Download or read book New Letters of Hector Berlioz written by Hector Berlioz and published by . This book was released on 1974 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book The Energetics of Development written by Lester George Barth and published by . This book was released on 1954 with total page 166 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Two Essays written by Henry Carter Adams and published by New York : A. M. Kelley. This book was released on 1969 with total page 232 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Ancilla to Classical Reading written by Moses Hadas and published by . This book was released on 1954 with total page 424 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book The Question of Jean Jacques Rousseau written by Ernst Cassirer and published by Bloomington, Indiana U. P. This book was released on 1963 with total page 152 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book The Algebraic Theory of Spinors written by Claude Chevalley and published by . This book was released on 1976 with total page 128 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Enlightenment Orpheus written by Vanessa Agnew and published by Oxford University Press. This book was released on 2008-05 with total page 278 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Enlightenment saw a critical engagement with the ancient idea that music carries certain powers - it heals and pacifies, civilizes and educates. Yet this interest in musical utility seems to conflict with larger notions of aesthetic autonomy that emerged at the same time. In Enlightenment Orpheus, Vanessa Agnew examines this apparent conflict, and provocatively questions the notion of an aesthetic-philosophical break between the eighteenth and nineteenth centuries.Agnew persuasively connects the English traveler and music scholar Charles Burney with the ancient myth of Orpheus. She uses Burney as a guide through wide-ranging discussions of eighteenth-century musical travel, views on music's curative powers, interest in non-European music, and concerns about cultural identity. Arguing that what people said about music was central to some of the great Enlightenment debates surrounding such issues as human agency, cultural difference, and national identity, Agnew adds a new dimension to postcolonial studies, which has typically emphasized the literary and visual at the expense of the aural. She also demonstrates that these discussions must be viewed in context at the era's broad and well-entrenched transnational network, and emphasizes the importance of travel literature in generating knowledge at the time.A new and radically interdisciplinary approach to the question of the power of music - its aesthetic and historical interpretations and political uses - Enlightenment Orpheus will appeal to students and scholars in historical musicology, ethnomusicology, German studies, eighteenth-century history, and comparative studies.

Download or read book Music Criticism in Nineteenth Century France written by Katharine Ellis and published by Cambridge University Press. This book was released on 1995-09-14 with total page 18 pages. Available in PDF, EPUB and Kindle. Book excerpt: In particular, Dr Ellis considers the music journalism of the Revue et Gazette musicale de Paris, the single most important specialist periodical of the mid nineteenth century, explaining how French music criticism was influenced by aesthetic and philosophical movements.

Download or read book Human Nature Cultural Diversity and the French Enlightenment written by Henry Vyverberg and published by Oxford University Press, USA. This book was released on 1989 with total page 236 pages. Available in PDF, EPUB and Kindle. Book excerpt: In this work, Henry Vyverberg traces the evolution and consequences of a crucial idea in French Enlightenment thought--the idea of human nature. Human nature was commonly seen as a broadly universal, unchanging entity, though perhaps modifiable by geographical, social, and historical factors. Enlightenment empiricism suggested a degree of cultural diversity that has often been underestimated in studies of the age. Evidence here is drawn from Diderot's celebrated Encyclopedia and from a vast range of writing by such Enlightenment notables as Voltaire, Rousseau, and d'Holbach. Vyverberg explains not only the age's undoubted fascination with uniformity in human nature, but also its acknowledgment of significant limitations on that uniformity. He shows that although the Enlightenment's historical sense was often blinkered by its notions of a uniform human nature, there were also cracks in this concept that developed during the Enlightenment itself.

Download or read book Music and the Exotic from the Renaissance to Mozart written by Ralph P. Locke and published by Cambridge University Press. This book was released on 2015-05-07 with total page 473 pages. Available in PDF, EPUB and Kindle. Book excerpt: During the years 1500–1800, European performing arts reveled in a kaleidoscope of Otherness: Middle-Eastern harem women, fortune-telling Spanish 'Gypsies', Incan priests, Barbary pirates, moresca dancers, and more. In this prequel to his 2009 book Musical Exoticism, Ralph P. Locke explores how exotic locales and their inhabitants were characterized in musical genres ranging from instrumental pieces and popular songs to oratorios, ballets, and operas. Locke's study offers new insights into much-loved masterworks by composers such as Cavalli, Lully, Purcell, Rameau, Handel, Vivaldi, Gluck, and Mozart. In these works, evocations of ethnic and cultural Otherness often mingle attraction with envy or fear, and some pieces were understood at the time as commenting on conditions in Europe itself. Locke's accessible study, which includes numerous musical examples and rare illustrations, will be of interest to anyone who is intrigued by the relationship between music and cultural history, and by the challenges of cross-cultural (mis)understanding.

Download or read book Music Musicians and the Saint Simonians written by Ralph P. Locke and published by University of Chicago Press. This book was released on 1986-05 with total page 440 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Saint-Simonians, whose movement flourished in France between 1825 and 1835, are widely recognized for their contributions to history and social thought. Until now, however, no full account has been made of the central role of the arts in their program. In this skillful interdisciplinary study, Ralph P. Locke describes and documents the Saint-Simonians' view of music as an ideological tool and the influence of this view on musical figures of the day. The disciples of Claude Henri de Rouvroy, comte de Saint-Simon, believed that increased industrial production would play a crucial role in improving the condition of the working masses and in shifting power from the aristocratic "drones" to the enterprising men of talent then rising in the French middle class. As a powerful means of winning support for their views, music became an integral part of the Saint-Simonians' writings and ceremonial activities. Among the musicians Locke discusses are Berlioz, Liszt, and Mendelssohn, whose tangential association with the Saint-Simonians reveals new aspects of their social and aesthetic views. Other musicians became the Saint-Simonians' faithful followers, among them Jules Vinçard, Dominique Tajan-Rogé, and particularly Félicien David, the movement's principal composer. Many of these composers' works, reconstructed by Locke from authentic sources, are printed here, including the "Premier Chant des industriels," written at Saint-Simon's request by Rouget de Lisle, composer of the "Marseillaise."

Download or read book Italian Opera in the Age of the American Revolution written by Pierpaolo Polzonetti and published by Cambridge University Press. This book was released on 2011-03-17 with total page 397 pages. Available in PDF, EPUB and Kindle. Book excerpt: Polzonetti reveals how revolutionary America inspired eighteenth-century European audiences, and how it can still inspire and entertain us.

Download or read book Political Censorship written by Robert Justin Goldstein and published by Taylor & Francis. This book was released on 2001 with total page 594 pages. Available in PDF, EPUB and Kindle. Book excerpt: This anthology examines Love's Labours Lost from a variety of perspectives and through a wide range of materials. Selections discuss the play in terms of historical context, dating, and sources; character analysis; comic elements and verbal conceits; evidence of authorship; performance analysis; and feminist interpretations. Alongside theater reviews, production photographs, and critical commentary, the volume also includes essays written by practicing theater artists who have worked on the play. An index by name, literary work, and concept rounds out this valuable resource.

Download or read book Music Travel and Imperial Encounter in 19th Century France written by Ruth Rosenberg and published by Routledge. This book was released on 2014-09-19 with total page 235 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book considers the activities and writings of early song collectors and proto-ethnomusicologists, memoirists, and other "musical travelers" in 19th-century France. Each of the book’s discrete but interrelated chapters is devoted to a different geographic and discursive site of empire, examining French representations of musical encounters in North America, the Middle East, as well as in contested areas within the borders of metropolitan France. Rosenberg highlights intersections between an emergent ethnographie musicale in France and narratives of musical encounter found in French travel literature, connecting both phenomena to France’s imperial aspirations and nationalist anxieties in the period from the Revolution to the late-nineteenth century. It is therefore an excellent research tool for scholars in the fields of ethnomusicology, musicology, cultural studies, literary history, and postcolonial studies.

Download or read book Mendelssohn written by R. Larry Todd and published by Oxford University Press. This book was released on 2003-10-23 with total page 748 pages. Available in PDF, EPUB and Kindle. Book excerpt: An extraordinary prodigy of Mozartean abilities, Felix Mendelssohn Bartholdy was a distinguished composer and conductor. Now, in the first major Mendelssohn biography to appear in decades, Todd offers a remarkably fresh account of this musical giant.

Download or read book The Sounds of Place written by Denise Von Glahn and published by University of Illinois Press. This book was released on 2021-09-14 with total page 569 pages. Available in PDF, EPUB and Kindle. Book excerpt: Composers like Charles Ives, Duke Ellington, Aaron Copland, and Ellen Taaffe Zwilich created works that indelibly commemorated American places. Denise Von Glahn analyzes the soundscapes of fourteen figures whose "place pieces" tell us much about the nation's search for its own voice and about its ever-changing sense of self. She connects each composer's feelings about the United States and their reasons for creating a piece to the music, while analyzing their compositional techniques, tunes, and styles. Approaching the compositions in chronological order, Von Glahn reveals how works that celebrated the wilderness gave way to music engaged with humanity's influence--benign and otherwise--on the landscape, before environmentalism inspired a return to nature themes in the late twentieth century. Wide-ranging and astute, The Sounds of Place explores high art music's role in the making of national myth and memory.

Download or read book Music Theater and Cultural Transfer written by Annegret Fauser and published by University of Chicago Press. This book was released on 2009-12-15 with total page 450 pages. Available in PDF, EPUB and Kindle. Book excerpt: Opera and musical theater dominated French culture in the 1800s, and the influential stage music that emerged from this period helped make Paris, as Walter Benjamin put it, the “capital of the nineteenth century.” The fullest account available of this artistic ferment and its international impact, Music, Theater, and Cultural Transfer explores the diverse institutions that shaped Parisian music and extended its influence across Europe, the Americas, and Australia. The contributors to this volume, who work in fields ranging from literature to theater to musicology, focus on the city’s musical theater scene as a whole rather than on individual theaters or repertories. Their broad range enables their collective examination of the ways in which all aspects of performance and reception were affected by the transfer of works, performers, and management models from one environment to another. By focusing on this interplay between institutions and individuals, the authors illuminate the tension between institutional conventions and artistic creation during the heady period when Parisian stage music reached its zenith.