Download or read book Mallarm in the Twentieth Century written by Robert Greer Cohn and published by Fairleigh Dickinson Univ Press. This book was released on 1998 with total page 316 pages. Available in PDF, EPUB and Kindle. Book excerpt: Essays on various aspects of the work of the French poet Stephane Mallarme on the centenary of his death (1998).
Download or read book St phane Mallarm Twentieth century Criticism written by D. Hampton Morris and published by . This book was released on 1977 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book St phane Mallarm twentieth century criticism written by Drewry H. Morris and published by . This book was released on 1978 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book St phane Mallarm Twentieth century Criticism written by D. Hampton Morris and published by . This book was released on 1977 with total page 208 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book St phane Mallarm Twentieth century Criticism 1901 1971 written by Drewry Hampton Morris and published by University, Miss. : Romance Monographs, Incorporated. This book was released on 1977 with total page 216 pages. Available in PDF, EPUB and Kindle. Book excerpt: Romance monographs ; no. 25 (er)
Download or read book St phane Mallarm written by Drewry Hampton Morris and published by . This book was released on 1989 with total page 108 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Mallarme s Sunset written by Barnaby Norman and published by Routledge. This book was released on 2017-07-05 with total page 159 pages. Available in PDF, EPUB and Kindle. Book excerpt: The writings of the great Symbolist poet Stephane Mallarme (1842-1898) were to become uniquely influential in twentieth century literary criticism. For critics and philosophers such as Maurice Blanchot and Jacques Derrida, Mallarme's name came to represent a rupture in literary history, and an opening of literature onto a radically new kind of writing. Through close readings of key works, Norman retraces Mallarme's trajectory as a poet, showing in particular how he positioned his work in relation to Hegel's Aesthetics. Analysing the motif of the sunset Norman argues that Mallarme situated his work at the conclusion of the history of art, in Hegelian terms, and it is this that made him so interesting for Blanchot and Derrida. Their readings, born of their wish to subvert Hegel's totalizing impulse, give rise to an entirely new view of works now almost universally seen as masterpieces.
Download or read book Australian Divagations written by Jill Anderson and published by Peter Lang Incorporated, International Academic Publishers. This book was released on 2002 with total page 360 pages. Available in PDF, EPUB and Kindle. Book excerpt: Two revolutionary texts by Stéphane Mallarmé (1842-1898) lie at the heart of this book, the poem Un Coup de dés and the prose collection Divagations. An international team of scholars from Paris to New York explores the multiple connections between Mallarmé and Australia, especially as they are embodied in the works of Sydney poet Chris Brennan (1869-1932), whose writing, according to Mallarmé, offered a «parenté de songe» («a kinship of dream») with his own. With its focus on divagation - or wandering, reverie, and exploration - this book summons forth a Mallarmé seen through a specifically Australian lens, through the focus of a century of critical and creative responses to his work, a Mallarmé whose poetics enfold a particular femininity as well as a particular response to the feminine, and a Mallarmé who possessed the extraordinary gift of seeing inspiring contemporary art.
Download or read book Mallarm in Prose written by Stéphane Mallarmé and published by New Directions Publishing. This book was released on 2001 with total page 164 pages. Available in PDF, EPUB and Kindle. Book excerpt: A number of sections are devoted to Mallarme's great magazine of wit and opinion, La Derniere Mode, or The Latest Fashion, every page of which he wrote himself under various pseudonyms of both genders.
Download or read book Divagations written by Stphane Mallarm and published by Harvard University Press. This book was released on 2009-06-15 with total page 313 pages. Available in PDF, EPUB and Kindle. Book excerpt: "This is a book just the way I don't like them," the father of French Symbolism, Stphane Mallarm, informs the reader in his preface to Divagations: "scattered and with no architecture." On the heels of this caveat, Mallarm's diverting, discursive, and gorgeously disordered 1897 masterpiece tumbles forth--and proves itself to be just the sort of book his readers like most. The salmagundi of prose poems, prose-poetic musings, criticism, and reflections that is Divagations has long been considered a treasure trove by students of aesthetics and modern poetry. If Mallarm captured the tone and very feel of fin-de-sicle Paris, he went on to captivate the minds of the greatest writers of the twentieth century--from Valry and Eliot to Paul de Man and Jacques Derrida. This was the only book of prose he published in his lifetime and, in a new translation by Barbara Johnson, is now available for the first time in English as Mallarm arranged it. The result is an entrancing work through which a notoriously difficult-to-translate voice shines in all of its languor and musicality. Whether contemplating the poetry of Tennyson, the possibilities of language, a masturbating priest, or the transporting power of dance, Mallarm remains a fascinating companion--charming, opinionated, and pedantic by turns. As an expression of the Symbolist movement and as a contribution to literary studies, Divagations is vitally important. But it is also, in Johnson's masterful translation, endlessly mesmerizing.
Download or read book The Poetics of the Occasion written by Marian Zwerling Sugano and published by Stanford University Press. This book was released on 1992 with total page 300 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Although Mallarme is commonly viewed as the high priest of the autonomous work of art, by far the bulk of his actual poetic writing was occasional verse. With few exceptions the works written after 1873 manifest a reinvestment in the world subsequent to the metaphysical crises of the 1860's. In addition to the "Tombeaux," the toasts, and certain of the "Eventails," Mallarme composed the Vers de circonstance, more than 450 quatrains and distichs inscribed on envelopes, postcards, calling cards, Easter eggs, small stones, photographs, and jugs of Calvados. This is the first comprehensive reading and analysis of the neglected late poetry, heretofore dismissed as of marginal interest." "This book has a dual purpose. By exploring the occasional verse of Mallarme, which itself thematizes the problematics of the occasion, the author seeks to rehabilitate such writing for critical study. She does this not by proclaiming its high seriousness, but by insisting on its casual, amenable, public nature. Unlike previous critics, who have often apologized for straying into the fringes of the canon, the author delights in the marginal, insisting that in a poetics of the occasion, traditional oppositions such as center/margin become skewed and break down." "The author's second purpose is to come to a better understanding of Mallarme in light of what he actually wrote, rather than the work projected in his correspondence and prose articles, which has claimed so much critical attention. Each of the chapters of the book highlights one aspect of occasional poetry through an investigation of representative texts, both canonical and occasional. The author also discusses the relationship between Mallarme's poetics and the plastic arts, tracing the changing conception of the representation of the monument from the nineteenth to the twentieth century, as well as the correspondences between the more radical aspects of Mallarme's practice of writing and the contemporary arts." "Far more than a study of a single writer, this book is the first to propose a pragmatic definition of occasional literature, to undertake a broad study of the problem of occasion in literature, and to trace the historical trajectory of occasional writing as a specific discourse. The book is illustrated with 27 halftones."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Download or read book Mallarm nd Wagner Music and Poetic Language written by Heath Lees and published by Routledge. This book was released on 2017-07-05 with total page 294 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book challenges and replaces the existing view of Mallarm? mission to 're-possess' music on behalf of poetic language. Traditionally, this view focused on only the last fifteen years of the poet's life, and sprang from a belief in Mallarm? 'sudden awakening' to music during an all-Wagner concert in Paris, in 1885. Professor Heath Lees shows that Mallarm? early knowledge and experience of music was much greater than commentators have realized, and that the French poet actually began his writing career with the explicit aim of making music's performance-language of 'effect' the ground of his poetic expression. Integral to the argument is Mallarm? reaction to the work and ideas of Richard Wagner, whose impact on France came in two waves: the first broke during the tempestuous 1860s days of the Paris Tannh?er, while the second arrived in the mid-1880s, and gave birth to the Revue Wagn?enne. In refuting the critical literature that focuses on only the second of these waves, Lees shows that Mallarm?xhibited a highly informed Wagnerian background during the first wave, and that his grasp of the composer's gestural motives and flexible musical prose led him towards a new kind of self-expressive, gestural rhythm that aimed musically to reinvent poetic language. In support of this, the book examines closely what Wagner 'really' said in the prose works that were becoming known in Paris by the 1860s, in particular, Wagner's important French text, the Lettre sur la musique. It also re-examines Baudelaire's classic Wagner-brochure, and reveals its author's surprisingly firm grasp of Wagner's musico-poetic fusion. In musically informed commentary, Professor Lees surveys the four decades of success and failure that resulted from Mallarm? repeated attempts to draw out the musical gestures and resonances of words alone. In the process, he throws new light on many of Mallarm? best-known texts, hitherto judged 'difficult' by those who have failed to
Download or read book Performance in the Texts of Mallarm written by Mary Lewis Shaw and published by Penn State Press. This book was released on 1993-03-01 with total page 293 pages. Available in PDF, EPUB and Kindle. Book excerpt: Performance in the Texts of Mallarmé offers a new theory of performance in the poetic and critical texts of Stephane Mallarmé, a theory challenging the prevailing interpretation of his work as epitomizing literary purism and art for art's sake. Following an analytical presentation of the concepts of ritual and performance generally applied, Mary Shaw shows that Mallarmé perceived music, dance, and theater as ideal languages of the body and therefore as ideal forms of ritual through which to supplement and celebrate poetic texts. She focuses on previously unexplored references to supplementary, extratextual performances in four of Mallarmé's major poetic texts—Herodiade, L'après-midi d'un faune, Igitur, and Un coup de des—revealing the consistent formal expression of his original conception of literature's relationship to the performing arts. Shaw then discusses Mallarmé's monumental project, Le Livre, a metaphysical book designed to be performed in a series of ritual celebrations. She analyzes and describes the intrinsic structure and contents of this unfinished work as the fullest realization of the text-performance relationship elaborated throughout Mallarmé's corpus. Shaw offers Le Livre as a prototype of avant-garde performance, drawing important parallels between Mallarmé's literary experimentation and crucial developments in twentieth-century arts.
Download or read book Mallarm and the Art of Being Difficult written by Malcolm Bowie and published by Cambridge University Press. This book was released on 1978-06-22 with total page 209 pages. Available in PDF, EPUB and Kindle. Book excerpt: Mallarmé is widely regarded as one of the most original and distinctively modern writers of the late nineteenth century. At the same time, his fame is accompanied by a certain notoriety, and his works are often thought of as unnecessarily complicated. In this study Malcolm Bowie shows that difficulty is of the essence in a number of Mallarmé's major works, notably 'Prose pour des Esseintes' and Un Coup de dés jamais n'abolira le hasard. He argues that the poems are difficult because they are concerned with complex metaphysical questions and with speculative states of mind. Their closely interwoven multiple meanings, their intricate word-play and sound-patterning invite us to read inventively on many levels at once. Professor Bowie discusses difficulty as a general critical problem, analyses several major poems in detail, and calls attention to a number of techniques for the analysis of verse. He directs the reader away from the question 'What does this poem mean?' and towards the question 'How can this poem be read fully and with enjoyment?'. The book contains the complete text of the main poems discussed.
Download or read book Collected Poems written by Sta1/2phane Mallarma1/2 and published by . This book was released on 1994 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Weinfield's versions are superb--true miracles, I believe--and give us the flavor of Mallarme's work for the first time."--Paul Auster, Editor, The Random House Book of 20th-Century French Poetry
Download or read book Collected Poems written by Stéphane Mallarmé and published by Univ of California Press. This book was released on 2011-01-15 with total page 304 pages. Available in PDF, EPUB and Kindle. Book excerpt: In this classic tale, Richard Kim paints seven vivid scenes from a boyhood and early adolescence in Korea at the height of the Japanese occupation, 1932 to 1945. Taking its title from the grim fact that the occupiers forced the Koreans to renounce their own names and adopt Japanese names instead, the book follows one Korean family through the Japanese occupation to the surrender of the Japanese empire. Lost Names is at once a loving memory of family and a vivid portrayal of life in a time of anguish.
Download or read book Situating Mallarm written by David P. Kinloch and published by Peter Lang Limited, International Academic Publishers. This book was released on 2000 with total page 208 pages. Available in PDF, EPUB and Kindle. Book excerpt: Since his death just over a century ago, Stéphane Mallarmé has become a major figure in world literature. Over this period, Mallarmé criticism has tended to concentrate on two aspects of his work. Firstly on textual analysis in order to tackle the difficulty of his writing and secondly, thanks to the interest shown in him by figures such as Barthes, Derrida, Kristeva and Lacan, on his theoretical writings. Indeed, this particular part of his oeuvre has somewhat dominated Mallarmé studies in the last thirty years. This book adopts a new approach by attempting to contextualise Mallarmé's creative writing in terms of his relationships with other art forms, other writers and indeed other cultures. At the same time one of his own key obsessions with death is also reassessed, as is his relationship to the society of his time. Mallarmé's ambitious project was to exploit the potential of dance, music and painting as well as poetry in order to produce an artistic monument for the modern post-industrial age. Experts from all of these fields have therefore combined with literary specialists in order to adopt an interdisciplinary and comparative approach to Mallarmé's work which marks a bold and exciting new departure in Mallarmé studies.
