Download or read book Memory and History in Argentine Popular Music written by Delia Pamela Fuentes Korban and published by Rowman & Littlefield. This book was released on 2023-01-30 with total page 167 pages. Available in PDF, EPUB and Kindle. Book excerpt: Memory and History in Argentine Popular Music examines Argentine popular music of the 1990s and early 2000s that denounced, immortalized, and reflected on the processes that led to the socioeconomic crisis that shook Argentine society at the end of 2001. It draws upon the three most popular genres of the time—tango, rock chabón, and cumbia villera, a form of cumbia from the shantytowns. The book analyzes lyrics from these three genres detailing how they capture the feel of daily life and the changes that occurred under the neoliberal economic model that ravaged the country throughout the ‘90s. The contention is that these are canciones con historia, songs that depict historical events and tell personal stories. Therefore, the lyrics from all three genres serve as accounts of historical events and social and economic changes, denouncing the social inequalities caused by neoliberal economic policies. Furthermore, the book explores how the process of remembering and forgetting takes place on the Internet. It examines how users navigate video-sharing portals and use music to create “virtual sites of memory,” a term that extends Winter’s conception of physical sites of memory to digital environments as virtual sites of commemoration.
Download or read book Rock Poetry in Post Dictatorship Argentina written by Lucas R. Berone and published by Rowman & Littlefield. This book was released on 2024-06-10 with total page 217 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book is a historical and discursive study of rock poetry produced in Argentina, during the “transition to democracy,” in the 1980s. Lucas R. Berone analyzes the lyrics and albums of a heterogeneous group of Argentine rock artists and bands, who began their careers at that time, to demonstrate the emergence and functioning of a new grammar of discursive production, he terms the “grammar of the incognitus (or hidden) subject.” This grammar is a very specific and distinct way of elaborating the enunciative relationship between the artist and his audience when compared to the traditional countercultural rock discourse. The author asserts that the new discursive grammar, focused on the singularity of the present and the “self,” will produce the last important revolution in the tradition of the so-called “rock nacional,” motivating critical responses in the leaders of the movement.
Download or read book Music as Monument written by Jocelyn Parr and published by . This book was released on 2006 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: Military dictatorship was a too common feature of Argentine politics for much of the twentieth century. The most recent dictatorship (1976-1983) led by General Videla saw the disappearance of an estimated 30,000 Argentines. In the preceding decade, Argentina had been crippled by a civil war that raged between violent, Cuba-inspired guerrillas and the military. It was in this violent context that Argentine rock music, the best of which was called rock nacional, appeared. Inspired by international rockers like The Beatles and by international student politics such as was seen in Paris in 1968, Argentina's first rockers were at once eager participants in an international rock scene and strident resistors to local violence. From 1965 to 1983, rock nacional went from being a subculture to mass culture. Imprinted in its history and in its most popular hits of that period are references to the violence that pervaded Argentine culture. When dictatorship ended in 1983, Argentines turned to its atrophied judicial system to address the war crimes perpetrated in the previous seven years. However, with the military still a powerful force, 1980s governments bowed to military pressure and legislated impunity laws that destroyed any hopes of judicial retribution. Over a decade after the end of military rule, Argentines in the 1990s sought new means of atonement in commemoration. With anniversaries of the coup coinciding with anniversaries of the first recordings of rock music, and with original rockeros like Charly García and León Gieco still garnering mass audiences, human rights organizations like Las Madres de la Plaza de Mayo and Argentine governments turned to rockeros to animate memory of the dictatorship era. The symbiosis developed between rockeros, Las Madres and Argentine politicians has enabled a commemoration of the Dirty War which recalls only those who suffered at the hands of the military. Ignored in this commemoration are the systemic causes which led to the coup in the first place, guerrilla terrorism, and the uncomfortable fact that many Argentines benefited from the Dirty War era. This study of rock nacional and memory of dictatorship highlights the partisan selections that are being made and illustrates the problems with current commemorative projects in Argentina.
Download or read book Returning to Babel written by Amalia Ran and published by BRILL. This book was released on 2011-10-14 with total page 260 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume offers a re-examination of some of the prevalent paradigms in Latin American Jewish Studies and an instigation to further explorations in this area. It sets out from an interdisciplinary standpoint, comprising literature, culture, history, cinematography, music and visual arts. This collection of articles seeks a wider range of theoretical and disciplinary perspectives concerning Latin American Jewish experiences, and thereby offers a framework for innovative as well as traditional modes of analysis. It elaborates on themes of Jewish identity as represented in the history, cultures and societies of Latin America in the current era of hybridism and transnationalism.
Download or read book Pop Culture in Latin America and the Caribbean written by Elizabeth Gackstetter Nichols and published by Bloomsbury Publishing USA. This book was released on 2015-07-28 with total page 360 pages. Available in PDF, EPUB and Kindle. Book excerpt: This insightful book introduces the most important trends, people, events, and products of popular culture in Latin America and the Caribbean. In recent times, Latin American influences have permeated American culture through music, movies, television, and literature. This sweeping volume serves as a ready-reference guide to pop culture in Central America, South America, and the Caribbean, focusing on Mexico, Brazil, Venezuela, Argentina, Haiti, Cuba, the Dominican Republic, Jamaica, and Costa Rica, among other areas. The work encourages hands-on engagement with the popular culture in these places, making such suggestions as Brazilian films to rent or where to find Venezuelan music on the Internet. To start, the book covers various perspectives and issues of these regions, including the influence of the United States, how the idea of machismo reflects on the portrayal of women in these societies, and the representation of Latino-Caribo cultures in film and other mediums. Entries cover key trends, people, events, and products from the beginning of the 20th century to the present day. Each section gives detailed information and profound insights into some of the more academic—and often controversial—debates on the subject, while the inclusion of the Internet, social media, and video games make the book timely and relevant.
Download or read book The New Latin American Cinema written by Zuzana M. Pick and published by University of Texas Press. This book was released on 2010-01-01 with total page 264 pages. Available in PDF, EPUB and Kindle. Book excerpt: During the 1967 festival of Latin American Cinema in Viña del Mar, Chile, a group of filmmakers who wanted to use film as an instrument of social awareness and change formed the New Latin American Cinema. Nearly three decades later, the New Cinema has produced an impressive body of films, critical essays, and manifestos that uses social theory to inform filmmaking practices. This book explores the institutional and aesthetic foundations of the New Latin American Cinema. Zuzana Pick maps out six areas of inquiry—history, authorship, gender, popular cinema, ethnicity, and exile—and explores them through detailed discussions of nearly twenty films and their makers, including Camila (María Luisa Bemberg), The Guns (Ruy Guerra), and Frida (Paul Leduc). These investigations document how the New Latin American Cinema has used film as a tool to change society, to transform national expressions, to support international differences, and to assert regional autonomy.
Download or read book Performing Commemoration written by Annegret Fauser and published by University of Michigan Press. This book was released on 2020-10-07 with total page 309 pages. Available in PDF, EPUB and Kindle. Book excerpt: Public commemorations of various kinds are an important part of how groups large and small acknowledge and process injustices and tragic events. Performing Commemoration: Musical Reenactment and the Politics of Trauma looks at the roles music can play in public commemorations of traumatic events that range from the Armenian genocide and World War I to contemporary violence in the Democratic Republic of the Congo and the #sayhername protests. Whose version of a traumatic historical event gets told is always a complicated question, and music adds further layers to this complexity, particularly music without words. The three sections of this collection look at different facets of musical commemorations and reenactments, focusing on how music can mediate, but also intensify responses to social injustice; how reenactments and their use of music are shifting (and not always toward greater social effectiveness); and how claims for musical authenticity are politicized in various ways. By engaging with critical theory around memory studies and performance studies, the contributors to this volume explore social justice, in, and through music.
Download or read book Youth Identities and Argentine Popular Music written by P. Semán and published by Springer. This book was released on 2012-04-14 with total page 189 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book analyzes the music that young porteñas/os (the inhabitants of Buenos Aires, Argentina) actually listen to nowadays, which, contrary to well-entrenched stereotypes, is not tango but rock nacional, cumbiaand romantic music. Chapters examine the music and what the Argentinean youth use it to say about themselves.
Download or read book The Argentina Reader written by Gabriela Nouzeilles and published by Duke University Press. This book was released on 2002-12-25 with total page 608 pages. Available in PDF, EPUB and Kindle. Book excerpt: DIVAn interdisciplinary anthology that includes many primary materials never before published in English./div
Download or read book Musicians in Transit written by Matthew B. Karush and published by Duke University Press. This book was released on 2017-01-06 with total page 295 pages. Available in PDF, EPUB and Kindle. Book excerpt: In Musicians in Transit Matthew B. Karush examines the transnational careers of seven of the most influential Argentine musicians of the twentieth century: Afro-Argentine swing guitarist Oscar Alemán, jazz saxophonist Gato Barbieri, composer Lalo Schifrin, tango innovator Astor Piazzolla, balada singer Sandro, folksinger Mercedes Sosa, and rock musician Gustavo Santaolalla. As active participants in the globalized music business, these artists interacted with musicians and audiences in the United States, Europe, and Latin America and contended with genre distinctions, marketing conventions, and ethnic stereotypes. By responding creatively to these constraints, they made innovative music that provided Argentines with new ways of understanding their nation’s place in the world. Eventually, these musicians produced expressions of Latin identity that reverberated beyond Argentina, including a novel form of pop ballad; an anti-imperialist, revolutionary folk genre; and a style of rock built on a pastiche of Latin American and global genres. A website with links to recordings by each musician accompanies the book.
Download or read book The Black History Truth Argentina written by Pamela Gayle and published by Grosvenor House Publishing. This book was released on 2021-09-03 with total page 105 pages. Available in PDF, EPUB and Kindle. Book excerpt: Reviewed by Daniel D Staats for Readers' Favorite - Five Stars. If you like history and/or geography, you will love The Black History Truth: Argentina by Pamela Gayle. The first part of this book is a great introduction to the land of Argentina and its history. Pamela covers the history of this South American country from before the Conquistadors came and destroyed the land as it was. Pamela goes back in history and explains the foundations of chattel slavery. She gives the common beliefs that are espoused by historians, then gives the darker side of the truth. She exposes the fallacies often found in Eurocentric history. Since whites were in charge, they wrote the history and shaded the facts to give credit to the whites instead of natives and Africans. Pamela makes sure to correct many fallacies and give a true accounting of history. In The Black History Truth: Argentina by Pamela Gayle, one learns the heretofore untold stories of the contributions of Africans to Argentina. Pamela wants to boost the usefulness of this book and does so by giving assignments at the end of each chapter. These assignments help the newly learned information to stick in the mind. Pamela does an excellent job of presenting a volatile subject calmly and respectfully. The facts in this book are backed up with the truth behind the myths that have been taught for centuries. One needs to have an open mind as one reads this book. Many of the facts presented by Pamela will be new to most readers. Remember, just because the information is new to you does not mean it is not correct. One refrain you will find in this book is: "Yet, the truth is..."
Download or read book The Future of Memory written by Richard Crownshaw and published by Berghahn Books. This book was released on 2010-11-01 with total page 336 pages. Available in PDF, EPUB and Kindle. Book excerpt: Memory studies has become a rapidly growing area of scholarly as well as public interest. This volume brings together world experts to explore the current critical trends in this new academic field. It embraces work on diverse but interconnected phenomena, such as twenty-first century museums, shocking memorials in present-day Rwanda and the firsthand testimony of the victims of genocidal conflicts. The collection engages with pressing ‘real world’ issues, such as the furor around the recent 9/11 memorial, and what we really mean when we talk about ‘trauma’.
Download or read book Mazal Tov Amigos Jews and Popular Music in the Americas written by Amalia Ran and published by BRILL. This book was released on 2016-01-12 with total page 269 pages. Available in PDF, EPUB and Kindle. Book excerpt: Winner of the Jewish Music Special Interest Group Paper Prize of 2018 Mazal Tov, Amigos! Jews and Popular Music in the Americas seeks to explore the sphere of Jews and Jewishness in the popular music arena in the Americas. It offers a wide-ranging review of new and old trends from an interdisciplinary standpoint, including history, musicology, ethnomusicology, ethnic studies, cultural studies, and even Queer studies. The contribution of Jews to the development of the music industry in the United States, Argentina, or Brazil cannot be measured on a single scale. Hence, these essays seek to explore the sphere of Jews and popular music in the Americas and their multiple significances, celebrating the contribution of Jewish musicians and Jewishness to the development of new musical genres and ideas.
Download or read book Studies on a Global History of Music written by Reinhard Strohm and published by Routledge. This book was released on 2018-04-09 with total page 536 pages. Available in PDF, EPUB and Kindle. Book excerpt: The idea of a global history of music may be traced back to the Enlightenment, and today, the question of a conceptual framework for a history of music that pays due attention to global relationships in music is often raised. But how might a historical interpretation of those relationships proceed? How should it position, or justify, itself? What would 'Western music' look like in an account of music history that aspires to be truly global? The studies presented in this volume aim to promote post-European historical thinking. They are based on the idea that a global history of music cannot be one single, hegemonic history. They rather explore the paradigms and terminologies that might describe a history of many different voices. The chapters address historical practices and interpretations of music in different parts of the world, from Japan to Argentina and from Mexico to India. Many of these narratives are about relations between these cultures and the Western tradition; several also consider socio-political and historical circumstances that have affected music in the various regions. The book addresses aspects that Western musical historiography has tended to neglect even when looking at its own culture: performance, dance, nostalgia, topicality, enlightenment, the relationships between traditional, classical, and pop musics, and the regards croisés between European, Asian, or Latin American interpretations of each other’s musical traditions. These studies have been derived from the Balzan Musicology Project Towards a Global History of Music (2013–2016), which was funded by the International Balzan Foundation through the award of the Balzan Prize in Musicology to the editor, and designed by music historians and ethnomusicologists together. A global history of music may never be written in its entirety, but will rather be realised through interaction, practice, and discussion, in all parts of the world.
Download or read book The Militant Song Movement in Latin America written by Pablo Vila and published by Lexington Books. This book was released on 2014-05-01 with total page 294 pages. Available in PDF, EPUB and Kindle. Book excerpt: Latin America in the 1960s and 1970s underwent a profound and often violent process of social change. From the Cuban Revolution to the massive guerrilla movements in Argentina, Uruguay, Peru, Colombia, and most of Central America, to the democratic socialist experiment of Allende in Chile, to the increased popularity of socialist-oriented parties in Uruguay, or para-socialist movements, such as the Juventud Peronista in Argentina, the idea of social change was in the air. Although this topic has been explored from a political and social point of view, there is an aspect that has remained fairly unexplored. The cultural—and especially musical—dimension of this movement, so vital in order to comprehend the extent of its emotional appeal, has not been fully documented. Without an account of how music was pervasively used in the construction of the emotional components that always accompany political action, any explanation of what occurred in Latin America during that period will be always partial. This bookis an initial attempt to overcome this deficit. In this collection of essays, we examine the history of the militant song movement in Chile, Uruguay, and Argentina at the peak of its popularity (from the mid-1960s to the coup d’états in the mid-1970s), considering their different political stances and musical deportments. Throughout the book, the contribution of the most important musicians of the movement (Violeta Parra, Víctor Jara, Patricio Manns, Quilapayún, Inti-Illimani, etc., in Chile; Daniel Viglietti, Alfredo Zitarrosa, Los Olimareños, etc., in Uruguay; Atahualpa Yupanqui, Horacio Guarany, Mercedes Sosa, Marian Farías Gómez, Armando Tejada Gómez, César Isella, Víctor Heredia, Los Trovadores, etc., in Argentina) are highlighted; and some of the most important conceptual extended oeuvres of the period (called “cantatas”) are analyzed (such as “La Cantata Popular Santa María de Iquique” in the Chilean case and “Montoneros” in the Argentine case). The contributors to the collection deal with the complex relationship that the aesthetic of the movement established between the political content of the lyrics and the musical and performative aspects of the most popular songs of the period.
Download or read book The Routledge Handbook to Spanish Film Music written by Laura Miranda and published by Taylor & Francis. This book was released on 2024-09-12 with total page 384 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Routledge Handbook to Spanish Film Music provides a significant contribution to the research and history of Spanish film music, exploring the interdependence and ways in which discourses of sound and vision are constructed dialogically in Spanish cinema, with contributions from leading international researchers from Spain, the USA, the UK, France and Germany. Offering a multifocal and multidisciplinary study between related areas such as music studies, film studies and Spanish cultural studies, this book is divided into four sections, covering the early years of Spanish cinema; the 1940s and 1950s in Spanish cinema—the first decades of the Franco dictatorship; the importance of Fraga Iribarne’s slogan, “Spain is different,” to promote Spain’s new openness to the world in the 1960s and 1970s; and Spanish cinema since the arrival of democracy in 1978, including discussion of contemporary Spanish cinema. The growing interest in Spanish cinema calls for the publication of studies about the role of music in its political and socio-cultural framework. This is therefore a valuable text for music and film scholars and professionals, university undergraduates and music conservatory students.
Download or read book The Latin American Songbook in the Twentieth Century written by Tânia da Costa Garcia and published by Rowman & Littlefield. This book was released on 2019-08-27 with total page 187 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Latin American Songbook in the Twentieth Century: From Folklore to Militancy takes an unprecedented comparative analysis approach to the complex relationship between popular music and culture, society, and politics in Latin America as it relates to representations of national identity. Tânia da Costa Garcia analyzes archival research in Chile, Brazil and Argentina, which have very similar cultural and political processes. This book is divided into two different parts: the first focuses on how the folk studies movement was legitimized in Chile, Brazil, and Argentina; while the second emphasizes the rich history of how the militant song movement in Spanish America was received, transformed, and transmitted to Brazil in the second half of the twentieth century. This book will be especially useful to scholars of Latin American studies, music studies, cultural studies, and history.
