Download or read book Lettres de Adrienne Lecouvreur written by Adrienne Lecouvreur and published by . This book was released on 1892 with total page 316 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Lettres de Adrienne LeCouvreur written by Adrienne Le Couvreur and published by . This book was released on 1979 with total page 302 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Bibliography of Eighteenth Century Art and Illustrated Books written by J. Lewine and published by . This book was released on 1898 with total page 722 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Cyclopedia of Music Musicians written by John Denison Champlin and published by . This book was released on 1893 with total page 508 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Dictionary of Films written by Georges Sadoul and published by Berkeley : University of California Press. This book was released on 1972 with total page 432 pages. Available in PDF, EPUB and Kindle. Book excerpt: Lists significant international films, with brief plot summaries, critical analyses, and listings of producers, directors, and actors

Download or read book Tales and Novels written by Jean de La Fontaine and published by . This book was released on 1929 with total page 296 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book The Operas of Charles Gounod written by Steven Huebner and published by Oxford [England] : Clarendon Press ; Toronto : Oxford University Press. This book was released on 1990 with total page 342 pages. Available in PDF, EPUB and Kindle. Book excerpt: Gounod was the leading opera composer in France in the mid-nineteenth century, and his best-known operas, including Faust and Romeo and Juliette, date from that time. Despite the overwhelming success of Faust and Gounod's immense influence on all French composers of the later nineteenth century, he has been virtually ignored by scholars until now. Huebner here charts the composer's career and deals with each of the major operas, discussing not only the music but also the critical reception and source material. He considers aspects of the composer's musical style and outlines his influence on subsequent generations of composers.

Download or read book Musical Encounters at the 1889 Paris World s Fair written by Annegret Fauser and published by Boydell & Brewer. This book was released on 2005 with total page 417 pages. Available in PDF, EPUB and Kindle. Book excerpt: The 1889 Exposition universelle in Paris is famous as a turning point in the history of French music, and modern music generally. This book explores the ways in which music was used, exhibited, listened to, and written about during the Exposition universelle. It also reveals the sociopolitical uses of music in France during the 19th century.

Download or read book Composing the Citizen written by Jann Pasler and published by Univ of California Press. This book was released on 2009 with total page 812 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Jann Pasler's remarkable Composing the Citizen reaches well beyond what any book concerned with music in society has ever attempted. Concentrating on France of the Third Republic, from the 1870s through the early 1900s, she demonstrates convincingly how music--whether new, old, popular, or élite, whether performed at institutions of state (such as the Opéra), the Folies Bergère, concert halls, or the zoo--helped to redefine what it meant to be French under evolving political circumstances. Equally adept in the languages of history, sociology, political science, reception history, and music analysis, Pasler establishes music's cultural significance and implicitly illuminates the role it can still play in countries like the United States."--Philip Gossett, The University of Chicago and University of Rome, La Sapienza "Composing the Citizen offers nothing less than a new paradigm for the study of musical cultures. Rather than forcing French music into the moulds developed for the Austro-German canon, Pasler simply studies the social uses of music in fin-de-siècle France. Her painstaking archival research allows her to present an astonishingly detailed account of musical practices, tastes, and activities; new names and genres come to the fore to engage in a variety of dynamic artistic scenes most of us never knew--or only thought we did by virtue of having read Proust. A masterwork of a scholar at the very peak of her career."--Susan McClary, MacArthur Fellow 1995 and author of Georges Bizet: Carmen and Modal Subjectivities: Self-Fashioning in the Italian Madgrigal "Utilité publique: a common-sense republican notion of sweeping consequence. In this greatly anticipated volume Jann Pasler uses it as touchstone, showing how and why musical life so mattered in Third-Republic France: layer after layer of it, in a journey that takes us past the Opéra and Conservatoire to the pops concerts, department stores, the zoo, the world's fairs, the overseas colonies. Companionable as a well-worn Baedeker, seductive as Roger Shattuck's The Banquet Years, this exquisitely styled and paced achievement is also a compelling read."--D. Kern Holoman, author of Berlioz and The Société des Concerts du Conservatoire, 1828-1967

Download or read book French Music Culture and National Identity 1870 1939 written by Barbara L. Kelly and published by University Rochester Press. This book was released on 2008 with total page 300 pages. Available in PDF, EPUB and Kindle. Book excerpt: Heroism, art, and new media : France and identity formation. Unifying the French nation : Savorgnan de Brazza and the Third Republic / Edward Berenson ; New media, source-bonding, and alienation : listening at the 1889 Exposition Universelle / Annegret Fauser ; Debussy and the making of a musicien français : Pelléas, the press, and World War I / Barbara L. Kelly ; A bas Wagner! : the French press campaign against Wagner during World War I / Marion Schmid -- Canon, style, and political alignment. D'Indy's Beethoven / Steven Huebner ; Messidor : republican patriotism and the French revolutionary tradition in Third Republic opera / James Ross ; The symphony and national identity in early twentieth-century France / Brian Hart ; Transcending the word? : religion and music in Gauguin's quest for abstraction / Debora Silverman ; Jolivet's search for a new French voice : spiritual otherness in Mana (1935) / Deborah Mawer -- Regionalism. Rameau in late nineteenth-century Dijon : memorial, festival, fiasco / Katharine Ellis ; Becoming Alsatian : anti-German and pro-French cultural propaganda in Alsace, 1898-1914 / Detmar Klein ; National identity and the double border in Lorraine, 1870-1914 / Didier Francfort.

Download or read book Satie the Bohemian written by Steven Moore Whiting and published by Clarendon Press. This book was released on 1999-02-18 with total page 610 pages. Available in PDF, EPUB and Kindle. Book excerpt: Erik Satie (1866-1925) came of age in the bohemian subculture of Montmartre, with its artists' cabarets and cafés-concerts. Yet apologists have all too often downplayed this background as potentially harmful to the reputation of a composer whom they regarded as the progenitor of modern French music. Whiting argues, on the contrary, that Satie's two decades in and around Montmartre decisively shaped his aesthetic priorities and compositional strategies. He gives the fullest account to date of Satie's professional activities as a popular musician, and of how he transferred the parodic techniques and musical idioms of cabaret entertainment to works for concert hall. From the esoteric Gymnopédies to the bizarre suites of the 1910s and avant-garde ballets of the 1920s (not to mention music journalism and playwriting), Satie's output may be daunting in its sheer diversity and heterodoxy; but his radical transvaluation of received artistic values makes far better sense once placed in the fascinating context of bohemian Montmartre.

Download or read book French Opera at the Fin de Si cle written by Steven Huebner and published by Oxford University Press. This book was released on 2006-02-02 with total page 552 pages. Available in PDF, EPUB and Kindle. Book excerpt: This is the first book-length study of the rich operatic repertory written and performed in France during the last two decades of the nineteenth century. Steven Huebner gives an accessible and colorful account of such operatic favorites as Manon and Werther by Massenet, Louise by Charpentier, and lesser-known gems such as Chabrier's Le Roi malgré lui and Chausson's Le Roi Arthus.

Download or read book Writing through Music written by Jann Pasler and published by Oxford University Press. This book was released on 2007-12-12 with total page 528 pages. Available in PDF, EPUB and Kindle. Book excerpt: Drawing on a passion for music, a remarkably diverse interdisciplinary toolbox, and a gift for accessible language that speaks equally to scholars and the general public, Jann Pasler invites us to read as she writes "through" music, unveiling the forces that affect our sonic encounters. In an extraordinary collection of historical and critical essays, some appearing for the first time in English, Pasler deconstructs the social, moral, and political preoccupations lurking behind aesthetic taste. Arguing that learning from musical experience is vital to our understanding of past, present, and future, Pasler's work trenchantly reasserts the role of music as a crucial contributor to important public debates about who we can be as individuals, communities, and nations. The author's wide-ranging and perceptive approaches to musical biography and history challenge us to rethink our assumptions about important cultural and philosophical issues including national identity and postmodern musical hybridity, material culture, the economics of power, and the relationship between classical and popular music. Her work uncovers the self-fashioning of modernists such as Vincent d'Indy, Augusta Holm?s, Jean Cocteau, and John Cage, and addresses categories such as race, gender, and class in the early 20th century in ways that resonate with experiences today. She also explores how music uses time and constructs narrative. Pasler's innovative and influential methodological approaches, such as her notion of "question-spaces," open up the complex cultural and political networks in which music participates. This provides us with the reasons and tools to engage with music in fresh and exciting ways. In these thoughtful essays, music--whether beautiful or cacophonous, reassuring or seemingly incomprehensible--comes alive as a bearer of ideas and practices that offers deep insights into how we negotiate the world. Jann Pasler's Writing through Music brilliantly demonstrates how music can be a critical lens to focus the contemporary critical, cultural, historical, and social issues of our time.

Download or read book Aliens in Wonderland written by Alpha and published by . This book was released on 2010-02 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: An informative in-depth look at the lives of several extraterrestrials (E.T.'s), Extraterrestrial Biological Entities (E.B.E.'s ), and aliens, what their lives are like on their planets in their galaxies, what their spaceships are like, and how they are connected to us here on Earth. In addition, the book delves into how they are important to our religion and military strength. This novel also looks at some historical revelations, future predictions, and current happenings including an interesting collection of anecdotes regarding an ex-CIA agent who gets his wishes granted. It's the author's intention to, at the very least, bridge the gaps that exist between the religions of our generation. One gap is between our present long standing accepted knowledge of our concept of God, and our comprehensible real God. As well, a gap exists between how we are told we should interpret and demonstrate the meaning of God and how we show our faith and prove our belief in the living Creator. These are some things that the author thinks everyone needs to know about God, Satan, and UFOs. This book has been a long time in the making, twenty years, but somehow it still manages to remain ahead of its time, in most cases.

Download or read book Cyclopedia of Music and Musicians Naaman Zwillingsbr der written by John Denison Champlin and published by . This book was released on 1890 with total page 720 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book The Composer As Intellectual written by Jane F. Fulcher and published by Oxford University Press. This book was released on 2005-08-25 with total page 488 pages. Available in PDF, EPUB and Kindle. Book excerpt: In The Composer as Intellectual, musicologist Jane Fulcher reveals the extent to which leading French composers between the World Wars were not only aware of but also engaged intellectually and creatively with the central political and ideological issues of the period. Employing recent sociological and historical insights, she demonstrates the extent to which composers, particularly those in Paris since the Dreyfus Affair, considered themselves and were considered to be intellectuals, and interacted closely with intellectuals in other fields. Their consciousness raised by the First World War and the xenophobic nationalism of official culture, some joined parties or movements, allying themselves with and propagating different sets of cultural and political-social goals. Fulcher shows how these composers furthered their ideals through the specific language and means of their art, rejecting the dominant cultural exclusions or constraints of conservative postwar institutions and creatively translating their cultural values into terms of form and style. This was not only the case with Debussy in wartime, but with Ravel in the twenties, when he became a socialist and unequivocally refused to espouse a narrow, exclusionary nationalism. It was also the case with the group called "Les Six," who responded culturally in the twenties and then politically in the thirties, when most of them supported the programs of the Popular Front. Others could not be enthusiastic about the latter and, largely excluded from official culture, sought out more compatible movements or returned to the Catholic Church. Like many French Catholics, they faced the crisis of Catholicism in the thirties when the church not only supported Franco, but Mussolini's imperialistic aggression in Ethiopia. While Poulenc embraced traditional Catholicism, Messiaen turned to more progressive Catholic movements that embraced modern art and insisted that religion must cross national and racial boundaries. Fulcher demonstrates how closely music had become a field of clashing ideologies in this period. She shows also how certain French composers responded, and how their responses influenced specific aspects of their professional and stylistic development. She thus argues that, from this perspective, we can not only better understand specific aspects of the stylistic evolution of these composers, but also perceive the role that their art played in the ideological battles and in heightening cultural-political awareness of their time.

Download or read book The Birth of the Ballets Russes written by Peter Lieven and published by . This book was released on 2010-08 with total page 377 pages. Available in PDF, EPUB and Kindle. Book excerpt: Every so often there occurs a revolution in one or more of the arts that proves to be not only an exciting occurrence at the time but also makes a lasting contribution to the future of art in general. The Italian Renaissance and the rise of Romanticism are prime examples of this; for ballet the birth of Ballets Russes was also such a time. Never before have so many talented people seemed to get together in one place to produce such a monumental achievement in the history of ballet. This book, which chronicles the birth of Ballets Russes, abounds with the names of Nijinsky, Stravinsky, Karsavina, Bakst, Diaghilev, Pavlova, Benois, and many others immortal for their contribution to this movement. Prince Peter Lieven, who knew these people at first hand and witnessed many of the events he relates, instills in the reader the excitement and fervor that all those involved must have felt in conceiving and creating this new and dramatic school of dance. It began in 1909 when a rather humble Russian ballet company travelled to Paris under the direction of Serge Diaghileff. Their performances of "Les Sylphides," "Cleopatre," and "Le Pavilion d'Armide" marked radical departures from the old Imperial Ballet, and soon they were the rage of Paris. Each following season brought the company increased success with such performances as Stravinsky's "Firebird," "Petrushka," and in 1913 the revo lutionary "Rite of Spring" with the now famous Nijinsky, who seemed to defy the law of gravity when he leaped into the air. Prince Lieven shows how Ballets Russes rose from the Imperial Ballet and chronicles its demise after 1914. Short biographies of major personalities as well as accounts of various historic performances are included. Everyone from the ardent follower of ballet to those with only a casual interest in the art will find this book thoroughly engrossing. Prince Lieven takes the reader behind the scenes to become part of the scandals, the quarrels, the reconciliations, and the exciting successes that were part of this movement that changed the entire course of ballet history.