Download or read book Maria Malibran written by Howard Bushnell and published by Penn State University Press. This book was released on 1979 with total page 296 pages. Available in PDF, EPUB and Kindle. Book excerpt: Maria Garcia Malibran was the "superstar" of nineteenth-century opera--a singer whose colorful career and new vocal style epitomized the age of bel canto. Her roles in works by Rossini, Bellini, and Donizetti performed in the leading opera houses of six countries, a flexible three-octave vocal range, and an impulsively effective acting style made her the object of fierce adulation. Malibran's short and frenetic life--she died suddenly while on tour at age twenty-eight--and her wildly successful career are documented with reviews of her performances and extracts from her prolific correspondence. Her letters give an intimate view of her vivacious personality, her friendships, and her liaisons. Among her correspondents were Vincenzo Bellini, Giuditta Pasta, and Lafayette, who as a friend attempted to create a French divorce law to allow Maria to marry Charles de Bériot, father of her illegitimate son. In addition, we are given a vivid picture of other members of the Garcia family, a remarkable troupe of singers headed by Manuel Garcia, who created the lead role in Rossini's The Barber of Seville. He also led the family troupe in the first American performances of Italian opera and gave Maria an arrogant and dictatorial tutelage that shaped her superb vocal skills.
Download or read book Maria Malibran written by April FitzLyon and published by . This book was released on 1987 with total page 360 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Singing written by Dan Marek and published by Scarecrow Press. This book was released on 2007 with total page 260 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Italian singing technique Bel Canto instructs, "He who knows how to breathe and how to pronounce, knows how to sing." Singing: The First Art incorporates the techniques of Bel Canto along with those of masters like Berton Coffin and Manuel Garcia to promote and facilitate vocal excellence. Many concepts are described, from correct posture and alignment to improving and maintaining proper breathing, from good pronunciation and diction to producing an even, pure tone, and from vocal ranges to singing within and smoothly shifting between vocal registers. Mannes Vocal Faculty member Dan H. Marek effectively breaks down these complicated concepts with clear exercises, helping the vocal student to achieve freedom and complete control over his or her instrument. A primary section on the history of singing stresses the importance of understanding vocal history while inspiring and motivating the student through the experiences of opera stars such as Enrico Caruso, Maria Callas, and Jussi Björling. The second section explains vocal techniques, including the use and proper pronunciation of the IPA (International Phonetic Alphabet), and provides 64 specific exercises with clearly defined goals designed to overcome faults and to develop vocal virtuosity. Complete instructions for transposing the exercises for both male and female voices are included, as well as drawings of the exercises, musical examples from vocal literature, excellent anatomical illustrations by Frank Netter, MD, and copious photographs of opera stars. Singing: The First Art is an invaluable text for students, professionals, singers, conductors, composers, and vocal medical professionals, or anyone interested in understanding and appreciating the vocal art.
Download or read book Alto written by Dan H. Marek and published by Rowman & Littlefield. This book was released on 2016-10-20 with total page 259 pages. Available in PDF, EPUB and Kindle. Book excerpt: Everyone is familiar with the words diva or prima donna, which have come to mean a (usually) outrageous operatic soprano, but there was a time when the star of the show was more often a contralto, or a soprano singing in today's mezzo-soprano range. This performer was referred to as an alto. In the 17th and 18th centuries, the male and female leading roles were likely to be sung by emasculated males, the alto castrati, although there were many great female altos during this period as well. The music for these fantastic artists, written by such composers as Porpora, Vinci, Hasse, and even Handel, has been largely forgotten. At the beginning of the 19th century, as the castrati died out, their roles were often assumed by female altos referred to as musici. New repertoire continued to be written for them by Rossini and others, but gradually, this musical tradition and technique was lost. Now, however, because of the talent and industry of such gifted artists as Marilyn Horne, Cecilia Bartoli, and Joyce DiDonato, and the sudden ease with which the performance of these forgotten works can be obtained, there is a resurgence of interest in the performance and preservation of this lost art. Alto: The Voice of Bel Canto examines the careers of nearly 320 great alto singers, including the great castrati, from the dawn of opera in 1597 to the present. The music of the composers who wrote for the alto voice is discussed along with musical examples and suggestions for listening. The exploration of the greatest altos’ careers and techniques offers inspiration for aspiring young singers as well as absorbing reading for the music lover who wants to know more about the fascinating world of opera.
Download or read book Lafayette in Two Worlds written by Lloyd S. Kramer and published by Univ of North Carolina Press. This book was released on 2000-11-09 with total page 372 pages. Available in PDF, EPUB and Kindle. Book excerpt: Lloyd Kramer offers a new interpretation of the cultural and political significance of the career of the Marquis de Lafayette, which spanned the American Revolution, the French Revolutions of 1789 and 1830, and the Polish Uprising of 1830-31. Moving beyond traditional biography, Kramer traces the wide-ranging influence of Lafayette's public and personal life, including his contributions to the emergence of nationalist ideologies in Europe and America, his extensive connections with liberal political theorists, and his close friendships with prominent writers, many of them women. Kramer places Lafayette on the cusp of the two worlds of America and France, politics and literature, the Enlightenment and the Romantic movement, public affairs and private life, revolution and nationalism, and men and women. He argues that Lafayette's experiences reveal how public figures can symbolize the aspirations of a society as a whole, and he stresses Lafayette's important role in a cultural network of contemporaries that included Germaine de Stael, Benjamin Constant, Frances Wright, James Fenimore Cooper, and Alexis de Tocqueville. History/Biography
Download or read book Opera Anecdotes written by Ethan Mordden and published by Oxford University Press, USA. This book was released on 1988 with total page 284 pages. Available in PDF, EPUB and Kindle. Book excerpt: From backstage squabbles and box-office chicanery to the gallantry and glory of creation, this book of stories unveils a delightful panorama of opera lore. "An opera lover's handbook that should always be near at hand".--Schuyler G. Chapin, Columbia University.
Download or read book Changing the Score written by Hilary Poriss and published by Oxford University Press. This book was released on 2009-08-26 with total page 240 pages. Available in PDF, EPUB and Kindle. Book excerpt: This study seeks to explore the role and significance of aria insertion, the practice that allowed singers to introduce music of their own choice into productions of Italian operas. Each chapter investigates the art of aria insertion during the nineteenth century from varying perspectives, beginning with an overview of the changing fortunes of the practice, followed by explorations of individual prima donnas and their relationship with particular insertion arias: Carolina Ungher's difficulties in finding a "perfect" aria to introduce into Donizetti's Marino Faliero; Guiditta Pasta's performance of an aria from Pacini's Niobe in a variety of operas, and the subsequent fortunes of that particular aria; Maria Malibran's interpolation of Vaccai's final scene from Giulietta e Romeo in place of Bellini's original setting in his I Capuleti e i Montecchi; and Adelina Patti's "mini-concerts" in the lesson scene of Il barbiere di Siviglia. The final chapter provides a treatment of a short story, "Memoir of a Song," narrated by none other than an insertion aria itself, and the volume concludes with an appendix containing the first modern edition of this short story, a narrative that has lain utterly forgotten since its publication in 1849. This book covers a wide variety of material that will be of interest to opera scholars and opera lovers alike, touching on the fluidity of the operatic work, on the reception of the singers, and on the shifting and hardening aesthetics of music criticism through the period.
Download or read book The Chromolithograph written by and published by . This book was released on 1867 with total page 740 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Edinburgh Companion to Contemporary Scottish Poetry written by Matt McGuire and published by Edinburgh University Press. This book was released on 2009-07-03 with total page 240 pages. Available in PDF, EPUB and Kindle. Book excerpt: The last three decades have seen unprecedented flourishing of creativity across the Scottish literary landscape, so that contemporary Scottish poetry constitutes an internationally renowned, award-winning body of work. At the heart of this has been the work of poets. As this poetry makes space for its own innovative concerns, it renegotiates the poetic inheritance of preceding generations. At the same time, Scottish poetry continues to be animated by writing from other places. The Edinburgh Companion to Contemporary Scottish Poetry is the definitive guide to this flourishing poetic scene. Its chapters examine Scottish poetry in all three of the nation's languages. It analyses many thematic preoccupations: tradition and innovation; revolutions in gender; the importance of place; the aesthetic politics of devolution. These chapters are complemented by extended close readings of the work of key poets that have defined this era, including Edwin Morgan, Kathleen Jamie, Don Paterson, Aonghas MacNeacail and John Burnside.
Download or read book The Arts of the Prima Donna in the Long Nineteenth Century written by Rachel Cowgill and published by Oxford University Press, USA. This book was released on 2012-07-12 with total page 415 pages. Available in PDF, EPUB and Kindle. Book excerpt: Female characters assumed increasing prominence in the narrative of 19th and early 20th century opera. This book shines a light on the singers who created and inhabited these roles, the flesh-and-blood women who embodied these fabled doomed women onstage before an audience.
Download or read book Gioachino Rossini written by Denise P. Gallo and published by Psychology Press. This book was released on 2002 with total page 392 pages. Available in PDF, EPUB and Kindle. Book excerpt: A comprehensive annotated bibliography of all the printed materials on Gioachino Rossini, the famous 19th-century composer
Download or read book A Catalogue of the Allen A Brown Collection of Books Relating to the Stage in the Public Library of the City of Boston written by Allen A. Brown Collection (Boston Public Library) and published by Boston : The Trustees. This book was released on 1919 with total page 976 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book London Opera Observed 1711 1844 Volume V written by Michael Burden and published by Taylor & Francis. This book was released on 2024-08-01 with total page 455 pages. Available in PDF, EPUB and Kindle. Book excerpt: The thrust of these five volumes is contained in their title, London Opera Observ’d. It takes its cue from the numerous texts and volumes which — during the seventeenth, eighteenth and nineteenth centuries — used the concept of ‘spying’ or ‘observing’ by a narrator, or rambler, as a means of establishing a discourse on aspects of London life. The material in this five-volume reset edition examines opera not simply as a genre of performance, but as a wider topic of comment and debate. The stories that surrounded the Italian opera singers illuminate contemporary British attitudes towards performance, sexuality and national identity. The collection includes only complete, published material organised chronologically so as to accurately retain the contexts in which the original readers encountered them — placing an emphasis on rare texts that have not been reproduced in modern editions. The aim of this collection is not to provide a history of opera in England but to facilitate the writing of them or to assist those wishing to study topics within the field. Headnotes and footnotes establish the publication information and provide an introduction to the piece, its author, and the events surrounding it or which caused its publication. The notes concentrate on attempting to identify those figures mentioned within the texts. The approach is one of presentation, not interpretation, ensuring that the collection occupies a position that is neutral rather than polemical.
Download or read book The Companion to The Mechanical Muse The Piano Pianism and Piano Music c 1760 1850 written by Derek Carew and published by Routledge. This book was released on 2016-03-23 with total page 494 pages. Available in PDF, EPUB and Kindle. Book excerpt: Intended as a supplement to The Mechanical Muse: The Piano, Pianism and Piano Music, c.1760-1850, this Companion provides additional information which, largely for reasons of space but also of continuity, it was not possible or desirable to include in that volume. The book is laid out alphabetically and full biographical entries are provided for all musical figures mentioned, including composers, performers, theoreticians and teachers, as well as piano makers and publishers of music, within the period covered by The Mechanical Muse. There are also entries on figures of importance from outside the period but whose influence is palpably important within it, such as J.S. Bach. As well as biographical information, all these entries contain lists of principal works and a section on further reading so that readers can follow up people and matters of particular interest. Also included in The Companion are entries devoted to particular works and other information of relevance, such as descriptions of musical forms, characteristics of dances and so on, as well as some technical information on music and explanations of technical terms pertaining to keyboard instruments themselves and to ways of playing them. This Companion is not intended to replace existing reference books such as Grove or Musik in Geschichte und Gegenwart, but will be useful for those who desire to know more about a particular topic and do not necessarily have access to more specialist reference works, or time to visit large or specialist libraries. As such it is indispensable to users of The Mechanical Muse.
Download or read book Opera in Paris 1800 1850 written by Patrick Barbier and published by Hal Leonard Corporation. This book was released on 1995 with total page 268 pages. Available in PDF, EPUB and Kindle. Book excerpt: (Amadeus). This book explores every facet pf Parisian musical life in the glorious first half of the 19th century. Among the composers who chose Paris as a second home were Rossini, Meyerbeer, Bellini, Donizetti, Liszt, and Chopin. HARDCOVER.
Download or read book Garcia the Centenarian and His Times written by Malcolm Sterling Mackinlay and published by . This book was released on 1908 with total page 396 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Servanthood of Song written by Stanley R. McDaniel and published by Wipf and Stock Publishers. This book was released on 2024-05-23 with total page 837 pages. Available in PDF, EPUB and Kindle. Book excerpt: Servanthood of Song is a history of American church music from the colonial era to the present. Its focus is on the institutional and societal pressures that have shaped church song and have led us directly to where we are today. The gulf which separates advocates of traditional and contemporary worship—Black and White, Protestant and Catholic—is not new. History repeatedly shows us that ministry, to be effective, must meet the needs of the entire worshiping community, not just one segment, age group, or class. Servanthood of Song provides a historical context for trends in contemporary worship in the United States and suggests that the current polemical divisions between advocates of contemporary and traditional, classically oriented church music are both unnecessary and counterproductive. It also draws from history to show that, to be the powerful component of worship it can be, music—whatever the genre—must be viewed as a ministry with training appropriate to that. Servanthood of Song provides a critical resource for anyone considering a career in either musical or pastoral ministries in the American church as well as all who care passionately about vital and authentic worship for the church of today.
