials and techniques to produce marble panels inlaid with semi-precious stones, sandstone screens perforated with geometric designs, brass vessels inlaid with strips of silver and gold, jade drinking cups, dagger hilts encrusted with rubies and emeralds, and costumes and sashes embroidered with silk and golden threads. No less gorgeous were the vividly toned and exquisitely detailed miniature paintings that portrayed contemporary events as well as epic tales. Drawing on the finest and most representative examples in public and private collections in India, Europe, and America, this stunning survey examines common decorative motifs and themes in Mughal art. More than 300 illustrations amply convey the virtuoso workmanship and the sheer elegance of design common to all objects. It will be an essential reference work for art historians, designers, and anyone interested in the arts and life of India. 300+ color photographs and illustrations.
Download or read book Legacy of the Masters written by Will Kwiatkowski and published by . This book was released on 2019-10 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt: A stunning collection, accumulated over many years, of paintings, drawings and calligraphy of the highest quality mostly created for albums from the Safavid, Uzbek, Ottoman and Mughal Empires from the 16th to early 19th century. Lavishly illustrated, this unusually exquisite and scholarly book is a noteworthy addition to its field. This publication presents a collection of over sixty paintings, drawings and calligraphic specimens mostly made in the Safavid, Uzbek, Ottoman and Mughal Empires in the period from the 16th through the early 19th century for inclusion in albums (muraqqa'). The compilation of these albums, involving the collection and ordering of the works to be included as well as the design and execution of decorative borders, was an art form in itself and amounted to a broader cultural phenomenon that has increasingly become the focus of scholarly attention. This was the age of the master artist, whose work was eagerly sought by collectors, imitated by admirers and forgers, taken as loot by invaders, and exchanged as gifts that had value across political borders. The international currency of a master artist's work is particularly apparent in the case of the calligrapher Mir 'Ali of Herat (d. 1544), whose calligraphies were almost obsessively sought out by the Mughal rulers of India and provided a model for subsequent generations of calligraphers in India and Iran. In Iran, Shah 'Abbas' new capital of Isfahan was the breeding ground for a generation of artists specialized in single-page calligraphic compositions, paintings and drawings, often working in distinctive styles. These included calligraphers such as Mir 'Imad al-Hasani and 'Ali Riza 'Abbasi, and painters like Riza 'Abbasi, Muhammad Qasim and, later, Mu'in Musavvir. The processes of collection and compilation were complex, as albums were gifted and reassembled to suit the tastes and outlook of new owners. An eloquent example of this ongoing evolution is the famous St. Petersburg Album. Compiled and given decorative borders in Iran in the mid-18th century, the album contains a number of Mughal and Deccani paintings and drawings presumed to have been taken to Iran as plunder by Nadir Shah following the invasion of India in 1739. The end of this tradition is marked in the publication by a number of works from Mughal-style albums of calligraphy and painting acquired by officers and administrators of the British East India Company such as Warren Hastings and William Fraser.
Download or read book Mughal Paintings written by Victoria and Albert Museum. Indian Section and published by . This book was released on 1977 with total page 48 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Real Birds in Imagined Gardens written by Kavita Singh and published by Getty Publications. This book was released on 2017-03-07 with total page 120 pages. Available in PDF, EPUB and Kindle. Book excerpt: Accounts of paintings produced during the Mughal dynasty (1526–1857) tend to trace a linear, “evolutionary” path and assert that, as European Renaissance prints reached and influenced Mughal artists, these artists abandoned a Persianate style in favor of a European one. Kavita Singh counters these accounts by demonstrating that Mughal painting did not follow a single arc of stylistic evolution. Instead, during the reigns of the emperors Akbar and Jahangir, Mughal painting underwent repeated cycles of adoption, rejection, and revival of both Persian and European styles. Singh’s subtle and original analysis suggests that the adoption and rejection of these styles was motivated as much by aesthetic interest as by court politics. She contends that Mughal painters were purposely selective in their use of European elements. Stylistic influences from Europe informed some aspects of the paintings, including the depiction of clothing and faces, but the symbolism, allusive practices, and overall composition remained inspired by Persian poetic and painterly conventions. Closely examining magnificent paintings from the period, Singh unravels this entangled history of politics and style and proposes new ways to understand the significance of naturalism and stylization in Mughal art.
