Download or read book Method for Bass and Contrabass Tuba e Book 2 written by Angelo Piazzini and published by Glissato Edizioni Musicali. This book was released on 2022-05-25 with total page 35 pages. Available in PDF, EPUB and Kindle. Book excerpt: The present “Method for Bass and Contrabass Tuba” provides daily exercises for the pupil which are conceived for a progressive and gradual advancement in the academic course of study of the tuba at the Conservatory. My decades of experience in the field of musical and instrumental teaching, led me to perfect this series of exercises; they are an excellent support as well as a useful guide for the pupil, the student, or the professional that will perform them. As usual, I leave full freedom and total discretion in the execution of these to the musician that will play them. Good study to all! Angelo Piazzini - Method for Bass and Contrabass Tuba - Exercises in Major. E-book published by Glissato Edizioni Musicali - www.glissato.it

Download or read book Method for Bass and Contrabass Tuba e Book 1 written by Angelo Piazzini and published by Glissato Edizioni Musicali. This book was released on 2022-05-25 with total page 34 pages. Available in PDF, EPUB and Kindle. Book excerpt: The present “Method for Bass and Contrabass Tuba” provides daily exercises for the pupil which are conceived for a progressive and gradual advancement in the academic course of study of the tuba at the Conservatory. My decades of experience in the field of musical and instrumental teaching, led me to perfect this series of exercises; they are an excellent support as well as a useful guide for the pupil, the student, or the professional that will perform them. As usual, I leave full freedom and total discretion in the execution of these to the musician that will play them. Good study to all! Angelo Piazzini - Method for Bass and Contrabass Tuba - Exercises in Major. E-book published by Glissato Edizioni Musicali - www.glissato.it

Download or read book Method for Bass Trombone e book 2 written by Angelo Piazzini and published by Glissato Edizioni Musicali. This book was released on 2022-05-20 with total page 42 pages. Available in PDF, EPUB and Kindle. Book excerpt: The present “Method for Bass Trombone” provides daily exercises for the pupil which are conceived for a progressive and gradual advancement in the academic course of study of the bass trombone at the Conservatory. Angelo Piazzini

Download or read book Metodo per Tuba Bassa e Contrabbassa e Book 2 ita written by Angelo Piazzini and published by Glissato Edizioni Musicali. This book was released on 2022-05-25 with total page 35 pages. Available in PDF, EPUB and Kindle. Book excerpt: Il presente “Metodo per Tuba Bassa e Contrabbassa” fornisce all’allievo esercizi da svolgere giornalmente che sono concepiti per un progressivo e graduale avanzamento nel percorso accademico di studio della Tuba in Conservatorio.La mia pluriennale esperienza, nel campo della didattica e dell’insegnamento musicale e strumentale, mi ha portato a perfezionare questa serie di esercizi; essi sono un eccellente supporto oltre che un’utile guida, per l’allievo, amatore o professionista che li eseguirà. Lascio, come al solito, piena libertà e totale discrezione nell’esecuzione degli stessi, al musicista che vorrà cimentarsi in questa nuova serie di esercizi, atti ad ottenere un avanzato, graduale e progressivo sviluppo nella formazione del singolo allievo. Angelo Piazzini - E-book pubblicato da Glissato Edizioni Musicali - www.glissato.it

Download or read book Building The Embouchure for Tuba E book 2 written by Angelo Piazzini and published by Glissato Edizioni Musicali. This book was released on 2022-05-09 with total page 40 pages. Available in PDF, EPUB and Kindle. Book excerpt: All my teaching methods are intended as ready-to-use manuals. I should therefore specify that it isn’t necessary to follow the order of the exercises indicated, rather you can choose to start from one exercise instead of another and/or draw up a “customized” daily sequence, playing those that are most useful and work best for you, or pick exercises depending on your activities, be they lessons, auditions, competitions or concerts. It is advisable to start from a comfortable speed - I would say 70 - 75 on the metronome - and then increase it a little at a time, speeding up gradually. As for the dynamics, it is advisable not to overdo it. Experience dealing with these exercises suggests it’s preferable to tackle them working with a range from mp (mezzo piano) until you reach a maximum of f (forte), or from p (piano) to mf (mezzo forte) . This method, like my others, provides students with exercises to consolidate a winning "daily routine" that’s personalized for every instrumentalist, developing those individual aspects that we need every day in performance practice: attacks, legato, octaves, register, control and embouchure. These exercises constitute a useful daily practice routine, aimed at training, developing and maintaining a good and correct embouchure. Angelo Piazzini

Download or read book Progressive Balancing in Staccato for Tuba E book 2 written by Angelo Piazzini and published by Glissato Edizioni Musicali. This book was released on 2022-05-10 with total page 43 pages. Available in PDF, EPUB and Kindle. Book excerpt: This “Progressive Balancing in Staccato-Advanced Progressive Technical Exercises for Bass and Contrabass Tuba” is entirely dedicated to the study of the staccato. This essay is indeed composed by a first part in a major tonality and a second part in a minor tonality, which are in turn divided into a regular and reverse mode. This, first of all, gives the brass instrument players (may they be professionals or students), the possibility to increase their speed, their precision in the technique and in the staccato, developing, by a gradual balancing of the embouchure, the attacks, the staccato, the octaves, the register, the control, the embouchure, the accuracy and the speed in the technique. I suggest to start at a comfortable metronome speed (75-80), to then gradually increase till the maximum reachable speed, in order to accelerate these advanced technical exercises. I abstain on purpose from proposing instructions as regards the dynamics of performance, because in this case they do not play a significant role, in contrast to what usually occurs in music and scores. I suggest, however, to face the exercises of this essay with some dynamics that can go from “mf” (mezzoforte) up to “f” (forte), or from “mp” (mezzo piano) up to a considerable“mf” (mezzo forte). I leave the player completely free to choose the type of staccato. I suggest howeverto change it day by day, for example by employing a simple staccato the first day, a double staccato the day after, and a triple one the third day, going back to a simple staccato and so on. Besides, one may choose to play, every other day, major and minor tonalities, or one day only theregular mode and the next day the reverse one, all at the complete discretion of the player. Finally, as regards Books 2, 3, and 4, they will clearly have to be performed by employing the double and triple staccatos, which are the designated choices for them. Angelo Piazzini

Download or read book Walter Beeler Method for the BB Flat Tuba Book II written by Walter Beeler and published by Alfred Music. This book was released on with total page 52 pages. Available in PDF, EPUB and Kindle. Book excerpt: A conservatory-style approach to the various brass methods, utilizing Beeler's own teaching techniques.

Download or read book Advanced Warm Up and Daily Routine E book 2 written by Angelo Piazzini and published by Glissato Edizioni Musicali. This book was released on 2022-05-09 with total page 26 pages. Available in PDF, EPUB and Kindle. Book excerpt: My new book, entitled Advanced Warm Up and Daily Routine for Tuba, is designed to provide advanced students, professional and aspiring professionals tuba players with a useful guide to warming up and daily exercises.This new series of exercises enables tuba players to achieve advanced, rapid and step-by-step progression in embouchure and, as a result, in their technical precision and speed, so as to attain virtuosity in the two different areas covered by the book. In particular, this enables:• step-by-step development and progression in embouchure• improvement and increased confidence in attack• improvement and increased confidence in all register• improvement and increased confidence in control in legato• increased confidencein moving from one register to another and in leaps of over two octaves• increased technical precision and speed• attainment of virtuosity in the two areas covered by the book. My advice is to tackle these exercises starting at a comfortable pace (75 – 80 on the metronome) and then to gradually pick up speed in order to reach the maximum attainable pace. Another idea might be to practice in major and minor keys on alternate days, or to play in the ordinary way on one day and the opposite the next. Everything is at the sole discretion of the player.As always, I leave full freedom of execution up to tuba players who want to try their hand at this new series of daily exercises for advanced, rapid and step-by-step progression as part of their musical training. Angelo Piazzini

Download or read book An Illustrated Dictionary for the Modern Trombone Tuba and Euphonium Player written by Douglas Yeo and published by Rowman & Littlefield. This book was released on 2021-10-28 with total page 207 pages. Available in PDF, EPUB and Kindle. Book excerpt: Modern low brass instruments—trombone, tuba, and euphonium—have legions of ancestors, cousins, and descendants in over five-hundred years of history. Prominent scholar and performer Douglas Yeo provides a unique, accessible reference guide that addresses a broad range of relevant topics and brings these instruments to life with clear explanations and the most up-to-date research. Brief biographies of many path-changing individuals highlight their influence on instrument development and use. The book’s inclusive scope also recognizes the work of diverse, influential artists whose important contributions to trombone and tuba history and development have not previously been acknowledged in other literature. Extensive illustrations by Lennie Peterson provide insight into many of the entries.

Download or read book Guide to the Tuba Repertoire Second Edition written by R. Winston Morris and published by Indiana University Press. This book was released on 2006-11-08 with total page 688 pages. Available in PDF, EPUB and Kindle. Book excerpt: Guide to the Tuba Repertoire is the most comprehensive investigation ever undertaken into the literature and discography of any single musical instrument. Under the direction of R. Winston Morris and Daniel Perantoni, this publication represents more than 40 years of research by dozens of leading professionals throughout the world. The guide defines the current status of the tuba and documents its growth since its inception in 1835. Contributors are Ron Davis, Jeffrey Funderburk, David Graves, Skip Gray, Charles A. McAdams, R. Winston Morris, Mark A. Nelson, Timothy J. Northcut, Daniel Perantoni, Philip Sinder, Joseph Skillen, Kenyon Wilson, and Jerry A. Young.

Download or read book Learn to Play Tuba Book 2 written by Charles Gouse and published by Alfred Music. This book was released on with total page 52 pages. Available in PDF, EPUB and Kindle. Book excerpt: A carefully graded method that builds a sound rhythmic sense, develops well-rounded musicianship and emphasizes concepts of tone production.

Download or read book Progressive Balancing in Staccato for Tuba E book 1 written by Angelo Piazzini and published by Glissato Edizioni Musicali. This book was released on 2022-05-10 with total page 43 pages. Available in PDF, EPUB and Kindle. Book excerpt: This “Progressive Balancing in Staccato-Advanced Progressive Technical Exercises for Bass and Contrabass Tuba” is entirely dedicated to the study of the staccato. This essay is indeed composed by a first part in a major tonality and a second part in a minor tonality, which are in turn divided into a regular and reverse mode. This, first of all, gives the brass instrument players (may they be professionals or students), the possibility to increase their speed, their precision in the technique and in the staccato, developing, by a gradual balancing of the embouchure, the attacks, the staccato, the octaves, the register, the control, the embouchure, the accuracy and the speed in the technique. I suggest to start at a comfortable metronome speed (75-80), to then gradually increase till the maximum reachable speed, in order to accelerate these advanced technical exercises. I abstain on purpose from proposing instructions as regards the dynamics of performance, because in this case they do not play a significant role, in contrast to what usually occurs in music and scores. I suggest, however, to face the exercises of this essay with some dynamics that can go from “mf” (mezzoforte) up to “f” (forte), or from “mp” (mezzo piano) up to a considerable“mf” (mezzo forte). I leave the player completely free to choose the type of staccato. I suggest howeverto change it day by day, for example by employing a simple staccato the first day, a double staccato the day after, and a triple one the third day, going back to a simple staccato and so on. Besides, one may choose to play, every other day, major and minor tonalities, or one day only theregular mode and the next day the reverse one, all at the complete discretion of the player. Finally, as regards Books 2, 3, and 4, they will clearly have to be performed by employing the double and triple staccatos, which are the designated choices for them. Angelo Piazzini

Download or read book Simultaneously Teaching the Bass Tuba and Contrabass Tuba written by Jesse R. McConnell (III) and published by . This book was released on 2021 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: Today, the modern tubist is required to be proficient at both the bass tuba and the contrabass tuba in academic and professional spheres. However, this was not always the case. Due to advancements in tuba manufacturing and demands on professionals to play both instruments, the bass tuba is now implemented in university curricula throughout the United States. Young collegiate tubists now play both the bass tuba and contrabass tuba. A student who only studies one of these instruments and not the other will be impeded in attaining the skills required of modern tubists. The era of a dual-tuba demand on students has begun, and the bass tuba's use in academia is more prominent than ever. Currently, there is a large gap in pedagogical resources addressing the dual-tuba demand on students. Most of the material that does exist is either for teaching the bass tuba alone or for teaching tuba in general. This document acknowledges the reality that serious students of the instrument now study both the bass and contrabass tuba. Since documented and published scholarship on simultaneously teaching the bass tuba and contrabass tuba is limited, much of the information and data in this document was generated by a survey conducted in 2020. Twenty-six prominent teachers and professional tubists responded to the survey. The intent of this document is to help tubists approach doubling on two different instruments with greater efficiency and guidance by highlighting problems and solutions to the new dual-tuba demand.

Download or read book Complete Warm Up and Daily Routine for Tuba E book 1 written by Angelo Piazzini and published by Glissato Edizioni Musicali. This book was released on 2022-05-09 with total page 26 pages. Available in PDF, EPUB and Kindle. Book excerpt: My new book, entitled Complete Warm Up and Daily Routine for Tuba, is designed to provide students, amateurs, and professional tuba players with a useful guide to warming up and daily exercises. This new series of exercises enables tuba players to experience rapid, step-by-step progression in embouchure and, as a result, in their technical precision and speed. In particular, this enables: • step-by-step development and progression in embouchure • improvement and increased confidence in attacks • improvement and increased confidence in all registers • improvement and increased confidence in control in legato • increased confidence in moving from one register to another and in leaps • increased technical precision and speed My advice is to tackle these exercises starting at a comfortable pace (75 – 80 on the metronome) and then to gradually pick up speed in order to reach the maximum attainable pace. Another idea might be to practice in major and minor keys on alternate days, or to play in the ordinary way on one day and the opposite the next. Everything is at the sole discretion of the player. As always, I leave full freedom of execution up to tuba players who want to try their hands at this new series of daily exercises for rapid, step-by-step progression as part of their training as musicians. Angelo Piazzini

Download or read book Progressive Balancing in Staccato for Tuba E book 3 written by Angelo Piazzini and published by Glissato Edizioni Musicali. This book was released on 2022-05-10 with total page 57 pages. Available in PDF, EPUB and Kindle. Book excerpt: This “Progressive Balancing in Staccato-Advanced Progressive Technical Exercises for Bass and Contrabass Tuba” is entirely dedicated to the study of the staccato. This essay is indeed composed by a first part in a major tonality and a second part in a minor tonality, which are in turn divided into a regular and reverse mode. This, first of all, gives the brass instrument players (may they be professionals or students), the possibility to increase their speed, their precision in the technique and in the staccato, developing, by a gradual balancing of the embouchure, the attacks, the staccato, the octaves, the register, the control, the embouchure, the accuracy and the speed in the technique. I suggest to start at a comfortable metronome speed (75-80), to then gradually increase till the maximum reachable speed, in order to accelerate these advanced technical exercises. I abstain on purpose from proposing instructions as regards the dynamics of performance, because in this case they do not play a significant role, in contrast to what usually occurs in music and scores. I suggest, however, to face the exercises of this essay with some dynamics that can go from “mf” (mezzoforte) up to “f” (forte), or from “mp” (mezzo piano) up to a considerable“mf” (mezzo forte). I leave the player completely free to choose the type of staccato. I suggest howeverto change it day by day, for example by employing a simple staccato the first day, a double staccato the day after, and a triple one the third day, going back to a simple staccato and so on. Besides, one may choose to play, every other day, major and minor tonalities, or one day only theregular mode and the next day the reverse one, all at the complete discretion of the player. Finally, as regards Books 2, 3, and 4, they will clearly have to be performed by employing the double and triple staccatos, which are the designated choices for them. Angelo Piazzini

Download or read book Progressive Balancing in Staccato for Tuba E book 4 written by Angelo Piazzini and published by Glissato Edizioni Musicali. This book was released on 2022-05-10 with total page 119 pages. Available in PDF, EPUB and Kindle. Book excerpt: This “Progressive Balancing in Staccato-Advanced Progressive Technical Exercises for Bass and Contrabass Tuba” is entirely dedicated to the study of the staccato. This essay is indeed composed by a first part in a major tonality and a second part in a minor tonality, which are in turn divided into a regular and reverse mode. This, first of all, gives the brass instrument players (may they be professionals or students), the possibility to increase their speed, their precision in the technique and in the staccato, developing, by a gradual balancing of the embouchure, the attacks, the staccato, the octaves, the register, the control, the embouchure, the accuracy and the speed in the technique. I suggest to start at a comfortable metronome speed (75-80), to then gradually increase till the maximum reachable speed, in order to accelerate these advanced technical exercises. I abstain on purpose from proposing instructions as regards the dynamics of performance, because in this case they do not play a significant role, in contrast to what usually occurs in music and scores. I suggest, however, to face the exercises of this essay with some dynamics that can go from “mf” (mezzoforte) up to “f” (forte), or from “mp” (mezzo piano) up to a considerable“mf” (mezzo forte). I leave the player completely free to choose the type of staccato. I suggest howeverto change it day by day, for example by employing a simple staccato the first day, a double staccato the day after, and a triple one the third day, going back to a simple staccato and so on. Besides, one may choose to play, every other day, major and minor tonalities, or one day only theregular mode and the next day the reverse one, all at the complete discretion of the player. Finally, as regards Books 2, 3, and 4, they will clearly have to be performed by employing the double and triple staccatos, which are the designated choices for them. Angelo Piazzini

Download or read book A History of the Bass and Contrabass Tuba with an Analytical Survey of Six Selected Beginning Bass and Contrabass Instruction Books written by George Louis Yingst and published by . This book was released on 1960 with total page 83 pages. Available in PDF, EPUB and Kindle. Book excerpt: