Download or read book Modern French Drama 1940 1980 written by David Bradby and published by Cambridge University Press. This book was released on 1984-09-06 with total page 324 pages. Available in PDF, EPUB and Kindle. Book excerpt: In the years since 1940, French theatre has been transformed both institutionally and artistically. This book compares all the major traditions and tendencies at work in French theatre since the outbreak of the Second World War, not only in Paris, but also in the Centres Dramatiques and Maisons de la Culture. Previous books have stopped short at the end of the fifties when the influence of Artaud was strong and the Absurd Theatre had become the new orthodoxy. David Bradby reassesses Beckett, lonesco, Adamov and Genet and challenges the notion that the sixties and seventies were a period of decline in French theatre. The book proceeds chronologically, offering a critical survey of the principal directors, actors and companies as well as of the playwrights, who are its major concern. Important productions are illustrated with black and white photographs. The political background is explained and all quotations are in English.
Download or read book Modern French Drama 1940 1990 written by David Bradby and published by Cambridge University Press. This book was released on 1991-05-16 with total page 352 pages. Available in PDF, EPUB and Kindle. Book excerpt: An updated account and comparison of the major traditions and tendencies in the French theatre from 1940-1990.
Download or read book World Encyclopedia of Contemporary Theatre written by Irving Brown (Consulting Bibliographer) and published by Routledge. This book was released on 2013-10-11 with total page 546 pages. Available in PDF, EPUB and Kindle. Book excerpt: An annotated world theatre bibliography documenting significant theatre materials published world wide since 1945, plus an index to key names throughout the six volumes of the series.
Download or read book Stage Directors in Modern France written by David Whitton and published by Manchester University Press. This book was released on 1987 with total page 326 pages. Available in PDF, EPUB and Kindle. Book excerpt: "This book offers an introduction to seventeen key figures in French stagecraft. It is not a systematic study of mise en scène. Readers can consult the sections on individual directors who most interest them. But those who take the study as a whole will also ... find a guide to the changing attitudes and assumptions, the new ideas and controversies, that have shaped the French stage during the last hundred years."--Preface.
Download or read book New Tragedy and Comedy in France 1945 70 written by Peter Norrish and published by Springer. This book was released on 1988-06-18 with total page 166 pages. Available in PDF, EPUB and Kindle. Book excerpt: This is a study about the reshaping of tragedy and comedy in serious French drama in the quarter century following World War II. It offers an introduction to the most important plays of the period, which include those of Sartre, Arrabal, Beckett, Ionesco, Camus, Montherlant, Adamov and Genet.
Download or read book European Theatre 1960 1990 Routledge Revivals written by Ralph Yarrow and published by Routledge. This book was released on 2014-10-14 with total page 268 pages. Available in PDF, EPUB and Kindle. Book excerpt: European theatre has been the site of enormous change and struggle since 1960. There have been radical shifts in the nature and understanding of performance, fuelled by increasing cross-cultural and international influence. Theatre has had to fight for its very existence, adapting its methods of operation to survive. European Theatre 1960-1990, first published in 1992, tells that story. The contributors - who in many cases have been theatre practitioners as well as critics - provide a wealth of fascinating information, covering Germany, France, Poland, Italy, Spain and Sweden, as well as Britain. The book offers an historical and descriptive overview of developments across national boundaries, enabling the reader to compare and contrast acting and directing styles, administrative strategies and the relationship between ideology and achievement. Chapters trace the evolution of theatre in all its aspects, including such elements as the end of censorship in many countries, the upsurge in political and personal awareness of the 1960s, shifting patterns of state artistic policy, and the effects on companies, directors, performers and audiences. This book should be of interest to undergraduates, postgraduates and academics of theatre studies.
Download or read book New Tragedy and Comedy in France 1945 1970 written by Peter Norrish and published by Rowman & Littlefield. This book was released on 1988 with total page 180 pages. Available in PDF, EPUB and Kindle. Book excerpt: Contents: Introduction: New Tragedy and Comedy; The Background: From^R La Machine infernale to Huis clos; More Sartre and Camus: Drama, Tragedy and Philosophy; Henry de Montherlant: Tragedy and Morality; Samuel Beckett: New Tragedy; EugÈne Ionesco: New Comedy; Arthur Adamov: Black Satire, Dreams and Politics; Jean Genet: Tragic Masquerades; Fernando Arrabal: Tragic Farce; Conclusion: The Death of Comody?; Select Bibliography; Index
Download or read book The French and Italian Communist Parties written by Cyrille Guiat and published by Routledge. This book was released on 2004-08-02 with total page 225 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume is a systematic comparative study of the French and Italian Communist parties in the period from the early 1960s to the early 1980s.
Download or read book French classical Theatre Today written by Philip Tomlinson and published by Rodopi. This book was released on 2001 with total page 346 pages. Available in PDF, EPUB and Kindle. Book excerpt: Arising from the activities of the Centre for Seventeenth-Century French Theatre, this volume proposes a selection of eighteen essays by internationally renowned scholars aimed at all those who value and work with the theatre of seventeenth-century France, whether in teaching, research or performance. Frequently seeking out the interfaces of these areas, the essays cover historiography (including that of opera), the theory and practice of textual editing, visualizing - in terms of both theatre architecture and the significance of playtext illustration -, approaches to study and research (including the most recent applications of computer technology), and performance studies which relate the classical canon to contemporary French and other cultures. Always suggesting new directions, challenging the epistemological bases of the very concept of French classical theatre, the essays provide a snapshot of scholarship in the field at the dawn of a new millennium, and offer an ideal opportunity to reassess its past whilst looking to its future. blurb van Faux 205 - Tomlinson
Download or read book The Drama of Fallen France written by Kenneth Krauss and published by State University of New York Press. This book was released on 2012-02-01 with total page 282 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Drama of Fallen France examines various dramatic works written and/or produced in Paris during the four years of Nazi occupation and explains what they may have meant to their original audiences. Because of widespread financial support from the new French government at Vichy, the former French capital underwent a renaissance of theatre during this period, and both the public playhouses and the private theatres provided an amazing array of new productions and revivals. Some of the plays considered here are well known: Anouilh's Antigone, Sartre's The Flies, Claudel's The Satin Slipper. Others have remained obscure, such as Cocteau's The Typewriter, Giraudoux's The Apollo of Marsac, and Montherlant's Nobody's Son; and two—André Obey's Eight Hundred Meters and Simone Jollivet's The Princess of Ursins—have remained virtually unread since the early 1940s. In examining French culture under the Vichy regime and the Nazis, Kenneth Krauss links the politics of gender and sexuality with the more traditional political concepts of collaboration and resistance. A final chapter on Truffaut's 1980 film, The Last Métro, demonstrates how the present manages to rewrite and revision the complex and seemingly contradictory reality of the past.
Download or read book The Columbia History of Twentieth century French Thought written by Lawrence D. Kritzman and published by Columbia University Press. This book was released on 2006 with total page 820 pages. Available in PDF, EPUB and Kindle. Book excerpt: This valuable reference is an authoritative guide to 20th century French thought. It considers the intellectual figures, movements and publications that helped define fields as diverse as history, psychoanalysis, film, philosophy, and economics.
Download or read book The Great European Stage Directors Volume 7 written by Felicia Hardison Londré and published by Bloomsbury Publishing. This book was released on 2021-10-07 with total page 256 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume offers a compelling account of Jean-Louis Barrault, Ariane Mnouchkine and Peter Stein, who not only won international recognition as directors whose repertoires ranged from classical Greek to Shakespeare to the avant-garde, but also succeeded as leaders of their own companies. The ensembles they nurtured and kept afloat despite setbacks represent the artistic vision of each: the Compagnie Madeleine Renaud–Jean-Louis Barrault, the Théâtre du Soleil and the Schaubühne. Selected landmark productions illuminate the achievements of these 3 directors and their companies.
Download or read book Reception and Renewal in Modern Spanish Theatre 1939 1963 written by John London and published by MHRA. This book was released on 1997 with total page 300 pages. Available in PDF, EPUB and Kindle. Book excerpt: The book constitutes the first attempt to provide an overview of the reception of foreign drama in Spain during the Franco dictatorship. John London analyses performance, stage design, translation, censorship, and critical reviews in relation to the works of many authors, including Noel Coward, Arthur Miller, Eugene Ionesco, and Samuel Beckett. He compares the original reception of these dramatists with the treatment they were given in Spain. However, his study is also a reassessment of the Spanish drama of the period. Dr London argues that only by tracing the reception of non-Spanish drama can we understand the praise lavished on playwrights such as Antonio Buero Vallejo and Alfonso Sastre, alongside the simultaneous rejection of Spanish avant-garde styles. A concluding reinterpretation of the early plays of Fernando Arrabal indicates the richness of an alternative route largely ignored in histories of Spanish theatre.
Download or read book Off centre Stages written by Jinnie Schiele and published by Univ of Hertfordshire Press. This book was released on 2005 with total page 262 pages. Available in PDF, EPUB and Kindle. Book excerpt: Relating the histories of two important London fringe theaters--the Round House and the Open Space--with the use of rare archives, this text offers a detailed look at these pioneering companies and answers key questions about performance space and its influence on the types of productions successfully presented. The work of maverick American playwright and director Charles Marowitz, who founded the Open Space Theater, is fully detailed, as is that of political playwright Arnold Wesker, who founded the Round House. Also explored is the role Thelma Holt played in the development of both theaters. Rare photographs of productions and a complete list of plays and events staged at the two venues are included.
Download or read book The History of World Theater written by Felicia Hardison Londré and published by A&C Black. This book was released on 1999-01-01 with total page 660 pages. Available in PDF, EPUB and Kindle. Book excerpt: Felicia Londre explores the world of theater as diverse as the Entertainments of the Stuart court and Arthur Miller directing Chinese actors at the Beijing People's Art Theater in "Death of a Salesman." Londre examines: Restoration comedies; the Comedie Francais; Italian "opera seria"; plays of the "Surm und Grand" movement; Russian, French, and Spanish Romantic dramas; American minstrel shows; Brecht and dialectical theater; Dighilev; Dada; Expressionism, Theater of the Absurd productions, and other forms of experimental theater of the late-20th century.>
Download or read book Beyond Minimalism written by Enoch Brater and published by Oxford University Press. This book was released on 1990-12-27 with total page 224 pages. Available in PDF, EPUB and Kindle. Book excerpt: Beyond Minimalism explores Beckett's drama of the '70s and '80s, examining the ways in which play text and performance merge through the playwright's poetic idiom. Beginning with Not I and continuing through Catastrophe and What Where, Brater examines the plays not only as texts but also as theater pieces. Discussing the technical and aesthetic demands that productions like Footfalls and Rockaby make on actor, director, and spectator, Brater clarifies the essential relationship between Beckett's achievement in the context of the breakdown of genre, performance poetry, and the electronic intrusion of the recorded voice as a new theatrical convention. In the course of his analysis Brater demonstrates how Beckett's late style in the theater both continues and clarifies the dramatic lyricism that is the hallmark of earlier works such as Endgame and Waiting for Godot.
Download or read book Improvisation in Drama Theatre and Performance written by Anthony Frost and published by Bloomsbury Publishing. This book was released on 2015-10-26 with total page 320 pages. Available in PDF, EPUB and Kindle. Book excerpt: Improvisation is a tool for many things: performance training, rehearsal practice, playwriting, therapeutic interaction and somatic discovery. This book opens up the significance of improvisation across cultures, histories and ways of performing our life, offering key insights into the what, the how and the why of performance. It traces the origins of improvisation and its influences, both as a social and political phenomenon and its position in performance training. Including history, theory and practice, this new edition encompasses Theatre and performance studies as well as drama, acknowledging the rapid reconfiguration of these fields in recent years. Its coverage also now extends to improvisation in the USA, cinema, LARPing, street events and the improvising audience, while also looking at improv's relationship to stand-up comedy, jazz, poetry and free movement practices. With an index of exercises and an extensive bibliography, this book is indispensable to students of improvisation.
