Download or read book Mughal Inlay Art written by Ram Nath and published by . This book was released on 2004 with total page 124 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Book Studies Inlay Art That Developed In Mughal Architecture Indigenously, From Humayun To Shah Jehan (C. 1535 To 1658 Ad). Mughal Inlay Is Architectural And To Brand It Pietra-Dura , Which Was A Florentine Picture-Art Used On Wooden Furniture, Is A Misnomer. This Book Also Reveals That Orpheus Plaques Which Led The Colonial Historians To Florence To Trace The Origin Of Mughal Inlay Were Imported Ready-Made And There Is No Other Example Of Florentine Pietra-Dura.
Download or read book Mughal Inlay Art written by Prof R Nath and published by . This book was released on 2020-06-05 with total page 112 pages. Available in PDF, EPUB and Kindle. Book excerpt: This is study of the INLAY art as it developed in Mughal Architecture, from Humayun to Shah Jehan (c. AD 1535-1658) indigenously, and independent of any extraneous inspiration or influence, landmark examples whereof have been cited with illustrations (64 b&w and 16 colour plates). It is wrong to brand it: pietra-dura or pietre-dure which misnomer was pasted upon it by nineteenth and early twentieth century colonial historians who suffered by a sense of inherent superiority of European culture and art, and who could not believe that the Indian people, whom Macaulay fondly called 'semi-savage' could develop such a fine and exquisite art as this, which even the classical Greeks and the Romans, who also worked in marbles, could not do!
Download or read book Mughal Jali Art written by Ajay Nath Agarwal and published by . This book was released on 2020-06 with total page 230 pages. Available in PDF, EPUB and Kindle. Book excerpt: Like the Mughal INLAY Art (v. Pachchīkārī; Per. Parchīnkārī) (for full details whereof, see Prof R.Nath, Mughal Inlay Art, Amazon.com, Mughal JĀLĪ Art is a STONE ART which was developed to perfection, indigenously, by the Imperial Mughals (from Akbar to Shah Jehan, 1556 to 1658 A.D.). And, like their Inlay Art, their Jālī Art is also unique in the whole range of architectural ornamental schemes of ancient and medieval civilizations of the world, so much so that such wonderful jālīs are not available anywhere else!Mughal jālīs have been carved in stone (both in red sandstone and in white marble) in infinite variety of designs (in different shapes and forms, composed of stars, trigons, squares, pentagons, hexagons, octagons, decagons and other motifs), in incalculable numbers, with precise spatial adaptability, unprecedented fineness and exquisite aesthetic effect.With thorough historical background, both from indigenous and exotic sources, the Mughal jālīs have been studied here with 200 illustrations which have been selected from 800 digital images. I believe, this shall be of use and interest, not only for students, scholars, historians and architects, academically, but also for builders and artisans of handicrafts, practically.Though Jālī (from Sanskrit "Jāla' and "Jālaka') has been described in ancient architectural texts, it owes its growth and development, to this magnificent scale and stature, to the Mughals and it belongs to the 16th and 17th century stone-art of India. It is an essential element of Mughal Architecture.In fact, there is no equivalent word in English and "perforated screen‟ is just a workable substitute used by English authors like Percy Brown. Jālī is not lattice.Red sandstone and white marble jālīs have been universally used in Mughal monuments, on edges of platforms, causeways and terraces (as railings, with balusters), and also on the edges of the projecting chhajjas, jharokhas and gaukhs (balconies); and along with chhatris. Jālīs are also used gorgeously to close window and door openings for purdah (veil) and for effect. While they admit free air, they temper sunlight and eliminate its glare. Jālīs are used as excellent ventilators in private inner rooms, toilets and on drains. Essentially a useful architectural accessory, the Mughals made it a work of art.The Mughals have mostly used geometrical jālīs, both with straight and curved lines. Mughal artist‟s ingenuity knew no bounds and the number of Mughal jālīs is legion and variety unlimited. They have also used floral, arabesque and stylized designs.Jālīs have been used in different shapes and forms, and are square, rectangular, circular, triangular and arched. The arched form, owing to its unusual effect, is most popularly used. Jālīs have been used vertically as well as horizontally, the distinction being almost imperceptible.The space on which jālī is used is as important as is its design. The meaning and purpose, as much as its artistic effect, can not be fully understood and appreciated without knowing the place where it is used, like a gem in its casket. Exquisitely carved jālīs, beautifully placed on appropriate space, create an atmosphere of mystery and grace.As jālīs in Mughal Architecture are mostly in geometrical designs, a study of Mughal geometric workmanship, with a thorough historical background, is essentially needed, in this context. (A Chapter is here on this subject)
Download or read book Inlay Designs in the Mughal Monuments written by Pooja Sharma and published by LAP Lambert Academic Publishing. This book was released on 2012-07 with total page 136 pages. Available in PDF, EPUB and Kindle. Book excerpt: Indian artisanship, one of the most creative and richest traditions in the world, blossomed rapidly during the reign of the Mughal dynasty (1526 to 1707 A.D.). The study focused on identification of inlay motifs, design functionality, origin and development of inlay art, factors responsible for inlay designs, aesthetic philosophy, and influence of other arts. In summary, the Mughal inlay art was developed indigenously and bloomed during the period of Jahangir. He had introduced a variety of motifs in inlay such as Hindu inlay designs swastikas, satkona, lotus and Chinese cloud band. Healthy fusion of traditions and cultural aspects of Persian, Hindu, Islamic and Chinese is also reflected in inlay designs. Artistic presentation of inlay designs with unity, harmony and colour symbolism evoked rasas and bhavas (i.e., adbhuta, veera, shringar, shanta, karuna and raudra rasas)-which had left a long-lasting impression on the present world of designers, artisans and viewers.
Download or read book Majesty of Mughal Decoration written by George Michell and published by Thames and Hudson. This book was released on 2007-10-30 with total page 294 pages. Available in PDF, EPUB and Kindle. Book excerpt: An exquisitely illustrated survey of the decorative motifs and visual themes from one of the great artistic periods in Indian history. Mughal decorative arts delight in arabesque and geometric designs, as well as scenes of nature (flowers, birds, and animals) and human pleasure (music, dancing, feasting, love-making). Master craftsmen at the Mughal and Rajput courts employed a variety of materials and techniques to produce marble panels inlaid with semi-precious stones, sandstone screens perforated with geometric designs, brass vessels inlaid with strips of silver and gold, jade drinking cups, dagger hilts encrusted with rubies and emeralds, and costumes and sashes embroidered with silk and golden threads. No less gorgeous were the vividly toned and exquisitely detailed miniature paintings that portrayed contemporary events as well as epic tales. Drawing on the finest and most representative examples in public and private collections in India, Europe, and America, this stunning survey examines common decorative motifs and themes in Mughal art. More than 300 illustrations amply convey the virtuoso workmanship and the sheer elegance of design common to all objects. It will be an essential reference work for art historians, designers, and anyone interested in the arts and life of India. 300+ color photographs and illustrations.
Download or read book Indigenous Characteristics of Mughal Architecture written by R. Nath and published by . This book was released on 2004 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Book Deals With Evolution Of Mughal Architecture (Ad 1526 To 1658) And Explains The Distinct Characteristics Of Mughal Art The Use Of Architectural Material By The Mughals, Their Roofing Techniques, Their Dome And The Special Features Of The Mughal Jharokha. Prof. Nath Delves Into The Concepts And Customs The Mughal Architecture Involved, Discussing Examples Of Monuments In Detail.
Download or read book History of Decorative Art in Mughal Architecture written by Ram Nath and published by . This book was released on 1976 with total page 296 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Indigenous Characteristics of Mughal Architecture written by Prof R Nath and published by . This book was released on 2020-06-05 with total page 74 pages. Available in PDF, EPUB and Kindle. Book excerpt: Chapters: Mughal Architecture: A Court Art, Secularisation of Architecture, Mughal Tomb and concept of RAUZAH, The House of Unitary Pillar, Mughal Jharokha, Native Forms & Techniques, The Taj Mahal: its Environment.
Download or read book History of Decorative Art in Mughal Architecture written by Ajay Nath and published by . This book was released on 2020-05-21 with total page 278 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Present work is an intensive study of the origin and development of the ornament in Mughal Architecture. It is the 'beautiful' which is most distinctive characteristic and the dominating theme of this style and it is this which primarily occupied contemplation of Mughal Builders. This 'beautiful' has not appeared in the Mughal Monuments unconsciously or by chance; this has been brought about with greatest amount of thought and planning through various means and methods.The Mughal Architects from Akbar to Shah Jehan worked out the minutest details of the structure and the surface which he intended to adorn. Mughals adopted almost all the decorative schemes, designs and motifs which were then known in the Orient. They used arch and dome, and also pillars, strut, chhatri and kalasa; inscriptions in Naskhi and Nastaliq characters, arabesque, stalactite and geometricals and also animate designs composed of hastin, makara, hansa, and mayura and symbolic motifs of the ancient Hindus such as kalasa, padma, gavaksa, kirttimukha, svastika, cakra and satkona - to quote some examples of his choice of ornament - is representative of lucid skill and amazing capacity to accept, adopt and assimilate.This book explains scores of obscure and controversial points and corrects the popular misnomers; it brings to light facts which were not known, e.g. the use by the Mughals of fabulous animals, Tantric symbols and Chinese Cloud forms to quote only a few examples. Study of this aspect of Mughal Architecture would help us to present the History of our Medieval culture in its true spirit and correct perspective.This title was published in 1980 and it is its updated second edition. Ajay Nath
Download or read book Jahangir a Connoisseur of Mughal Art written by Sanjeev Prasad Srivastava and published by Abhinav Publications. This book was released on 2001 with total page 224 pages. Available in PDF, EPUB and Kindle. Book excerpt: Jahangir : A Connoisseur Of Mughal Art Is Author'S Third Great Work Showing The Character And Personality Of Prince Salim Who Ruled India After The Death Of Akbar. It Tends To Portray The Aesthetic Taste Of Emperor Jahangir As An Unrivalled Connoisseur Of Mughal Art Besides Being A Shrewd Administrator Of Mughal Empire. The Primary Sources Attempts To Present The Artistic Heritage Of His Ancestors Followed By His Own Innovations Known As Muraqqas In Miniature Painting Which Stand Out As Rare Specimens Of Mughal Painting In The Entire Range Of Art History.Jahangir, Who Has Been Depicted As A Great Campaigner Of Wars, Was Also An Avowed Lover Of Natural Phenomena As Also Famous Naturalist Lover Of Mughal Art. What Excelled All Others Styles Of His Reign Was Aspect Of Sophistication And Refinement Which Characterize The Miniatures, Muraqqas Produced In Jahangir'S Atelier.It Was Based On Detailed Analytical Study Of The Trends And Tendencies Patronised By Him. Jahangir Devoted Enough Time To The Study And Enjoyment Of Painting During His Stay At Lahore Which Became A Hub Of Artistic Activity. It Was Here That Most Significant Manuscripts Were Illustrated. Many Noted Artists Worked At Lahore Kingdom. Lahore Became The Second Capital Of The Mughal Empire From Where Radiated Art, Culture, Language And Literature Throughout India.He Was A Man Of Wide Literary Taste, Having Intense Love For Poetry, Music, History, Geography, Architecture, Painting And Fine Arts. A Typical Mughal Culture Would Have Been Impossible Without This Intellectual And Artistic Contribution.
Download or read book Mughal Style written by George Michell and published by . This book was released on 2007 with total page 282 pages. Available in PDF, EPUB and Kindle. Book excerpt: A visual and intellectual treat awaits the reader ofthis book, ranging from monumental architecture,sumptuous textiles, a flood of the finest miniaturepaintings down to exquisitely crafted objects of jade all marked by a common aesthetic coherence that isthe hallmark of Mughal style.
Download or read book History Of Decorative Art In Mughal Architecture written by R. Nath and published by Motilal Banarsidass Publ.. This book was released on 1976-01-01 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Mughal Art and Imperial Ideology written by Ebba Koch and published by . This book was released on 2001 with total page 358 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Eleven Studies In This Book Offer A Fresh And Unique Interpretation Of Mughal Art And Architecture And Its Heterogeneous Sources-Central Asian Timurid, Indian, Persian And European-Fused Creatively To Express An Imperial Ideology Of Universal Aspirations.
Download or read book Mughal Art written by Shanti Swarup and published by . This book was released on 1996 with total page 216 pages. Available in PDF, EPUB and Kindle. Book excerpt: For the first time a book on Mughal Handicrafts is brought out, and superbly so. After a general discussion on the social, political and economic conditions in Mughal India, the author goes on to expound the sources of Mughal decorative arts and the designs of decoration and finally describes the various forms of Mughal handicrafts illustrating them with works found on archaeological sites in India and select objects preserved in museums and private collection all over the world.
Download or read book Paintings from Mughal India written by Andrew Topsfield and published by . This book was released on 2008 with total page 184 pages. Available in PDF, EPUB and Kindle. Book excerpt: A unique style of painting developed in India during the reigns of the Mughal emperors (sixteenth-eighteenth century), which blended Indian, Persian and Islamic styles. Usually confined to book illustrations, these elegant works came to be known as Mughal miniatures. They reflect the splendour of the Mughal empire, depicting its art and architecture, from court scenes to legendary stories, in striking, vivid colours.This book reproduces some of the finest surviving examples of Mughal paintings drawn from a unique collection in the Bodleian Library, many of which have never been seen before in print. They include court paintings from the reign of Akbar to the fall of Shah Jehan (1560-1660), generally regarded as the most inspired century of Mughal painting, and images from the celebrated Bah§rist§n manuscript of 1595, which was prepared for the Emperor Akbar and illustrated by leading artists of the time.Each image is presented as a large-format colour plate on a single page with facing text describing its historical and cultural significance, while the introduction situates the works in the context of the period and its art generally.
Download or read book Treasury of the World written by Manuel Keene and published by . This book was released on 2001 with total page 160 pages. Available in PDF, EPUB and Kindle. Book excerpt: Jewelry as an art form in Mughal India has probably never been surpassed by any other civilization in the history of the world.
Download or read book History of Mughal Architecture The transitional phase of colour and design Jeh ng r 1605 1627 A D written by R. Nath and published by Abhinav Publications. This book was released on 1982 with total page 672 pages. Available in PDF, EPUB and Kindle. Book excerpt: This Volume Of The Author S 5-Vol Series History Of Mughal Architecture Studies Such Aspects Of The Architecture Of Jehangir S Age (1605-27 A.D.) As Public Works (Roads-And-Sarais), Gardens And Garden-Pavilions, Palatial Mansions And Shikargahs, Picture Wall Of Lahore Fort And Tombs, Each In A Separate Chapter. It Covers 43 Monuments, Extending From Kabul To Allahabad, And Kashmir To Burhanpur, And The Scope Of This Volume Is Much Wider Than The Earlier Ones.That Public Works As Roads, Kos-Minars, Bridges, Sarais, Wells, Baolis And Porters Walls Were Built And Maintained At Government Expense Testifies That The; Mughal State Was Fully Alive To The Welfare Of Its Subjects. Four Masonry Bridges Have Been Specifically Studied. Jehangir Was Greatly Interested In Gardens, And Garden-Craft Received A Distinct Form Under His Patronage. Palaces Were Built Amidst Gardens, Mostly On The Riverbank, With Characteristic Idioms Of The Age. A Unique Building Complex, Which Developed Under Him, Was Shikargah (Hunting Lodge) And Four Representative Examples Have Been Studied. The Glazed-Tiled Picture Wall Of The Lahore Fort Is Unique In Respect Of Its Scale, Scheme And Subjects. Originally, It Covered An Immense Mural Area 500 Yards In Length And 16 Yards In Height, By An Ingenious System Of Panelling Which, Besides Stylized Florals, Arabesques And Geometricals, Depicted Beautiful Figurative Compositions. Architect, Potter, Painter And Glazed-Tiler Collaborated On This Grand Project Which Has No Parallel In The World.Domeless Tomb With A Barahdari With Chaukhandi Roof Or A Plain Chabutarah Was Also A Unique Growth Of This Age And The Most Notable Tombs Of This Class, As Those Of Akbar, I Timad-Ud-Daulah And Jehangir, Have Been Studied In Detail. Development Of Such Distinctive Architectural Features As Dado , Gateway And Minar Also Belongs To This Period, During Which Unprecedented Emphasis Was Given On Ornamentation, Which Is Why This Art-Epoch Is Noted For Colour And Design . This Study Has Been Made In The Context Of, And With Reference To, The Cultural Milieu Which Produced It And This Is Not Only A History Of Jehangir S Architecture But Also A History Of Jehangir S Age And History Of Jehangir S India. It Is A History Of Those Tender Feelings, Sublime Thoughts And Subtle Ideas Which Go To Make A Civilization, Not Of Those Political Intrigues And Feuds, And Military Conflicts Which Destroy It.