Download or read book The Columbia Anthology of Modern Chinese Drama written by Xiaomei Chen and published by Columbia University Press. This book was released on 2014-04-01 with total page 656 pages. Available in PDF, EPUB and Kindle. Book excerpt: This condensed anthology reproduces close to a dozen plays from Xiaomei ChenÕs well-received original collection, along with her critical introduction to the historical, cultural, and aesthetic evolution of twentieth-century Chinese spoken drama. Comprising representative works from the PeopleÕs Republic of China, the collection encapsulates the revolutionary rethinking of Chinese theater and performance that began in the late Qing dynasty and vividly portrays the uncertainty and anxiety brought on by modernism, socialism, political conflict, and war. Chosen works from 1919 to 1990 also highlight the formation of Chinese national and gender identities during a period of tremendous social, cultural, and political change and the genesis of contemporary attitudes toward the West. PRC theater tracks the rise of communism in China, juxtaposing ideals of Chinese socialism against the sacrifices made for a new society. Post-Mao drama addresses the nationÕs socialist legacy, its attempt to reexamine its cultural roots, and postsocialist reflections on critical issues such as nation, class, gender, and collective memories. An essential, portable guide for easy reference and classroom use, this abridgement provides a concise yet well-rounded survey of China's theatricality and representation of political life. This work has not only established a canon of modern Chinese drama but also made it available for the first time in English in a single volume.
Download or read book The Columbia Anthology of Modern Chinese Drama written by Xiaomei Chen and published by Columbia University Press. This book was released on 2010-10-29 with total page 1216 pages. Available in PDF, EPUB and Kindle. Book excerpt: The first of its kind in English, this anthology translates twenty-two popular Chinese plays published between 1919 and 2000, accompanied by a critical introduction to the historical, cultural, and aesthetic evolution of twentieth-century Chinese spoken drama. Primarily comprising works from the People's Republic of China, though including representative plays from Hong Kong and Taiwan, this collection not only showcases the revolutionary rethinking of Chinese theater and performance that began in the late Qing dynasty. It also highlights the formation of Chinese national and gender identities during a period of tremendous social and political change, along with the genesis of contemporary attitudes toward the West. Early twentieth-century Chinese drama embodies the uncertainty and anxiety brought on by modernism, socialism, political conflict, and war. After 1949, PRC theater painted a complex portrait of the rise of communism in China, with the ideals of Chinese socialism juxtaposed against the sacrifices made for a new society. The Cultural Revolution promoted a "model theater" cultivated from the achievements of earlier, leftist spoken drama, even though this theater arose from the destruction of old culture. Post-Mao drama addresses the socialist legacy and the attempts of a wounded nation to reexamine its cultural roots. Taiwan's spoken drama synthesizes regional and foreign traditions, and Hong Kong's spoken drama sparkles as a hybrid of Chinese and Western influences. Immensely valuable for cross-disciplinary, comparative, and performance study, this anthology provides essential perspective on China's theatricality and representation of political life.
Download or read book The Columbia Anthology of Modern Chinese Drama written by Xiaomei Chen and published by Columbia University Press. This book was released on 2014-03-25 with total page 655 pages. Available in PDF, EPUB and Kindle. Book excerpt: This condensed anthology reproduces close to a dozen plays from Xiaomei Chen's well-received original collection, The Columbia Anthology of Modern Chinese Drama, along with her critical introduction to the historical, cultural, and aesthetic evolution of twentieth-century Chinese spoken drama. Comprising representative works from the Republican era to postsocialist China, the book encapsulates the revolutionary rethinking of Chinese theater and performance that began in the late Qing dynasty and vividly portrays the uncertainty and anxiety brought on by modernism, socialism, political conflict, and war. Chosen works from 1919 to 1990 also highlight the formation of national and gender identities during a period of tremendous social, cultural, and political change in China and the genesis of contemporary attitudes toward the West. PRC theater tracks the rise of communism, juxtaposing ideals of Chinese socialism against the sacrifices made for a new society. Post-Mao drama addresses the nation's socialist legacy, its attempt to reexamine its cultural roots, and postsocialist reflections on critical issues such as nation, class, gender, and collective memories. An essential, portable guide for easy reference and classroom use, this abridgment provides a concise yet well-rounded survey of China's theatricality and representation of political life. The original work not only established a canon of modern Chinese drama in the West but also made it available for the first time in English in a single volume.
Download or read book Modern Chinese Drama written by Zhao Hongfao and published by . This book was released on 2009 with total page 240 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Acting the Right Part written by Xiaomei Chen and published by University of Hawaii Press. This book was released on 2002-01-31 with total page 483 pages. Available in PDF, EPUB and Kindle. Book excerpt: Acting the Right Part is a cultural history of huaju (modern Chinese drama) from 1966 to 1996. Xiaomei Chen situates her study both in the context of Chinese literary and cultural history and in the context of comparative drama and theater, cultural studies, and critical issues relevant to national theater worldwide. Following a discussion of the marginality of modern Chinese drama in relation to other genres, periods, and cultures, early chapters focus on the dynamic relationship between theater and revolution. Chosen during the Cultural Revolution as the exclusive artistic vehicle to promote proletariat art, "model theater" raises important questions about the complex relationships between women, memory, nation/state, revolution, and visual culture. Throughout this study, Chen argues that dramatic norms inform both theatrical performance and everyday political behavior in contemporary China.
Download or read book Modern Chinese Drama written by Matthew Truman and published by . This book was released on 2011-11 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: This is a book for all fans of Chinese theater arts, from Kunqu and Peking Opera to Chinese and Western plays, operas, and stage or variety shows; from the smallest, most intimate neighborhood theaters to China's cutting edge or avante-garde playhouses to its grandest concert halls. Hongfan Zhao examines themes, plots, characters, and all aspects of stagecraft (artistic and technical) in China from the twentieth century to the present. This is the definitive history and appreciation of stage drama and is a must-have book for anyone involved in theater or performing arts.
Download or read book Theater and Society written by Haiping Yan and published by M.E. Sharpe. This book was released on 1998 with total page 378 pages. Available in PDF, EPUB and Kindle. Book excerpt: Chinese spoken drama flourished in the 1980s when it generated a series of national controversies. In important respects, this was the golden age of drama in the People's Republic, as the stage became a most effective arena for exploring long suppressed cultural and political issues, constituting an indispensable dimension of the reform that has been altering the landscape of contemporary Chinese culture and society. The plays in this volume are among the most influential and controversial, having engendered intense cultural debate and political confrontations. They include the only complete English language translation of Bus Stop by Nobel Prize-winning author Gao Xingjian. The film script was chosen from among the most acclaimed contemporary Chinese films for its high significance in the history of Chinese film and its international influence in the cinematic world. For general readers with diverse cultural and artistic interests, this anthology introduces a new world of performing culture that enriches, delights, and challenges. For students and scholars of modern Chinese culture and society, it provides insights into China's profound social, political, and cultural transformation. For students and scholars in theatre and film studies who are increasingly interested in dramatic creations beyond the boundaries of the European tradition, it offers much needed materials for broadening cultural horizons. Yan Haiping, who holds advanced degrees in theater arts from Cornell University, was awarded the First Prize for Excellence in Drama 1980-81 by the Society of Chinese Dramatists and the Ministry of Culture of the PRC for her ten-act historical play Li Shimin, Prince of Qin. contents Plays: WM, by Wang Peigong, playscript revised for performance by Wang Gui, translated by Thomas Moran; Pan Jinlian:The History of a Fallen Woman, by Wei Minglun, translated by Dave Williams with Xiaoxia Williams; Shanshuping Chronicles, by Chen Zidu, Yang Jian, Zhu Xiaoping, translated by Rong Cai; The Bus Stop by Gao Xingjian, translated by Kimberly Besio. Film: ld Well, by Zheng Yi, directed by Wu Tianming, translated by Shiaoling Yu.
Download or read book Mainstream Culture Refocused written by Xueping Zhong and published by University of Hawaii Press. This book was released on 2019-01-31 with total page 233 pages. Available in PDF, EPUB and Kindle. Book excerpt: Serialized television drama (dianshiju), perhaps the most popular and influential cultural form in China over the past three decades, offers a wide and penetrating look at the tensions and contradictions of the post-revolutionary and pro-market period. Zhong Xueping’s timely new work draws attention to the multiple cultural and historical legacies that coexist and challenge each other within this dominant form of story telling. Although scholars tend to focus their attention on elite cultural trends and avant garde movements in literature and film, Zhong argues for recognizing the complexity of dianshiju’s melodramatic mode and its various subgenres, in effect "refocusing" mainstream Chinese culture. Mainstream Culture Refocused opens with an examination of television as a narrative motif in three contemporary Chinese art-house films. Zhong then turns her attention to dianshiju’s most important subgenres. "Emperor dramas" highlight the link between popular culture’s obsession with emperors and modern Chinese intellectuals’ preoccupation with issues of history and tradition and how they relate to modernity. In her exploration of the "anti-corruption" subgenre, Zhong considers three representative dramas, exploring their diverse plots and emphases. "Youth dramas’" rich array of representations reveal the numerous social, economic, cultural, and ideological issues surrounding the notion of youth and its changing meanings. The chapter on the "family-marriage" subgenre analyzes the ways in which women’s emotions are represented in relation to their desire for "happiness." Song lyrics from music composed for television dramas are considered as "popular poetics." Their sentiments range between nostalgia and uncertainty, mirroring the social contradictions of the reform era. The Epilogue returns to the relationship between intellectuals and the production of mainstream cultural meaning in the context of China’s post-revolutionary social, economic, and cultural transformation. Provocative and insightful, Mainstream Culture Refocused will appeal to scholars and students in studies of modern China generally and of contemporary Chinese media and popular culture specifically.
Download or read book Television Drama in Contemporary China written by Shenshen Cai and published by Taylor & Francis. This book was released on 2016-09-13 with total page 142 pages. Available in PDF, EPUB and Kindle. Book excerpt: Due to high audience numbers and the significant influence upon the opinions and values of viewers, the political leadership in China attributes great importance to the impact of television dramas. Many successful TV serials have served as useful conduits to disseminate official rhetoric and mainstream ideology, and they also offer a rich area of research by providing insight into the changing Chinese political, social and cultural context. This book examines a group of recently released TV drama serials in China which focus upon, and to various degrees represent, topical political, social and cultural phenomena. Some of the selected TV serials reflect the present ideological proclivities of the Chinese government, whilst others mirror social and cultural occurrences or provide coded and thought-provoking messages on China’s socio-economic and political reality. Through in-depth textual analysis of the plots, scenes and characters of these selected TV serials, the book provides timely interpretations of contemporary Chinese society, its political inclinations, social fashions and cultural tendencies. The book also demonstrates how popular media narratives of TV drama serials engage with sensitive civic issues and cultural phenomena of modern-day China, which in turn encourages a broader social imagination and potential for change. Advancing our understanding of contemporary China, this book will appeal to students and scholars of contemporary Chinese culture, society and politics, as well as those with research interests in television studies more generally.
Download or read book Henrik Ibsen and Modern Chinese Drama written by Chengzhou He and published by Fagbokforlaget. This book was released on 2004 with total page 322 pages. Available in PDF, EPUB and Kindle. Book excerpt: Henrik Ibsen is one of the most influential foreign writers in 20th century China. In the century review of Chinese Ibsenism, He Chengzhou explores Chinese "Noraism" in the context of the Chinese reception of Ibsen as a realist, a romantic and a symbolist, and analyses this dramatic phenomenon from historical, cultural and literary perspectives. It also initiates the study of the Chinese relay translations of Ibsen by comparing them with the Norwegian original. No foreign writer contributed as much to the rise of modern Chinese drama as Ibsen did. In this book He Chengzhou demonstrates that Ibsen's influence on modern Chinese drama underwent three important stages: from Chinese "problem drama" to Tian Han's early realistic plays and to Cao Yu's great masterpieces. Based on close textual analysis, the author interprets and analyses both the influence and the inter-textual relationships between Ibsen's plays and modern Chinese plays. Among other things, the author offers an unprecedented comparative study of Hedda Gabler and Sunrise. With the establishment of realistic drama in China, Ibsen was integrated into the Chinese dramatic tradition. Ibsen's influence on contemporary Chinese dramatists has come both directly and indirectly via that heritage of Chinese modern drama.
Download or read book The Avant Garde and the Popular in Modern China written by Liang Luo and published by University of Michigan Press. This book was released on 2014-07-15 with total page 386 pages. Available in PDF, EPUB and Kindle. Book excerpt: Provides a new perspective on the Chinese avant-garde through the figure of artist and activist Tian Han
Download or read book Theatre and Society Anthology of Contemporary Chinese Drama written by Haiping Yan and published by Routledge. This book was released on 2015-02-18 with total page 485 pages. Available in PDF, EPUB and Kindle. Book excerpt: Exploring one of the most dynamic and contested regions of the world, this series includes works on political, economic, cultural, and social changes in modern and contemporary Asia and the Pacific.
Download or read book Two Modern Chinese Dramas Translated Into English written by Joseph Chen-ying Yen and published by . This book was released on 1973 with total page 504 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Routledge Handbook of Modern Chinese Literature written by Ming Dong Gu and published by Routledge. This book was released on 2018-09-03 with total page 740 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Routledge Handbook of Modern Chinese Literature presents a comprehensive overview of Chinese literature from the 1910s to the present day. Featuring detailed studies of selected masterpieces, it adopts a thematic-comparative approach. By developing an innovative conceptual framework predicated on a new theory of periodization, it thus situates Chinese literature in the context of world literature, and the forces of globalization. Each section consists of a series of contributions examining the major literary genres, including fiction, poetry, essay drama and film. Offering an exciting account of the century-long process of literary modernization in China, the handbook’s themes include: Modernization of people and writing Realism, rmanticism and mdernist asthetics Chinese literature on the stage and screen Patriotism, war and revolution Feminism, liberalism and socialism Literature of reform, reflection and experimentation Literature of Taiwan, Hong Kong and new media This handbook provides an integration of biographical narrative with textual analysis, maintaining a subtle balance between comprehensive overview and in-depth examination. As such, it is an essential reference guide for all students and scholars of Chinese literature.
Download or read book Representing History in Chinese Media written by Gotelind Müller and published by LIT Verlag Münster. This book was released on 2007 with total page 218 pages. Available in PDF, EPUB and Kindle. Book excerpt: Historical TV dramas are a highly popular genre in the People's Republic of China and an important, contested factor in shaping historical consciousness of the populace. The monumental TV drama Zou xiang gonghe made a stir when aired by China Central Television in the spring of 2003. Because of its unconventional representation of the historically critical time-span 1890-1917, the TV drama sparked a heated discussion in the print media as well as in the internet, and was ultimately taken off the program. This book aims at presenting a synopsis of the TV drama, analysing its background and impact on society.
Download or read book Theatre and Society Anthology of Contemporary Chinese Drama written by Haiping Yan and published by Routledge. This book was released on 2015-02-18 with total page 375 pages. Available in PDF, EPUB and Kindle. Book excerpt: Exploring one of the most dynamic and contested regions of the world, this series includes works on political, economic, cultural, and social changes in modern and contemporary Asia and the Pacific.
Download or read book Imagining Sisterhood in Modern Chinese Texts 1890 1937 written by Yun Zhu and published by Rowman & Littlefield. This book was released on 2017-03-16 with total page 237 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book investigates sisterhood as a converging thread that wove female subjectivities and intersubjectivities into a larger narrative of Chinese modernity embedded in a newly conceived global context. It focuses on the period between the late Qing reform era around the turn of the twentieth century and the outbreak of the Second Sino-Japanese War in 1937, which saw the emergence of new ways of depicting Chinese womanhood in various kinds of media. In a critical hermeneutic approach, Zhu combines an examination of an outside perspective (how narratives and images about sisterhood were mobilized to shape new identities and imaginations) with that of an inside perspective (how subjects saw themselves as embedded in or affected by the discourse and how they negotiated such experiences within texts or through writing). With its working definition of sisterhood covering biological as well as all kinds of symbolic and metaphysical connotations, this book exams the literary and cultural representations of this elastic notion with attention to, on the one hand, a supposedly collective identity shared by all modern Chinese female subjects and, on the other hand, the contesting modes of womanhood that were introduced through the juxtaposition of divergent “sisters.” Through an interdisciplinary approach that brings together historical materials, literary and cultural analysis, and theoretical questions, Zhu conducts a careful examination of how new identities, subjectivities and sentiments were negotiated and mediated through the hermeneutic circuits around “sisterhood.”
