Download or read book Modes of Analogy in Ancient and Medieval Verse written by Phillip Damon and published by Univ of California Press. This book was released on 2023-07-28 with total page 80 pages. Available in PDF, EPUB and Kindle. Book excerpt: This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1961.
Download or read book Modes of Analogy in Ancient and Medieval Verse written by Phillip W. Damon and published by . This book was released on 1961 with total page 78 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book University of California Publications in Classical Philology written by University of California (Berkeley) and published by . This book was released on 1961 with total page 4 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Modes of Analogy in Ancient and Mediaeval Verse written by and published by . This book was released on 1973 with total page 74 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Green Cabinet written by and published by Univ of California Press. This book was released on with total page 376 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book University Bulletin written by University of California, Berkeley and published by . This book was released on 1961 with total page 260 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Chaonian Dove written by A.J. Boyle and published by BRILL. This book was released on 2018-07-17 with total page 208 pages. Available in PDF, EPUB and Kindle. Book excerpt: This is the first book-length critical study of the three Virgilian works to be published in English for twenty years. It examines in detail the thematic design and intent of the Eclogues, Georgics and Aeneid, and documents the development of their political, moral and poetic pessimism. It presents the interrelationship of the three texts, their intertextuality, as integral to their meaning. The book is in three main parts - 'Pastoral Meditation', 'Didactic Paradox', 'Epic Vision' - corresponding to the three Virgilian works. A brief introductory chapter is concerned with questions of method and the problem of Virgil misread. A chief focus of the book is Virgil's preoccupation with the relationship between poetry, art - art's values, perceptions, visions - and the political/historical world, and the changing nature of Virgil's attitude to the socio-moral responsibilities of Rome. The evolution of Vergil's presentation both of Roman imperium and of man's place in nature and history is carefully delineated. With close scrutiny of the language, imagery, structures and design of the three texts and of their verbal and thematic interrelationship, the book offers a substantial reassessment of the major political, psychological and moral ideas of Virgil's poetic oeuvre. An intricate and persuasive picture emerges of Virgil's intellectual and poetic development and a radically new conception of Virgil's image of himself as poet. The provision of translations makes the book accessible to the Latinless reader.
Download or read book The Satanic Epic written by Neil Forsyth and published by Princeton University Press. This book was released on 2009-01-10 with total page 394 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Satan of Paradise Lost has fascinated generations of readers. This book attempts to explain how and why Milton's Satan is so seductive. It reasserts the importance of Satan against those who would minimize the poem's sympathy for the devil and thereby make Milton orthodox. Neil Forsyth argues that William Blake got it right when he called Milton a true poet because he was "of the Devils party" even though he set out "to justify the ways of God to men." In seeking to learn why Satan is so alluring, Forsyth ranges over diverse topics--from the origins of evil and the relevance of witchcraft to the status of the poetic narrator, the epic tradition, the nature of love between the sexes, and seventeenth-century astronomy. He considers each of these as Milton introduces them: as Satanic subjects. Satan emerges as the main challenge to Christian belief. It is Satan who questions and wonders and denounces. He is the great doubter who gives voice to many of the arguments that Christianity has provoked from within and without. And by rooting his Satanic reading of Paradise Lost in Biblical and other sources, Forsyth retrieves not only an attractive and heroic Satan but a Milton whose heretical energies are embodied in a Satanic character with a life of his own.
Download or read book Between Languages written by Sarah Lynn Higley and published by Penn State Press. This book was released on 2010-11-01 with total page 336 pages. Available in PDF, EPUB and Kindle. Book excerpt: Early Welsh and Old English poetry are rarely spoken of together, but when they are, they have been described as like or different from one another. Sarah Higley breaks this cycle of mutual marginalization by examining what it means to read otherness or sameness into a text, concluding that too much of our reading is "anglo-centric" in its expectations and dictated by invisible ideological agendas. Examinations of the Llywarch Hen Corpus, for instance, have sought comparisons among the Old English elegies, but mainly for the purpose of demonstrating how the Welsh are of a color with them: derived from the same penitential genre merely less explicit in their penitential thrust. Scholars have been reluctant to acknowledge the secular nature of these Welsh laments, which are discomfitingly silent about divine solace and which, like the Old English poems, do not cooperate with our efforts to categorize them. The author reexamines notions of genre, category, and poetic "explicitness" and how they snare us. Higley sees the English and Welsh traditions as foils to one another rather than as template and variation, and she starts with the connection of natural image and emotion, employed differently in these two contiguous but separate traditions. She shows how the English poems, long thought to be disjointed and cryptic, are invested in explanation and disclosure to a degree that the Welsh are not. The Welsh "omissions" might be better understood as dynamic juxtapositions wherein other poetic aspects (metrics, imagery, context) serve to link ideas, perhaps even to disrupt them. She sees difficulty, ambiguity, and dialogism as loci of power - neither accidents of our reading distance nor defects in other classical standards of wholeness. Reading the English and the Welsh together with a respect for the mutual differences helps us to get beyond some of the cliche's about what is English and "familiar" and what is Celtic and "other." Her argument revolves around the plight of the lone human as he or she is depicted in these texts in a precarious state of connection with the rest of the world: caught between society and wilderness, inside and outside, sacred and secular, meaning and nonmeaning. This focus on connection informs the title as well: "between languages" expresses our position as readers reading two different cultures together, reading ancient literature mediated through modern poetic theory, and the position of medieval scholarship in its struggle between traditional and postmodern approaches. Between Languages brings obscure and moving poems into a wider academic orbit, offering new editions and translations of Old English and Early Welsh elegies, wisdom poems, and enigmata, including one of the few complete English translations in this century of a vatic text from The Book of Taliesin.
Download or read book The Iliad A Commentary Volume 5 Books 17 20 written by G. S. Kirk and published by Cambridge University Press. This book was released on 1985 with total page 380 pages. Available in PDF, EPUB and Kindle. Book excerpt: The fifth volume of the major six-volume commentary on Homer's Iliad is the first to be edited by one of G.S. Kirk's four collaborators. It also consists of four introductory essays (including discussions of similes and other features of narrative style) followed by the commentary.
Download or read book Comparative Criticism Volume 5 Hermeneutic Criticism written by E. S. Shaffer and published by Cambridge University Press. This book was released on 1986-04-17 with total page 412 pages. Available in PDF, EPUB and Kindle. Book excerpt: Addresses literary theory and criticism, comparative studies in terms of theme, genre movement and influence, and interdisciplinary perspectives.
Download or read book Parthenope The Interplay of Ideas in Vergilian Bucolic written by Gregson Davis and published by BRILL. This book was released on 2012-08-27 with total page 191 pages. Available in PDF, EPUB and Kindle. Book excerpt: The poet-herdsmen of Vergil’s Eclogues employ differing strategies for coping with acute loss, whether external (e.g. land dispossession) or internal (amatory rejection). The interplay of ideas latent in several of their songs is typically framed in terms of Epicurean concepts.
Download or read book Brill s Companion to Greek and Latin Pastoral written by Marco Fantuzzi and published by BRILL. This book was released on 2006-06-01 with total page 680 pages. Available in PDF, EPUB and Kindle. Book excerpt: The twenty-three contributions collected in this volume on Greek and Latin Pastoral focus mainly on the historical genesis, the stylistic and narrative features, the literary self-definition, and the fortunes of pastoral from its Theocritean origins to the Byzantine age.
Download or read book Imaginative Transcripts written by Willard Spiegelman and published by Oxford University Press. This book was released on 2008-12-29 with total page 331 pages. Available in PDF, EPUB and Kindle. Book excerpt: Willard Spiegelman is considered one of the finest critics of poetry writing today and this volume collects his best work on the subject, offering essays that span his entire career and chart his changing relationship to an elusive form. He takes the measure of a wide spectrum of poetry, ranging from the Romantic era to the present, through an examination of those poets whose language, formal experiments, and music have fascinated him throughout his career. With his trademark engaging and stylish prose, Spiegelman takes readers on a tour of the rich and diverse landscape of British and American poetry, as he provides nuanced, insightful readings of works by William Wordsworth, John Keats, Robert Lowell, Elizabeth Bishop, and John Ashbery, to name just a few.
Download or read book The Green Cabinet written by Thomas G. Rosenmeyer and published by Univ of California Press. This book was released on 1973 with total page 372 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Singer of the Eclogues written by Paul Alpers and published by Univ of California Press. This book was released on 2022-08-19 with total page 266 pages. Available in PDF, EPUB and Kindle. Book excerpt: This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1979.
Download or read book Mourning and Panegyric written by Celeste M. Schenck and published by Penn State Press. This book was released on 2010-11 with total page 246 pages. Available in PDF, EPUB and Kindle. Book excerpt: This work is primarily a genre study, aiming both at enlarging the canon of pastoral texts and at theorizing generical development in a comparative context. Addressed to a general audience of poetry enthusiasts as well as students of genre theory and specialists in the field, the book takes as its examples the twin pastoral genres of funeral elegy and marriage hymns. Schenck establishes in her introduction that the strategies she isolates in elegies and epithalamia govern lyric processes more generally; that in fact every poem might be an epitaph if it pronounces an elegy upon a former poetic self and announces rebirth of the artist as a poet. All poems are genuinely epitaphic in their attempt to record verbally and lastingly the death and implied rebirth of the poet as poet each time he lifts his pen to begin a new poem. The specific forms explored in this book, elegy and epithalamium, serve precisely as model initiatory scenarios. Elegies tend to gesture toward the past, pronouncing an epitaph upon poetic apprenticeship and recovery voice by means of symbolic burial of a forebear. Marriage poems, alternatively, are future-directed, celebrating (as do elegies) passage from virgin to mature state. Both forms aim at circumventing mortality, by apotheosis and deification in the case of the elegy, and by the projection forth of &"issue&" at the end of the marriage poem. Investigation of the symbolic reciprocity of these seemingly distinct forms yields a surprising range of variant forms, extends provocatively Claudio Guillen's theory of genre and counter-genre, and initiates a poetics of pastoral ceremony that has implications for the general study of lyric modes.
